{"id":27291,"date":"2023-09-04T19:13:56","date_gmt":"2023-09-04T17:13:56","guid":{"rendered":"https:\/\/tonalibus.org\/?page_id=27291"},"modified":"2023-12-24T12:39:18","modified_gmt":"2023-12-24T11:39:18","slug":"tonalities-selection","status":"publish","type":"page","link":"https:\/\/tonalibus.org\/de\/shop\/tonalities-selection\/","title":{"rendered":"Tonalit\u00e4ten-Wahl"},"content":{"rendered":"
\n
Harmonische Basis<\/a><\/div>\n\n\n\n
Pentatonalit\u00e4ten-Wahl<\/a><\/div>\n\n\n\n
Heptatonalit\u00e4ten-Wahl<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

Die verschiedenen Schritte zur Tonalit\u00e4ten-Wahl bauen sukzessive aufeinander auf. Auf Grund der von dir gew\u00e4hlten pers\u00f6nlichen Grundton-H\u00f6he<\/mark><\/a>, kannst du die resultierende harmonische Basis \u00fcberpr\u00fcfen und dann individuelle Tonalit\u00e4ten formen, ausgerichtet auf Pentatonalit\u00e4ten und Heptatonalit\u00e4ten, harmonisch verankerte Tonalit\u00e4ten im Tonalibus-Katalog<\/mark><\/a> \u2013 frei und unbefangen. <\/p>\n\n\n\n

\u00dcberpr\u00fcfung der harmonischen Basis (vor Tonalit\u00e4ten-Wahl)<\/h2>\n\n\n\n

Klicke auf deine Grundton-H\u00f6he zur \u00dcberpr\u00fcfung der entsprechenden harmonischen Basis.<\/p>\n\n\n\n

\n
C#<\/a><\/div>\n\n\n\n
D<\/a><\/div>\n\n\n\n
D#<\/a><\/div>\n\n\n\n
E<\/a><\/div>\n\n\n\n
F<\/a><\/div>\n\n\n\n
F#<\/a><\/div>\n\n\n\n
G<\/a><\/div>\n\n\n\n
G#<\/a><\/div>\n\n\n\n
A<\/a><\/div>\n\n\n\n
A#<\/a><\/div>\n\n\n\n
H<\/a><\/div>\n\n\n\n
C<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

Die harmonische Basis einer Tonalit\u00e4t ist ihr Grundton zusammen mit ihrer Quinte, dem ersten Oberton, der nicht eine Oktave des Grundtons ist. Deine pers\u00f6nliche Grundton-H\u00f6he k\u00f6nnte durchaus der Grundton deiner individuellen Tonalit\u00e4ten sein. Wenn du jedoch bei der \u00dcberpr\u00fcfung deiner harmonischen Basis die Quarte der Quinte vorgezogen hast, dann wird die Quarte, durch das Wunder der Natur<\/mark><\/a>, zum Grundton deiner individuellen Tonalit\u00e4ten, und deine pers\u00f6nliche Grundton-H\u00f6he wird zu deren Quinte. <\/p>\n\n\n\n

Individuelle Pentatonalit\u00e4ten-Wahl <\/h2>\n\n\n\n

Klicke auf deine harmonische Basis zur Wahl entsprechender individueller Pentatonalit\u00e4ten.<\/p>\n\n\n\n

\n
C# \/ G#<\/a><\/div>\n\n\n\n
D \/ A<\/a><\/div>\n\n\n\n
D# \/ A#<\/a><\/div>\n\n\n\n
E \/ H<\/a><\/div>\n\n\n\n
F \/ C<\/a><\/div>\n\n\n\n
F# \/ C#<\/a><\/div>\n\n\n\n
G \/ D<\/a><\/div>\n\n\n\n
G# \/ D#<\/a><\/div>\n\n\n\n
A \/ E<\/a><\/div>\n\n\n\n
A# \/ F<\/a><\/div>\n\n\n\n
H \/ F#<\/a><\/div>\n\n\n\n
C \/ G<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

Pentatonalit\u00e4ten haben f\u00fcnf Tonh\u00f6hen pro Oktave. Die harmonische Basis<\/mark><\/a> besteht aus zwei Tonh\u00f6hen. Um eine individuelle Pentatonalit\u00e4t zu w\u00e4hlen, brauchst du also drei weitere Tonh\u00f6hen. Bei Basis-Pentatonalit\u00e4ten ist das eine im oberen und zwei im unteren Teil der Oktave. Und bei erweiterten Pentatonalit\u00e4ten sind es eine im unteren und zwei im oberen Teil der Oktave, mit einer Ausnahme. Wenn also zwei f\u00fcr einen Teil, dann nur eine f\u00fcr den anderen. <\/p>\n\n\n\n

Individuelle Heptatonalit\u00e4ten-Wahl<\/h2>\n\n\n\n

Die Wahl erst einer individuellen Pentatonalit\u00e4t und dann deren Erweiterung zu einer individuellen Heptatonalit\u00e4t kann die Auswahl der Tonh\u00f6hen von Heptatonalit\u00e4ten erheblich vereinfachen.<\/p>\n\n\n\n

Klicke auf deine harmonische Basis zur Wahl entsprechender individueller Heptatonalit\u00e4ten.<\/p>\n\n\n\n

\n
C# \/ G#<\/a><\/div>\n\n\n\n
D \/ A<\/a><\/div>\n\n\n\n
D# \/ A#<\/a><\/div>\n\n\n\n
E \/ H<\/a><\/div>\n\n\n\n
F \/ C<\/a><\/div>\n\n\n\n
F# \/ C#<\/a><\/div>\n\n\n\n
G \/ D<\/a><\/div>\n\n\n\n
G# \/ D#<\/a><\/div>\n\n\n\n
A \/ E<\/a><\/div>\n\n\n\n
A# \/ F<\/a><\/div>\n\n\n\n
H \/ F#<\/a><\/div>\n\n\n\n
C \/ G<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

Heptatonalit\u00e4ten haben sieben Tonh\u00f6hen pro Oktave. Die harmonische Basis besteht aus zwei Tonh\u00f6hen. Um eine individuelle Heptatonalit\u00e4t zu bilden, braucht man also f\u00fcnf weitere Tonh\u00f6hen. Das sind zwei im oberen und drei im unteren Teil der Oktave. Diatonische und geb\u00fcndelte oder melodische Heptatonalit\u00e4ten bestehen aus Halb- und Ganztonschritten, w\u00e4hrend Reach oder harmonische und Tritonus- oder Blues-Heptatonalit\u00e4ten zudem auch ein oder zwei Reach-Schritte oder \u00fcberm\u00e4ssige Sekunden enthalten.<\/p>\n\n\n\n

<\/div>\n\n\n
\n
\"\"
Sieben-Schritt Heptatonalit\u00e4ten-Matrix<\/figcaption><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"

Die verschiedenen Schritte zur Auswahl von Tonalit\u00e4ten bauen nacheinander aufeinander auf. Ausgehend von deiner pers\u00f6nlichen Grundtonh\u00f6he kannst du die sich ergebende harmonische Basis \u00fcberpr\u00fcfen und dann einzelne Tonalit\u00e4ten bilden, die auf Pentatonalit\u00e4ten und Heptatonalit\u00e4ten abzielen, harmonisch verankerte Tonalit\u00e4ten, die im Tonalibus-Katalog vorhanden sind - frei und ohne Beschr\u00e4nkungen. \u00dcberpr\u00fcfung der harmonischen Basis (vor der Auswahl der Tonalit\u00e4ten) Klicke auf ... <\/p>\n

\"Auswahl der Tonalit\u00e4ten\"<\/span> weiterlesen<\/a><\/p>","protected":false},"author":1,"featured_media":0,"parent":490,"menu_order":70,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-27291","page","type-page","status-publish","hentry"],"yoast_head":"\nTonalities selection – TONALIBUS Harmony and Tonalities<\/title>\n<meta name=\"description\" content=\"Based on a personal fundamental pitch, verify the resulting harmonic base and then go on to individual tonalities selection. 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