{"id":11178,"date":"2021-04-16T06:51:14","date_gmt":"2021-04-16T04:51:14","guid":{"rendered":"https:\/\/tonalibus.org\/?page_id=11178"},"modified":"2023-01-16T06:38:33","modified_gmt":"2023-01-16T05:38:33","slug":"pro-reg-tonalities","status":"publish","type":"page","link":"https:\/\/tonalibus.org\/de\/tonalities\/pro-reg-tonalities\/","title":{"rendered":"Pro- & Reg-Tonalit\u00e4ten"},"content":{"rendered":"

Verankerte Pro(gressive) und Reg(ressive) Tonalit\u00e4ten<\/mark><\/h2>\n\n\n\n
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Pro(gressiv)<\/a><\/div>\n\n\n\n
Reg(ressiv)<\/a><\/div>\n\n\n\n
Abbildungen<\/a><\/div>\n\n\n\n
Merkmale<\/a><\/div>\n<\/div>\n\n\n\n
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Progressiv verankert<\/mark><\/h2>\n\n\n\n
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Lyd\u00c4olisch oder HeptaNa<\/a><\/div>\n\n\n\n
LydReach oder NaReach<\/a><\/div>\n\n\n\n
LydDorisch oder ClusterPro<\/a><\/div>\n\n\n\n
Lydisch<\/a><\/div>\n\n\n\n
HexaNa<\/a><\/div>\n\n\n\n
NaUploReach<\/a><\/div>\n\n\n\n
HexaProMin<\/a><\/div>\n\n\n\n
HexaProReach<\/a><\/div>\n\n\n\n
PentaProLa oder PentaIon<\/a><\/div>\n\n\n\n
HexaProMix<\/a><\/div>\n\n\n\n
HexaProMaj<\/a><\/div>\n\n\n\n
PentaPro oder PentaNa<\/a><\/div>\n<\/div>\n\n\n\n

Regressiv verankert<\/mark><\/h2>\n\n\n\n
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Lokrisch<\/a><\/div>\n\n\n\n
BlueUp<\/a><\/div>\n\n\n\n
PentaReg oder PentaPhryg<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

Abbildungen<\/mark><\/h2>\n\n\n
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Tonalibus 1e-3 tonalities – 2023-01 – 75<\/div>
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Tonalibus 1e-3 tonalities – 2023-02 – 79x<\/div>
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Auf der Seite <\/mark>Tonalit\u00e4ten<\/mark><\/a>, findest du eine Auflistung aller im Katalog enthaltenen verankerten Tonalit\u00e4ten mit einer Gegen\u00fcberstellung ihrer Tonleiter-Muster sowie eine allgemeine \u00dcbersicht \u00fcber die Tonh\u00f6hen-Verteilungs-Muster.<\/mark><\/p>\n\n\n\n

Merkmale der Pro- und Reg-Tonalit\u00e4ten<\/mark><\/h2>\n\n\n\n

Pro-Tonalit\u00e4ten lassen die regressive Quarte weg und sind somit nur progressiv verankert. Andererseits lassen Reg-Tonarten die progressive Quinte weg und sind somit nur regressiv verankert. Daher sind Tonalit\u00e4ten dieser beiden Arten teilweise, nicht vollst\u00e4ndig verankert. <\/mark><\/p>\n\n\n\n

Die Tonh\u00f6hen im unteren Tetrachord einer Pro-Tonalit\u00e4t verankern sich in prim\u00e4r wahrnehmbaren Obert\u00f6nen (die keine Oktaven sind). Dies sind die Quinte, die grosse Terz und die grosse Sekunde. Das obere Tetrachord bleibt flexibel und bietet faszinierende, mehr oder weniger subtil ausgepr\u00e4gte Tonalit\u00e4ten. <\/mark><\/p>\n\n\n\n

In einer Reg-Tonalit\u00e4t manifestiert sich dieses Konstrukt umgekehrt. Das untere Tertrachord ist flexibel, w\u00e4hrend die Oberton-Verankerung der oberen Tetrachord-Tonh\u00f6hen aus der letzten vergangenen oder vorangegangenen Generation im Tonverlauf stammen kann. Reg-Tonalit\u00e4ten sind weniger im Fokus von Tonalibus, weil ihre Oberton-Verankerung weniger offensichtlich oder pr\u00e4sent ist.<\/mark><\/p>","protected":false},"excerpt":{"rendered":"

Verankerte Pro(gressive) und Reg(ressive) Tonarten Progressiv verankert Regressiv verankert \u00dcbersichtsgrafiken Auf der Seite Tonarten finden Sie eine Liste aller im Katalog enthaltenen verankerten Tonarten mit einer Gegen\u00fcberstellung ihrer Skalenmuster sowie einen allgemeinen \u00dcberblick \u00fcber die Grundtonverteilungsmuster. Merkmale von Pro- und Reg-Tonarten Pro-Tonarten ... <\/p>\n

\"Pro & Reg Tonalit\u00e4ten\"<\/span> weiterlesen<\/a><\/p>","protected":false},"author":1,"featured_media":0,"parent":290,"menu_order":7,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-11178","page","type-page","status-publish","hentry"],"yoast_head":"\nPro & Reg Tonalities – TONALIBUS Harmony and Tonalities<\/title>\n<meta name=\"description\" content=\"Pro tonalities are progressively anchored, and Reg tonalities regressively. 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