{"id":23243,"date":"2023-02-11T04:04:50","date_gmt":"2023-02-11T03:04:50","guid":{"rendered":"https:\/\/tonalibus.org\/?page_id=23243"},"modified":"2026-05-06T10:31:36","modified_gmt":"2026-05-06T08:31:36","slug":"sounds-index","status":"publish","type":"page","link":"https:\/\/tonalibus.org\/en\/sounds\/sounds-index\/","title":{"rendered":"Sounds index"},"content":{"rendered":"\n

Index of personal and cooperation sounds by or with Ulrico<\/h2>\n\n\n\n
\n
Index of sounds by title<\/a><\/div>\n\n\n\n
Sounds by instrument<\/a><\/div>\n\n\n\n
Sounds by date<\/a><\/div>\n\n\n\n
Cooperation sounds<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

To search for a specific word, you may use the page search capability of your browser.<\/p>\n\n\n\n

Personal and cooperation sounds — index by title<\/h2>\n\n\n\n
\n
‘A’<\/a><\/div>\n\n\n\n
‘B’<\/a><\/div>\n\n\n\n
‘C’<\/a><\/div>\n\n\n\n
‘D’<\/a><\/div>\n\n\n\n
‘E’<\/a><\/div>\n\n\n\n
‘F’<\/a><\/div>\n\n\n\n
‘G’<\/a><\/div>\n\n\n\n
‘H’<\/a><\/div>\n\n\n\n
‘I’<\/a><\/div>\n\n\n\n
‘J’<\/a><\/div>\n\n\n\n
‘K’<\/a><\/div>\n\n\n\n
‘L’<\/a><\/div>\n\n\n\n
‘M’<\/a><\/div>\n\n\n\n
‘N’<\/a><\/div>\n\n\n\n
‘O’<\/a><\/div>\n\n\n\n
‘P’<\/a><\/div>\n\n\n\n
‘Q’<\/a><\/div>\n\n\n\n
‘R’<\/a><\/div>\n\n\n\n
‘S’<\/a><\/div>\n\n\n\n
‘T’ <\/a><\/div>\n\n\n\n
‘U’<\/a><\/div>\n\n\n\n
‘V’<\/a><\/div>\n\n\n\n
‘W’<\/a><\/div>\n\n\n\n
‘X’<\/a><\/div>\n\n\n\n
‘Y’<\/a><\/div>\n\n\n\n
‘Z’<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

‘A’<\/p>\n\n\n\n

“A blessing of <\/strong>\u014c\u1e43 \/ Aum <\/strong>\u0950” — with love for all sentient beings <\/strong>— <\/strong>approaching, tuning, and settling on C# (69 Hz) — chanting bass voices — 5:22 <\/strong>— November 2024 sound<\/mark><\/a> or playlist Q<\/em> — blog \u201cHave you ever met<\/mark><\/a>” — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

“A dimension of equilibrium” — major minor or minor major <\/strong>— HexaBluNaReach<\/em> on C# (rel. A 438.2 Hz) — 8-string guitar — 4:54 <\/strong>— September 2025 sound<\/mark><\/a> or playlist S<\/em><\/p>\n\n\n\n

“A pilgrim’s path” — here now <\/strong>— PentaMin \/ PentaEol<\/em> or pentatonic minor on B 123 Hz (rel. A 438.2 Hz) — 7-string guitar, singing saw, tenor recorder, tanpura — 7:30 <\/strong>— July 2025 sound<\/mark><\/a> or playlist S<\/em> — blog “A pilgrimage<\/mark><\/a>“<\/p>\n\n\n\n

\u201cAcoustic Scale Acceptance\u201d \u2014 a previously rejected tonality <\/strong>— LydDorian \/ ClusterPro<\/em> — 8-string guitar — 3:36 — <\/strong>May 2021 sound<\/mark><\/a> or playlist C <\/em>— blog \u201cMay\/June 2021 Tonalibus Update<\/mark><\/a>\u201d — album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

“Again, all new” — wooden floor creaks — Fideris #4 <\/strong>— PentaMin\/PentaEol<\/em><\/mark> (pentatonic minor) on E — 7-string guitar by Ulrico — handpan by Ursula Huggenberger — 5:10 live <\/strong>— July 2023 sound<\/mark><\/a><\/p>\n\n\n\n

“A glimpse of heaven” — simple and straight forward <\/strong>— Mixolydian <\/em>on C# — Ulrico: 8-string guitar — 3:24 <\/strong>live <\/strong>— year-end 2023 sound<\/mark><\/a> <\/mark>or playlist M <\/em>and coop PW<\/em><\/p>\n\n\n\n

“Amazing” — soundscape — native american flute, hang, and zither by Kathia Haug — gongs and crotales by Ulrico — didgeridoo and overtone singing by Egon Kunkel — alphorn by Hans Kurzen — 16:53 — summer 2014 — playlist<\/mark> 2014 CD<\/em> — CD A Symphony of Life and Love<\/mark><\/a><\/em><\/p>\n\n\n\n

“Among suns, moons, and stars” — a hopeful blues <\/strong>— MinBlue<\/em> on G — 5-string guitar, lap slide guitar, gong, tanpura — 8:40 <\/strong>— September 2022 sound<\/mark><\/a> or playlist L<\/em> — blog “Some who talk<\/mark><\/a>” — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“An embrace of divine love” — no hypocrisy <\/strong>— Ionian<\/em> — 7-string guitar — 9:51 — <\/strong>August 2022 sound<\/mark><\/a> or playlist G<\/em> — blog “Hypocrisy<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em><\/p>\n\n\n\n

“Another day breaks” — from dark to light <\/strong>— PentaVibhas<\/em> (a Reach derivative) on C# (69 Hz) — Raag Vibhas \/ Bibhas — 8-string guitar, gong, tanpura — 5:51 <\/strong>— April 2025 sound<\/mark><\/a> or playlist R<\/em> — blog “From the other side<\/mark><\/a>“<\/p>\n\n\n\n

\u201cAs God Realizes the Moment\u201d \u2014 in memory of Billy <\/strong>— 8-string guitar, multiplefujara,<\/em> tenor recorder, and voice — 2:26 or 2:33 loop — May 2020 sound<\/mark><\/a>, loop<\/mark><\/a>, or playlist A<\/em> — blog “What can we do<\/mark><\/a>” and “What is your focus?<\/mark><\/a>” and “A lion\u2019s roar<\/mark><\/a>” — album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

“\u0950 \u092e\u0923\u093f\u092a\u0926\u094d\u092e\u0947 \u0939\u0942\u0901 Au\u1e43 ma\u1e47i padme h\u016b\u1e43 — blues” <\/strong>— PentaMix \/ PentaDor (Egyptian scale)<\/em> — triple 7-string guitar and voice — 8:28 — <\/strong>July 2021 sound<\/mark><\/a> or playlist C <\/em>— blog \u201cDualism<\/mark><\/a>” and “The experiment<\/mark><\/a>\u201d — album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

“A Touch of Grace” <\/strong>— fretted <\/strong>vichitra veena <\/strong>— 3:52 — March 2021 sound<\/mark><\/a><\/p>\n\n\n\n

“Audibly paced advance” — a coordination challenge <\/strong>— PhrygBlue<\/em> on C# (rel. 432 Hz) — double Celtic harp — 3:28 <\/strong>— December 2023 sound<\/mark><\/a> or playlist L<\/em><\/p>\n\n\n\n

“Autumn leaf floating past cliffs” — smooth passage <\/strong>— Aeolian <\/em>on G# (207 Hz) — Christina Braun: voice — Ulrico: crotales — 4:01 <\/strong>— December 2024 sound<\/mark><\/a> or playlist coop B<\/em><\/p>\n\n\n\n

“Awakening pixie Nirak” — sparkling pixie dust <\/strong>— TetraNa<\/em> based — voice by Karin Gs\u00f6llpointner — 8-string guitar by Ulrico — 8:21 <\/strong>— February 2023 sound<\/mark><\/a> or <\/mark><\/mark><\/mark>playlist I<\/em> <\/strong>— album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

‘B’<\/p>\n\n\n\n

\u201cBack in open time and space\u201d — at long last <\/em>— MixoBal or HexaNaMix, a hexatonality derivative<\/em> — lap slide guitar and tanpura — 6:28 <\/em>— May 2023 sound<\/mark><\/a> or playlist J<\/em> — blog “I hold my promise<\/mark><\/a>” — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Back on a blue track” — treasuring healthy roots <\/em>— PentaMin \/ PentaEol or pentatonic minor<\/em> on F — double 8-string guitar, bass, djembe — 7:41 — <\/em>June 2021 sound<\/mark><\/a> or playlist C <\/em>— album Tonalibus A, B, & C<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Bagisacro blues” — let’s dance! <\/em>— PentaMin \/ PentaEol<\/em> — bass, singing saw, 8-string guitar and crotales — 6:23 — <\/em>March 2022 sound<\/mark><\/a> or playlist E <\/em>— blog “Yes, I am that I am<\/mark><\/a>” — album Tonalibus D & E<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Bairagi Bhairav raag” — a first raga interpretation <\/em>— <\/em>Bairagi Bhairav pakad, a derivative of ReachMin \/ Phrygian dominant<\/em> on C# (138 Hz) — 8-string guitar, tanpura — 11:32 <\/em>— February 2024 sound<\/mark><\/a> or playlist N<\/em> — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“Balancing up and down” — extensive calm <\/strong>— LoloReachMin<\/em> on D — 8-string guitar & tanpura — 3:58 <\/strong>— August 2023 sound<\/mark><\/a> or playlist K <\/em>— blog “Tonality of the month: LoloReachMin<\/mark><\/a>” and “Awake here now<\/mark><\/a>“ <\/strong>— album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Bears and butterflies” — sifting through colorful sand <\/em>— diffuse D#, G#\/C# Phrygian, C# Aeolian, a touch of G# ReachMin<\/em> — voice, double 8-string guitar, bells — 8:00 — <\/em>March 2023 sound<\/mark><\/a> or playlist I <\/em>— blog “Colorful sand<\/mark><\/a>” — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Beatenberg Buddha bounce” — returning to & from silence <\/em>— PentaProLa \/ PentaIon <\/em>(pentatonic major) on flat A (432 Hz) — tenor ukulele, fead\u00f3g (Irish tin whistle) — 3:54 <\/em>— August 2024 sound<\/mark><\/a> or playlist P <\/em>— blog “Retreat and renew<\/mark><\/a>” — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

“Be here now – \u0f00\u0f0b\u0f68\u0f71\u0f7f\u0f0b\u0f67\u0f71\u0f74\u0f83 – \u014c\u1e43 \u0101\u1e25 h\u016b\u1e43” — meditation anchor <\/em>— <\/em>chanting bass voice, whistle breath, big gong — 6:48 <\/em>— February 2025 sound<\/mark><\/a> or playlist R <\/em>— blog “The good of religions<\/mark><\/a>“<\/p>\n\n\n\n

“Between light and sound” — Hungarian Gypsy equanimity <\/em>— ReachUpMin \/ Hungarian Gypsy minor<\/em> on sharp E (rel. A 448 Hz) — 7-string guitar, 3\/4 violin, small sound bowl — 8:48 <\/em>— June 2024 sound<\/mark><\/a> or playlist P <\/em>— blog “Radical letting go<\/mark><\/a>” — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

“Beyond endings and beginnings” — essentially being <\/em>— HexaBluNaReach <\/em>on D# — 7-string guitar, Hungarian bird whistle, tanpura — 8:00 <\/em>— December 2023 sound<\/mark><\/a> or playlist M <\/em>— blog “Why make it hard<\/mark><\/a>” — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“Blessings may be, live” — QuBa concert recording <\/em>— Ionian (diatonic major)<\/em>, TetraNa<\/em> inversion Norcor<\/em> on quint’s quint — fretted vichitra veena, plus tanpura — 4:30 — <\/em>February 2022 sound<\/mark><\/a> or playlist D <\/em>— album Tonalibus D & E<\/mark><\/a><\/em> <\/p>\n\n\n\n

\u201cBlue courage\u201d \u2014 a Dorian mode blues medley <\/em>— Dorian <\/em>— 8-string guitar, singing saw, tingsha cymbals, crotales, gongs, and voice — 5:08 — <\/em>January 2022 sound<\/mark><\/a> or playlist D <\/em>— blog \u201cCourage it takes<\/mark><\/a>\u201d — album Tonalibus D & E<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Blue glacial melt water” — soundscape — <\/em>Phrygian on E, Mixolydian on G, PentaProLa \/ PentaIon on D <\/em>— double 7-string guitar, fujara, tenor recorder, gongs — 12:57 <\/mark>— April 2023 sound<\/mark><\/a> or playlist J<\/em> — blog “Schtilli zum Gniesse<\/mark><\/a>” — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Blue HU” — a freedom adventure <\/em>— PentaNaMix<\/em> — 7-string guitar, voice, bass bowl, crotales — 7:19 — <\/em>May 2022 sound<\/mark><\/a> or playlist E <\/em>— blog “May 2022 Tonalibus update<\/mark><\/a>” — album Tonalibus D & E<\/mark><\/a><\/em> <\/p>\n\n\n\n

“BlueMix Syntropy” — blues mix in BlueMix tonality <\/em>— BlueMix <\/em>— multiple 8-string guitar — 5:54 — <\/em>January 2021 sound<\/mark><\/a> or playlist B<\/em> — blog “For good and soul<\/mark><\/a>\u201d — album Tonalibus A, B, & C<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Blue sound step ahead” — all the same and different <\/em>— PentaMin \/ PentaEol<\/em> (pentatonic minor) — bass, 8-string guitar, lap slide guitar, tanpura — 5:47 — <\/em>June 2023 sound<\/mark><\/a> or playlist K<\/em> — blog “Words and values<\/mark><\/a>\u201d — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Blue Wrap Rap” <\/em>— PentaMin \/ PentaEol<\/em> — voice by Christina Braun — bass by Ulrico — 2:50 — February 2021 sound<\/mark><\/a> or playlist coop A<\/em> — album Cooperation A<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Bodhi Paloma” — home sweet home <\/em>— PentaCor<\/em> on A (438 HZ) — 7-string guitar, tenor ukulele, tanpura — 5:14 <\/em>— November 2025 sound<\/mark><\/a> or playlist T<\/em> — blog “Reality is what one believes<\/mark><\/a>“<\/p>\n\n\n\n

“Bodhicitta <\/em>contemplation” — \u0f00\u0f0b\u0f68\u0f71\u0f7f\u0f0b\u0f67\u0f71\u0f74\u0f83 – \u014c\u1e43 \u0101\u1e25 h\u016b\u1e43 – ever again <\/em>— <\/em>circling around and anchoring on C# (69 Hz) — chanting bass voices & big gong — 7:59 <\/em>— November 2024 sound<\/mark><\/a> or playlist Q<\/em> — blog “Ambrosia<\/mark><\/a>“<\/p>\n\n\n\n

“Breath of life chant” — the answer within <\/em>— PentaMin \/ PentaEol<\/em> on G# (207 Hz) — whistle breath, fretted <\/em>vichitra veena,<\/em> tanpura — 8:03 <\/em>— February 2024 sound<\/mark><\/a> or playlist N<\/em> — blog “What asks<\/mark><\/a>” — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“Breath of life chant” — whistle breath plain <\/em>— PentaMin \/ PentaEol<\/em> on G# (207 Hz) — whistle breath, fretted <\/em>vichitra veena <\/em><\/mark>(reduced),<\/em> tanpura — 8:03 <\/em>— March 2024 sound<\/mark><\/a> or playlist N<\/em> — blog “<\/mark><\/mark><\/a>Tukdam \u0f50\u0f74\u0f42\u0f66\u0f0b\u0f51\u0f58<\/mark><\/a>” — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

‘C’<\/p>\n\n\n\n

“Call to Peace” <\/em>— triple fujara and tenor recorder — 3:03 loop — September 2020 sound<\/mark><\/a> or playlist A<\/em> — blog “So much stuff<\/mark><\/a>” — album Tonalibus A, B, & C<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Calling the divine” — hearts connect directly <\/em>— TetraNa<\/em>, LoloReachMin<\/em> on D — 5-string guitar, selje flute, voice — 6:42 <\/em>— July 2023 sound<\/mark><\/a> or playlist K<\/em> — blog “Why an intermediary<\/mark><\/a>” — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Calling the gods” — reaching out rather far — Fideris #5 <\/em>— monochord & gong by Ursula Huggenberger — singing saw & bird whistle by Ulrico — 5:13 live <\/em>— July 2023 sound<\/mark><\/a> or playlist K<\/em><\/p>\n\n\n\n

“Calmly breathe in, out, and in again” — Kumbhaka base <\/em>— ReachBal<\/em> (<\/em>double harmonic\/Gypsy major)<\/em> on G# — fretted <\/em>vichitra veena <\/em>and tanpura — 5:22 <\/em>— August 2023 sound<\/mark><\/a> or playlist K<\/em> — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Calm Mudita joy” — are you here? <\/em>— PentaNa \/ PentaPro<\/em> on C# (276 Hz) — with one touch of Ma — 8-string guitar, lap slide guitar, tanpura — 7:06 <\/em>— January 2025 sound<\/mark><\/a> or playlist R<\/em> — blog “Are you here<\/mark><\/a>“<\/p>\n\n\n\n

“— Carried by the Wind, Reach and Mix” <\/em>— ReachMix <\/em>— voice by Christina Braun — 8-string guitar by Ulrico — 6:30 — February 2021 sound<\/mark><\/a> or playlist coop A<\/em> — blog “It works and not<\/mark><\/a>” — album Cooperation A<\/mark><\/a><\/em><\/p>\n\n\n\n

“Celebration joy” — a new start — for Metta (and Moon) <\/em>— TetraNa<\/em> Mixolydian<\/em> blend — 8-string guitar — 12:05 — <\/em>October 2022 sound<\/mark><\/a> or playlist G<\/em> — blog “September-October 2022 Tonalibus update<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em> <\/p>\n\n\n\n

“\u091a\u0948\u0924\u0928\u094d\u092f Chaitanya — blues” <\/em>— <\/em>G# Mixolydian<\/em> with D# TetraNa<\/em> \/ A# Norcor inversion<\/em> \u2014 <\/em>vichitra veena <\/em>and double 3\/4 violin — 9:47 — <\/em>January 2022 sound<\/mark><\/a> or playlist D <\/em>— blog \u201c\u091a\u0948\u0924\u0928\u094d\u092f Chaitanya<\/mark><\/a>\u201d — album Tonalibus D & E<\/mark><\/a><\/em> <\/p>\n\n\n\n

\u201cChange of Season\u201d \u2014 a percussive birthday blues — for Michi <\/em>— double and single Hang Bal — 2:16 loop — August 2020 sound<\/mark><\/a><\/p>\n\n\n\n

“Cheerful Hey, Hey!” — a happy dance <\/em>— Mixolydian<\/em> — voice by Christina Braun — 8-string guitar by Ulrico — 5:18 — <\/em>December 2021 sound<\/mark><\/a> or playlist coop A<\/em> — blog “February-March 2022 Tonalibus update<\/mark><\/a>” — album Cooperation A<\/mark><\/a><\/em><\/p>\n\n\n\n

“Cherry blossom dragon” — spring awakening <\/em>— <\/em>based on E, G, and C# — Christina Braun: voice — Ulrico: crotales, bowls, gongs — 4:17 <\/em>— April 2024 sound<\/mark><\/a> or playlist O <\/em>or playlist coop B<\/em> — blog “Initial breakthroughs<\/mark><\/a>“<\/p>\n\n\n\n

“Christina’s Theme” <\/em>— Aeolian <\/em>— melodic theme (in C# minor) and voice by Christina Braun — 6-string guitar by Ulrico — 5:57 — <\/em>December 2021 sound<\/mark><\/a> or playlist coop A<\/em> — blog “Mighty old oak<\/mark><\/a>” — album Cooperation A<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Christina’s Theme” — a work in progress <\/em>— Aeolian <\/em>— melodic theme in D minor and voice by Christina Braun — 6 and 8-string guitar by Ulrico — 8:49 — August 2021 sound<\/mark><\/a> or playlist coop A<\/em> — album Cooperation A<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Clearing mist at dawn” — a meditative sound sample <\/em>— LydReach \/ NaReach<\/em> — 8-string guitar and tanpura — 3:58 — <\/em>February 2022 sound<\/mark><\/a> or playlist E <\/em>— album Tonalibus D & E<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Conscious derivative” — an island memory <\/em>— HexaBlueUp<\/em> (BlueUp<\/em> derivative w\/o 7+) — 8-string guitar, tanpura — 5:23 — <\/em>October 2022 sound<\/mark><\/a> or playlist H<\/em> — blog “Terminology let go<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Consciousness” — the one state worth considering <\/em>— ReachMix <\/em>on F# (184 Hz) — 8-string guitar — 5:15 <\/em>— March 2024 sound<\/mark><\/a> or playlist O<\/em> — blog “Measure by consciousness<\/mark><\/a>” — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

“Courage it takes” — a linguistic audio medley <\/em>— quadruple canonic quadri-lingual voice, English, German, French, Italian — 2:53 — <\/em>February 2022 sound<\/mark><\/a> or playlist D <\/em>— blog \u201cCourage it takes<\/mark><\/a>\u201d and “Imperfect perfection<\/mark><\/a>“ <\/em>— album Tonalibus D & E<\/mark><\/a><\/em> <\/p>\n\n\n\n

\u201cCourtesy of Grace\u201d <\/em>— Hang — 2:29 loop — August 2020 sound<\/mark><\/a> or playlist A<\/em> — album Tonalibus A, B, & C<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Covid Sing’in Tongue” <\/em>— 8-string guitar and triple voice — 1:32 loop — November 2020 sound<\/mark><\/a><\/p>\n\n\n\n

‘D’<\/p>\n\n\n\n

\u201cDancing above the Clouds\u201d <\/em>— double 8-string guitar — 0:40 loop — <\/em>April 2020 sound<\/mark><\/a> or playlist A<\/em> — album Tonalibus A, B, & C<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Das M\u00fclirad isch broche, Simelib\u00e4rg!” — go in peace — for KHT <\/em>— MinReach<\/em> \/ Phrygian dominant on C# — 8-string guitar, lap slide guitar, bass, voice, gong — 9:00 <\/em>— October 2023 sound<\/mark><\/a> or playlist L<\/em> — blog “An experience of stepping out<\/mark><\/a>” — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“Dear doula” — room for silence <\/em>— TetraNa<\/em> with a touch of PentaBluNa<\/em> — 8-string guitar and large gong — 6:51<\/mark> <\/em>— January 2023 sound<\/mark><\/a> or playlist I<\/em><\/mark> — blog “Harmony in life and music<\/mark><\/a>” — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Dear God (mono-lingual)” <\/em>— quadruple canonic mono-lingual voice, English — 2:09 — December 2020 sound<\/mark><\/a> or playlist A<\/em> — blog “Dear God<\/mark><\/a>” — album Tonalibus A, B, & C<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Dear God (quadri-lingual)” <\/em>— quadruple canonic quadri-lingual voice, English, German, French, Italian — 2:09 — December 2020 sound<\/mark><\/a> or playlist A<\/em> — blog “Dear God<\/mark><\/a>” — album Tonalibus A, B, & C<\/mark><\/a><\/em> <\/p>\n\n\n\n

“\u0926\u0947\u0935\u0926\u0942\u0924 Devad\u016btas, angels here and now” — where are you? <\/strong>— PentaMin \/ PentaEol<\/em> or pentatonic minor on C# — shamisen, harmonium, and spoken word (Swiss, English, French, Italian, German) — August 2025 — 6:50 — text (Swiss & English) and word only version in blog post “Wo bischt” of May 2023– August 2025 sound<\/mark><\/a> or playlist S<\/em> — blog “Devad\u016btas like angels<\/mark><\/a>“<\/p>\n\n\n\n

“Doula’s song and silence” — for a new generation <\/strong>— ReachMin<\/em> (Phrygian dominant) — voice by Philine Harte — double 8-string guitar by Ulrico — 4:06<\/mark> <\/strong>— January 2023 sound<\/mark><\/a> or <\/mark>playlist I<\/em> — blog “<\/mark>Can you do it?<\/mark><\/a>“<\/mark> — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Dragonfly wings” — with Christina Braun <\/strong>— PentaMin \/ PentaEol <\/em>on G# (rel. A 438 Hz) — Christina Braun: voice — Ulrico: tenor ukulele — 3:19 <\/strong>— February 2026 sound<\/mark><\/a> <\/mark>or <\/mark>playlist T <\/em>or playlist coop C<\/em> <\/mark><\/p>\n\n\n\n

“Dream projections” — let them fly high <\/strong>— Phrygian <\/em>on D (rel. A 438 Hz) — 4-string guitar, crotales, tanpura — 7:43 <\/strong>— December 2025 sound<\/mark><\/a> or playlist T<\/em><\/mark>— blog “A dream of life<\/mark><\/a>“<\/p>\n\n\n\n

“Dune Dawn” <\/em>— multiple voice by Christina Braun — 8-string guitar and bass by Ulrico — 1:39 loop — September 2020 sound<\/mark><\/a> <\/p>\n\n\n\n

‘E’<\/p>\n\n\n\n

“Earth to God, come in please” — two dozen times <\/strong>— <\/strong>G#, C#, F# based — chanting bass voice, gong, tingsha cymbals, conch — 11:39 <\/strong>— June 2025 sound<\/mark><\/a> or playlist S<\/em><\/mark> — blog “Aware of the sound of silence<\/mark><\/a>“<\/p>\n\n\n\n

\u201cEchoes of growing silence\u201d — celebrating a new birth <\/em>— IonAeolian or ClusterBal<\/em> (melodic major) — 8-string guitar w\/sustained echo, bass — 6:14 — <\/em>March 2023 sound<\/mark><\/a> or playlist J <\/em><\/mark> — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Embraced in silence” — so close, and yet so far — in memory of Elaine <\/em>— ReachMin \/ Phrygian dominant<\/em> on C# (138 Hz) w\/a touch of Bairagi Bhairav<\/em> pakad — 8-string guitar, crotales — 11:30 <\/em>— February 2024 sound<\/mark><\/a> or playlist N<\/em> — blog “Why am I still here<\/mark><\/a>” — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“Embracing Ma” — Pro-Reg-Pro meditation <\/em>— HexaBluMin, PentaReg \/ PentaPhryg (blues minor)<\/em> — 8-string guitar, tanpura — 8:46 — <\/em>December 2022 sound<\/mark><\/a> or playlist H<\/em><\/mark> — blog “Do you hear<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em> <\/p>\n\n\n\n

\u201cEternal Moment\u201d <\/em>— fretted <\/em>vichitra veena <\/em>— 3:17 — summer 2014 sound<\/mark><\/a> or playlist CD<\/em> — A Symphony of Life and Love<\/mark><\/a><\/em><\/p>\n\n\n\n

\u201cEver again, keep going!\u201d — life moves on <\/em>— TertaNa<\/em> based — voice by Christina Braun — 8-string guitar by Ulrico — 3:48 — <\/em>March 2023 sound<\/mark><\/a> or playlist coop B<\/em><\/mark> — blog “Things do come together<\/mark><\/a>“<\/p>\n\n\n\n

“Ever forward into the open” — blue destination <\/em>— PentaMin\/PentaEol<\/em> based on D# — Christina Braun: voice — Ulrico: singing saw, bass, 6-string guitar — 4:15 <\/em>— April 2024 sound<\/mark><\/a> or playlist <\/em>O or playlist coop B<\/em> — blog “Ganesha caught fire<\/mark><\/a>” — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

‘F’<\/p>\n\n\n\n

\u201cFarewell welcome blues\u201d \u2014 from one Moon to the next <\/strong>— PentaMin \/ PentaEol<\/em> — twofold bass, 8-string guitar, and voice — 6:27 — <\/strong>May 2022 sound<\/mark><\/a> or playlist F <\/em>— blog “It is clear<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em><\/p>\n\n\n\n

“Fearless floating” — in the flow of life and love — concert recording <\/strong>— PentaMin \/ PentaEol<\/em> (pentatonic minor), Bairagi Bhairav (a Hindustani raga), ReachBal<\/em> (double harmonic \/ Gypsy major), with a touch of ReachMin<\/em> (Phrygian dominant) on C# (138 Hz) — 8-string guitar, sopranino recorder, tanpura — 7:57 recorded live <\/strong>— February 2024 sound<\/mark><\/a> or playlist N<\/em><\/p>\n\n\n\n

“First Baby Angel Steps”– double-strung harp — 1:40 — <\/strong>March 2021 sound<\/mark><\/a> or playlist B <\/em>— blog \u201cTao \u9053<\/mark><\/a>\u201d — album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

“First encounter of old all new” — with Punnu Singh Wasu <\/em>— ReachBal<\/em> — harmonium and voice by Punnu Singh Wasu — 8-string guitar by Ulrico — 8:57 live — <\/strong>October 2022 sound<\/mark><\/a> or playlist G<\/em> — blog “Sound healing<\/mark><\/a>“<\/p>\n\n\n\n

“Flashes of radiant cognizance” — in empty space <\/strong>— PentaCor<\/em> on F (171 Hz; rel. A 432 Hz) — 8-string guitar — 10:42 <\/strong>— September 2025 sound<\/mark><\/a> or playlist T<\/em> — blog “Tath\u0101gata or Buddha<\/mark><\/a>“<\/p>\n\n\n\n

“Flowing Upward” — calm, uplifting modulation path <\/strong>— PentaMin\/PentaEol<\/em>, Phrygian<\/em>, ReachMin<\/em> (alternate possibility: PhrygReach<\/em>), ReachBal<\/em>, MajReach<\/em> (alternate possibility: ReachMaj<\/em>), Ionian<\/em>, and a touch of PentaProLa\/PentaIon<\/em> — 8-string guitar — 13:24 — <\/strong>March 2021 sound<\/mark><\/a> or playlist C <\/em>— album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

\u201cFour by four\u201d \u2014 corners of the sound temple <\/strong>— four gongs — 14:09 — <\/strong>June 2022 sound<\/mark><\/a> or playlist F <\/em>— blog “Our lights are on<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em><\/p>\n\n\n\n

“Four Corners of the Sound Temple, ReachUpMix with the” <\/strong>— ReachUpMix <\/em>— 8-string guitar and four gongs — 8:23 — <\/strong>February 2021 sound<\/mark><\/a> or playlis<\/em>t B <\/em>— <\/mark>album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

“From here to now” — on a flying carpet <\/strong>— Phrygian<\/em> on E — 6-string guitar, voice, tenor recorder, bass bowl — 7:39 — <\/strong>June 2023 sound<\/mark><\/a> or playlist K <\/em>— blog “Total honesty<\/mark><\/a>” — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“From red line to white plane” — a serene transition <\/strong>— HexaLocorReach <\/em>on sharp A (448 Hz) — inspired by raaga Multani — 7-string guitar, tenor ukulele, tanpura — 8:29 <\/strong>— July 2024 sound<\/mark><\/a> or playlist P <\/em>— blog “Humanity overall<\/mark><\/a>” — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

\u201cFrom the future to the present and back\u201d– <\/strong>from G# TetraNa<\/em> with touches of its F# Upcor inversion<\/em> progressing to C# Ionian (diatonic major)<\/em> and back, connecting the far ends and melting contrasts into a unified whole — 8-string guitar — 9:45 — <\/strong>December 2021 sound<\/mark><\/a> or playlist D <\/em>— blog \u201cSome things fit<\/mark><\/a>“– album Tonalibus D & E<\/mark><\/a><\/em><\/p>\n\n\n\n

“Full Steam Ahead!” <\/em>— double 8-string guitar, bass, and voice — 2:40 loop — December 2020 sound<\/mark><\/a><\/p>\n\n\n\n

“Fused oriental occident and occidental orient” <\/strong>— ReachMin<\/em> (Phrygian dominant) on G# — fretted <\/strong>vichitra veena,<\/em> lap slide guitar, crotales, tanpura — 8:01 <\/strong>— June 2023 sound<\/mark><\/a> or playlist K<\/em> — blog “Conspiracies<\/mark><\/a>” — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Future memory past now” — neither minor nor major <\/strong>— HexaReMix<\/em>, a derivative w\/o third, on D# (rel. A 432 Hz) — 8-string guitar, nepali cymbal — 5:37 <\/strong>— September 2025 sound<\/mark><\/a> or playlist S <\/em>— blog \u201cLess is more<\/mark><\/a>“<\/p>\n\n\n\n

“Future past lives” — a heartfelt blues memory revived <\/strong>— Phrygian<\/em> on E — double 6-string guitar — 5:15 <\/strong>— April 2023 sound<\/mark><\/a> or playlist J<\/em> — blog “Concepts can set the tone<\/mark><\/a>” — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

‘G’<\/p>\n\n\n\n

\u201c\u0917\u0930\u0941\u0921\u093c Garu\u1e0da\u201d — puja for the celestial hawk <\/em>— Mixolydian <\/em>on G 390 Hz (rel. A 438 Hz) — harmonium, gong, fujara, lap slide guitar — 10:01 <\/em>— September 2024 sound<\/mark><\/a> or playlist Q<\/em> — blog “A larvae<\/mark><\/a>” — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

“Gateway to Heaven and Hell” <\/em>— 1) “Ornate” — Nepali and Tibetan cymbal pairs, gongs, 8-string guitar, <\/em>vichitra veena,<\/em> voice — 6:44 — 2) “Plain” — Nepali and Tibetan cymbal pairs, gongs — 6:39 — December 2020 sound<\/mark><\/a> or playlist A<\/em> — blog “It\u2019s a miracle<\/mark><\/a>” — album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

“Gentle blue light” — with Punnu Singh Wasu <\/em>— MinReach<\/em>, Aeolian<\/em>\/HexaMin<\/em> — mandolin by Punnu Singh Wasu — 8-string guitar by Ulrico — 8:49 live — <\/em>October 2022 sound<\/mark><\/a> or playlist G<\/em> — blog “Sound healing<\/mark><\/a>“<\/p>\n\n\n\n

“Gentle Echoes of a Wild Thing” <\/em>— voice by Christina Braun — 8-string guitar by Ulrico — 6:59 — December 2021 sound<\/mark><\/a> or playlist coop A<\/em> — album Cooperation A<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Gently rotating fifth wheel” — a plea for peace <\/em>— PentaBluNa <\/em>on C# (138 Hz) — double 8-string guitar – 5:30 <\/em>— February 2024 sound<\/mark><\/a> or playlist N<\/em> — blog “Labels enable talk<\/mark><\/a>” — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“Gihahatigo Bhairav” — ReachBal contemplation <\/em>— ReachBal<\/em> — 8-string guitar, harmonium, tingsha cymbal pair, gong — 8:15 — <\/em>October 2022 sound<\/mark><\/a> or playlist H<\/em> — blog “Tonality of the month: ReachBal<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Gitabats blues” — an ornate blue flight <\/em>— PentaBluNa<\/em> — 8-string guitar, tingsha cymbal pair, bass, tanpura — 7:28 — <\/em>March 2022 sound<\/mark><\/a> or playlist E <\/em>— blog “One more time<\/mark><\/a>” — album Tonalibus D & E<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Gitasa” — a family present for a present family <\/em>— PentaMin \/ PentaEol (pentatonic minor)<\/em> w\/a touch of HexaBluMin<\/em> — 8-string guitar, singing saw, tanpura — 6:58 — <\/em><\/em>December 2022 sound<\/mark><\/a> or playlist H<\/em> — album Tonalibus F, G, & H<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Gitigota” — a first inversion pair experiment — for K <\/em>— PentaReg \/ PentaPhryg (blues minor)<\/em>, PentaMin \/ PentaEol (pentatonic minor)<\/em>, Phrygian<\/em>, HexaBluMin<\/em> — 8-string guitar, Tibetan tingsha cymbal pair, large gong, tanpura — 16:03 — <\/em>December 2022 sound<\/mark><\/a> or playlist H<\/em> — album Tonalibus F, G, & H<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Go Be” <\/em>— voice by Christina Braun — large gong and crotales by Ulrico — 6:34 — <\/em>December 2021 sound<\/mark><\/a> or playlist coop A<\/em> — album Cooperation A<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Go in peace, Simelib\u00e4rg!” see <\/em>“Das M\u00fclirad isch broche, Simelib\u00e4rg!” — go in peace<\/mark><\/a><\/p>\n\n\n\n

“Go with God” — a final blessing — in memory of Stivensky <\/em>— LoloReachMin<\/em> derivative w\/7+ on D, octatonality — 5-string guitar, selje flute, tingsha cymbals, tanpura — 7:23 <\/em>— August 2023 sound<\/mark><\/a> or playlist K<\/em> — blog “Dear, oh dear<\/mark><\/a>” — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

\u201cGratitude in advance\u201d \u2014 a true gift <\/em>— HexaBluNa or HexaLolo<\/em> — 7-string guitar, 8-string guitar, crotales, gong, and tanpura — 6:10 — <\/em>August 2022 sound<\/mark><\/a> or playlist G<\/em> — blog “The highest<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Guggisb\u00e4rg-Melodie, live” — QuBa concert recording <\/em>— MinReach (harmonic minor)<\/em> — 8-string guitar — 3:23 — <\/em>February 2022 sound<\/mark><\/a> or playlist D <\/em>— album Tonalibus D & E<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Guggisberg” — soundscape — zither and native american flute by Kathia Haug — <\/em>vichitra veena <\/em>and bass by Ulrico — b\u00fcchel and mini cornet by Hans Kurzen — tanpura and didgeridoo by Egon Kunkel — ocean drum by Hans Maurer — 13:08 — summer 2014 — playlist<\/mark> 2014 CD<\/em> — blog “Reality theater<\/mark><\/a>” — CD A Symphony of Life and Love<\/mark><\/a><\/em><\/p>\n\n\n\n

“Guggisberg Melody, MinReach with” — a harmonic minor example <\/em>— MinReach <\/em>— double 8-string guitar, bass, and crotales — 9:24 — <\/em>January 2021 sound<\/mark><\/a> or playlist B <\/em>— blog \u201cTonality of the month: MinReach<\/mark><\/a>\u201d — album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

‘H’<\/p>\n\n\n\n

“Hallo Stille [Hello Silence]” <\/strong>— text by Nicole Keller — voice by Karin Gs\u00f6llpointner — 8-string guitar in C# Mixolydian <\/em>by Ulrico — 5:09 — <\/strong>August 2021 sound<\/mark><\/a><\/p>\n\n\n\n

“Happy about impermanence” — it can be! <\/strong>— ReachUpMix<\/em> \/ ReachUpMaj<\/em> on E (without 7th, but with one brief transitory major 3rd), leading to and dissolving in BlueMix<\/em> on C# (rel. A 438 Hz) — nepali cymbal pair, four dome gongs (four corners of the sound temple), lap slide guitar — 7:18 <\/strong>— April 2026 sound<\/mark><\/a> or playlist U <\/em>— blog “Happy about impermanence<\/mark><\/a>“<\/p>\n\n\n\n

“Happy birthday, Robin Hood!” — for K. <\/strong>— Ionian \/ diatonic major<\/em> (with a touch Mixolydian<\/em>) — 8-string guitar — 4:53 — <\/strong>March 2022 sound<\/mark><\/a> or playlist E <\/em>— blog “Decide for yourself<\/mark><\/a>” — album Tonalibus D & E<\/mark><\/a><\/em><\/p>\n\n\n\n

\u201cHappy cat\u2019s meow\u201d — head and heart <\/strong>— PentaMin \/ PentaEol<\/em> (pentatonic minor) on C# — bass, lap slide guitar, double 8-string guitar — 4:26 <\/strong>— November 2023 sound<\/mark><\/a> or playlist L <\/em>— blog “What if you love people<\/mark><\/a>” — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“Happy gnomes and elves” — a fairy tail dance <\/strong>— PentaProLa \/ PentaIon<\/em> (w\/a touch HexaMixLa<\/em>) on E (rel. A 432 Hz) — 8-string guitar, bass bowl — 6:23 <\/strong>— August 2025 sound<\/mark><\/a> or playlist S <\/em>— blog “What or who owns?<\/mark><\/a>“<\/p>\n\n\n\n

“Happy Sadness or Sad Happiness?” — a contemplative prayer <\/strong>— Aeolian<\/em> — 8-string guitar and double voice — 3:04 — <\/strong>April 2021 sound<\/mark><\/a> or playlist C <\/em>— blog \u201cSpiritual Freedom<\/mark><\/a>\u201d — album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

“Harmonic two-way challenge” — CorMaj \/ LoloReachLyd contemplation <\/strong>— CorMaj \/ LoloReachLyd<\/em>— 8-string guitar — 11:48 — <\/strong>January 2023 <\/mark>sound<\/mark><\/a>or <\/mark>playlist I<\/em> — blog “One more step<\/mark><\/a>” — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Harmonics of the heart” — can you hear the overtones? <\/strong>—<\/em> \u0950 <\/em>Om\/Aum <\/strong>chant on C# (69 Hz) — single note chanting bass voices — 9:13 <\/strong>— March 2025 sound<\/mark><\/a> or playlist R<\/em> — blog “Wrapping and contents<\/mark><\/a>“<\/p>\n\n\n\n

“Harmony in the present moment” — blending cultures <\/strong>— Mixolydian <\/em>\/ Ionian <\/em>on C# — Punnu Wasu: mandolin — Ulrico: 8-string guitar — 8:35 <\/strong>live <\/strong>— year-end 2023 sound<\/mark><\/a> or playlist M <\/em>and coop PW<\/em> — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“Heartfelt tears of joy” — can you feel them? <\/strong>— Mixolydian <\/em>on F# 184 Hz (rel. A 438 Hz) — 7-string guitar, lap slide guitar, tingsha cymbals, tanpura — 10:48 <\/strong>— February 2026 sound<\/a><\/mark> or playlist U<\/em> — blog “Once upon a time<\/mark><\/a>“<\/p>\n\n\n\n

“Heart in Misty Forest” <\/strong>— voice by Christina Braun — fujara, gong, and crotales by Ulrico — 3:30 — <\/strong>February 2022 sound<\/mark><\/a> or playlist coop A<\/em> — album Cooperation A<\/mark><\/a><\/em><\/p>\n\n\n\n

\u201cHeart of Love\u201d <\/strong>— 7-string guitar — 3:03 — summer 2014 sound<\/mark><\/a> or playlist CD<\/em> — A Symphony of Life and Love<\/mark><\/a><\/em><\/p>\n\n\n\n

“Hearts dance and remember” — all in one in all <\/strong>— ReachMin<\/em> or Phrygian dominant on C# (138 Hz; rel. A 438 Hz) — 8-string guitar — 12:41 <\/strong>— October 2025 sound<\/mark><\/a> or playlist T<\/em> — blog “I remember you<\/mark><\/a>“<\/p>\n\n\n\n

“HeptaNa Gita” — harmonics medley <\/strong>— HeptaNa \/ LydAeolian<\/em> — 8-string guitar, big gong, tanpura — 3:46 — <\/strong>November 2022 sound<\/mark><\/a> or playlist H<\/em> — blog “Not someone else<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em><\/p>\n\n\n\n

“HexaNa Gita” — harmonic six-pack <\/strong>— HexaNa<\/em> w\/a touch ClusterPro \/ LydDorian<\/em> — 8-string guitar and tanpura — 3:19 — <\/strong>November 2022 sound<\/mark><\/a> or playlist H<\/em> — blog “Into the depth of soul<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em><\/p>\n\n\n\n

“Holy sham” — a short sound excursion far out — for M&M <\/strong>— Mixolydian<\/em> on G, spiced — multiple fujara and 8-string guitar — 4:25 — <\/strong>August 2022 sound<\/mark><\/a> or playlist G<\/em> — blog “Beyond duality\u2026<\/mark><\/a>” and “How to be real<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em><\/p>\n\n\n\n

“Home turf roots” — swingin’ on a star <\/strong>— Aeolian <\/em>on F# (rel. 438.2 Hz) — multiple 7-string guitar, tingsha cymbal pair, large gong, tanpura — 7:59 <\/strong>— January 2024 sound<\/mark><\/a> or playlist N<\/em> — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“HU cares” — a sound cycle p\u016bj\u0101 <\/strong>— Aeolian <\/em>— double 8-string guitar and multiple voice — 5:09 — <\/strong>June 2022 sound<\/mark><\/a> or playlist F <\/em>— blog “Who cares<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em><\/p>\n\n\n\n

“Humble bumble dumble” — homecoming blues <\/strong>— PentaBluMix<\/em> on C (rel. A 438 Hz) — 7-string guitar, lap slide guitar, two gongs, trombone — 9:13 <\/strong>— October 2024 sound<\/mark><\/a> or playlist Q <\/em>— blog “No arrogance<\/mark><\/a>” — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

“Humpbacks breach the surface” — a dreamscape <\/strong>— TetraNa<\/em> w\/ Norcor inversion<\/em>, Dorian<\/em>, PentaMin \/ PentaEol<\/em> — 8-string guitar and bass — 9:30 — <\/strong>April 2022 sound<\/mark><\/a> or playlist E <\/em>— blog “April 2022 Tonalibus update<\/mark><\/a>” — album Tonalibus D & E<\/mark><\/a><\/em><\/p>\n\n\n\n

‘I’<\/p>\n\n\n\n

“Iech k\u00f6renes Gl\u00f6ggli” — I hear a little bell <\/strong>— PentaIon \/ PentaProLa<\/em> (pentatonic major) on F and HexaMixLa<\/em> on G# (rel. A 438.2 Hz) — sopranino recorder, crotales, voice — 7:26 <\/strong>— August 2025 sound<\/mark><\/a> or playlist S <\/em>— blog “A small child<\/mark><\/a>“<\/p>\n\n\n\n

“\u056b\u0574\u0561\u057d\u057f\u0578\u0582\u0576 Imastun <\/em>survivors” — calling for silence — <\/em>PentaMinMix \/ PentaEolDor (derivative) on F# (184 Hz) — 8-string guitar, conch, voice, tanpura — 6:28 <\/em>— May 2024 sound<\/mark><\/a> or playlist P <\/em>— blog “Main emotion joy<\/mark><\/a>” — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

“Incredible journey blues” — with Christina Braun <\/strong>— PentaMin<\/em> on G# (rel. 438.2 Hz) — Christina Braun: voice — Ulrico: bass & tenor ukulele — 6:25 <\/strong>— May 2025 sound<\/mark><\/a> or playlist coop C<\/em><\/p>\n\n\n\n

“Individual bhajan” — a progression experiment <\/strong>— Phrygian<\/em>, ReachMin<\/em>, ReachMix<\/em>, Mixolydian<\/em> — 8-string guitar, tingsha cymbals, gong, and double voice — 13:08 — <\/strong>July 2022 sound<\/mark><\/a> or playlist F <\/em>— blog “May the blessings be<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em><\/p>\n\n\n\n

“Inner and outer connecting point” — culture fusion <\/strong>— ReachMin \/ Phrygian dominant<\/em> with a touch of Bairagi Bhairav<\/em>, on C# (138 Hz) — 8-string guitar, tanpura — 10:32 <\/strong>— March 2024 sound<\/mark><\/a> or playlist O<\/em> — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

“Inversion progression, from here to there and back” <\/strong>— TetraNa inversion Norcor<\/em>, progression to Dorian<\/em> via PentaMinLa \/ PentaBal<\/em> and back — 8-string guitar, bass, Tibetan (tingsha) cymbal pair — 7:26 — <\/strong>December 2021 sound<\/mark><\/a> or playlist D<\/em> — album Tonalibus D & E<\/mark><\/a><\/em><\/p>\n\n\n\n

“Ionian Prayer in Gratitude for the Golden Heart” <\/em>— Ionian <\/em>— 8-string guitar — 4:44 — <\/em>February 2021 sound<\/mark><\/a> or playlist B <\/em>— blog \u201cNo cutting corners<\/mark><\/a>\u201d — album Tonalibus A, B, & C<\/mark><\/a><\/em> <\/p>\n\n\n\n

\u201cIt, God\u201d \u2014 trinity in common language <\/em>— Mixolydian <\/em>— double 8-string guitar, double voice, tingsha cymbals, tanpura — 5:40 — <\/em>April 2022 sound<\/mark><\/a> or playlist E <\/em>— blog “It, God<\/mark><\/a>” — album Tonalibus D & E<\/mark><\/a><\/em> <\/p>\n\n\n\n

“It is that it is” — and that’s good news! <\/strong>— TetraMin<\/em>, a Tetra derivative on sharp G# (418 Hz, rel. A 444 Hz) — shamisen, conch, 8-string guitar — 5:15 <\/strong>— August 2024 sound<\/mark><\/a> or playlist P <\/em>— blog “No fake news please<\/mark><\/a>” — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

“It is what it is” — with Christina Braun <\/strong>— HexaBluNaMix <\/em>on C# (rel. A 438 Hz) — Chistina Braun: voice — Ulrico: 8-string guitar — 4:48 <\/strong>— February 2026 sound<\/mark><\/a> or playlist T <\/em>or playlist coop C<\/em><\/p>\n\n\n\n

‘J’<\/p>\n\n\n\n

\u091c\u092f \u091c\u092f \u092e\u093e\u0901 — “Jai Jai Ma” — praise the mother <\/em>— Aeolian <\/em>on C# — Punnu Wasu: voice & harmonium — Ulrico: 8-string guitar — 12:29 <\/em>live <\/em>— year-end 2023 sound<\/mark><\/a> or playlist coop PW<\/em><\/p>\n\n\n\n

“Journey Around the Sun” — a circular Core modulation <\/em>— PentaCor<\/em>, ReachUpMix<\/em>, Dorian<\/em>, ReachUpMix<\/em>, PentaCor<\/em> — 8-string guitar — 7:08 — <\/em>April 2021 sound<\/mark><\/a> or playlist C <\/em>— blog \u201cOne\u2019s own way<\/mark><\/a>\u201d — album Tonalibus A, B, & C<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Joy, peace, & harmony” — friends always meet again <\/em>— ReachMin<\/em> (Phrygian dominant) on G# — Punnu Wasu<\/em>: double mandolin — Ulrico: <\/em>vichitra veena <\/em>& 8-string guitar — 8:14 <\/em>— January 2024 sound<\/mark><\/a> or playlist M <\/em>and coop PW<\/em><\/p>\n\n\n\n

“July 2023 Fideris sound journey” — live concert recording <\/em>— entire concert, homogenized — #1-7 in one — Ursula Huggenberger, Karin Gs\u00f6llpointner, & Ulrico — 38:22 live — <\/em>July 2023 sound<\/mark><\/a><\/p>\n\n\n\n

“Just Be, No More” — an unintended short PentaCor p\u016bj\u0101 <\/em>— PentaCor<\/em> — 8-string guitar, <\/em>fujara, <\/em>crotales, and gongs — 1:20 — <\/em>April 2021 sound<\/mark><\/a> or playlist C <\/em>— blog \u201cNo More Nor Less<\/mark><\/a>\u201d — album Tonalibus A, B, & C<\/mark><\/a><\/em> <\/p>\n\n\n\n

‘K’<\/p>\n\n\n\n

\u201cKlanggeschichte\u201d — the development of the umbilical cord <\/em>— <\/em>story and sound about connection, growth, and detachment — 10 chapters — voice and story (in German) by Philine Harte, 8-string guitar (and cymbals) by Ulrico — 63 minutes — <\/em>March 2023 sound<\/mark><\/a> or playlist \/ album<\/mark><\/a><\/em><\/p>\n\n\n\n

“Know what you know” — very and nothing special <\/em>— PentaBluNa<\/em>, HexaBluNa \/ HexaLolo<\/em> on C# (138 Hz) — triple 8-string guitar — 9:35 <\/em>— February 2024 sound<\/mark><\/a> or playlist N<\/em> — blog \u201cKnow what you know<\/mark><\/a>\u201d — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“\u0915\u0941\u092e\u094d\u092d\u0915 Kumbhaka” — between in and out, out and in — for M-A <\/em>— ReachBal<\/em> (<\/em>double harmonic\/Gypsy major)<\/em> on G# — fretted <\/em>vichitra veena,<\/em> lap slide guitar, conch, tanpura — 8:54 <\/em>— August 2023 sound<\/mark><\/a> or playlist K<\/em> — blog \u201cDepersonification<\/mark><\/a>\u201d — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

‘L’<\/p>\n\n\n\n

“Layers” — modular world building blocks <\/em>— PentaProLa \/ PentaIon<\/em> (pentatonic major) based on C# (rel. 438 Hz) — Christina Braun: voice — Ulrico: 5-string guitar, singing saw, crotales — 4:46 <\/em>— November 2023 sound<\/mark><\/a> or playlist coop B<\/em> <\/p>\n\n\n\n

“Let’s listen” — a personal meditation <\/em>— <\/em>based on the four corners of the sound temple, from PentaCor<\/em> via HexaCorMix<\/em> to LoReachUpMix<\/em> and back — double 8-string guitar and gongs — 13:21 — <\/em>June 2022 sound<\/mark><\/a> or playlist F<\/em> <\/p>\n\n\n\n

“Let\u2019s talk” — a personal manifesto <\/em>— <\/em>based on the four corners of the sound temple, from PentaCor<\/em> via HexaCorMix<\/em> to LoReachUpMix<\/em> and back — double 8-string guitar, voice, and gongs — 13:21 — <\/em>June 2022 sound<\/mark><\/a> or playlist F <\/em>— blog “Let\u2019s talk<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Life is great!” — a celebratory meditation — for M\u00e4tti <\/em>— PentaCor<\/em> — 8-string guitar, crotales, large gong, tanpura — 6:27 — <\/em>October 2022 sound<\/mark><\/a> or playlist H<\/em> — blog “And here is soul<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Little Balloon” <\/em>— multiple 8-string guitar and bass — 3:29 — January 2021 sound<\/mark><\/a> or playlist A<\/em> — blog “Little balloon<\/mark><\/a>” — album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

“Little Earworm Pupating” <\/em>— 8-string guitar, singing saw, crotales, and voice — 2:08 loop — December 2020 sound<\/mark><\/a><\/p>\n\n\n\n

\u201cLiving drops of glacial melt water\u201d — live concert recording <\/em>— Mixolydian <\/em>— fujara and a touch of medium gong — 3:09 <\/em>— April 2023 sound<\/mark><\/a> or playlist J<\/em><\/p>\n\n\n\n

“Living echoes in relative silence\u201d — live concert recording <\/em>— IonAeolian \/ ClusterBal<\/em> (melodic minor \/ Aelian dominant) — 8-string guitar, singing saw, voice, large gong — 10:33 <\/em>— April 2023 sound<\/mark><\/a> or playlist J<\/em><\/p>\n\n\n\n

“Living sound travel far out” — live concert recording <\/em>— Core tonal <\/em>[C#-D-E-F\/[F#]-G-G#]-[A#-C-C#] — Nepali cymbals, sound bowls, crotales, gongs — 6:48 <\/em>— April 2023 sound<\/mark><\/a> or playlist J<\/em><\/p>\n\n\n\n

\u201cLouder Call for Peace\u201d <\/em>— triple and quadruple fujara — 2:40 — January 2021 sound<\/mark><\/a> or playlist B <\/em>— blog “Why hostile<\/mark><\/a>” — album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

“Lyoba” — soundscape — zither and native american flute by Kathia Haug — bass and 7-string guitar by Ulrico — alphorn by Hans Kurzen — overtone singing by Egon Kunkel — 7:27 — summer 2014 — playlist<\/mark> 2014 CD<\/em> — CD A Symphony of Life and Love<\/mark><\/a><\/em><\/p>\n\n\n\n

‘M’<\/p>\n\n\n\n

“\u092e\u0948\u0924\u094d\u0930\u0940 Maitr\u012b base” — the privilege of breath <\/strong>— TetraMin<\/em>, PentaMinMix\/PentaEolDor (derivatives) on C# (276 Hz) — 8-string guitar, tanpura — 6:55 <\/strong>— May 2024 sound<\/mark><\/a> or playlist P <\/em>— blog \u201cAny original thought?<\/mark><\/a>\u201d — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

“Ma Sa Papa” — hearts long for peace <\/strong>— MinReach (harmonic minor) <\/em>on F# — 5-string guitar and crotales — 7:22 <\/strong>— September 2023 sound<\/mark><\/a> or playlist L <\/em>— blog \u201cCongruence<\/mark><\/a>\u201d — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“May the blessings be” — ignorance abandoned <\/strong>— Dorian <\/em>on C# 138 Hz (rel. A 438) — 8-string guitar — 8:32 <\/strong>— December 2025 sound<\/mark><\/a> or playlist T <\/em>— blog \u201cSpiritual openness<\/mark><\/a>\u201d<\/p>\n\n\n\n

“Mett\u0101 cetovimutti” — liberation of the heart through love <\/strong>— HexaMixLa<\/em> with a touch of Mixolydian <\/em>on C# 138 Hz (rel. A 438 Hz) — 8-string guitar — 7:18 <\/strong>— April 2026 sound<\/mark><\/a> or playlist U<\/em> — blog “Directly knowing<\/mark><\/a>“<\/p>\n\n\n\n

“MinReach with Guggisberg Melody” — a harmonic minor example <\/strong>— MinReach <\/em>— double 8-string guitar, bass, and crotales — 9:24 — <\/strong>January 2021 sound<\/mark><\/a> or playlist B <\/em>— blog \u201cTonality of the month: MinReach<\/mark><\/a>\u201d — album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

“Mischief or miss a chief” — PentaBluNaLa with chant <\/strong>— PentaBluNaLa<\/em> on C# — 8-string guitar, double voice, tanpura — 5:01 <\/strong>— November 2023 sound<\/mark><\/a> or playlist L <\/em>— blog \u201cWhat else matters?<\/mark><\/a>\u201d — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“Mysterious calm contemplation” — with Christina Braun–Christina Braun: voice — Ulrico: gongs — 8:24– May 2025 sound<\/mark><\/a> or playlist coop C<\/em><\/p>\n\n\n\n

‘N’<\/p>\n\n\n\n

“Na track” — Na(tural harmonics) in action — for M. <\/strong>— TetraNa<\/em> with a touch of Mixolydian<\/em> \u2014 double 8-string guitar, gong, singing saw — 10:31 — <\/strong>August 2021 sound<\/mark><\/a> or playlist D <\/em>— album Tonalibus D & E<\/mark><\/a><\/em><\/p>\n\n\n\n

\u201c\u0928\u091f \u0938\u0930\u0938 Nat Saras\u201d — moon dance by a pond <\/strong>— MajReach \/ harmonic major<\/em> on C# (276 Hz) — 8-string guitar, lap slide guitar, gong, tanpura — 7:32 <\/strong>— June 2024 sound<\/mark><\/a> or playlist P <\/em>— blog “We come and we go<\/mark><\/a>” — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

“Natural harmonics gateway” — first step in a Na tonality <\/strong>— PentaPro \/ PentaNa<\/em> — triple 8-string guitar — 4:36 — <\/strong>July 2021 sound<\/mark><\/a> or playlist D <\/em>— blog “August 2021 Tonalibus update<\/mark><\/a>” — album Tonalibus D & E<\/mark><\/a><\/em><\/p>\n\n\n\n

“Nature’s echo in blue calm” — where a contrast meets <\/strong>— PentaBluNa <\/em>— 8-string guitar — 2:47 — <\/strong>March 2022 sound<\/mark><\/a> or playlist E <\/em>— blog “Tathagata<\/mark><\/a>” — album Tonalibus D & E<\/mark><\/a><\/em><\/p>\n\n\n\n

“Neither nor it is” — neither minor nor major <\/strong>— HexaReMix<\/em> (a derivative tonality) on C# (rel. A 438 Hz) — 8-string guitar — 4:46 <\/strong>— May 2026 sound<\/mark><\/a> or playlist U<\/em> — blog “Confident, steady, and resolute<\/em>“<\/p>\n\n\n\n

“Never give up, let go completely” — a miracle of nature <\/strong>— ReachMin<\/em> — 8-string guitar — 5:05 — <\/strong>December 2022 sound<\/mark><\/a> or playlist H<\/em> — blog “A miracle of nature<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em><\/p>\n\n\n\n

\u201cNew moon rising\u201d \u2014 a sensitive welcome <\/strong>— ReachNaBal<\/em> — 8-string guitar — 4:52 — <\/strong>July 2022 sound<\/mark><\/a> or playlist F <\/em>— blog “Sensitive \u2014 more or less<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em><\/p>\n\n\n\n

“Nirodha blues” — dance of the trees <\/strong>— HexaBluNaMix<\/em> <\/mark>on F# (184 Hz) — 7-string guitar, fead\u00f3g (Irish tin whistle), crotales, bass — 6:56 <\/strong>— April 2025 sound<\/mark><\/a> or playlist R<\/em> — blog “Please forgive<\/mark><\/a>“<\/p>\n\n\n\n

“No mistake” — big sky, beach, rock, pine, broken branch <\/strong>— Phrygian <\/em>on A framing HexaBlueUp<\/em> (BlueUp<\/em> without 7+) on E — 8-string guitar and tenor recorder — 6:40 — <\/strong>September 2022 sound<\/mark><\/a> or playlist G<\/em> — blog “It was no mistake<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em><\/p>\n\n\n\n

“No more, no less” — let go completely <\/strong>— PentaMin\/PentaEol<\/em> (pentatonic minor) on G# \u00b151 Hz (rel. A 438 Hz) — bass ukulele, singing saw, tanpura — 4:04 <\/strong>— March 2026 sound<\/a><\/mark> or playlist U<\/em><\/p>\n\n\n\n

“Non-return” — from a non-I retreat <\/strong>— HexaBluNaMix<\/em> (w\/a touch CorMix<\/em>) on G# 207 Hz (rel. A 438 Hz) — 7-string guitar, tanpura — 6:27 <\/strong>— January 2026 sound<\/mark><\/a> or playlist T<\/em> — blog “Refuge<\/mark><\/a>“<\/p>\n\n\n\n

“North woods gnome procession” — warming hearts <\/strong>— Aeolian <\/em>(natural minor) & MinReach <\/em>on A (438 Hz) — Christina Braun: violin & voice — Ulrico: harmonium — 4:36 <\/strong>— December 2024 sound<\/mark><\/a> or playlist Q<\/em> or playlist coop B<\/em><\/p>\n\n\n\n

“North woods gnome gathering” — a sweet start <\/strong>— Aeolian <\/em>& MinReach <\/em>on A (438 Hz) — Christina Braun: violin & voice — Ulrico: harmonium — 5:16 <\/strong>— December 2024 sound<\/mark><\/a> or playlist coop B<\/em><\/p>\n\n\n\n

‘O’<\/p>\n\n\n\n

“Octahedron moment” — even before and also after <\/em>— <\/em>octatonal ReachNaBal<\/em> derivative w\/minor (and major) third on E+ 333 Hz (rel. A 444 Hz) — 7-string guitar, lap slide guitar, soprano recorder, tanpura — 6:14 <\/em>— August 2025 sound<\/mark><\/a> or playlist S<\/em> — blog “Before and after<\/mark><\/a>“<\/p>\n\n\n\n

“Old box jumping Jack” — mother of the West <\/em>— PentaMin \/ PentaEol<\/em> — 7-string guitar — 3:14 — <\/em>April 2022 sound<\/mark><\/a> or playlist E <\/em>— album Tonalibus D & E<\/mark><\/a><\/em> <\/p>\n\n\n\n

“\u0f00\u0f0b\u0f68\u0f71\u0f7f\u0f0b\u0f67\u0f71\u0f74\u0f83 – \u014c\u1e43 \u0101\u1e25 h\u016b\u1e43” — dissolving search and soft landing <\/strong>— PentaCor<\/em> on C# (rel. A 438 Hz) — gongs (4 corners of sound temple), shamisen, 8-string guitar, voice, conch — 10:30 <\/strong>— September 2024 sound<\/mark><\/a> or playlist Q<\/em> — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

\u0950 \u0917\u0902 \u0917\u0923\u092a\u0924\u092f\u0947 \u0928\u092e\u0903 — “\u014c\u1e43 Gam Ganapataye Namaha” — Ganesha mantra <\/em>— Aeolian <\/em>on C# — Punnu Wasu: voice & harmonium — Ulrico: 7-string guitar — 11:29 <\/em>live <\/em>— year-end 2023 <\/mark>sound<\/mark><\/a> or playlist coop PW<\/em><\/p>\n\n\n\n

“\u0950 \u0917\u0923\u0947\u0936 \u0950 — \u014c\u1e43 Ga\u1e47e\u015ba \u014c\u1e43” — a picture story <\/em>— BlueReach<\/em> on B (rel. 438.2 Hz) — 8-string guitar, bass, lap slide guitar, voice, tingsha cymbals, faint tanpura — 9:37 <\/em>— December 2023 sound<\/mark><\/a> or playlist M<\/em> — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 — “\u014c\u1e43 \u015a\u0101nti\u1e25” — sound healing <\/em>— ReachMin <\/em>on D# — Punnu Wasu: voice & mandolin — Ulrico: 7-string guitar — 11:30 <\/em>live <\/em>— year-end 2023 sound<\/mark><\/a> or playlist M <\/em>and coop PW<\/em> — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 \u092d\u0915\u094d\u0924\u093f \u0950 — \u014c\u1e43 \u015a\u0101nti\u1e25 Bhakti \u014c\u1e43” — contemplation <\/em>— ReachMin<\/em> — multiple 8-string guitar and voice — 5:15 — <\/em><\/mark>December 2022 sound<\/mark><\/a> or playlist H<\/em> — blog “A miracle of nature<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em> <\/p>\n\n\n\n

“\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 Om Shanti HU” — just chant and pluck <\/em>— PentaProLa or PentaIon<\/em> (pentatonic major) on A# — 8-string guitar, low chanting voices in unison generating overtones — 4:43 — <\/em>September 2022 sound<\/mark><\/a> or playlist G<\/em> — blog “Do you dare<\/mark><\/a>“<\/p>\n\n\n\n

“\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 Om Shanti HU” — plain chant only <\/em>— <\/em>A# — low chanting voices in unison generating overtones — 4:43 — <\/em>September 2022 sound<\/mark><\/a> <\/p>\n\n\n\n

“\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 Om Shanti HU” — with Elijah’s bells and cicadas <\/em>— PentaProLa or PentaIon<\/em> <\/mark>(pentatonic major) on A# — tenor recorder, orthodox church bells, natural cicadas, 8-string guitar, low chanting voices in unison generating overtones — 4:43 — <\/em><\/mark>September 2022 sound<\/mark><\/a> or playlist G<\/em> — blog “\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 Om Shanti<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em> <\/p>\n\n\n\n

\u201cOnce upon a time\u201d — again and still on the way <\/em>— Phrygian<\/em> on E — 6-string guitar, 7-string guitar, small gong — 5:09 <\/em>— April 2023 sound<\/mark><\/a> or playlist J<\/em> — blog “What comes out<\/mark><\/a>” — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

\u201cOn Eagels\u2019 Wings\u201d <\/em>— triple fujara — 1:45 or 1:58 loop — July 2020 sound<\/mark><\/a>, loop<\/mark><\/a>, or playlist A<\/em> — album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

“One more step, and yet another” — happy trails! <\/em>— BlueReach <\/em>on F# (rel 438.2) — 8-string guitar — 4:32 <\/em>— December 2023 sound<\/mark><\/a> or playlist L<\/em> — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“Open door and heart” — an opportunity to step out — concert recording <\/em>— Ionian <\/em>(diatonic major) on C# (138 Hz) — 8-string guitar, tanpura — 5:55 recorded live <\/em>— February 2024 sound<\/mark><\/a> or playlist N<\/em><\/p>\n\n\n\n

“Ophiuchus” — the serpent bearer <\/em>— ReachMix — <\/em>fretted <\/em>vichitra veena,<\/em> tanpura, large gong — 10:00 <\/em>— April 2023 sound<\/mark><\/a> or playlist J<\/em> — blog “Time in such abundance<\/mark><\/a>” — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Ophiuchus alive” — living serpent bearer — live concert recording <\/em>— ReachMix<\/em> — fretted <\/em>vichitra veena, <\/em>tanpura, large gong — 5:18 <\/em>— April 2023 sound<\/mark><\/a> or playlist J<\/em><\/p>\n\n\n\n

“Ornate Gateway to Heaven and Hell” <\/strong>— Nepali and Tibetan cymbal pairs, gongs, 8-string guitar,vichitra veena,<\/em> voice — 6:44 — December 2020 sound<\/mark><\/a> or playlist A<\/em> — blog “It\u2019s a miracle<\/mark><\/a>” — album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

“Over- and Under-Tone Presents” <\/strong>— triple fujara and tenor recorder — 2:31 — <\/strong>March 2021 sound<\/mark><\/a> or playlist B <\/em>— blog \u201cWu wei \u7121\u70ba<\/mark><\/a>\u201d — album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

‘P’<\/p>\n\n\n\n

“Peaceful heart” — slowly but surely <\/em>— PhrygReach <\/em>or Neapolitan minor — 8-string guitar, tingsha cymbal pair, tanpura — 5:10 — <\/em>June 2023 sound<\/mark><\/a> or playlist K <\/em>— blog “Tonality of the month: PhrygReach<\/mark><\/a>” — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Peace over war” — with Christina Braun <\/strong>— <\/strong>Christina Braun: voice, Tingsha cymbals — Ulrico: large gong, Zildjian cymbal, sound bowls — 4:44 <\/strong>— February 2026 sound<\/mark><\/a> or playlist coop C<\/em><\/p>\n\n\n\n

“Pebbles in the pond” — a touch of a raga <\/em>— <\/em>Bairagi Bhairav raag based on C# — Christina Braun: voice — Ulrico: 8-string guitar — 5:38 <\/em>— April 2024 sound<\/mark><\/a> or playlist O<\/em> or playlist coop B <\/em>— blog “True freedom<\/mark><\/a><\/p>\n\n\n\n

“Perfect imperfection” — one step closer <\/em>— IonAeolian \/ ClusterBal<\/em> (melodic major) with a touch of Ionian <\/em>on E (164.3 Hz) — 8-string guitar, small gong, tanpura — 12:01 <\/em>— March 2024 sound<\/mark><\/a> or playlist O <\/em>— blog “Be excited and inspired<\/mark><\/a>” — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

“Permanent impermanence” — heart remediation blues <\/em>— PentaBlue<\/em> on D (rel. A 438.2 Hz) — 8-string guitar, crotales, nepali cymbals, tanpura — 7:43 <\/em>— February 2025 sound<\/mark><\/a> or playlist R <\/em>— blog “Sound of silence<\/mark><\/a>“<\/p>\n\n\n\n

“Phrygian HU” — a meditative blues <\/em>— Phrygian <\/em>— multiple 8-string guitar, voice, crotales, tampura — 10:20 — <\/em>May 2022 sound<\/mark><\/a> or playlist F <\/em>— blog “November-December 2022 Tonalibus update<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Plain Gateway to Heaven and Hell” <\/em>— Nepali and Tibetan cymbal pairs, gongs — 6:39 — December 2020 sound<\/mark><\/a> or playlist A<\/em> — blog “It\u2019s a miracle<\/mark><\/a>” — album Tonalibus A, B, & C<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Plain Guggis Chirping” <\/em>— 7-string guitar — 3:02 — <\/em>March 2021 sound<\/mark><\/a><\/p>\n\n\n\n

“Pragmatic freedom in expression” — a prayer song <\/em>— PhrygBlue<\/em> on C# (rel. 432 Hz) — Celtic harp, lap slide guitar, voice — 8:44 <\/em>— December 2023 sound<\/mark><\/a> or playlist L <\/em>— blog \u201cNo price is too high<\/mark><\/a>\u201d — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“Prayer in Gratitude for the Golden Heart, Ionian” <\/em>— Ionian <\/em>— 8-string guitar — 4:44 — <\/em>February 2021 sound<\/mark><\/a> or playlist B <\/em>— blog \u201cNo cutting corners<\/mark><\/a>\u201d — album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

“Prince on a pea” — can you find it? <\/em>— LoReachUp<\/em> on sharp E (rel. A 448 Hz — plus a single D) — 7-string guitar, bass, violin — 8:05 <\/em>— July 2024 sound<\/mark><\/a> or playlist P<\/em><\/p>\n\n\n\n

“Progress, No Regress” — a Pro tonalities modulation path <\/em>— PentaPro\/PentaNa<\/em>, HexaProMin<\/em>, HexaProReach<\/em>, HexaProMaj<\/em>, PentaProLa\/PentaIon<\/em>, plus touches of HexaProMix<\/em> — 8-string guitar and gong — 11:54 — <\/em>April 2021 sound<\/mark><\/a> or playlist C <\/em>— blog \u201cApril 2021 Tonalibus Update<\/mark><\/a>\u201d — album Tonalibus A, B, & C<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Pulsating through life” — lead on! <\/em>— HexaMin<\/em> <\/mark>on G# w\/a touch Aeolian — 5-string guitar, lap slide guitar, bass, conch — 4:00 <\/em><\/mark><\/mark><\/mark>— August 2023 sound<\/mark><\/a> or playlist K<\/em> — blog “August 2023 Tonalibus update<\/mark><\/a>” — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Pulse of an emerging blue heart” — first step into a new year <\/em>— PentaMin \/ PentaEol<\/em> (pentatonic minor) — multiple 8-string guitar — 6:13 <\/em><\/mark><\/mark><\/mark>— January 2023 sound<\/mark><\/a> or <\/mark><\/mark><\/mark>playlist I<\/em> — blog “<\/mark><\/mark>January 2023 Tonalibus update<\/mark><\/a>” — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Purya p\u016bj\u0101” — another call for peace <\/em>— ReachNaMaj<\/em> — 8-string guitar, gong, crotales, tanpura — 8:35 — <\/em>April 2022 sound<\/mark><\/a> or playlist E <\/em>— album Tonalibus D & E<\/mark><\/a><\/em> <\/mark><\/p>\n\n\n\n

‘Q’<\/p>\n\n\n\n

“Quad Pro square anchored octa Core” — an exploratory journey <\/em>— OctaCor<\/em>, Core tonality<\/em> derivative — 8-string guitar, gongs, harmonium — 9:08 — <\/em>October 2022 sound<\/mark><\/a> or playlist H<\/em> — blog “November-December 2022 Tonalibus update<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em><\/p>\n\n\n\n

“Querencia” — the place where one’s strength is drawn from <\/em>— Lydian <\/em>on C# (276 Hz) — 8-string guitar, big gong, tanpura — 7:05 <\/em>— April 2024 sound<\/mark><\/a> or playlist P <\/em>— blog \u201cLife, love, and the divine<\/mark><\/a>” — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

‘R’<\/p>\n\n\n\n

“Reach and Mix — Carried by the Wind” <\/em>— ReachMix <\/em>— voice by Christina Braun — 8-string guitar by Ulrico — 6:30 — February 2021 sound<\/mark><\/a> or playlist coop A<\/em> — blog “It works and not<\/mark><\/a>” — album Cooperation A<\/mark><\/a><\/em><\/p>\n\n\n\n

“Reaching up to heaven” — in ReachUp tonality <\/em>— ReachUp<\/em> — triple 8-string guitar and bass — 7:11 — <\/em>June 2021 sound<\/mark><\/a> or playlist C <\/em>— blog \u201cJuly 2021 Tonalibus update<\/mark><\/a>\u201d — album Tonalibus A, B, & C<\/mark><\/a><\/em> <\/p>\n\n\n\n

“ReachMin OM HU” — happy heart, new start <\/em>— ReachMin<\/em> (Phrygian dominant) — voice, lap slide guitar, tanpura — 7:33 <\/em>— May-June 2023 sound<\/mark><\/a> or playlist J <\/em>— blog \u201cWhy hostile<\/mark><\/a>\u201d — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“ReachUpMix with the Four Corners of the Sound Temple” <\/em>— ReachUpMix <\/em>— 8-string guitar and four gongs — 8:23 — <\/em>February 2021 sound<\/mark><\/a> or playlist B <\/em>— album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

“Reawakening” — pick up where you left off <\/em>— HexaNaTriMin<\/em> — 8-string guitar, gong, singing saw — 3:52 — <\/em>November 2021 sound<\/mark><\/a> or playlist D <\/em>— blog “October\/November 2021 Tonalibus update<\/mark><\/a>” — album Tonalibus D & E<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Remembering Boudhanath” <\/em>— double tenor recorder, singing saw, genuine Tibetan tingsha cymbals — 3:42 — January 2021 sound<\/mark><\/a> or playlist B<\/em> — blog “Home, sweet home<\/mark><\/a>” — album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

“Rinpoche d\u00e9j\u00e0-vu chant” — for recognition and deliverance <\/em>— ReachUp<\/em> or double harmonic\/Gypsy\/Hungarian minor on C# (138 Hz) — voices, 8-string guitar, gong, tanpura — 5:52 <\/em>— September 2024 sound<\/mark><\/a> or playlist Q<\/em> — blog “Rinpoche<\/mark><\/a>” — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

“Roots and crowns” — heaven to earth to heaven <\/em>— ReachMix <\/em>— 136 Hz 8-string guitar, big gong, tingsha cymbals, tanpura — 4:19 <\/em>— February 2023 sound<\/mark><\/a> or playlist I<\/em> — blog “Tonality of the month: ReachMix<\/mark><\/a>” — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Roots Reaching for Heaven” <\/em>— HexaProMix<\/em> — voice by Christina Braun — 8-string guitar by Ulrico — 5:54 — <\/em>April 2021 sound<\/mark><\/a> or playlist coop A<\/em> — album Cooperation A<\/mark><\/a><\/em><\/p>\n\n\n\n

‘S’<\/p>\n\n\n\n

“Sa\u1e43bhogak\u0101ya \u0938\u0902\u092d\u094b\u0917\u0915\u093e\u092f \/ \u5831\u8eab” — body of enjoyment <\/strong>— Dorian<\/em> on G# 102 Hz & Mixolydian<\/em> on C# 136 Hz (rel. A 432 Hz) — 7-string guitar, Zildjian cymbal, tanpura — 8:34 <\/strong>— February 2026 sound<\/mark><\/a> or playlist U<\/em> — blog “A burning platform<\/mark><\/a>“<\/p>\n\n\n\n

“\u0938\u0902\u092a\u094d\u0930\u092f\u093e\u0923 Sa\u1e43pray\u0101\u1e47a” — departure from past to future, let’s go! — for M <\/strong>— TetraNa<\/em> with Mixolydian<\/em> — double 7-string guitar, 8-string guitar, crotales — 15:10 — <\/strong>August 2022 sound<\/mark><\/a> or playlist G<\/em> — blog “God to go!<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em><\/p>\n\n\n\n

“Saranam gacchami” — triple gem refuge <\/strong>— Mixolyd<\/em>–Ionian<\/em> (reduced) on F 172 Hz (rel. A 432 Hz) — chanting voices, tenor recorder, tanpura — 7:11 <\/strong>— January 2026 sound<\/mark><\/a> or playlist T<\/em> — blog “Looking beyond duality<\/mark><\/a>“<\/p>\n\n\n\n

“Sardic spiral stairwell” — for spiritually inclined beings <\/strong>— TetraNaLa, PentaProLa \/ PentaIon (pentatonic major), HexaBluNa \/ HexaLolo, TetraNa<\/em>, & derivatives — voice duet with Karin Gs\u00f6llpointner, 7-string guitar, bass bowl, tanpura — 8:17 <\/strong>— November 2023 sound<\/mark><\/a> or playlist L <\/em>— blog “A spiritual being<\/mark><\/a>” — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“Satipa\u1e6d\u1e6dh\u0101na concordance” — a meditative object <\/strong>— LocorReach<\/em> derivative w\/2- on C# 138 Hz (rel. 438.2 Hz), octatonality 1-2-4-5-7-8-9-12-1 with a hint of progression (single up 3 & lo 6) — double 7-string guitar & tanpura — 6:01 <\/strong>— June 2025 sound<\/mark><\/a> or playlist S<\/em> — blog “Anatt\u0101 — not self<\/mark><\/a>“<\/p>\n\n\n\n

“Shamana energy glow” — with Christina Braun <\/strong>— <\/strong>Christina Braun: voice — Ulrico: djembe — 4:22 <\/strong>— May 2025 sound<\/mark><\/a> or playlist R <\/em>or playlist coop C<\/em><\/p>\n\n\n\n

“Shamisen blues” — farewell to another round gone by <\/strong>— PentaEol \/ PentaMin<\/em> (pentatonic minor) on C# 275 Hz — shamisen, 7-string guitar, large gong, tanpura — 3:10 <\/strong>— January 2026 sound<\/mark><\/a> or playlist T<\/em> — blog “Together in the harmony of life<\/mark><\/a>“<\/p>\n\n\n\n

\u201cShepherd\u2019s Call\u201d <\/em>— sopranino recorder — 1:10 — summer 2014 sound<\/mark><\/a> or playlist CD<\/em> — A Symphony of Life and Love<\/mark><\/a><\/em><\/p>\n\n\n\n

“Skies close by” — traveling blue as soul <\/strong>— PentaMin \/ PentaEol<\/em> (pentatonic minor) based on A (rel. 442 Hz) — Christina Braun: violin — Ulrico: bass, tanpura — 3:45 <\/strong>— November 2023 sound<\/mark><\/a> or playlist coop B<\/em> — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“Slackline dance” — straight ahead <\/strong>— ReachMin<\/em> — 8-string guitar, tanpura, bass — 5:37 — <\/strong>March 2022 sound<\/mark><\/a> or playlist E <\/em>— blog “April 2022 Tonalibus update<\/mark><\/a>” — album Tonalibus D & E<\/mark><\/a><\/em><\/p>\n\n\n\n

“Soaring free” — wind in the wings <\/strong>— TetraMin <\/em>(with a touch of PentaMinMix\/PentaEolDor<\/em>) on G# (207 Hz) — Christina Braun: voice — Ulrico: fretted <\/strong>vichitra veena <\/strong>& bass — 5:52 <\/strong>— December 2024 sound<\/mark><\/a> or playlist Q<\/em> or playlist coop B<\/em> — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

\u201cSooner Rather than Later\u201d \u2014 an introspective sound sample <\/strong>— double tenor recorder, Nepali and Tibetan (tingsha) cymbal pairs, and voice — 6:13 — <\/strong>January 2021 sound<\/mark><\/a> or playlist B<\/em> — blog “Sooner or later<\/mark><\/a>” — album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

“Sound healing dedication” — a mutual exchange <\/strong>— Aeolian <\/em>on G — Punnu Wasu: voice & harmonium — Catherine G\u00f6ldlin: frame drum — Ulrico: bird whistle — 7:17 <\/strong>live <\/strong>— year-end 2023 sound<\/mark><\/a> or playlist coop PW<\/em><\/p>\n\n\n\n

“Sound journey” — in the moment — Fideris #6 <\/strong>— ReachMin<\/em> (Phrygian dominant)on G# — <\/strong>vichitra veena <\/strong>by Ulrico — tanpuras by Ursula Huggenberger & Karin Gs\u00f6llpointner — 5:50 live <\/strong>–July 2023 sound<\/mark><\/a> or playlist K<\/em><\/p>\n\n\n\n

Soundscape “Amazing” — native american flute, hang, and zither by Kathia Haug — gongs and crotales by Ulrico — didgeridoo and overtone singing by Egon Kunkel — alphorn by Hans Kurzen — 16:53 — summer 2014 — playlist<\/mark> 2014 CD<\/em> — CD A Symphony of Life and Love<\/mark><\/a><\/em><\/p>\n\n\n\n

Soundscape “Guggisberg” — zither and native american flute by Kathia Haug — <\/strong>vichitra veena <\/strong>and bass by Ulrico — b\u00fcchel and mini cornet by Hans Kurzen — tanpura and didgeridoo by Egon Kunkel — ocean drum by Hans Maurer — 13:08 — summer 2014 — playlist<\/mark> 2014 CD<\/em> — blog “Reality theater<\/mark><\/a>” — CD A Symphony of Life and Love<\/mark><\/a><\/em><\/p>\n\n\n\n

Soundscape “Lyoba” — zither and native american flute by Kathia Haug — bass and 7-string guitar by Ulrico — alphorn by Hans Kurzen — overtone singing by Egon Kunkel — 7:27 — summer 2014 — playlist<\/mark> 2014 CD<\/em> — CD A Symphony of Life and Love<\/mark><\/a><\/em><\/p>\n\n\n\n

“Spirit of the water” — healing medicine of forest flowers <\/strong>— HexaMin <\/em>on F# — Punnu Wasu: voice & frame drum — Ulrico: djembe — 5:57 <\/strong>live <\/strong>— year-end 2023 sound<\/mark><\/a> or playlist coop PW<\/em><\/p>\n\n\n\n

“Spontaneous first encounter” — a gentle first — Fideris #3 <\/strong>— <\/em>handpan duo by Ursula Huggenberger & Ulrico — 4:17 live <\/strong>— July 2023 sound<\/mark><\/a> or playlist K<\/em><\/p>\n\n\n\n

“Spontaneous Schong Jen P\u016bj\u0101”– HexaCorMix<\/em> — double 8-string guitar, four gongs, cortales — 3:42 — <\/strong>March 2021 sound<\/mark><\/a> or playlist C <\/em>— blog \u201cApril 2021 Tonalibus Update<\/mark><\/a>\u201d — album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

“Spontaneous Surprise” — for M\u00e4tti <\/strong>— 8-string guitar and voice — 4:47 loop — October 2020 sound<\/mark><\/a> or playlist A<\/em> — blog “Spontaneous surprise<\/mark><\/a>” — album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

“Spring sunbeam chirping”— <\/em>TetraNa<\/em>+ (natural harmonics) — selje flute, medium gong — 3:50<\/mark> <\/strong>— April 2023 sound<\/mark><\/a> or playlist J<\/em> — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Starlight before dawn” — gentle blue heart mix — for M-D <\/strong>— CorMix<\/em> on F# — 8-string guitar, tingsha cymbal pair, faint tanpura — 3:44 <\/strong>— October 2023 sound<\/mark><\/a> or playlist L<\/em> — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“Starry Sky” — a meditative improvisation <\/strong>— voice by Christina Braun — Nepali and Tibetan (tingsha) cymbals, crotales by Ulrico — 3:49 — <\/strong>February 2022 sound<\/mark><\/a> or playlist coop A<\/em> — album Cooperation A<\/mark><\/a><\/em><\/p>\n\n\n\n

“Step in over the sill” — starting in Fideris church — Fideris #1 <\/strong>— <\/em>sound bowls by Ursula Huggenberger, Karin Gs\u00f6llpointner, & Ulrico — 6:47 live <\/strong>— July 2023 sound<\/mark><\/a><\/p>\n\n\n\n

“Step out over the sill” — concluding in Fideris church — Fideris #7 <\/strong>— <\/em>gong, sound bowls, & tingsha cymbal pair by Ursula Huggenberger, Karin Gs\u00f6llpointner, & Ulrico — 8:33 live <\/strong>— July 2023 sound<\/mark><\/a><\/p>\n\n\n\n

“Straight forward” — dare jump in head-on <\/strong>— PentaMin\/PentaEol<\/em> w\/a touch Aeolian <\/em>on C# — Christina Braun: voice — Ulrico: 8-string guitar — 6:45 <\/strong>— April 2024 sound<\/mark><\/a> or playlist coop B<\/em><\/p>\n\n\n\n

“Stroll along Soul’s River Bank” <\/em>— voice by Christina Braun — cymbals, bowls, crotales, and gongs by Ulrico — 8:53 — February 2021 sound<\/mark><\/a> or playlist coop A<\/em> — album Cooperation A<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Sun glitters on a snow-covered field” — with Christina Braun <\/strong>— Mixolydian<\/em> on C# (rel. A 438 Hz), spiced — Christina Braun: voice — Ulrico: 8-string guitar — 5:18 <\/strong>— February 2026 sound<\/mark><\/a> or playlist T<\/em> or playlist coop C<\/em><\/p>\n\n\n\n

“Sunlight enters the dark” — light’s on– MinReach <\/em>(harmonic minor) on G# (207 Hz) — Christina Braun: voice — Ulrico: ukulele & tanpura — 4:11 <\/strong>— December 2024 sound<\/mark><\/a> or playlist Q<\/em> or playlist coop B<\/em><\/p>\n\n\n\n

“Sun rays’ dance in a dojo” — welcome to a new cycle <\/strong>— PentaEol \/ PentaMin<\/em> (pentatonic minor) on D 144 Hz (rel. A 432 Hz) — 8-string guitar — 3:54 <\/strong>— January 2026 sound<\/mark><\/a> or playlist T<\/em> — blog “Together in the harmony of life<\/mark><\/a>“<\/p>\n\n\n\n

“Sunrise miracle” — with Christina Braun <\/strong>— LoMidReach <\/em>on C# (rel. 438.2 Hz) — Christina Braun: voice — Ulrico: 8-string guitar — 5:35 <\/strong>— May 2025 sound<\/mark><\/a> or playlist R<\/em> or playlist coop C<\/em> — blog “<\/mark>Fabulous fabulating<\/mark><\/a>“<\/p>\n\n\n\n

“Surprises welcome” — glimpse around the corner <\/strong>— LocorNa \/ LocorMin<\/em><\/mark> — 8-string guitar — 4:20 <\/strong>— January 2023 sound<\/mark><\/a>or playlist I<\/em><\/mark> — blog “<\/mark>Tonality of the month: LocorNa \/ LocorMin<\/mark><\/a>“<\/mark> — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Swami Uodalric puja” — spontaneous celebration <\/strong>— LoMidReach<\/em>, a Reach tonality derivative, 1-2-4-5-8-9-12-1, on G# (rel. 438.2 Hz) — akin to Raag Puriya Dhanashree –vichitra veena,<\/em> lap slide guitar, conch, tanpura — 8:30 <\/strong>— May 2025 sound<\/mark><\/a> or playlist S<\/em> — blog “Elephants, cattle, and horses<\/mark><\/a>“<\/p>\n\n\n\n

‘T’<\/p>\n\n\n\n

“Tagicrosago” — W. A. Mathieu’s dark horse <\/em>— PhrygDorian<\/em> — tanpura, 8-string guitar, crotales, singing saw, gong — 5:45 — <\/em>March 2022 sound<\/mark><\/a> or playlist E <\/em>— blog “Tonality of the month: PhrygDorian<\/mark><\/a>” — album Tonalibus D & E<\/mark><\/a><\/em> <\/p>\n\n\n\n

\u201cTale of Words and Sounds\u201d — voice by Christina Braun — 8-string guitar by Ulrico — 2:32 — July 2020 sound<\/mark><\/a> or playlist coop A<\/em> — album Cooperation A<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Tears of joy” — mantra of soul <\/em>— <\/em>multi-octave G# chant (aim relative to 207 Hz) — with a fusion of spiritually charged mantra syllables like \u014c\u1e43 \/ Aum<\/em> \u0950, and HU<\/em>, unifying much of the spiritual foundation of Tonalibus — 13:22 <\/em>— March 2024 sound<\/mark><\/a> or playlist O <\/em>— blog \u201cSuicide taboo<\/mark><\/a>“<\/p>\n\n\n\n

“Tears of joy” — mantra of soul with a waking toddler\u2019s song <\/em>— <\/em>multi-octave G# chant and wake up sounds of a 1.5-year old — 13:22 <\/em>— March 2024 sound<\/mark><\/a> or playlist O <\/em>— blog \u201cFinish your own puzzle<\/mark><\/a>\u201d — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

“The far side where opposites unite” — and the circles close <\/em>— TetraNa<\/em>\/Pro & Reg — double 8-string guitar, bass, voice — 6:39 — <\/em>November 2021 sound<\/mark><\/a> or playlist D <\/em>— blog “From being somebody<\/mark><\/a>” — album Tonalibus D & E<\/mark><\/a><\/em> <\/p>\n\n\n\n

“The joy of freedom within” — a healing calm <\/em>— Mixolydian <\/em>w\/a touch of Ionian<\/em>, ReachBal<\/em> on D# — Punnu Wasu: voice & mandolin — Ulrico: 7-string guitar — 12:02 <\/em>live <\/em>— year-end 2023 sound<\/mark><\/a> or playlist M <\/em>or coop PW<\/em><\/p>\n\n\n\n

“The Little Blue Loop that Could — at Rest” <\/em>— triple 8-string guitar — 0:57 loop — September 2020 sound<\/mark><\/a><\/p>\n\n\n\n

“The Little Blue Loop that Could — in Space” <\/em>— double 8-string guitar and bass — 0:47 loop — September 2020 sound<\/mark><\/a><\/p>\n\n\n\n

“The Little Blue Loop that Could — on Track” <\/em>— double 8-string guitar, bass, and voice — 3:38 loop — September 2020 sound<\/mark><\/a><\/p>\n\n\n\n

“The river’s current” — free flow spontaneity <\/em>— Phrygian <\/em>based on E (rel. 435 Hz) — Christina Braun: voice — Ulrico: 7-string guitar, bass bowl — 6:40 <\/em>— November 2023 sound<\/mark><\/a> or playlist coop B<\/em> — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“This side of the other side” — illusion and reality <\/em>— HexaBluNaReach <\/em>on C# (rel. 438.2 Hz) — 8-string guitar, bass, double voice, large gong — 6:58 <\/em>— January 2024 sound<\/mark><\/a> or playlist N <\/em>— blog “Take down illusions<\/mark><\/a>” — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“Th\u00f6-g\u00e4l” — instantaneous arrival <\/em>— PentaPro \/ PentaNa<\/em> on flat C (257 Hz, rel. A 432 Hz) — 7-string guitar, lap slide guitar, tenor recorder, tanpura — 11:56 <\/em>— September 2024 sound<\/mark><\/a> or playlist <\/em>Q <\/em>— blog “Abu Ullo<\/mark><\/a>” — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

“Thundering liberty and freedom” <\/em>— TetraNa <\/em>— 8-string guitar and large gong — 9:16 — <\/em>March 2022 sound<\/mark><\/a> or playlist E <\/em>— blog “Is it really freedom?<\/mark><\/a>” — album Tonalibus D & E<\/mark><\/a><\/em> <\/p>\n\n\n\n

\u201cTo a new horizon\u201d — let go of the horizon to find a new one <\/strong>— violin by Christina Braun — bowl and cymbals by Ulrico — 5:55 — March 2023 sound<\/mark><\/a> or playlist coop B <\/em>— blog “Actually a parasite<\/mark><\/a>” — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“Tongue in Guitars’ Cheek” <\/em>— triple 8-string guitar and voice — 2:53 loop — November 2020 sound<\/mark><\/a> or playlist A<\/em> — album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

“Trust the boat” — on the high seas <\/em>— Mixolydian <\/em>on C# (69 Hz) — 8-string guitar — 7:00 <\/em>— February 2025 sound<\/mark><\/a> or playlist R <\/em>— blog “Trust the boat<\/mark><\/a>“<\/p>\n\n\n\n

‘U’<\/p>\n\n\n\n

“Ubuntu” — I am because we are <\/em>— HexaBlue <\/em>on C# — 8-string guitar, sopranino recorder — 7:25 <\/em>— December 2023 sound<\/mark><\/a> or playlist L <\/em>— blog “Knots open themselves<\/mark><\/a>” and “First it rains a lot<\/mark><\/a>” — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“Umbilical” — sounds in silence <\/strong>— ReachMin<\/em> or Phrygian dominant<\/em> on 136 Hz — multiple 8-string guitar — 10:05 <\/strong>— derived from the sound recordings for “Klanggeschichte”, the <\/mark>story: Nabelschnur<\/mark><\/em> about the development of the umbilical cord<\/mark> <\/strong>— March 2023 sound<\/mark><\/a> or playlist I<\/em> — blog “The divine<\/mark><\/a>” — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Universes” — corners of the sound temple constellation <\/em>— Core tonality<\/em> based on C#, G, A#, E (rel. 438 Hz) — Christina Braun: voice — Ulrico: gongs — 5:20 <\/em>— November 2023 sound<\/mark><\/a> or playlist coop B<\/em><\/p>\n\n\n\n

‘V’<\/p>\n\n\n\n

“Vajra bridge buzz” — rainbow light body karma <\/em>— ReachBal<\/em> or double harmonic\/Gypsy major on flat A# (225 Hz) — 7-string guitar, ukulele (w\/echo), gong — 6:31 <\/em>— September 2024 sound<\/mark><\/a> or playlist P<\/em> — blog “Karma<\/mark><\/a>” — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

“Vanishing appearance” — frettless floating kiln <\/em>— Aeolian<\/em> \/ natural minor, ReachUpMin<\/em> \/ Hungarian Gypsy minor on E — harmonium, shamisen, small gong — 6:16 <\/em>— June 2024 sound<\/mark><\/a> or playlist P<\/em> — blog “Nothing to say<\/mark><\/a>” — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

“Vibhas dawn” — daybreak raag <\/em>— PentaVibhas<\/em> (a Reach derivative) on C# (69 Hz) — Raag Vibhas \/ Bibhas — 8-string guitar, singing saw, tanpura — 5:33 <\/em>— April 2025 sound<\/mark><\/a> or playlist R<\/em> — blog “Emptiness<\/mark><\/a>“<\/p>\n\n\n\n

\u0935\u093f\u091a\u093f\u0924\u094d\u0930 — “Vichitra, a surprise” — odd, fanciful, and curious <\/strong>— ReachMin <\/em>on G# — Punnu Wasu: mandolin — Ulrico: fretted <\/strong>vichitra veena <\/strong>— 4:24 live <\/strong>— year-end 2023 sound<\/mark><\/a> or playlist M <\/em>and coop PW<\/em><\/p>\n\n\n\n

‘W’<\/p>\n\n\n\n

“Wake and ready for a new day” — for M. & M. <\/em>— Aeolian <\/em>with a touch of MinReach <\/em>or harmonic minor — piano — 5:35 — <\/em>March 2022 sound<\/mark><\/a> or playlist E <\/em>— blog “How much is imagined<\/mark><\/a>” and “Let go<\/mark><\/a>” — album Tonalibus D & E<\/mark><\/a><\/em><\/p>\n\n\n\n

“Wake to a new dream” — LocorReach meditation <\/em>— <\/mark>LocorReach<\/mark> <\/em>— 8-string guitar and tanpura — 15:44 — February 2023 <\/mark>sound<\/mark><\/a> or <\/mark><\/mark><\/mark>playlist I <\/em>— blog “A new together now<\/mark><\/a>” — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Waves Concluding a Sound Temple Visit” — breathing voice waves by Christina Braun — 8-string guitar, crotales, and a touch of large gong by Ulrico — 1:52 or 1:48 loop — March 2021 sound<\/mark><\/a><\/p>\n\n\n\n

“Welcome, open the door” — greeting from the heart — Fideris #2 <\/strong>— <\/strong>selje flute by Ulrico — 2:17 live <\/strong>— <\/strong>July 2023 sound<\/mark><\/a> or playlist K<\/em><\/p>\n\n\n\n

“Welcome to the moment” — remembering the future <\/em>— Mixolydian <\/em>on G — multiple fujara, single crotale, medium gong — 8:12 <\/em>— December 2023 sound<\/mark><\/a> or playlist M <\/em>— blog “Eye to eye<\/mark><\/a>” and “Way and virtue<\/mark><\/a>” — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“What goes up, and what comes down” — watch out! <\/em>— BlueMaj <\/em>on F# (rel 438.2) — 8-string guitar, faint tanpura — 3:17 <\/em>— December 2023 sound<\/mark><\/a> or playlist L<\/em> — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“Whiff of Wings” <\/em>— voice by Christina Braun — fujara by Ulrico — 3:13 — <\/em>September 2020 sound<\/mark><\/a> or playlist coop A<\/em> — album Cooperation A<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Wild Thing” <\/em>— ReachUp<\/em> (double harmonic\/Gypsy minor) — voice by Christina Braun — 8-string guitar by Ulrico — 3:48 — <\/em>July 2021 sound<\/mark><\/a> or playlist coop A<\/em> — album Cooperation A<\/mark><\/a><\/em><\/p>\n\n\n\n

“Winter blue sky sunshine” — a prayer of gratitude <\/strong>— LoMidReachMin <\/em>(a BluNa \/ MidReach derivative) on C# — 8-string guitar, large gong, tanpura — 5:10 <\/strong>— December 2023 sound<\/mark><\/a> or playlist M<\/em> — blog “Gradual letting go<\/mark><\/a>” — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“With the pulse of life” — a lively dance <\/em>— LydReach \/ NaReach<\/em> — 8-string guitar and big gong — 2:31 — <\/em>February 2022 sound<\/mark><\/a> or playlist E <\/em>— album Tonalibus D & E<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Wo bischt? — O\u00f9 es-tu ? — Dove sei? — Where are you? — Wo bist du?” —<\/em> Swiss, English, French, Italian, German — spoken word — 4:50 <\/em>— April 2023 sound<\/mark><\/a> or playlist J<\/em> — blog “Wo bischt?<\/mark><\/a>” — album Tonalibus I, J & K<\/mark><\/a><\/em> (except Spotify)<\/p>\n\n\n\n

\u201c\u7121\u70ba Wu wei \u2014 contemplation\u201d <\/em>— meditative sound sample — multiple fujara (bass) — 3:35 — <\/em>February 2022 sound<\/mark><\/a> or playlist D <\/em>— blog “Things come together<\/mark><\/a>” — album Tonalibus D & E<\/mark><\/a><\/em> <\/p>\n\n\n\n

Personal and cooperation sounds — title list by instrument<\/h2>\n\n\n\n
\n
String instruments<\/a><\/div>\n\n\n\n
Wind instruments<\/a><\/div>\n\n\n\n
Percussive instruments<\/a><\/div>\n\n\n\n
Voice<\/a><\/div>\n<\/div>\n\n\n\n

Personal and cooperation sounds — title list by string instruments<\/h3>\n\n\n\n
\n
8-string guitar<\/a><\/div>\n\n\n\n
7-string guitar<\/a><\/div>\n\n\n\n
6-string guitar<\/a><\/div>\n\n\n\n
5- & 4-string guitar<\/a><\/div>\n\n\n\n
lap slide guitar<\/a><\/div>\n\n\n\n
bass<\/a><\/div>\n\n\n\n
vichitra veena<\/a><\/div>\n\n\n\n
violin<\/a><\/div>\n\n\n\n
shamisen<\/a><\/div>\n\n\n\n
ukulele<\/a><\/div>\n\n\n\n
harp<\/a><\/div>\n\n\n\n
zither<\/a><\/div>\n\n\n\n
mandolin<\/a><\/div>\n\n\n\n
monochord<\/a><\/div>\n\n\n\n
piano<\/a><\/div>\n<\/div>\n\n\n\n

Personal and cooperation sounds — title list by 8-string guitar (combos)<\/h3>\n\n\n\n
\n
8-string guitar<\/a><\/div>\n\n\n\n
with tanpura<\/a><\/div>\n\n\n\n
with bass<\/a><\/div>\n\n\n\n
with bass & voice<\/a><\/div>\n\n\n\n
with male voice<\/a><\/div>\n\n\n\n
with female voice<\/a><\/div>\n\n\n\n
with voice & percussives<\/a><\/div>\n\n\n\n
with percussives<\/a><\/div>\n\n\n\n
with singing saw<\/a><\/div>\n\n\n\n
with harmonium<\/a><\/div>\n\n\n\n
with winds<\/a><\/div>\n\n\n\n
with 7-string guitar<\/a><\/div>\n\n\n\n
with lap slide guitar<\/a><\/div>\n\n\n\n
with mandolin<\/a><\/div>\n\n\n\n
with others<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

8-string guitar (plain)<\/p>\n\n\n\n

“Neither nor it is” — neither minor nor major <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Mett\u0101 cetovimutti” — liberation of the heart through love <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Sun rays’ dance in a dojo” — welcome to a new cycle <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“May the blessings be” — ignorance abandoned <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Hearts dance and remember” — all in one in all <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Flashes of radiant cognizance” — in empty space <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“A dimension of equilibrium” — major minor or minor major <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Trust the boat” — on the high seas <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Consciousness” — the one state worth considering <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Know what you know” — very and nothing special <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Gently rotating fifth wheel” — a plea for peace <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“A glimpse of heaven” — simple and straight forward <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“One more step, and yet another” — happy trails! <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Umbilical” — sounds in silence <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Harmonic two-way challenge” — CorMaj \/ LoloReachLyd contemplation <\/strong>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a><\/mark>
“Surprises welcome” — glimpse around the corner <\/strong>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a><\/mark><\/mark>
“Pulse of an emerging blue heart” — first step into a new year <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a><\/mark><\/mark><\/mark>
“Never give up, let go completely” — a miracle of nature <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Celebration joy” — a new start — for Metta (and Moon) <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
\u201cNew moon rising\u201d \u2014 a sensitive welcome <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Nature’s echo in blue calm” — where a contrast meets <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Happy birthday, Robin Hood!” — for K. <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Guggisb\u00e4rg-Melodie, live” — QuBa concert recording <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cFrom the future to the present and back\u201d <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Natural harmonics gateway” — first step in a Na tonality <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cAcoustic Scale Acceptance\u201d \u2014 a previously rejected tonality <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Journey Around the Sun” — a circular Core modulation <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Flowing Upward” — calm, uplifting modulation path <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“(Ionian) Prayer in Gratitude for the Golden Heart” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“BlueMix Syntropy” — blues mix in BlueMix tonality <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“The Little Blue Loop that Could — at Rest” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cDancing above the Clouds\u201d <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

8-string guitar with tanpura (plain)<\/p>\n\n\n\n

“\u092e\u0948\u0924\u094d\u0930\u0940 Maitr\u012b base” — the privilege of breath <\/em>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Inner and outer connecting point” — culture fusion <\/em>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Bairagi Bhairav raag” — a first raga interpretation <\/em>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Open door and heart” — an opportunity to step out — concert recording <\/em>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“What goes up, and what comes down” — watch out! <\/em>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Balancing up and down” — extensive calm <\/em>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Wake to a new dream” — LocorReach meditation <\/em>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a> <\/mark><\/mark><\/mark>
“Embracing Ma” — Pro-Reg-Pro meditation <\/em>— index<\/mark><\/a> — sound<\/mark><\/a>
“HexaNa Gita” — harmonic six-pack <\/em>— index<\/mark><\/a> — sound<\/mark><\/a>
“Conscious derivative” — an island memory <\/em>— index<\/mark><\/a> — sound<\/mark><\/a>
“Clearing mist at dawn” — a meditative sound sample — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

8-string guitar with bass (& tanpura \/ tingsha cymbals \/ djembe \/ crotales)<\/p>\n\n\n\n

\u201cHappy cat\u2019s meow\u201d — head and heart — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Blue sound step ahead” — all the same and different — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cEchoes of growing silence\u201d — celebrating a new birth — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Humpbacks breach the surface” — a dreamscape — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Slackline dance” — straight ahead — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Gitabats blues” — an ornate blue flight — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Inversion progression, from here to there and back” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Reaching up to heaven” — in ReachUp tonality — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Back on a blue track” — treasuring healthy roots — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“(MinReach with) Guggisberg Melody” — a harmonic minor example — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Little Balloon” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“The Little Blue Loop that Could — in Space” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

8-string guitar with bass & voice (& more)<\/p>\n\n\n\n

“This side of the other side” — illusion and reality — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0950 \u0917\u0923\u0947\u0936 \u0950 — \u014c\u1e43 Ga\u1e47e\u015ba \u014c\u1e43” — a picture story — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Das M\u00fclirad isch broche, Simelib\u00e4rg!” — go in peace — for KHT — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cFarewell welcome blues\u201d \u2014 from one Moon to the next — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“The far side where opposites unite” — and the circles close — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Full Steam Ahead!” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“The Little Blue Loop that Could — on Track” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Dune Dawn” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a> <\/p>\n\n\n\n

8-string guitar with male voice (plain)<\/p>\n\n\n\n

“Mischief or miss a chief” — PentaBluNaLa with chant <\/em>— index<\/mark><\/a> — sound<\/mark><\/a>
“\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 \u092d\u0915\u094d\u0924\u093f \u0950 — \u014c\u1e43 \u015a\u0101nti\u1e25 Bhakti \u014c\u1e43” — contemplation <\/em>— index<\/mark><\/a> — sound<\/mark><\/a>
“\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 Om Shanti HU” — just chant and pluck — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“HU cares” — a sound cycle p\u016bj\u0101 — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Happy Sadness or Sad Happiness?” — a contemplative prayer — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Tongue in Guitars’ Cheek” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Covid Sing’in Tongue” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Spontaneous Surprise” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

8-string guitar with female voice (plain)<\/p>\n\n\n\n

“It is what it is” — with Christina Braun <\/strong>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
“Sun glitters on a snow-covered field” — with Christina Braun <\/strong>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
“Sunrise miracle” — with Christina Braun <\/strong>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
“Pebbles in the pond” — a touch of a raga <\/strong>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
“Straight forward” — dare jump in head-on <\/strong>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
\u201cKlanggeschichte\u201d — the development of the umbilical cord <\/strong>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
\u201cEver again, keep going!\u201d — life moves on <\/strong>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
“Awakening pixie Nirak” — sparkling pixie dust <\/strong>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a><\/mark><\/mark><\/mark>
“Doula’s song and silence” — for a new generation <\/strong>— <\/mark>coop<\/mark><\/a>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a><\/mark>
“Cheerful Hey, Hey!” — a happy dance <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Gentle Echoes of a Wild Thing” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Hallo Stille [Hello Silence]” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Wild Thing”– coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Roots Reaching for Heaven” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Reach and Mix — Carried by the Wind” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cTale of Words and Sounds\u201d <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

8-string guitar with voice & percussives (gong \/ tingsha cymbals \/ crotales \/ bells)<\/p>\n\n\n\n

“\u0f00\u0f0b\u0f68\u0f71\u0f7f\u0f0b\u0f67\u0f71\u0f74\u0f83 – \u014c\u1e43 \u0101\u1e25 h\u016b\u1e43” — dissolving search and soft landing — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Rinpoche d\u00e9j\u00e0-vu chant” — for recognition and deliverance — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Bears and butterflies” — sifting through colorful sand — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Individual bhajan” — a progression experiment — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Let\u2019s talk” — a personal manifesto — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Phrygian HU” — a meditative blues — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cIt, God\u201d \u2014 trinity in common language — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Waves Concluding a Sound Temple Visit” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

8-string guitar with percussives (gong \/ crotales \/ cymbals \/ bowl)<\/p>\n\n\n\n

“Future memory past now” — neither minor nor major — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Happy gnomes and elves” — a fairy tail dance — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Another day breaks” — from dark to light — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Permanent impermanence” — heart remediation blues — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201c\u0928\u091f \u0938\u0930\u0938 Nat Saras\u201d — moon dance by a pond — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Querencia” — the place where one’s strength is drawn from — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Perfect imperfection” — one step closer — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Embraced in silence” — so close, and yet so far — in memory of Elaine — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Winter blue sky sunshine” — a prayer of gratitude — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Starlight before dawn” — gentle blue heart mix — for M-D — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Peaceful heart” — slowly but surely <\/em>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Roots and crowns” — heaven to earth to heaven <\/em>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Dear doula” — room for silence <\/em>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Gitigota” — a first inversion pair experiment — for K <\/em>— index<\/mark><\/a> — sound<\/mark><\/a>
“HeptaNa Gita” — harmonics medley <\/em>— index<\/mark><\/a> — sound<\/mark><\/a>
“Life is great!” — a celebratory meditation — for M\u00e4tti <\/em>— index<\/mark><\/a> — sound<\/mark><\/a>
“Let’s listen” — a personal meditation <\/em>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Purya p\u016bj\u0101” — another call for peace — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Thundering liberty and freedom” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“With the pulse of life” — a lively dance — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Progress, No Regress” — a Pro tonalities modulation path — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Spontaneous Schong Jen P\u016bj\u0101” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“(ReachUpMix with the) Four Corners of the Sound Temple” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

8-string guitar with singing saw (& gong \/ crotales & voice \/ bass)<\/p>\n\n\n\n

“Vibhas dawn” — daybreak raag <\/em>— index<\/mark><\/a> — sound<\/mark><\/a>
“Living echoes in relative silence\u201d — live concert recording <\/em>— index<\/mark><\/a> — sound<\/mark><\/a>
“Gitasa” — a family present for a present family <\/em>— index<\/mark><\/a> — sound<\/mark><\/a>
“Tagicrosago” — W. A. Mathieu’s dark horse — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Bagisacro blues” — let’s dance! — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cBlue courage\u201d \u2014 a Dorian mode blues medley — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Reawakening” — pick up where you left off — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Na track” — Na(tural harmonics) in action — for M. — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Little Earworm Pupating” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

8-string guitar with harmonium (& gong \/ tingsha cymbals \/ voice)<\/p>\n\n\n\n

\u091c\u092f \u091c\u092f \u092e\u093e\u0901 — “Jai Jai Ma” — praise the mother <\/em>— <\/em>coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
“Quad Pro square anchored octa Core” — an exploratory journey <\/em>— index<\/mark><\/a> — sound<\/mark><\/a>
“Gihahatigo Bhairav” — ReachBal contemplation <\/em>— index<\/mark><\/a> — sound<\/mark><\/a>
“First encounter of old all new” — with Punnu Singh Wasu <\/em>— <\/em>coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a> <\/p>\n\n\n\n

8-string guitar with winds (fujara \/ recorder & more)<\/p>\n\n\n\n

“\u056b\u0574\u0561\u057d\u057f\u0578\u0582\u0576 Imastun <\/em>survivors” — calling for silence — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Fearless floating” — in the flow of life and love — concert recording — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Ubuntu” — I am because we are — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 Om Shanti HU” — with Elijah’s bells and cicadas — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“No mistake” — big sky, beach, rock, pine, broken branch — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Holy sham” — a short sound excursion far out — for M&M — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Just Be, No More” — an unintended short PentaCor p\u016bj\u0101 — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cAs God Realizes the Moment\u201d — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

8-string guitar with 7-string guitar & crotales (& gong)<\/p>\n\n\n\n

“\u0938\u0902\u092a\u094d\u0930\u092f\u093e\u0923 Sa\u1e43pray\u0101\u1e47a” — departure from past to future, let’s go! — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cGratitude in advance\u201d \u2014 a true gift — <\/em>index<\/mark><\/a> — sound<\/mark><\/a> <\/p>\n\n\n\n

8-string guitar with lap slide guitar (& bass, tanpura, etc.)<\/p>\n\n\n\n

“Calm Mudita joy” — are you here? — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201c\u0928\u091f \u0938\u0930\u0938 Nat Saras\u201d — moon dance by a pond — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0950 \u0917\u0923\u0947\u0936 \u0950 — \u014c\u1e43 Ga\u1e47e\u015ba \u014c\u1e43” — a picture story — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cHappy cat\u2019s meow\u201d — head and heart — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Das M\u00fclirad isch broche, Simelib\u00e4rg!” — go in peace — for KHT — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Blue sound step ahead” — all the same and different — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

8-string guitar with mandolin<\/p>\n\n\n\n

“Harmony in the present moment” — blending cultures <\/em>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
“Joy, peace, & harmony” — friends always meet again <\/em>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
“Gentle blue light” — with Punnu Singh Wasu <\/em>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a> <\/p>\n\n\n\n

8-string guitar with other instruments — 6-string guitar \/ <\/em>vichitra veena <\/em>\/ shamisen<\/p>\n\n\n\n

“\u0f00\u0f0b\u0f68\u0f71\u0f7f\u0f0b\u0f67\u0f71\u0f74\u0f83 – \u014c\u1e43 \u0101\u1e25 h\u016b\u1e43” — dissolving search and soft landing — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“It is that it is” — and that’s good news! — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Christina’s Theme” — a work in progress <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Ornate Gateway to Heaven and Hell” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

7-string guitar<\/p>\n\n\n\n

“Sa\u1e43bhogak\u0101ya \u0938\u0902\u092d\u094b\u0917\u0915\u093e\u092f \/ \u5831\u8eab” — body of enjoyment <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Heartfelt tears of joy” — can you feel them? <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Non-return” — from a non-I retreat <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Shamisen blues” — farewell to another round gone by <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Bodhi Paloma” — home sweet home <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Octahedron moment” — even before and also after <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“A pilgrim’s path” — here now <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Satipa\u1e6d\u1e6dh\u0101na concordance” — a meditative object <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Nirodha blues” — dance of the trees <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Humble bumble dumble” — homecoming blues <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Th\u00f6-g\u00e4l” — instantaneous arrival <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Vajra bridge buzz” — rainbow light body karma <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“From red line to white plane” — a serene transition <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Prince on a pea” — can you find it? <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Between light and sound” — Hungarian Gypsy equanimity <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Home turf roots” — swingin’ on a star <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u014c\u1e43 Gam Ganapataye Namaha” — Ganesha mantra <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 — “\u014c\u1e43 \u015a\u0101nti\u1e25” — sound healing <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“The joy of freedom within” — a healing calm <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Beyond endings and beginnings” — essentially being <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“The river’s current” — free flow spontaneity <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Sardic spiral stairwell” — for spiritually inclined beings <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Again, all new” — wooden floor creaks — Fideris #4 <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Blue glacial melt water” — soundscape <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cOnce upon a time\u201d — again and still on the way <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“An embrace of divine love” — no hypocrisy <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0938\u0902\u092a\u094d\u0930\u092f\u093e\u0923 Sa\u1e43pray\u0101\u1e47a” — departure from past to future, let’s go! <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cGratitude in advance\u201d \u2014 a true gift <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Blue HU” — a freedom adventure <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Old box jumping Jack” — mother of the West <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0950 \u092e\u0923\u093f\u092a\u0926\u094d\u092e\u0947 \u0939\u0942\u0901 Au\u1e43 ma\u1e47i padme h\u016b\u1e43 — blues” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Plain Guggis Chirping” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cHeart of Love\u201d <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
Soundscape “Lyoba” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD<\/p>\n\n\n\n

6-string guitar<\/p>\n\n\n\n

“Ever forward into the open” — blue destination <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“From here to now” — on a flying carpet — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cOnce upon a time\u201d — again and still on the way — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Future past lives” — a heartfelt blues memory revived — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Christina’s Theme” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Christina’s Theme” — a work in progress <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

5- & 4-string guitar<\/p>\n\n\n\n

“Dream projections” — let them fly high — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/mark>
“Layers” — modular world building blocks <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Among suns, moons, and stars” — a hopeful blues — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Ma Sa Papa” — hearts long for peace — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Pulsating through life” — lead on! — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Go with God” — a final blessing — in memory of Stivensky —<\/em><\/em> index<\/mark><\/a> — sound<\/mark><\/a>
“Calling the divine” — hearts connect directly — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

lap slide guitar<\/p>\n\n\n\n

“Happy about impermanence” — it can be! <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Heartfelt tears of joy” — can you feel them? <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Octahedron moment” — even before and also after <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Swami Uodalric puja” — spontaneous celebration <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Calm Mudita joy” — are you here? <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Humble bumble dumble” — homecoming blues <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Th\u00f6-g\u00e4l” — instantaneous arrival <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201c\u0917\u0930\u0941\u0921\u093c Garu\u1e0da\u201d — puja for the celestial hawk <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201c\u0928\u091f \u0938\u0930\u0938 Nat Saras\u201d — moon dance by a pond <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0950 \u0917\u0923\u0947\u0936 \u0950 — \u014c\u1e43 Ga\u1e47e\u015ba \u014c\u1e43” — a picture story <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Pragmatic freedom in expression” — a prayer song <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cHappy cat\u2019s meow\u201d — head and heart <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Das M\u00fclirad isch broche, Simelib\u00e4rg!” — go in peace — for KHT <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Among suns, moons, and stars” — a hopeful blues <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0915\u0941\u092e\u094d\u092d\u0915 Kumbhaka” — between in and out, out and in — for M-A <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Pulsating through life” — lead on! <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Fused oriental occident and occidental orient” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Blue sound step ahead” — all the same and different <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cBack in open time and space\u201d — at long last <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“ReachMin OM HU” — happy heart, new start <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

bass (bass-guitar)<\/p>\n\n\n\n

“Incredible journey blues” — with Christina Braun <\/em>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Nirodha blues” — dance of the trees — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Soaring free” — wind in the wings <\/em>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Prince on a pea” — can you find it? — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Ever forward into the open” — blue destination <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“This side of the other side” — illusion and reality — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0950 \u0917\u0923\u0947\u0936 \u0950 — \u014c\u1e43 Ga\u1e47e\u015ba \u014c\u1e43” — a picture story — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Skies close by” — traveling blue as soul <\/em>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cHappy cat\u2019s meow\u201d — head and heart — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Das M\u00fclirad isch broche, Simelib\u00e4rg!” — go in peace — for KHT — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Pulsating through life” — lead on! — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Blue sound step ahead” — all the same and different — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cEchoes of growing silence\u201d — celebrating a new birth — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cFarewell welcome blues\u201d \u2014 from one Moon to the next — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Humpbacks breach the surface” — a dreamscape — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Slackline dance” — straight ahead — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Gitabats blues” — an ornate blue flight — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Bagisacro blues” — let’s dance! — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Inversion progression, from here to there and back” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“The far side where opposites unite” — and the circles close — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Reaching up to heaven” — in ReachUp tonality — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Back on a blue track” — treasuring healthy roots — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“(MinReach with) Guggisberg Melody” — a harmonic minor example — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Little Balloon” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Blue Wrap Rap” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Full Steam Ahead!” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“The Little Blue Loop that Could — in Space” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“The Little Blue Loop that Could — on Track” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Dune Dawn” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
Soundscape “Guggisberg” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD
Soundscape “Lyoba” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD<\/p>\n\n\n\n

vichitra veena<\/p>\n\n\n\n

“Swami Uodalric puja” — spontaneous celebration — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Soaring free” — wind in the wings <\/em>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Breath of life chant” — whistle breath plain — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Breath of life chant” — the answer within — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u0935\u093f\u091a\u093f\u0924\u094d\u0930 — “Vichitra, a surprise” — odd, fanciful, and curious <\/em>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
“Joy, peace, & harmony” — friends always meet again <\/em>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
“\u0915\u0941\u092e\u094d\u092d\u0915 Kumbhaka” — between in and out, out and in — for M-A — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Calmly breathe in, out, and in again” — Kumbhaka base — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Sound journey” — in the moment — Fideris #6 — <\/em>coop<\/mark><\/a>\/coop<\/mark><\/a> — <\/em><\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Fused oriental occident and occidental orient” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Ophiuchus alive” — living serpent bearer — live concert recording — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Ophiuchus” — the serpent bearer — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Blessings may be, live” — QuBa concert recording — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u091a\u0948\u0924\u0928\u094d\u092f Chaitanya — blues” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“A Touch of Grace” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Ornate Gateway to Heaven and Hell” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cEternal Moment\u201d — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
Soundscape “Guggisberg” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD<\/p>\n\n\n\n

violin<\/p>\n\n\n\n

“North woods gnome procession” — warming hearts <\/em>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“North woods gnome gathering” — a sweet start <\/em>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Prince on a pea” — can you find it? — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Between light and sound” — Hungarian Gypsy equanimity — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Skies close by” — traveling blue as soul <\/em>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cTo a new horizon\u201d — let go of the horizon to find a new one <\/em>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“\u091a\u0948\u0924\u0928\u094d\u092f Chaitanya — blues” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

shamisen<\/p>\n\n\n\n

“Shamisen blues” — farewell to another round gone by <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0926\u0947\u0935\u0926\u0942\u0924 Devad\u016btas, angels here and now” — where are you? <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0f00\u0f0b\u0f68\u0f71\u0f7f\u0f0b\u0f67\u0f71\u0f74\u0f83 – \u014c\u1e43 \u0101\u1e25 h\u016b\u1e43” — dissolving search and soft landing <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“It is that it is” — and that’s good news! — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Vanishing appearance” — frettless floating kiln <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

ukulele<\/p>\n\n\n\n

“No more, no less” — let go completely <\/strong>— <\/em>index<\/mark><\/a> — sound<\/a><\/mark>
“Dragonfly wings” — with Christina Braun <\/strong>— <\/mark><\/em>coop<\/mark><\/a><\/mark> <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Bodhi Paloma” — home sweet home <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Incredible journey blues” — with Christina Braun <\/strong>— <\/mark>coop<\/mark><\/a> <\/strong>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Sunlight enters the dark” — light’s on <\/strong>— <\/mark>coop<\/mark><\/a> <\/strong>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Vajra bridge buzz” — rainbow light body karma <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Beatenberg Buddha bounce” — returning to & from silence <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“From red line to white plane” — a serene transition <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

harp<\/p>\n\n\n\n

“Pragmatic freedom in expression” — a prayer song — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Audibly paced advance” — a coordination challenge — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“First Baby Angel Steps” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a> <\/p>\n\n\n\n

zither<\/p>\n\n\n\n

Soundscape “Amazing” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD
Soundscape “Guggisberg” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD
Soundscape “Lyoba” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD<\/p>\n\n\n\n

mandolin<\/p>\n\n\n\n

“Harmony in the present moment” — blending cultures <\/em>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
\u0935\u093f\u091a\u093f\u0924\u094d\u0930 — “Vichitra, a surprise” — odd, fanciful, and curious <\/em>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 — “\u014c\u1e43 \u015a\u0101nti\u1e25” — sound healing <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“The joy of freedom within” — a healing calm <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Joy, peace, & harmony” — friends always meet again <\/em>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
“Gentle blue light” — with Punnu Singh Wasu <\/em>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a> <\/p>\n\n\n\n

monochord<\/p>\n\n\n\n

“Calling the gods” — reaching out rather far — Fideris #5 <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

piano<\/p>\n\n\n\n

“Wake and ready for a new day” — for M. & M. — <\/em>index<\/mark><\/a> — sound<\/mark><\/a> <\/p>\n\n\n\n

Personal and cooperation sounds — title list by wind instruments<\/h3>\n\n\n\n
\n
fujara<\/a><\/div>\n\n\n\n
tenor recorder<\/a><\/div>\n\n\n\n
sopranino recorder<\/a><\/div>\n\n\n\n
selje flute<\/a><\/div>\n\n\n\n
fead\u00f3g<\/a><\/div>\n\n\n\n
bird whistle<\/a><\/div>\n\n\n\n
conch<\/a><\/div>\n\n\n\n
trombone<\/a><\/div>\n\n\n\n
harmonium<\/a><\/div>\n\n\n\n
native american flute<\/a><\/div>\n\n\n\n
alphorn \/ b\u00fcchel \/ cornet<\/a><\/div>\n\n\n\n
didgeridoo<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

fujara<\/p>\n\n\n\n

\u201c\u0917\u0930\u0941\u0921\u093c Garu\u1e0da\u201d — puja for the celestial hawk — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Welcome to the moment” — remembering the future — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cLiving drops of glacial melt water\u201d — live concert recording — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Blue glacial melt water” — soundscape — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Holy sham” — a short sound excursion far out — for M&M — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201c\u7121\u70ba Wu wei \u2014 contemplation\u201d — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Heart in Misty Forest” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Just Be, No More” — an unintended short PentaCor p\u016bj\u0101 — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Over- and Under-Tone Presents” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cLouder Call for Peace\u201d — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Call to Peace” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Whiff of Wings” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cOn Eagels\u2019 Wings\u201d — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cAs God Realizes the Moment\u201d — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

tenor recorder<\/p>\n\n\n\n

“Saranam gacchami” — triple gem refuge <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“A pilgrim’s path” — here now <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Th\u00f6-g\u00e4l” — instantaneous arrival <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“From here to now” — on a flying carpet <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Blue glacial melt water” — soundscape <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 Om Shanti HU” — with Elijah’s bells and cicadas <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“No mistake” — big sky, beach, rock, pine, broken branch <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Over- and Under-Tone Presents” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cSooner Rather than Later\u201d \u2014 an introspective sound sample <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Remembering Boudhanath” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Call to Peace” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cAs God Realizes the Moment\u201d <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

sopranino (or sporano) recorder<\/p>\n\n\n\n

“Iech k\u00f6renes Gl\u00f6ggli” — I hear a little bell — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Octahedron moment” — even before and also after — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Fearless floating” — in the flow of life and love — concert recording — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Ubuntu” — I am because we are — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cShepherd\u2019s Call\u201d — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

selje flute<\/p>\n\n\n\n

“Go with God” — a final blessing — in memory of Stivensky —<\/em><\/em> index<\/mark><\/a> — sound<\/mark><\/a>
“Calling the divine” — hearts connect directly — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Welcome, open the door” — greeting from the heart — Fideris #2 — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Spring sunbeam chirping” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

fead\u00f3g (Irish tin whistle)<\/p>\n\n\n\n

“Nirodha blues” — dance of the trees — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Beatenberg Buddha bounce” — returning to & from silence — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

bird whistle<\/p>\n\n\n\n

“Sound healing dedication” — a mutual exchange <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Beyond endings and beginnings” — essentially being — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Calling the gods” — reaching out rather far — Fideris #5 <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

conch<\/p>\n\n\n\n

“Earth to God, come in please” — two dozen times — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Swami Uodalric puja” — spontaneous celebration — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0f00\u0f0b\u0f68\u0f71\u0f7f\u0f0b\u0f67\u0f71\u0f74\u0f83 – \u014c\u1e43 \u0101\u1e25 h\u016b\u1e43” — dissolving search and soft landing — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“It is that it is” — and that’s good news! — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u056b\u0574\u0561\u057d\u057f\u0578\u0582\u0576 Imastun <\/em>survivors” — calling for silence — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0915\u0941\u092e\u094d\u092d\u0915 Kumbhaka” — between in and out, out and in — for M-A — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Pulsating through life” — lead on! — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

trombone<\/p>\n\n\n\n

“Humble bumble dumble” — homecoming blues — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

harmonium<\/p>\n\n\n\n

“\u0926\u0947\u0935\u0926\u0942\u0924 Devad\u016btas, angels here and now” — where are you? — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“North woods gnome procession” — warming hearts <\/em>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“North woods gnome gathering” — a sweet start <\/em>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
\u201c\u0917\u0930\u0941\u0921\u093c Garu\u1e0da\u201d — puja for the celestial hawk — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Vanishing appearance” — frettless floating kiln — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u014c\u1e43 Gam Ganapataye Namaha” — Ganesha mantra <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u091c\u092f \u091c\u092f \u092e\u093e\u0901 — “Jai Jai Ma” — praise the mother <\/em>— <\/em>coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
“Sound healing dedication” — a mutual exchange <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Quad Pro square anchored octa Core” — an exploratory journey <\/em>— index<\/mark><\/a> — sound<\/mark><\/a>
“Gihahatigo Bhairav” — ReachBal contemplation <\/em>— index<\/mark><\/a> — sound<\/mark><\/a>
“First encounter of old all new” — with Punnu Singh Wasu <\/em>— <\/em>coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

native american flute<\/p>\n\n\n\n

Soundscape “Amazing” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD
Soundscape “Guggisberg” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD
Soundscape “Lyoba” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD<\/p>\n\n\n\n

alphorn \/ b\u00fcchel \/ cornet<\/p>\n\n\n\n

Soundscape “Amazing” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD
Soundscape “Guggisberg” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD
Soundscape “Lyoba” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD<\/p>\n\n\n\n

didgeridoo<\/p>\n\n\n\n

Soundscape “Amazing” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD
Soundscape “Guggisberg” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD<\/p>\n\n\n\n

Personal and cooperation sounds — title list by percussive instruments<\/h3>\n\n\n\n
\n
gong \/ cymbals \/ bowls<\/a><\/div>\n\n\n\n
gong<\/a><\/div>\n\n\n\n
crotales<\/a><\/div>\n\n\n\n
tibetan tingsha cymbals<\/a><\/div>\n\n\n\n
nepali cymbals<\/a><\/div>\n\n\n\n
Zildjian cymbal<\/a><\/div>\n\n\n\n
singing saw<\/a><\/div>\n\n\n\n
hang \/ handpan<\/a><\/div>\n\n\n\n
bowl<\/a><\/div>\n\n\n\n
bell<\/a><\/div>\n\n\n\n
djembe \/ frame drum<\/a><\/div>\n\n\n\n
ocean drum<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

gong \/ cymbals \/ bowls (plain)<\/p>\n\n\n\n

“Step in over the sill” — starting in Fideris church — Fideris #1 — <\/em>coop<\/mark><\/a>\/coop<\/mark><\/a> — <\/em><\/em><\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Step out over the sill” — concluding in Fideris church — <\/em>Fideris #7 — <\/em>coop<\/mark><\/a>\/coop<\/mark><\/a> — <\/em><\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Living sound travel far out” — live concert recording — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cFour by four\u201d \u2014 corners of the sound temple — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Plain Gateway to Heaven and Hell” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a> <\/p>\n\n\n\n

gong<\/p>\n\n\n\n

“Happy about impermanence” — it can be! <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Peace over war” — with Christina Braun <\/strong>— coop<\/mark><\/a> — <\/strong>index<\/mark><\/a> — sound<\/mark><\/a>
“Shamisen blues” — farewell to another round gone by <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Earth to God, come in please” — two dozen times <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Mysterious calm contemplation” — with Christina Braun <\/strong>— <\/mark>coop<\/mark><\/a> <\/strong>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Another day breaks” — from dark to light <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Bodhicittacontemplation” — \u0f00\u0f0b\u0f68\u0f71\u0f7f\u0f0b\u0f67\u0f71\u0f74\u0f83 – \u014c\u1e43 \u0101\u1e25 h\u016b\u1e43 – ever again <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Humble bumble dumble” — homecoming blues <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0f00\u0f0b\u0f68\u0f71\u0f7f\u0f0b\u0f67\u0f71\u0f74\u0f83 – \u014c\u1e43 \u0101\u1e25 h\u016b\u1e43” — dissolving search and soft landing <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Rinpoche d\u00e9j\u00e0-vu chant” — for recognition and deliverance <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201c\u0917\u0930\u0941\u0921\u093c Garu\u1e0da\u201d — puja for the celestial hawk <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Vajra bridge buzz” — rainbow light body karma <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Vanishing appearance” — frettless floating kiln <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201c\u0928\u091f \u0938\u0930\u0938 Nat Saras\u201d — moon dance by a pond <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Querencia” — the place where one’s strength is drawn from <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Cherry blossom dragon” — spring awakening <\/strong>— coop<\/mark><\/a> <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Perfect imperfection” — one step closer <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Home turf roots” — swingin’ on a star <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“This side of the other side” — illusion and reality <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Welcome to the moment” — remembering the future <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Winter blue sky sunshine” — a prayer of gratitude <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Universes” — corners of the sound temple constellation <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Das M\u00fclirad isch broche, Simelib\u00e4rg!” — go in peace — for KHT <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Among suns, moons, and stars” — a hopeful blues <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Calling the gods” — reaching out rather far — Fideris #5 <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Living echoes in relative silence\u201d — live concert recording <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Ophiuchus alive” — living serpent bearer — live concert recording <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Ophiuchus” — the serpent bearer <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Spring sunbeam chirping” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Blue glacial melt water” — soundscape <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cOnce upon a time\u201d — again and still on the way <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Roots and crowns” — heaven to earth to heaven <\/strong>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Dear doula” — room for silence <\/strong>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Gitigota” — a first inversion pair experiment — for K <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“HeptaNa Gita” — harmonics medley <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Quad Pro square anchored octa Core” — an exploratory journey <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Gihahatigo Bhairav” — ReachBal contemplation <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Life is great!” — a celebratory meditation — for M\u00e4tti <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
\u201cGratitude in advance\u201d \u2014 a true gift <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Individual bhajan” — a progression experiment <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Let\u2019s talk” — a personal manifesto <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Let’s listen” — a personal meditation <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Purya p\u016bj\u0101” — another call for peace <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Tagicrosago” — W. A. Mathieu’s dark horse <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Thundering liberty and freedom” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“With the pulse of life” — a lively dance <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cBlue courage\u201d \u2014 a Dorian mode blues medley <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Heart in Misty Forest” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Reawakening” — pick up where you left off— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Go Be” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Na track” — Na(tural harmonics) in action — for M. <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Just Be, No More” — an unintended short PentaCor p\u016bj\u0101 <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Progress, No Regress” — a Pro tonalities modulation path <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Spontaneous Schong Jen P\u016bj\u0101” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“(ReachUpMix with the) Four Corners of the Sound Temple” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Stroll along Soul’s River Bank” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Ornate Gateway to Heaven and Hell” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
Soundscape “Amazing” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD
<\/p>\n\n\n\n

crotales<\/p>\n\n\n\n

“Dream projections” — let them fly high — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/mark>
“Iech k\u00f6renes Gl\u00f6ggli” — I hear a little bell — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Nirodha blues” — dance of the trees — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Permanent impermanence” — heart remediation blues — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Autumn leaf floating past cliffs” — smooth passage <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Cherry blossom dragon” — spring awakening <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Embraced in silence” — so close, and yet so far — in memory of Elaine — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Welcome to the moment” — remembering the future — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Layers” — modular world building blocks <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Ma Sa Papa” — hearts long for peace — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Fused oriental occident and occidental orient” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Living sound travel far out” — live concert recording — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Life is great!” — a celebratory meditation — for M\u00e4tti <\/em>— index<\/mark><\/a> — sound<\/mark><\/a>
“\u0938\u0902\u092a\u094d\u0930\u092f\u093e\u0923 Sa\u1e43pray\u0101\u1e47a” — departure from past to future, let’s go! — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cGratitude in advance\u201d \u2014 a true gift — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Phrygian HU” — a meditative blues — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Blue HU” — a freedom adventure — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Purya p\u016bj\u0101” — another call for peace — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Tagicrosago” — W. A. Mathieu’s dark horse — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Bagisacro blues” — let’s dance! — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cBlue courage\u201d \u2014 a Dorian mode blues medley — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Starry Sky” — a meditative improvisation <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Heart in Misty Forest” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Go Be” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Just Be, No More” — an unintended short PentaCor p\u016bj\u0101 — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Spontaneous Schong Jen P\u016bj\u0101” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Waves Concluding a Sound Temple Visit” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“(MinReach with) Guggisberg Melody” — a harmonic minor example — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Stroll along Soul’s River Bank” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Little Earworm Pupating” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
Soundscape “Amazing” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD<\/p>\n\n\n\n

tibetan tingsha cymbals<\/p>\n\n\n\n

“Heartfelt tears of joy” — can you feel them? <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Peace over war” — with Christina Braun <\/strong>— coop<\/mark><\/a> — <\/strong>index<\/mark><\/a> — sound<\/mark><\/a>
“Earth to God, come in please” — two dozen times <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Home turf roots” — swingin’ on a star <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0950 \u0917\u0923\u0947\u0936 \u0950 — \u014c\u1e43 Ga\u1e47e\u015ba \u014c\u1e43” — a picture story <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Starlight before dawn” — gentle blue heart mix — for M-D <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Go with God” — a final blessing — in memory of Stivensky <\/strong>—<\/em><\/em> index<\/mark><\/a> — sound<\/mark><\/a>
“Step out over the sill” — concluding in Fideris church –Fideris #7 <\/strong>— <\/em>coop<\/mark><\/a>\/coop<\/mark><\/a> — <\/em><\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Peaceful heart” — slowly but surely <\/strong>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cTo a new horizon\u201d — let go of the horizon to find a new one <\/strong>— <\/mark>coop<\/mark><\/a> <\/strong>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Roots and crowns” — heaven to earth to heaven <\/strong>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Gitigota” — a first inversion pair experiment — for K <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Gihahatigo Bhairav” — ReachBal contemplation <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Individual bhajan” — a progression experiment <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cIt, God\u201d \u2014 trinity in common language <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Gitabats blues” — an ornate blue flight <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cBlue courage\u201d \u2014 a Dorian mode blues medley <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Starry Sky” — a meditative improvisation <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Inversion progression, from here to there and back” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cSooner Rather than Later\u201d \u2014 an introspective sound sample <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Remembering Boudhanath”— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Ornate Gateway to Heaven and Hell” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Plain Gateway to Heaven and Hell” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

nepali cymbals<\/p>\n\n\n\n

“Happy about impermanence” — it can be! <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Future memory past now” — neither minor nor major <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Permanent impermanence” — heart remediation blues <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Living sound travel far out” — live concert recording <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cTo a new horizon\u201d — let go of the horizon to find a new one <\/strong>— <\/mark>coop<\/mark><\/a> <\/strong>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Starry Sky” — a meditative improvisation <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cSooner Rather than Later\u201d \u2014 an introspective sound sample <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Stroll along Soul’s River Bank” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Ornate Gateway to Heaven and Hell” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Plain Gateway to Heaven and Hell” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

Zildjian cymbal<\/p>\n\n\n\n

“Sa\u1e43bhogak\u0101ya \u0938\u0902\u092d\u094b\u0917\u0915\u093e\u092f \/ \u5831\u8eab” — body of enjoyment <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Peace over war” — with Christina Braun– coop<\/mark><\/a> — <\/strong>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

singing saw<\/p>\n\n\n\n

“No more, no less” — let go completely <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“A pilgrim’s path” — here now <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Vibhas dawn” — daybreak raag <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Ever forward into the open” — blue destination <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Layers” — modular world building blocks <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Calling the gods” — reaching out rather far — Fideris #5 <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Living echoes in relative silence\u201d — live concert recording <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Gitasa” — a family present for a present family <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Tagicrosago” — W. A. Mathieu’s dark horse <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Bagisacro blues” — let’s dance! <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cBlue courage\u201d \u2014 a Dorian mode blues medley <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Reawakening” — pick up where you left off <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Na track” — Na(tural harmonics) in action — for M. <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Remembering Boudhanath” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Little Earworm Pupating” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

hang \/ handpan<\/p>\n\n\n\n

“Spontaneous first encounter” — a gentle first — Fideris #3 — <\/em>coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
“Again, all new” — wooden floor creaks — Fideris #4 <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cChange of Season\u201d — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cCourtesy of Grace\u201d — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
Soundscape “Amazing” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD<\/p>\n\n\n\n

bowl<\/p>\n\n\n\n

“Peace over war” — with Christina Braun <\/strong>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
“Happy gnomes and elves” — a fairy tail dance <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Between light and sound” — Hungarian Gypsy equanimity <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Cherry blossom dragon” — spring awakening <\/strong>— coop<\/mark><\/a> <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“The river’s current” — free flow spontaneity <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Sardic spiral stairwell” — for spiritually inclined beings <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Step in over the sill” — starting in Fideris church — Fideris #1 <\/strong>— <\/em>coop<\/mark><\/a>\/coop<\/mark><\/a> — <\/em><\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Step out over the sill” — concluding in Fideris church –Fideris #7 <\/strong>— <\/em>coop<\/mark><\/a>\/coop<\/mark><\/a> — <\/em><\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“From here to now” — on a flying carpet <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Living sound travel far out” — live concert recording <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cTo a new horizon\u201d — let go of the horizon to find a new one <\/strong>— <\/mark>coop<\/mark><\/a> <\/strong>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Blue HU” — a freedom adventure <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Stroll along Soul’s River Bank”– coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

bell<\/p>\n\n\n\n

“Bears and butterflies” — sifting through colorful sand — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 Om Shanti HU” — with Elijah’s bells and cicadas — <\/em>index<\/mark><\/a> — sound<\/mark><\/a> <\/p>\n\n\n\n

djembe \/ frame drum<\/p>\n\n\n\n

“Shamana energy glow” — with Christina Braun <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Sound healing dedication” — a mutual exchange <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Spirit of the water” — healing medicine of forest flowers <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Back on a blue track” — treasuring healthy roots — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

ocean drum<\/p>\n\n\n\n

Soundscape “Guggisberg” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD<\/p>\n\n\n\n

Personal and cooperation sounds — title list by voice as instrument<\/h3>\n\n\n\n
\n
male voice<\/a><\/div>\n\n\n\n
female voice<\/a><\/div>\n\n\n\n
lingual spoken<\/a><\/div>\n\n\n\n
overtone singing \/ breathing<\/a><\/div>\n\n\n\n
cicadas<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

male voice<\/p>\n\n\n\n

“Saranam gacchami” — triple gem refuge <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Iech k\u00f6renes Gl\u00f6ggli” — I hear a little bell <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Earth to God, come in please” — two dozen times <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Harmonics of the heart” — can you hear the overtones? <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Be here now – \u0f00\u0f0b\u0f68\u0f71\u0f7f\u0f0b\u0f67\u0f71\u0f74\u0f83 – \u014c\u1e43 \u0101\u1e25 h\u016b\u1e43” — meditation anchor <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“A blessing of\u014c\u1e43 \/ Aum\u0950” — with love for all sentient beings <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Bodhicittacontemplation” — \u0f00\u0f0b\u0f68\u0f71\u0f7f\u0f0b\u0f67\u0f71\u0f74\u0f83 – \u014c\u1e43 \u0101\u1e25 h\u016b\u1e43 – ever again <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0f00\u0f0b\u0f68\u0f71\u0f7f\u0f0b\u0f67\u0f71\u0f74\u0f83 – \u014c\u1e43 \u0101\u1e25 h\u016b\u1e43” — dissolving search and soft landing <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Rinpoche d\u00e9j\u00e0-vu chant” — for recognition and deliverance <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u056b\u0574\u0561\u057d\u057f\u0578\u0582\u0576 Imastunsurvivors” — calling for silence <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Tears of joy” — mantra of soul with a waking toddler\u2019s song <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Tears of joy” — mantra of soul <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“This side of the other side” — illusion and reality <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u014c\u1e43 Gam Ganapataye Namaha” — Ganesha mantra <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u091c\u092f \u091c\u092f \u092e\u093e\u0901 — “Jai Jai Ma” — praise the mother <\/strong>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 — “\u014c\u1e43 \u015a\u0101nti\u1e25” — sound healing <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Sound healing dedication” — a mutual exchange <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“The joy of freedom within” — a healing calm <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Spirit of the water” — healing medicine of forest flowers <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0950 \u0917\u0923\u0947\u0936 \u0950 — \u014c\u1e43 Ga\u1e47e\u015ba \u014c\u1e43” — a picture story <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Pragmatic freedom in expression” — a prayer song <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Sardic spiral stairwell” — for spiritually inclined beings <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Mischief or miss a chief” — PentaBluNaLa with chant <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Das M\u00fclirad isch broche, Simelib\u00e4rg!” — go in peace — for KHT <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Calling the divine” — hearts connect directly <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“From here to now” — on a flying carpet <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“ReachMin OM HU” — happy heart, new start <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Living echoes in relative silence\u201d — live concert recording <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Bears and butterflies” — sifting through colorful sand <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 \u092d\u0915\u094d\u0924\u093f \u0950 — \u014c\u1e43 \u015a\u0101nti\u1e25 Bhakti \u014c\u1e43” — contemplation <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“First encounter of old all new” — with Punnu Singh Wasu <\/strong>— <\/em>coop<\/mark><\/a> <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 Om Shanti HU” — with Elijah’s bells and cicadas <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 Om Shanti HU” — just chant and pluck <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 Om Shanti HU” — plain chant only <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Individual bhajan” — a progression experiment <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“HU cares” — a sound cycle p\u016bj\u0101 <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Phrygian HU” — a meditative blues <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cFarewell welcome blues\u201d \u2014 from one Moon to the next <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Blue HU” — a freedom adventure <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cBlue courage\u201d \u2014 a Dorian mode blues medley <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“The far side where opposites unite” — and the circles close <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0950 \u092e\u0923\u093f\u092a\u0926\u094d\u092e\u0947 \u0939\u0942\u0901 Au\u1e43 ma\u1e47i padme h\u016b\u1e43 — blues” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Happy Sadness or Sad Happiness?” — a contemplative prayer <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cSooner Rather than Later\u201d \u2014 an introspective sound sample <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Ornate Gateway to Heaven and Hell” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Full Steam Ahead!” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Little Earworm Pupating” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Spontaneous Surprise” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“The Little Blue Loop that Could — on Track” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cAs God Realizes the Moment\u201d <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

female voice<\/p>\n\n\n\n

“Dragonfly wings” — with Christina Braun <\/strong>— <\/mark>coop<\/mark><\/a> <\/mark>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“It is what it is” — with Christina Braun <\/strong>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
“Peace over war” — with Christina Braun <\/strong>— coop<\/mark><\/a> — <\/strong>index<\/mark><\/a> — sound<\/mark><\/a>
“Sun glitters on a snow-covered field” — with Christina Braun <\/strong>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
“Shamana energy glow” — with Christina Braun <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Sunrise miracle” — with Christina Braun <\/strong>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
“Mysterious calm contemplation” — with Christina Braun <\/strong>— <\/mark>coop<\/mark><\/a> <\/strong>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Incredible journey blues” — with Christina Braun <\/strong>— <\/mark>coop<\/mark><\/a> <\/strong>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Soaring free” — wind in the wings <\/strong>— <\/mark>coop<\/mark><\/a> <\/strong>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Sunlight enters the dark” — light’s on <\/strong>— <\/mark>coop<\/mark><\/a> <\/strong>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“North woods gnome procession” — warming hearts <\/strong>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“North woods gnome gathering” — a sweet start <\/strong>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Autumn leaf floating past cliffs” — smooth passage <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Ever forward into the open” — blue destination <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Cherry blossom dragon” — spring awakening <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Pebbles in the pond” — a touch of a raga <\/strong>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
“Straight forward” — dare jump in head-on <\/strong>— coop<\/mark><\/a> — index<\/mark><\/a> — <\/a>sound<\/mark><\/a>
“The river’s current” — free flow spontaneity <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Layers” — modular world building blocks <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Universes” — corners of the sound temple constellation <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Sardic spiral stairwell” — for spiritually inclined beings <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cKlanggeschichte\u201d — the development of the umbilical cord <\/strong>— coop<\/mark><\/a> — index<\/mark><\/a> — <\/a>sound<\/mark><\/a>
\u201cEver again, keep going!\u201d — life moves on <\/strong>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
“Awakening pixie Nirak” — sparkling pixie dust <\/strong>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a><\/mark><\/mark><\/mark>
“Doula’s song and silence” — for a new generation <\/strong>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a> — sound<\/mark><\/a><\/mark>
“Starry Sky” — a meditative improvisation <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Heart in Misty Forest” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Cheerful Hey, Hey!” — a happy dance <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Christina’s Theme” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Gentle Echoes of a Wild Thing” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Go Be” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Christina’s Theme” — a work in progress <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Wild Thing” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Roots Reaching for Heaven” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Waves Concluding a Sound Temple Visit” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Reach and Mix — Carried by the Wind” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Stroll along Soul’s River Bank” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Blue Wrap Rap” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Whiff of Wings” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Dune Dawn” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cTale of Words and Sounds\u201d <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

lingual spoken<\/p>\n\n\n\n

“\u0926\u0947\u0935\u0926\u0942\u0924 Devad\u016btas, angels here and now” — where are you? — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Wo bischt? — O\u00f9 es-tu ? — Dove sei? — Where are you? — Wo bist du?” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Let\u2019s talk” — a personal manifesto — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cIt, God\u201d \u2014 trinity in common language — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Courage it takes” — a linguistic audio medley — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Hallo Stille [Hello Silence]” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Dear God (mono-lingual)” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Dear God (quadri-lingual)” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Tongue in Guitars’ Cheek” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Covid Sing’in Tongue” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

overtone singing \/ breathing<\/p>\n\n\n\n

“Be here now – \u0f00\u0f0b\u0f68\u0f71\u0f7f\u0f0b\u0f67\u0f71\u0f74\u0f83 – \u014c\u1e43 \u0101\u1e25 h\u016b\u1e43” — meditation anchor — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Breath of life chant” — whistle breath plain — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Breath of life chant” — the answer within — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
Soundscape “Amazing” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD
Soundscape “Lyoba” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD<\/p>\n\n\n\n

cicadas<\/p>\n\n\n\n

“\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 Om Shanti HU” — with Elijah’s bells and cicadas — <\/em>index<\/mark><\/a> — sound<\/mark><\/a> <\/p>\n\n\n\n

Personal and cooperation sounds — title list by date<\/h2>\n\n\n\n
\n
2026<\/a><\/div>\n\n\n\n
2025<\/a><\/div>\n\n\n\n
2024<\/a><\/div>\n\n\n\n
2023<\/a><\/div>\n\n\n\n
2022<\/a><\/div>\n\n\n\n
2021<\/a><\/div>\n\n\n\n
2020<\/a><\/div>\n\n\n\n
2014<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

Spring 2026<\/a><\/p>\n\n\n\n

“Neither nor it is” — neither minor nor major <\/strong>— index<\/mark><\/a>
“Happy about impermanence” — it can be! <\/strong>— index<\/mark><\/a>
“Mett\u0101 cetovimutti” — liberation of the heart through love <\/strong>— index<\/mark><\/a>
“No more, no less” — let go completely <\/strong>— <\/em>index<\/mark><\/a><\/p>\n\n\n\n

Winter 2025-2026<\/a><\/p>\n\n\n\n

“Sa\u1e43bhogak\u0101ya \u0938\u0902\u092d\u094b\u0917\u0915\u093e\u092f \/ \u5831\u8eab” — body of enjoyment <\/strong>— index<\/mark><\/a>
“Heartfelt tears of joy” — can you feel them? <\/strong>— index<\/mark><\/a>
“Non-return” — from a non-I retreat <\/strong>— index<\/mark><\/a>
“Saranam gacchami” — triple gem refuge <\/strong>— <\/em>index<\/mark><\/a>
“Sun rays’ dance in a dojo” — welcome to a new cycle <\/strong>— index<\/mark><\/a>
“Shamisen blues” — farewell to another round gone by <\/strong>— <\/em>index<\/mark><\/a>
“Shamisen blues” — farewell to another round gone by <\/strong>— <\/em>index<\/mark><\/a>
“May the blessings be” — ignorance abandoned <\/strong>— index<\/mark><\/a>
“Dream projections” — let them fly high– <\/strong>– <\/em>index<\/mark><\/a>
“Bodhi Paloma” — home sweet home <\/strong>— <\/em>index<\/mark><\/a><\/p>\n\n\n\n

“Dragonfly wings” — with Christina Braun <\/strong>— <\/mark>coop<\/mark><\/a><\/mark> <\/strong>— <\/em>index<\/mark><\/a>
“It is what it is” — with Christina Braun <\/strong>— coop<\/mark><\/a> — index<\/mark><\/a>
“Peace over war” — with Christina Braun <\/strong>— coop<\/mark><\/a> — <\/strong>index<\/mark><\/a>
“Sun glitters on a snow-covered field” — with Christina Braun <\/strong>— coop<\/mark><\/a> — index<\/mark><\/a><\/p>\n\n\n\n

Autumn 2025<\/a><\/p>\n\n\n\n

“Hearts dance and remember” — all in one in all <\/em>— index<\/mark><\/a>
“Flashes of radiant cognizance” — in empty space <\/em>— index<\/mark><\/a>
“Future memory past now” — neither minor nor major — <\/em>index<\/mark><\/a>
“A dimension of equilibrium” — major minor or minor major <\/em>— index<\/mark><\/a>
“Happy gnomes and elves” — a fairy tail dance — <\/em>index<\/mark><\/a>
“Iech k\u00f6renes Gl\u00f6ggli” — I hear a little bell — <\/em>index<\/mark><\/a>
“Octahedron moment” — even before and also after — <\/em>index<\/mark><\/a>
“\u0926\u0947\u0935\u0926\u0942\u0924 Devad\u016btas, angels here and now” — where are you? — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

Spring-Summer 2025<\/a><\/p>\n\n\n\n

“A pilgrim’s path” — here now — <\/em>index<\/mark><\/a>
“Earth to God, come in please” — two dozen times — <\/em>index<\/mark><\/a>
“Satipa\u1e6d\u1e6dh\u0101na concordance” — a meditative object — <\/em>index<\/mark><\/a>
“Swami Uodalric puja” — spontaneous celebration — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

“Shamana energy glow” — with Christina Braun <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“Sunrise miracle” — with Christina Braun <\/em>— <\/em>coop<\/mark><\/a> — index<\/mark><\/a>
“Mysterious calm contemplation” — with Christina Braun <\/em> <\/em>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a>
“Incredible journey blues” — with Christina Braun <\/em>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a><\/p>\n\n\n\n

Winter-Spring 2025<\/a><\/p>\n\n\n\n

“Nirodha blues” — dance of the trees — <\/em>index<\/mark><\/a>
“Another day breaks” — from dark to light — <\/em>index<\/mark><\/a>
“Vibhas dawn” — daybreak raag <\/em>— index<\/mark><\/a>
“Harmonics of the heart” — can you hear the overtones? — <\/em>index<\/mark><\/a>
“Permanent impermanence” — heart remediation blues — <\/em>index<\/mark><\/a>
“Trust the boat” — on the high seas <\/em>— index<\/mark><\/a>
“Be here now – \u0f00\u0f0b\u0f68\u0f71\u0f7f\u0f0b\u0f67\u0f71\u0f74\u0f83 – \u014c\u1e43 \u0101\u1e25 h\u016b\u1e43” — meditation anchor — <\/em>index<\/mark><\/a>
“Calm Mudita joy” — are you here? — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

November-December 2024<\/a><\/p>\n\n\n\n

“A blessing of <\/em>\u014c\u1e43 \/ Aum <\/em>\u0950” — with love for all sentient beings — <\/em>index<\/mark><\/a>
“Bodhicitta <\/em>contemplation” — \u0f00\u0f0b\u0f68\u0f71\u0f7f\u0f0b\u0f67\u0f71\u0f74\u0f83 – \u014c\u1e43 \u0101\u1e25 h\u016b\u1e43 – ever again — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

“Soaring free” — wind in the wings <\/em>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a>
“Sunlight enters the dark” — light’s on <\/em>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a>
“North woods gnome procession” — warming hearts <\/em>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a>
“North woods gnome gathering” — a sweet start <\/em>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a>
“Autumn leaf floating past cliffs” — smooth passage <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

September-October 2024<\/a><\/p>\n\n\n\n

“Humble bumble dumble” — homecoming blues — <\/em>index<\/mark><\/a>
“\u0f00\u0f0b\u0f68\u0f71\u0f7f\u0f0b\u0f67\u0f71\u0f74\u0f83 – \u014c\u1e43 \u0101\u1e25 h\u016b\u1e43” — dissolving search and soft landing — <\/em>index<\/mark><\/a>
“Th\u00f6-g\u00e4l” — instantaneous arrival — <\/em>index<\/mark><\/a>
“Rinpoche d\u00e9j\u00e0-vu chant” — for recognition and deliverance — <\/em>index<\/mark><\/a>
\u201c\u0917\u0930\u0941\u0921\u093c Garu\u1e0da\u201d — puja for the celestial hawk — <\/em>index<\/mark><\/a>
“Vajra bridge buzz” — rainbow light body karma — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

July-August 2024<\/a><\/p>\n\n\n\n

“It is that it is” — and that’s good news! — <\/em>index<\/mark><\/a>
“Beatenberg Buddha bounce” — returning to & from silence — <\/em>index<\/mark><\/a>
“From red line to white plane” — a serene transition — <\/em>index<\/mark><\/a>
“Prince on a pea” — can you find it? — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

May-June 2024<\/a><\/p>\n\n\n\n

“Vanishing appearance” — frettless floating kiln — <\/em>index<\/mark><\/a>
“Between light and sound” — Hungarian Gypsy equanimity — <\/em>index<\/mark><\/a>
\u201c\u0928\u091f \u0938\u0930\u0938 Nat Saras\u201d — moon dance by a pond — <\/em>index<\/mark><\/a>
“\u056b\u0574\u0561\u057d\u057f\u0578\u0582\u0576 Imastun <\/em>survivors” — calling for silence — <\/em>index<\/mark><\/a>
“\u092e\u0948\u0924\u094d\u0930\u0940 Maitr\u012b base” — the privilege of breath <\/em>— <\/mark>index<\/mark><\/a><\/p>\n\n\n\n

April 2024<\/a><\/p>\n\n\n\n

“Querencia” — the place where one’s strength is drawn from — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

“Ever forward into the open” — blue destination <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“Cherry blossom dragon” — spring awakening <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“Pebbles in the pond” — a touch of a raga <\/em>— <\/em>coop<\/mark><\/a> — index<\/mark><\/a>
“Straight forward” — dare jump in head-on <\/em>— <\/em>coop<\/mark><\/a> — index<\/mark><\/a><\/p>\n\n\n\n

March 2024<\/a><\/p>\n\n\n\n

“Tears of joy” — mantra of soul with a waking toddler\u2019s song — <\/em>index<\/mark><\/a>
“Tears of joy” — mantra of soul — <\/em>index<\/mark><\/a>
“Perfect imperfection” — one step closer — <\/em>index<\/mark><\/a>
“Consciousness” — the one state worth considering <\/em>— index<\/mark><\/a>
“Inner and outer connecting point” — culture fusion <\/em>— <\/mark>index<\/mark><\/a>
“Breath of life chant” — whistle breath plain — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

January-February 2024<\/a><\/p>\n\n\n\n

“Embraced in silence” — so close, and yet so far — in memory of Elaine — <\/em>index<\/mark><\/a>
“Bairagi Bhairav raag” — a first raga interpretation <\/em>— <\/mark>index<\/mark><\/a>
“Fearless floating” — in the flow of life and love — concert recording — <\/em>index<\/mark><\/a>
“Open door and heart” — an opportunity to step out — concert recording <\/em>— <\/mark>index<\/mark><\/a>
“Breath of life chant” — the answer within — <\/em>index<\/mark><\/a>
“Know what you know” — very and nothing special <\/em>— index<\/mark><\/a>
“Gently rotating fifth wheel” — a plea for peace <\/em>— index<\/mark><\/a>
“Home turf roots” — swingin’ on a star — <\/em>index<\/mark><\/a>
“This side of the other side” — illusion and reality — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

December 2023<\/a><\/p>\n\n\n\n

“A glimpse of heaven” — simple and straight forward <\/em>— index<\/mark><\/a>
“Welcome to the moment” — remembering the future — <\/em>index<\/mark><\/a>
“Winter blue sky sunshine” — a prayer of gratitude — <\/em>index<\/mark><\/a>
“Beyond endings and beginnings” — essentially being — <\/em>index<\/mark><\/a>
“\u0950 \u0917\u0923\u0947\u0936 \u0950 — \u014c\u1e43 Ga\u1e47e\u015ba \u014c\u1e43” — a picture story — <\/em>index<\/mark><\/a>
“One more step, and yet another” — happy trails! <\/em>— index<\/mark><\/a>
“What goes up, and what comes down” — watch out! <\/em>— <\/mark>index<\/mark><\/a>
“Pragmatic freedom in expression” — a prayer song — <\/em>index<\/mark><\/a>
“Audibly paced advance” — a coordination challenge — <\/em>index<\/mark><\/a>
“Ubuntu” — I am because we are — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

“Harmony in the present moment” — blending cultures <\/em>— coop<\/mark><\/a> — index<\/mark><\/a>
\u0935\u093f\u091a\u093f\u0924\u094d\u0930 — “Vichitra, a surprise” — odd, fanciful, and curious <\/em>— coop<\/mark><\/a> — index<\/mark><\/a>
“\u014c\u1e43 Gam Ganapataye Namaha” — Ganesha mantra <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
\u091c\u092f \u091c\u092f \u092e\u093e\u0901 — “Jai Jai Ma” — praise the mother <\/em>— <\/em>coop<\/mark><\/a> — index<\/mark><\/a>
\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 — “\u014c\u1e43 \u015a\u0101nti\u1e25” — sound healing <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“Sound healing dedication” — a mutual exchange <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“The joy of freedom within” — a healing calm <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“Spirit of the water” — healing medicine of forest flowers <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“Joy, peace, & harmony” — friends always meet again <\/em>— coop<\/mark><\/a> — index<\/mark><\/a><\/p>\n\n\n\n

November 2023<\/a><\/p>\n\n\n\n

“Mischief or miss a chief” — PentaBluNaLa with chant — index<\/mark><\/a>
\u201cHappy cat\u2019s meow\u201d — head and heart — <\/em>index<\/mark><\/a>

“The river’s current” — free flow spontaneity <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“Skies close by” — traveling blue as soul <\/em>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a>
“Layers” — modular world building blocks <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“Universes” — corners of the sound temple constellation <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“Sardic spiral stairwell” — for spiritually inclined beings <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

September-October 2023<\/a><\/p>\n\n\n\n

“Starlight before dawn” — gentle blue heart mix — for M-D — <\/em>index<\/mark><\/a>
“Das M\u00fclirad isch broche, Simelib\u00e4rg!” — go in peace — for KHT — <\/em><\/mark><\/a>index<\/mark><\/a>
“Among suns, moons, and stars” — a hopeful blues — <\/em>index<\/mark><\/a>
“Ma Sa Papa” — hearts long for peace — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

July-August 2023<\/a><\/p>\n\n\n\n

“\u0915\u0941\u092e\u094d\u092d\u0915 Kumbhaka” — between in and out, out and in — for M-A — <\/em>index<\/mark><\/a>
“Calmly breathe in, out, and in again” — Kumbhaka base — <\/em>index<\/mark><\/a>
“Pulsating through life” — lead on! — <\/em>index<\/mark><\/a>
“Go with God” — a final blessing — in memory of Stivensky —<\/em><\/em> index<\/mark><\/a>
“Balancing up and down” — extensive calm <\/em>— <\/mark>index<\/mark><\/a>
“Calling the divine” — hearts connect directly — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

July 2023 live<\/a><\/p>\n\n\n\n

“July 2023 Fideris sound journey” — live concert recording — <\/em>coop<\/mark><\/a>\/coop<\/mark><\/a> — <\/em><\/em>index<\/mark><\/a>
“Step in over the sill” — starting in Fideris church — Fideris #1 — <\/em>coop<\/mark><\/a>\/<\/mark><\/a>coop<\/mark><\/a> — <\/em><\/em>index
“Welcome, open the door” — greeting from the heart — Fideris #2 —<\/em> index<\/mark><\/a>
“Spontaneous first encounter” — a gentle first — Fideris #3 — <\/em>coop<\/mark><\/a> — index<\/mark><\/a>
“Again, all new” — wooden floor creaks — Fideris #4 <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“Calling the gods” — reaching out rather far — Fideris #5 <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“Sound journey” — in the moment — Fideris #6 — <\/em>coop<\/mark><\/a>\/coop<\/mark><\/a> — <\/em><\/em>index<\/mark><\/a>
“Step out over the sill” — concluding in Fideris church — Fideris #7 — <\/em>coop<\/mark><\/a>\/coop<\/mark><\/a> — <\/em><\/em>index<\/mark><\/a><\/p>\n\n\n\n

May-June 2023<\/a><\/p>\n\n\n\n

“From here to now” — on a flying carpet — <\/em>index<\/mark><\/a>
“Peaceful heart” — slowly but surely <\/em>— <\/mark>index<\/mark><\/a>
“Fused oriental occident and occidental orient” — <\/em>index<\/mark><\/a>
“Blue sound step ahead” — all the same and different — <\/em>index<\/mark><\/a>
\u201cBack in open time and space\u201d — at long last — <\/em>index<\/mark><\/a>
“ReachMin OM HU” — happy heart, new start — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

April 2023<\/a><\/p>\n\n\n\n

“Ophiuchus” — the serpent bearer — <\/em>index<\/mark><\/a>
“Wo bischt? — O\u00f9 es-tu ? — Dove sei? — Where are you? — Wo bist du?” — <\/em>index<\/mark><\/a>
“Spring sunbeam chirping” — <\/em>index<\/mark><\/a>
“Blue glacial melt water” — soundscape — <\/em>index<\/mark><\/a>
\u201cOnce upon a time\u201d — again and still on the way — <\/em>index<\/mark><\/a>
“Future past lives” — a heartfelt blues memory revived — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

“Living echoes in relative silence\u201d — live concert recording <\/em>— index<\/mark><\/a>
“Ophiuchus alive” — living serpent bearer — live concert recording — <\/em>index<\/mark><\/a>
“Living sound travel far out” — live concert recording — <\/em>index<\/mark><\/a>
\u201cLiving drops of glacial melt water\u201d — live concert recording — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

March 2023<\/a><\/p>\n\n\n\n

\u201cEchoes of growing silence\u201d — celebrating a new birth — <\/em>index<\/mark><\/a>
“Umbilical” — sounds in silence <\/em>— index<\/mark><\/a>
“Bears and butterflies” — sifting through colorful sand — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

\u201cKlanggeschichte\u201d — the development of the umbilical cord <\/em>— <\/em>coop<\/mark><\/a> — index<\/mark><\/a>
\u201cTo a new horizon\u201d — let go of the horizon to find a new one <\/em>— coop<\/mark><\/a> — index<\/mark><\/a>
\u201cEver again, keep going!\u201d — life moves on <\/em>— <\/em>coop<\/mark><\/a> — index<\/mark><\/a><\/p>\n\n\n\n

February 2023<\/a><\/p>\n\n\n\n

“Roots and crowns” — heaven to earth to heaven — <\/em>index<\/mark><\/a>
“Wake to a new dream” — LocorReach meditation <\/em>— <\/mark>index<\/mark><\/a><\/p>\n\n\n\n

“Awakening pixie Nirak” — sparkling pixie dust <\/em>— coop<\/mark><\/a> — index<\/mark><\/a><\/p>\n\n\n\n

January 2023<\/a><\/p>\n\n\n\n

“Harmonic two-way challenge” — CorMaj \/ LoloReachLyd contemplation <\/em>— <\/mark>index<\/mark><\/a>
“Surprises welcome” — glimpse around the corner <\/em>— <\/mark>index<\/mark><\/a>
“Dear doula” — room for silence <\/em>— <\/mark>index<\/mark><\/a>
“Pulse of an emerging blue heart” — first step into a new year <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Doula’s song and silence” — for a new generation <\/em>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a><\/p>\n\n\n\n

December 2022<\/a><\/p>\n\n\n\n

“Embracing Ma” — Pro-Reg-Pro meditation <\/em>— index<\/mark><\/a>
“Gitasa” — a family present for a present family <\/em>— index<\/mark><\/a>
“Gitigota” — a first inversion pair experiment — for K <\/em>— index<\/mark><\/a>
“Never give up, let go completely” — a miracle of nature <\/em>— index<\/mark><\/a>
“\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 \u092d\u0915\u094d\u0924\u093f \u0950 — \u014c\u1e43 \u015a\u0101nti\u1e25 Bhakti \u014c\u1e43” — contemplation <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

November 2022<\/a><\/p>\n\n\n\n

“HeptaNa Gita” — harmonics medley <\/em>— index<\/mark><\/a>
“HexaNa Gita” — harmonic six-pack <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

October 2022<\/a><\/p>\n\n\n\n

“Quad Pro square anchored octa Core” — an exploratory journey <\/em>— index<\/mark><\/a>
“Gihahatigo Bhairav” — ReachBal contemplation <\/em>— index<\/mark><\/a>
“Conscious derivative” — an island memory <\/em>— index<\/mark><\/a>
“Life is great!” — a celebratory meditation — for M\u00e4tti <\/em>— index<\/mark><\/a>
“Celebration joy” — a new start — for Metta (and Moon) <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Gentle blue light” — with Punnu Singh Wasu <\/em>— coop<\/mark><\/a> — index<\/mark><\/a>
“First encounter of old all new” — with Punnu Singh Wasu <\/em>— <\/em>coop<\/mark><\/a> — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

September 2022<\/a><\/p>\n\n\n\n

“\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 Om Shanti HU” — with Elijah’s bells and cicadas — <\/em>index<\/mark><\/a>
“\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 Om Shanti HU” — just chant and pluck — <\/em>index<\/mark><\/a>
“\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 Om Shanti HU” — plain chant only — <\/em>index<\/mark><\/a>
“No mistake” — big sky, beach, rock, pine, broken branch — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

August 2022<\/a><\/p>\n\n\n\n

“Holy sham” — a short sound excursion far out — for M&M — <\/em>index<\/mark><\/a>
“An embrace of divine love” — no hypocrisy — <\/em>index<\/mark><\/a>
“\u0938\u0902\u092a\u094d\u0930\u092f\u093e\u0923 Sa\u1e43pray\u0101\u1e47a” — departure from past to future, let’s go! — <\/em>index<\/mark><\/a>
\u201cGratitude in advance\u201d \u2014 a true gift — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

July 2022<\/a><\/p>\n\n\n\n

“Individual bhajan” — a progression experiment — <\/em>index<\/mark><\/a>
\u201cNew moon rising\u201d \u2014 a sensitive welcome — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

June 2022<\/a><\/p>\n\n\n\n

“Let\u2019s talk” — a personal manifesto — <\/em>index<\/mark><\/a>
“Let’s listen” — a personal meditation — <\/em>index<\/mark><\/a>
\u201cFour by four\u201d \u2014 corners of the sound temple — <\/em>index<\/mark><\/a>
“HU cares” — a sound cycle p\u016bj\u0101 — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

May 2022<\/a><\/p>\n\n\n\n

“Phrygian HU” — a meditative blues — <\/em>index<\/mark><\/a>
\u201cFarewell welcome blues\u201d \u2014 from one Moon to the next — <\/em>index<\/mark><\/a>
“Blue HU” — a freedom adventure — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

April 2022<\/a><\/p>\n\n\n\n

\u201cIt, God\u201d \u2014 trinity in common language — <\/em>index<\/mark><\/a>
“Old box jumping Jack” — mother of the West — <\/em>index<\/mark><\/a>
“Purya p\u016bj\u0101” — another call for peace — <\/em>index<\/mark><\/a>
“Humpbacks breach the surface” — a dreamscape — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

March 2022<\/a><\/p>\n\n\n\n

“Slackline dance” — straight ahead — <\/em>index<\/mark><\/a>
“Gitabats blues” — an ornate blue flight — <\/em>index<\/mark><\/a>
“Nature’s echo in blue calm” — where a contrast meets — <\/em>index<\/mark><\/a>
“Wake and ready for a new day” — for M. & M. — <\/em>index<\/mark><\/a>
“Tagicrosago” — W. A. Mathieu’s dark horse — <\/em>index<\/mark><\/a>
“Bagisacro blues” — let’s dance! — <\/em>index<\/mark><\/a>
“Thundering liberty and freedom” — <\/em>index<\/mark><\/a>
“Happy birthday, Robin Hood!” — for K. — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

January-February 2022<\/a><\/p>\n\n\n\n

“Clearing mist at dawn” — a meditative sound sample — <\/em>index<\/mark><\/a>
“With the pulse of life” — a lively dance — <\/em>index<\/mark><\/a>
“Guggisb\u00e4rg-Melodie, live” — QuBa concert recording — <\/em>index<\/mark><\/a>
“Blessings may be, live” — QuBa concert recording — <\/em>index<\/mark><\/a>
\u201c\u7121\u70ba Wu wei \u2014 contemplation\u201d — <\/em>index<\/mark><\/a>
“Courage it takes” — a linguistic audio medley — <\/em>index<\/mark><\/a>
“\u091a\u0948\u0924\u0928\u094d\u092f Chaitanya — blues” — <\/em>index<\/mark><\/a>
\u201cBlue courage\u201d \u2014 a Dorian mode blues medley — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

“Starry Sky” — a meditative improvisation <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“Heart in Misty Forest” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

November-December 2021<\/a><\/p>\n\n\n\n

\u201cFrom the future to the present and back\u201d — <\/em>index<\/mark><\/a>
“Inversion progression, from here to there and back” — <\/em>index<\/mark><\/a>
“The far side where opposites unite” — and the circles close — <\/em>index<\/mark><\/a>
“Reawakening” — pick up where you left off — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

“Cheerful Hey, Hey!” — a happy dance <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“Christina’s Theme” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“Gentle Echoes of a Wild Thing” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“Go Be” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

June-August 2021<\/a><\/p>\n\n\n\n

“Na track” — Na(tural harmonics) in action — for M. — <\/em>index<\/mark><\/a>
“Natural harmonics gateway” — first step in a Na tonality — <\/em>index<\/mark><\/a>
“\u0950 \u092e\u0923\u093f\u092a\u0926\u094d\u092e\u0947 \u0939\u0942\u0901 Au\u1e43 ma\u1e47i padme h\u016b\u1e43 — blues” — <\/em>index<\/mark><\/a>
“Reaching up to heaven” — in ReachUp tonality — <\/em>index<\/mark><\/a>
“Back on a blue track” — treasuring healthy roots — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

“Hallo Stille [Hello Silence]” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“Christina’s Theme” — a work in progress <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“Wild Thing” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

April-May 2021<\/a><\/p>\n\n\n\n

\u201cAcoustic Scale Acceptance\u201d \u2014 a previously rejected tonality — <\/em>index<\/mark><\/a>
“Just Be, No More” — an unintended short PentaCor p\u016bj\u0101 — <\/em>index<\/mark><\/a>
“Journey Around the Sun” — a circular Core modulation — <\/em>index<\/mark><\/a>
“Happy Sadness or Sad Happiness?” — a contemplative prayer — <\/em>index<\/mark><\/a>
“Progress, No Regress” — a Pro tonalities modulation path — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

“Roots Reaching for Heaven” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

March 2021<\/a><\/p>\n\n\n\n

“Spontaneous Schong Jen P\u016bj\u0101” — <\/em>index<\/mark><\/a>
“Flowing Upward” — calm, uplifting modulation path — <\/em>index<\/mark><\/a>
“A Touch of Grace” — <\/em>index<\/mark><\/a>
“Plain Guggis Chirping” — <\/em>index<\/mark><\/a>
“Over- and Under-Tone Presents” — <\/em>index<\/mark><\/a>
“First Baby Angel Steps” — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

“Waves Concluding a Sound Temple Visit” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

January-February 2021<\/a><\/p>\n\n\n\n

“(Ionian) Prayer in Gratitude for the Golden Heart” — <\/em>index<\/mark><\/a>
“(ReachUpMix with the) Four Corners of the Sound Temple” — <\/em>index<\/mark><\/a>
“(MinReach with) Guggisberg Melody” — a harmonic minor example — <\/em>index<\/mark><\/a>
\u201cSooner Rather than Later\u201d \u2014 an introspective sound sample — <\/em>index<\/mark><\/a>
“BlueMix Syntropy” — blues mix in BlueMix tonality — <\/em>index<\/mark><\/a>
\u201cLouder Call for Peace\u201d — <\/em>index<\/mark><\/a>
“Remembering Boudhanath” — <\/em>index<\/mark><\/a>
“Little Balloon” — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

“Reach and Mix — Carried by the Wind” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“Stroll along Soul’s River Bank” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“Blue Wrap Rap” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

November-December 2020<\/a><\/p>\n\n\n\n

“Ornate Gateway to Heaven and Hell” — <\/em>index<\/mark><\/a>
“Plain Gateway to Heaven and Hell” — <\/em>index<\/mark><\/a>
“Dear God (mono-lingual)” — <\/em>index<\/mark><\/a>
“Dear God (quadri-lingual)” — <\/em>index<\/mark><\/a>
“Full Steam Ahead!” — <\/em>index<\/mark><\/a>
“Little Earworm Pupating” — <\/em>index<\/mark><\/a>
“Tongue in Guitars’ Cheek” — <\/em>index<\/mark><\/a>
“Covid Sing’in Tongue” — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

September-October 2020<\/a><\/p>\n\n\n\n

“Spontaneous Surprise” — <\/em>index<\/mark><\/a>
“Call to Peace” — <\/em>index<\/mark><\/a>
“The Little Blue Loop that Could — in Space” — <\/em>index<\/mark><\/a>
“The Little Blue Loop that Could — on Track” — <\/em>index<\/mark><\/a>
“The Little Blue Loop that Could — at Rest” — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

“Whiff of Wings” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“Dune Dawn” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

April-August 2020<\/a><\/p>\n\n\n\n

\u201cChange of Season\u201d — <\/em>index<\/mark><\/a>
\u201cCourtesy of Grace\u201d — <\/em>index<\/mark><\/a>
\u201cOn Eagels\u2019 Wings\u201d — <\/em>index<\/mark><\/a>
\u201cAs God Realizes the Moment\u201d — <\/em>index<\/mark><\/a>
\u201cDancing above the Clouds\u201d — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

\u201cTale of Words and Sounds\u201d <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

Summer 2014<\/a><\/p>\n\n\n\n

\u201cHeart of Love\u201d — <\/em>index<\/mark><\/a>
\u201cEternal Moment\u201d — <\/em>index<\/mark><\/a>
\u201cShepherd\u2019s Call\u201d — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

Soundscape “Amazing” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
Soundscape “Guggisberg” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
Soundscape “Lyoba” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

Cooperation sounds — with extra artist(s)<\/h2>\n\n\n\n
\n
Christina Braun<\/a><\/div>\n\n\n\n
Philine Harte<\/a><\/div>\n\n\n\n
Punnu Wasu<\/a><\/div>\n\n\n\n
Karin Gs\u00f6llpointner<\/a><\/div>\n\n\n\n
Ursula Huggenberger<\/a><\/div>\n\n\n\n
Kathia, Egon, Hans, & Hans<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

Christina Braun<\/p>\n\n\n\n

“Dragonfly wings” — with Christina Braun <\/strong>— PentaMin \/ PentaEol <\/em>on G# (rel. A 438 Hz) — Christina Braun: voice — Ulrico: tenor ukulele — 3:19 <\/strong>— index<\/mark><\/a><\/p>\n\n\n\n

“It is what it is” — with Christina Braun <\/strong>— HexaBluNaMix <\/em>on C# (rel. A 438 Hz) — Chistina Braun: voice — Ulrico: 8-string guitar — 4:48 <\/strong>— index<\/mark><\/a><\/p>\n\n\n\n

“Peace over war” — with Christina Braun <\/strong>— <\/strong>Christina Braun: voice, Tingsha cymbals — Ulrico: large gong, Zildjian cymbal, sound bowls — 4:44 <\/strong>— index<\/mark><\/a><\/p>\n\n\n\n

“Sun glitters on a snow-covered field” — with Christina Braun <\/strong>— Mixolydian <\/em>on C# (rel. A 438 Hz), spiced — Christina Braun: voice — Ulrico: 8-string guitar — 5:18 <\/strong>— index<\/mark><\/a><\/p>\n\n\n\n

“Shamana energy glow” — with Christina Braun <\/strong>— <\/strong>Christina Braun: voice — Ulrico: djembe — 4:22 <\/strong>— index<\/mark><\/a><\/p>\n\n\n\n

“Sunrise miracle” — with Christina Braun <\/strong>— LoMidReach <\/em>on C# (rel. 438.2 Hz) — Christina Braun: voice — Ulrico: 8-string guitar — 5:35 <\/strong>— index<\/mark><\/a><\/p>\n\n\n\n

“Mysterious calm contemplation” — with Christina Braun <\/em>— <\/em>Christina Braun: voice — Ulrico: gongs — 8:24 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Incredible journey blues” — with Christina Braun <\/em>— PentaMin<\/em> on G# (rel. 438.2 Hz) — Christina Braun: voice — Ulrico: bass & tenor ukulele — 6:25 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Soaring free” — wind in the wings <\/em>— TetraMin <\/em>(with a touch of PentaMinMix\/PentaEolDor<\/em>) on G# (207 Hz) — Christina Braun: voice — Ulrico: fretted <\/em>vichitra veena <\/em>& bass — 5:52 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Sunlight enters the dark” — light’s on <\/em>— MinReach <\/em>(harmonic minor) on G# (207 Hz) — Christina Braun: voice — Ulrico: ukulele & tanpura — 4:11 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“North woods gnome procession” — warming hearts <\/em>— Aeolian <\/em>(natural minor) & MinReach <\/em>on A (438 Hz) — Christina Braun: violin & voice — Ulrico: harmonium — 4:36 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“North woods gnome gathering” — a sweet start <\/em>— Aeolian <\/em>& MinReach <\/em>on A (438 Hz) — Christina Braun: violin & voice — Ulrico: harmonium — 5:16 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Autumn leaf floating past cliffs” — smooth passage <\/em>— Aeolian <\/em>on G# (207 Hz) — Christina Braun: voice — Ulrico: crotales — 4:01 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Ever forward into the open” — blue destination <\/em>— PentaMin\/PentaEol<\/em> based on D# — Christina Braun: voice — Ulrico: singing saw, bass, 6-string guitar — 4:15 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Cherry blossom dragon” — spring awakening <\/em>— <\/em>based on E, G, and C# — Christina Braun: voice — Ulrico: crotales, bowls, gongs — 4:17 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Pebbles in the pond” — a touch of a raga <\/em>— <\/em>Bairagi Bhairav raag based on C# — Christina Braun: voice — Ulrico: 8-string guitar — 5:38 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Straight forward” — dare jump in head-on <\/em>— PentaMin\/PentaEol<\/em> w\/a touch Aeolian <\/em>on C# — Christina Braun: voice — Ulrico: 8-string guitar — 6:45 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“The river’s current” — free flow spontaneity <\/em>— Phrygian <\/em>based on E (rel. 435 Hz) — Christina Braun: voice — Ulrico: 7-string guitar, bass bowl — 6:40 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Skies close by” — traveling blue as soul <\/em>— PentaMin \/ PentaEol<\/em> (pentatonic minor) based on A (rel. 442 Hz) — Christina Braun: violin — Ulrico: bass, tanpura — 3:45 <\/em>— index<\/mark><\/a> <\/p>\n\n\n\n

“Layers” — modular world building blocks <\/em>— PentaProLa \/ PentaIon<\/em> (pentatonic major) based on C# (rel. 438 Hz) — Christina Braun: voice — Ulrico: 5-string guitar, singing saw, crotales — 4:46 <\/em>— index<\/mark><\/a> <\/p>\n\n\n\n

“Universes” — corners of the sound temple constellation <\/em>— Core tonality<\/em> based on C#, G, A#, E (rel. 438 Hz) — Christina Braun: voice — Ulrico: gongs — 5:20 <\/em>— index<\/mark><\/a> <\/p>\n\n\n\n

\u201cTo a new horizon\u201d — let go of the horizon to find a new one <\/em>— violin by Christina Braun — bowl and cymbals by Ulrico \u2014 5:55 <\/em>— index<\/mark><\/a> <\/p>\n\n\n\n

\u201cEver again, keep going!\u201d — life moves on <\/em>— TertaNa<\/em> based — voice by Christina Braun — 8-string guitar by Ulrico — 3:48 <\/em>— index<\/mark><\/a> <\/p>\n\n\n\n

“Blue Wrap Rap” <\/em>— PentaMin \/ PentaEol<\/em> — voice by Christina Braun — bass by Ulrico — 2:50 <\/em>— index<\/mark><\/a> <\/p>\n\n\n\n

“Cheerful Hey, Hey!” — a happy dance <\/em>— Mixolydian<\/em> — voice by Christina Braun — 8-string guitar by Ulrico — 5:18 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Christina’s Theme” <\/em>— Aeolian <\/em>— melodic theme (in C# minor) and voice by Christina Braun — 6-string guitar by Ulrico — 5:57 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Christina’s Theme” — a work in progress <\/em>— Aeolian <\/em>— melodic theme in D minor and voice by Christina Braun — 6 and 8-string guitar by Ulrico — 8:49 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Dune Dawn” <\/em>— multiple voice by Christina Braun — 8-string guitar and bass by Ulrico — 1:39 <\/em>— index<\/mark><\/a> <\/p>\n\n\n\n

“Gentle Echoes of a Wild Thing” <\/em>— voice by Christina Braun — 8-string guitar by Ulrico — 6:59 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Go Be” <\/em>— voice by Christina Braun — large gong and crotales by Ulrico — 6:34 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Heart in Misty Forest” <\/em>— voice by Christina Braun — fujara, gong, and crotales by Ulrico — 3:30 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Reach and Mix — Carried by the Wind” <\/em>— ReachMix <\/em>— voice by Christina Braun — 8-string guitar by Ulrico — 6:30 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Roots Reaching for Heaven” <\/em>— HexaProMix<\/em> — voice by Christina Braun — 8-string guitar by Ulrico — 5:54 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Starry Sky” — a meditative improvisation <\/em>— voice by Christina Braun — Nepali and Tibetan (tingsha) cymbals, crotales by Ulrico — 3:49 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Stroll along Soul’s River Bank” <\/em>— voice by Christina Braun — cymbals, bowls, crotales, and gongs by Ulrico — 8:53 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

\u201cTale of Words and Sounds\u201d — voice by Christina Braun — 8-string guitar by Ulrico — 2:32 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Waves Concluding a Sound Temple Visit” — breathing voice waves by Christina Braun — 8-string guitar, crotales, and a touch of large gong by Ulrico — 1:52 or 1:48 loop <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Whiff of Wings” <\/em>— voice by Christina Braun — fujara by Ulrico — 3:13 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Wild Thing” <\/em>— ReachUp<\/em> (double harmonic\/Gypsy minor) — voice by Christina Braun — 8-string guitar by Ulrico — 3:48 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

Philine Harte<\/p>\n\n\n\n

\u201cKlanggeschichte\u201d — the development of the umbilical cord <\/em>— <\/em>story and sound about connection, growth, and detachment — 10 chapters — voice and story (in German) by Philine Harte, 8-string guitar (and cymbals) by Ulrico — 63 minutes <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Doula’s song and silence” — for a new generation <\/em>— ReachMin<\/em> (Phrygian dominant) — voice by Philine Harte — double 8-string guitar by Ulrico — 4:06 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

Punnu Singh Wasu<\/a><\/p>\n\n\n\n

“Harmony in the present moment” — blending cultures <\/em>— Mixolydian <\/em>\/ Ionian <\/em>on C# — Punnu Wasu: mandolin — Ulrico: 8-string guitar — 8:35 <\/em>live <\/em>— <\/mark><\/mark>index<\/mark><\/a><\/p>\n\n\n\n

\u0935\u093f\u091a\u093f\u0924\u094d\u0930 — “Vichitra, a surprise” — odd, fanciful, and curious <\/em>— ReachMin <\/em>on G# — Punnu Wasu: mandolin — Ulrico: fretted <\/em>vichitra veena <\/em>— 4:24 live <\/em>— <\/mark><\/mark>index<\/mark><\/a><\/p>\n\n\n\n

\u0950 \u0917\u0902 \u0917\u0923\u092a\u0924\u092f\u0947 \u0928\u092e\u0903 — “\u014c\u1e43 Gam Ganapataye Namaha” — Ganesha mantra <\/em>— Aeolian <\/em>on C# — Punnu Wasu: voice & harmonium — Ulrico: 7-string guitar — 11:29 <\/em>live <\/em>— <\/mark><\/mark>index<\/mark><\/a><\/p>\n\n\n\n

\u091c\u092f \u091c\u092f \u092e\u093e\u0901 — “Jai Jai Ma” — praise the mother <\/em>— Aeolian <\/em>on C# — Punnu Wasu: voice & harmonium — Ulrico: 8-string guitar — 12:29 <\/em>live <\/em>— <\/mark><\/mark>index<\/mark><\/a><\/p>\n\n\n\n

\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 — “\u014c\u1e43 \u015a\u0101nti\u1e25” — sound healing <\/em>— ReachMin <\/em>on D# — Punnu Wasu: voice & mandolin — Ulrico: 7-string guitar — 11:30 <\/em>live <\/em>— <\/mark><\/mark>index<\/mark><\/a><\/p>\n\n\n\n

“Sound healing dedication” — a mutual exchange– Aeolian <\/em>on G — Punnu Wasu: voice & harmonium — Catherine G\u00f6ldlin: frame drum — Ulrico: bird whistle — 7:17live– <\/mark>index<\/mark><\/a><\/p>\n\n\n\n

“The joy of freedom within” — a healing calm <\/em>— Mixolydian <\/em>w\/a touch of Ionian<\/em>, ReachBal <\/em>on D# — Punnu Wasu: voice & mandolin — Ulrico: 7-string guitar — 12:02 <\/em>live <\/em>— <\/mark>index<\/mark><\/a><\/p>\n\n\n\n

“Spirit of the water” — healing medicine of forest flowers <\/em>— HexaMin <\/em>on F# — Punnu Wasu: voice & frame drum — Ulrico: djembe — 5:57 <\/em>live <\/em>— <\/mark>index<\/mark><\/a><\/p>\n\n\n\n

“Joy, peace, & harmony” — friends always meet again <\/em>— ReachMin<\/em> (Phrygian dominant) on G# — Punnu Wasu<\/em>: double mandolin — Ulrico: <\/em>vichitra veena <\/em>& 8-string guitar — 8:14<\/mark> <\/em>— <\/mark>index<\/mark><\/a><\/p>\n\n\n\n

“First encounter of old all new” — with Punnu Singh Wasu <\/em><\/em>— ReachBal<\/em> — harmonium and voice by Punnu Singh Wasu — 8-string guitar by Ulrico — 8:57 live <\/em>— <\/mark>index<\/mark><\/a><\/p>\n\n\n\n

“Gentle blue light” — with Punnu Singh Wasu <\/em>— MinReach<\/em>, Aeolian<\/em>\/HexaMin<\/em> — mandolin by Punnu Singh Wasu — 8-string guitar by Ulrico — 8:49 live <\/em>— <\/mark>index<\/mark><\/a><\/p>\n\n\n\n

Karin Gs\u00f6llpointner<\/p>\n\n\n\n

“Sardic spiral stairwell” — for spiritually inclined beings <\/em>— TetraNaLa, PentaProLa \/ PentaIon (pentatonic major), HexaBluNa \/ HexaLolo, TetraNa<\/em>, & derivatives — voice duet with Karin Gs\u00f6llpointner, 7-string guitar, bass bowl, tanpura — 8:17 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“July 2023 Fideris sound journey” — live concert recording <\/em>— entire concert, homogenized — #1-7 in one — Ursula Huggenberger, Karin Gs\u00f6llpointner, & Ulrico — 38:22 live <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Step in over the sill” — starting in Fideris church — Fideris #1 — <\/em>sound bowls by Ursula Huggenberger, Karin Gs\u00f6llpointner, & Ulrico — 6:47 live <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Sound journey” — in the moment — Fideris #6 <\/em>— ReachMin<\/em> (Phrygian dominant) <\/em>on G# — <\/em>vichitra veena <\/em>by Ulrico — tanpuras by Ursula Huggenberger & Karin Gs\u00f6llpointner — 5:50 live <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Step out over the sill” — concluding in Fideris church — Fideris #7 — <\/em>gong, sound bowls, & tingsha cymbal pair by Ursula Huggenberger, Karin Gs\u00f6llpointner, & Ulrico — 8:33 live — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

“Awakening pixie Nirak” — sparkling pixie dust <\/em>— TetraNa<\/em> based — voice by Karin Gs\u00f6llpointner — 8-string guitar by Ulrico — 8:21 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Hallo Stille [Hello Silence]” <\/em>— text by Nicole Keller — voice by Karin Gs\u00f6llpointner — 8-string guitar in C# Mixolydian <\/em>by Ulrico — 5:09 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

Ursula Huggenberger<\/p>\n\n\n\n

“July 2023 Fideris sound journey” — live concert recording <\/em>— entire concert, homogenized — #1-7 in one — Ursula Huggenberger, Karin Gs\u00f6llpointner, & Ulrico — 38:22 live <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Step in over the sill” — starting in Fideris church — Fideris #1 — <\/em>sound bowls by Ursula Huggenberger, Karin Gs\u00f6llpointner, & Ulrico — 6:47 live <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Spontaneous first encounter” — a gentle first — Fideris #3 — <\/em>handpan duo by Ursula Huggenberger & Ulrico — 4:17 live <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Again, all new” — wooden floor creaks — Fideris #4 <\/em>— PentaMin\/PentaEol<\/em> (pentatonic minor) on E — 7-string guitar by Ulrico — handpan by Ursula Huggenberger — 5:10 live <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Calling the gods” — reaching out rather far — Fideris #5 <\/em>— monochord & gong by Ursula Huggenberger — singing saw & bird whistle by Ulrico — 5:13 live <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Sound journey” — in the moment — Fideris #6 <\/em>— ReachMin<\/em> (Phrygian dominant) <\/em>on G# — <\/em>vichitra veena <\/em>by Ulrico — tanpuras by Ursula Huggenberger & Karin Gs\u00f6llpointner — 5:50 live <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Step out over the sill” — concluding in Fideris church — Fideris #7 — <\/em>gong, sound bowls, & tingsha cymbal pair by Ursula Huggenberger, Karin Gs\u00f6llpointner, & Ulrico — 8:33 live — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

Kathia Haug, Egon Kunkel, Hans Kurzen, and Hans Maurer<\/p>\n\n\n\n

Soundscape “Amazing” — native american flute, hang, and zither by Kathia Haug — gongs and crotales by Ulrico — didgeridoo and overtone singing by Egon Kunkel — alphorn by Hans Kurzen — 16:53 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

Soundscape “Guggisberg” — zither and native american flute by Kathia Haug — <\/em>vichitra veena <\/em>and bass by Ulrico — b\u00fcchel and mini cornet by Hans Kurzen — tanpura and didgeridoo by Egon Kunkel — ocean drum by Hans Maurer — 13:08 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

Soundscape “Lyoba” — zither and native american flute by Kathia Haug — bass and 7-string guitar by Ulrico — alphorn by Hans Kurzen — overtone singing by Egon Kunkel — 7:27 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Index of personal and cooperation sounds by or with Ulrico To search for a specific word, you may use the page search capability of your browser. Personal and cooperation sounds — index by title ‘A’ “A blessing of \u014c\u1e43 \/ Aum \u0950” — with love for all sentient beings — approaching, tuning, and settling on … <\/p>\n

Continue reading “Sounds index”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":2718,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-23243","page","type-page","status-publish","hentry"],"yoast_head":"\nSounds index – TONALIBUS, Anchored Harmony and Tonalities<\/title>\n<meta name=\"description\" content=\"Index of personal and cooperation sounds by or with Ulrico; Index of sounds by title; Sounds by date; Cooperation sounds.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/tonalibus.org\/en\/sounds\/sounds-index\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sounds index – TONALIBUS, Anchored Harmony and Tonalities\" \/>\n<meta property=\"og:description\" content=\"Index of personal and cooperation sounds by or with Ulrico; 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