{"id":472,"date":"2020-06-17T11:52:13","date_gmt":"2020-06-17T09:52:13","guid":{"rendered":"https:\/\/tonalibus.org\/?page_id=472"},"modified":"2025-10-25T05:49:24","modified_gmt":"2025-10-25T03:49:24","slug":"clustered-or-melodic-heptatonalities","status":"publish","type":"page","link":"https:\/\/tonalibus.org\/de\/tonalities\/clustered-or-melodic-heptatonalities\/","title":{"rendered":"Geb\u00fcndelte (oder melodische) Heptatonalit\u00e4t"},"content":{"rendered":"

Geb\u00fcndelte oder melodische Heptatonalit\u00e4ten<\/mark><\/h2>\n\n\n\n
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Voll verankert<\/a><\/div>\n\n\n\n
Teilweise verankert<\/a><\/div>\n\n\n\n
Abbildungen<\/a><\/div>\n\n\n\n
Merkmale<\/a><\/div>\n<\/div>\n\n\n\n
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Hier findest du, was Tonalibus geb\u00fcndelte Heptatonalit\u00e4ten nennt. Ihre Tonleitern umfassen f\u00fcnf Ganztonschritte und zwei Halbtonschritte (oder Halbt\u00f6ne) in der Oktave, wie bei den regul\u00e4ren diatonischen Tonalit\u00e4ten. Bei geb\u00fcndelten Heptatonalit\u00e4ten trennen jedoch abwechselnd ein oder vier Ganztonschritte die beiden Halbtonschritte voneinander. Die nachstehenden Diagramme zeigen den wiederkehrenden Verlauf dieses Tonh\u00f6hen-Musters. Nur vier dieser Tonalit\u00e4ten qualifizierten sich als harmonisch verankert f\u00fcr den Katalog. Ausserdem gibt es zwei qualifizierte super-geb\u00fcndelte Heptatonalit\u00e4ten, bei denen alle f\u00fcnf Ganztonschritte und auch die beiden Halbtonschritte aufeinander folgen. Tonalibus hat f\u00fcr all diese Tonalit\u00e4ten Namen gew\u00e4hlt, die ihre Korrelation mit den diatonischen Heptatonalit\u00e4ten widerspiegeln. Darunter ist, was auch als melodisch Moll<\/mark><\/a> (aufsteigend), akustische Skala<\/mark><\/a>, und melodisch Dur<\/mark><\/a> bezeichnet wird, sowie die super-geb\u00fcndelten, neapolitanisch Dur<\/mark><\/a> und eine Art Lydisch dominant.<\/p>\n\n\n\n

Voll verankert<\/mark><\/h2>\n\n\n\n
\n
PhrygDorisch<\/a><\/div>\n\n\n\n
PhrygIonisch oder NaBal
(neap. Dur)<\/a><\/div>\n\n\n\n
DorIonisch
(melodisch Moll aufst.)<\/a><\/div>\n\n\n\n
Ion\u00c4olisch \/ ClusterBal
(melod. Dur)<\/a><\/div>\n<\/div>\n\n\n\n

Teilweise verankert <\/mark><\/h2>\n\n\n\n
\n
Lyd\u00c4olisch oder HeptaNa<\/a><\/div>\n\n\n\n
LydDorisch oder ClusterPro
(ak. Skala)<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

Abbildungen<\/mark><\/h2>\n\n\n\n
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Tonalibus 1e-3 tonalities – 2021-09 – 55x<\/div>
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Tonalibus 1e-3 tonalities – 2021-09 – 53x<\/div>
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Tonalibus 1e-3 tonalities – 2021-08 – 54y<\/div>
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Tonalibus 1e-3 tonalities – 2023-12 – 49x<\/div>
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Auf der Seite Tonalit\u00e4ten<\/mark><\/a>, findest du eine Auflistung aller im Katalog enthaltenen verankerten Tonalit\u00e4ten mit einer Gegen\u00fcberstellung ihrer Tonleiter-Muster sowie eine allgemeine \u00dcbersicht \u00fcber die Tonh\u00f6hen-Verteilungs-Muster.<\/p>\n\n\n\n

Gemeinsame Merkmale von geb\u00fcndelten Heptatonalit\u00e4ten<\/mark><\/h2>\n\n\n\n

Geb\u00fcndelte oder melodische Tonalit\u00e4ten-Matrix: Die Oktave umfasst f\u00fcnf Ganztonschritte und zwei Halbtonschritte (oder Halbt\u00f6ne). Ein einzelner oder eine Gruppe von vier aufeinanderfolgenden Ganztonschritten, ein und vier abwechselnd, trennen die beiden Halbtonschritte voneinander. In super-geb\u00fcndelten Tonalit\u00e4ten sind alle f\u00fcnf Ganztonschritte und auch die beiden Halbtonschritte aufeinanderfolgend.<\/mark><\/p>","protected":false},"excerpt":{"rendered":"

Geb\u00fcndelte oder melodische Heptatonalit\u00e4ten Hier finden Sie das, was Tonalibus geb\u00fcndelte Heptatonalit\u00e4ten nennt. Ihre Skalen umfassen f\u00fcnf Ganztonschritte und zwei Halbtonschritte (oder Halbt\u00f6ne) in einer Oktave, wie die normalen diatonischen Skalen. In den geb\u00fcndelten Heptatoniken trennen jedoch abwechselnd ein oder vier Ganztonschritte die beiden Halbtonschritte voneinander. Die folgenden Diagramme zeigen die ... <\/p>\n

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