PentaNaMix — a Na tonality and extra pentatonality
Tonalibus 2f-8 penta - 2021-09 - 50
Tonalibus 2f-8 penta - 2021-10 - 50
Tonalibus 2f-8 penta - 2021-09 - 52
Scale and sound samples
- Pentatonality matrix: The octave of a regular pentatonality includes two Reach steps, three whole steps, and no half step (or semitone). One or two consecutive whole steps frame and separate the two Reach steps. An extra pentatonality can be with two consecutive Reach steps and three consecutive whole steps. Or it can be with three Reach steps, at least two of them consecutive, plus one whole and one half step. Or further, it can be with a double whole step, one or two Reach steps, one or two whole steps, plus one or no half step.
- PentaNaMix: The name indicates that this is a pentatonality consisting of the first primary Na(tural) harmonics or overtones along with the upper tetrachord being DorMixolydian, i.e. containing the major sixth in addition to the inital pitches in the Na series.
- Step pattern: Ascending from the fundamental (tonic or Do), an augmented Reach step spanning over four semitones leads to a regular Reach step. Then follows a whole step and a half step. Finally another whole step leads up to the octave.
- Scale intervals: Major third, quint, major sixth, and minor seventh.
- Tetra- and trichords: The lower trichord is TetraNa and the upper tetrachord is DorMixolydian.
- Harmonic axes: There is one axis, ES-WN.
- Primary harmonic anchors: The fundamental or North as well as the West anchors are both partially present with thier head and right leg. The East anchor has only its right leg. The contrast or South anchor is completely absent.
- Secondary harmonic anchors: There is no secondary anchor.
- Penta- to hepta- and hexatonality correlation: PentaNaMix is equivalent to HexaProMix without second or to ReachMix, Mixolydian, ReachNaMix, or LydDorian / ClusterPro without second and quart or tritone. Obviously PentaNaMix is closely related to PentaNa / PentaPro and PentaNaMaj, as well as TetraNa.