HexaMixLa

HexaMixLa — a hexatonality

Harmonic visuals

Tonalibus 2e-7 hexa – 2024-01 – 28
Tonalibus 2e-7 hexa – 2024-01 – 29
Tonalibus 2e-7 hexa – 2024-01 – 30
Tonalibus 2e-7 hexa – 2024-01 – 31
Tonalibus 2e-7 hexa – 2024-01 – 32
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Tonalibus 2e-7 hexa - 2024-01 - 28
Tonalibus 2e-7 hexa - 2024-01 - 29
Tonalibus 2e-7 hexa - 2024-01 - 30
Tonalibus 2e-7 hexa - 2024-01 - 31
Tonalibus 2e-7 hexa - 2024-01 - 32
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Scale and sound samples

1) HexaMixLa — plain scale — 12 seconds
2) HexaMixLa — embellished scale — 24 seconds
3) HexaMixLa — short sound sample — 66 seconds

You may enjoy a sound sample or tonality loop as sound mantra for contemplation or meditation, for upliftment and focusing, or simply as soothing background sound for relaxation and regeneration.

Characteristics

  • Hexatonality matrix: There are two common and two exceptional interval distributions within the octave of hexatonalities in the catalogue. The two common distributions are: 1) one Reach step, four whole steps, and one single half step (or semitone); and 2) two Reach steps, two whole steps, and two half steps. The two exceptional interval distributions include: 1) three Reach steps, no whole step, and three half steps; and 2) one augmented Reach step (spanning four half steps), three whole steps, and two half steps.
  • HexaMixLa: The name indicates that this hexatonality corresponds to MixolydIonian with the major sixth but no seventh. It is the equivalent of Mixolydian without its minor seventh or Ionian without its major seventh.
  • Step pattern: Ascending from the fundamental (tonic or Do), two consecutive whole steps lead to a half step. Then come again two consecutive whole steps. Finally a Reach step leads up to the octave.
  • Scale intervals: Major second, major third, quart, quint, and major sixth.
  • Tetra- and trichords: The lower tetrachord is MixolydIonian, and the upper trichord is PentaMaj.
  • Harmonic axes: There is no axis.
  • Primary harmonic anchors: The fundamental or North and the West anchor are fully present. The contrasting or South and the East anchor are completely absent.
  • Secondary harmonic anchors: Two secondary anchors are present, EN and SW. Both emphasize the fundamental or North anchor, with focus on the quint, and the West anchor, one more the North, the other more the West.
  • Moduation potential: Hexatonalities can facilitate modulations. HexaMixLa may for example help bridge between Ionian, Mixolydian, Lydian, PentaMixLa/PentaMixolyd, PentaProLa/PentaIon, etc.