The album “Tonalibus R, S & T” appears globally on many music platforms on May 1, 2026.<\/p>\n\n\n\n
This triple album offers 27 meditative improvisations by Ulrico<\/mark><\/a> in three hours of uplifting music, at times with a touch of blues. This album’s recordings date from January 2025 to January 2026. They are also in playlists R, S & T<\/em>. Tonalibus previously released as singles the album track #10 “<\/em>Swami Uodalric puja — spontaneous celebration“<\/em> on September 22 and track #5 “<\/em>Flashes of radiant cognizance — in empty space“<\/em> on December 22, 2025.<\/p>\n\n\n\n This and other Tonalibus releases are available on the following music platforms. Some of these music services are restricted to particular regions or countries or may provide international music only within their territory. Links offered below lead to available Tonalibus releases.<\/p>\n\n\n\n 1) <\/strong>“May the blessings be” — ignorance abandoned <\/strong>— Dorian <\/em>on C# 138 Hz (rel. A 438) — 8-string guitar — 8:32 <\/strong>— December 2025 sound<\/mark><\/a> or playlist T <\/em>— blog \u201cSpiritual openness<\/mark><\/a>\u201d<\/p>\n\n\n\n 2) <\/strong>“Bodhi Paloma” — home sweet home <\/strong>— PentaCor<\/em> on A (438 HZ) — 7-string guitar, tenor ukulele, tanpura — 5:14 <\/strong>— November 2025 sound<\/mark><\/a> or playlist T<\/em> — blog “Reality is what one believes<\/mark><\/a>“<\/p>\n\n\n\n 3) <\/strong>“Hearts dance and remember” — all in one in all <\/strong>— ReachMin<\/em> or Phrygian dominant on C# (138 Hz; rel. A 438 Hz) — 8-string guitar — 12:41 <\/strong>— October 2025 sound<\/mark><\/a> or playlist T<\/em> — blog “I remember you<\/mark><\/a>“<\/p>\n\n\n\n 4) <\/strong>“Dream projections” — let them fly high <\/strong>— Phrygian <\/em>on D (rel. A 438 Hz) — 4-string guitar, crotales, tanpura — 7:43 <\/strong>— December 2025 sound<\/mark><\/a> or playlist T<\/em><\/mark>— blog “A dream of life<\/mark><\/a>“<\/p>\n\n\n\n 5) <\/strong>“Flashes of radiant cognizance” — in empty space <\/strong>— PentaCor<\/em> on F (171 Hz; rel. A 432 Hz) — 8-string guitar — 10:42 <\/strong>— September 2025 sound<\/mark><\/a> or playlist T<\/em> — blog “Tath\u0101gata or Buddha<\/mark><\/a>“<\/p>\n\n\n\n 6) <\/strong>“Shamisen blues” — farewell to another round gone by <\/strong>— PentaEol \/ PentaMin<\/em> (pentatonic minor) on C# 275 Hz — shamisen, 7-string guitar, large gong, tanpura — 3:10 <\/strong>— January 2026 sound<\/mark><\/a> or playlist T<\/em> — blog “Together in the harmony of life<\/mark><\/a>“<\/p>\n\n\n\n 7) <\/strong>“Sun rays’ dance in a dojo” — welcome to a new cycle <\/strong>— PentaEol \/ PentaMin<\/em> (pentatonic minor) on D 144 Hz (rel. A 432 Hz) — 8-string guitar — 3:54 <\/strong>— January 2026 sound<\/mark><\/a> or playlist T<\/em> — blog “Together in the harmony of life<\/mark><\/a>“<\/p>\n\n\n\n 8) <\/strong>“Saranam gacchami” — triple gem refuge <\/strong>— Mixolyd<\/em>–Ionian<\/em> (reduced) on F 172 Hz (rel. A 432 Hz) — chanting voices, tenor recorder, tanpura — 7:11 <\/strong>— January 2026 sound<\/mark><\/a> or playlist T<\/em> — blog “Looking beyond duality<\/mark><\/a>“<\/p>\n\n\n\n 9) <\/strong>“Non-return” — from a non-I retreat <\/strong>— HexaBluNaMix<\/em> (w\/a touch CorMix<\/em>) on G# 207 Hz (rel. A 438 Hz) — 7-string guitar, tanpura — 6:27 <\/strong>— January 2026 sound<\/mark><\/a> — blog “Refuge<\/mark><\/a>“<\/p>\n\n\n\n 10) <\/strong>“Swami Uodalric puja” — spontaneous celebration <\/strong>— LoMidReach<\/em>, a Reach tonality derivative, 1-2-4-5-8-9-12-1, on G# (rel. 438.2 Hz) — akin to Raag Puriya Dhanashree — <\/strong>vichitra veena,<\/em> lap slide guitar, conch, tanpura — 8:30 <\/strong>— May 2025 sound<\/mark><\/a> or playlist S<\/em> — blog “Elephants, cattle, and horses<\/mark><\/a>“<\/p>\n\n\n\n 11) <\/strong>“Satipa\u1e6d\u1e6dh\u0101na concordance” — a meditative object <\/strong>— LocorReach<\/em> derivative w\/2- on C# 138 Hz (rel. 438.2 Hz), octatonality 1-2-4-5-7-8-9-12-1 with a hint of progression (single up 3 & lo 6) — double 7-string guitar & tanpura — 6:01 <\/strong>— June 2025 sound<\/mark><\/a> or playlist S<\/em> — blog “Anatt\u0101 — not self<\/mark><\/a>“<\/p>\n\n\n\n 12) <\/strong>“Earth to God, come in please” — two dozen times <\/strong>— <\/strong>G#, C#, F# based — chanting bass voice, gong, tingsha cymbals, conch — 11:39 <\/strong>— June 2025 sound<\/mark><\/a> or playlist S<\/em><\/mark> — blog “Aware of the sound of silence<\/mark><\/a>“<\/p>\n\n\n\n 13) <\/strong>“A pilgrim’s path” — here now <\/strong>— PentaMin \/ PentaEol<\/em> or pentatonic minor on B 123 Hz (rel. A 438.2 Hz) — 7-string guitar, singing saw, tenor recorder, tanpura — 7:30 <\/strong>— July 2025 sound<\/mark><\/a> or playlist S<\/em> — blog “A pilgrimage<\/mark><\/a>“<\/p>\n\n\n\n 14) <\/strong>“Iech k\u00f6renes Gl\u00f6ggli” — I hear a little bell <\/strong>— PentaIon \/ PentaProLa<\/em> (pentatonic major) on F and HexaMixLa<\/em> on G# (rel. A 438.2 Hz) — sopranino recorder, crotales, voice — 7:26 <\/strong>— August 2025 sound<\/mark><\/a> or playlist S <\/em>— blog “A small child<\/mark><\/a>“<\/p>\n\n\n\n 15) <\/strong>“Octahedron moment” — even before and also after <\/strong>— <\/strong>octatonal ReachNaBal<\/em> derivative w\/minor (and major) third on E+ 333 Hz (rel. A 444 Hz) — 7-string guitar, lap slide guitar, soprano recorder, tanpura — 6:14 <\/strong>— August 2025 sound<\/mark><\/a> or playlist S<\/em> — blog “Before and after<\/mark><\/a>“<\/p>\n\n\n\n 16) <\/strong>“\u0926\u0947\u0935\u0926\u0942\u0924 Devad\u016btas, angels here and now” — where are you? <\/strong>— PentaMin \/ PentaEol<\/em> or pentatonic minor on C# — shamisen, harmonium, and spoken word (Swiss, English, French, Italian, German) — August 2025 — 6:50 — text (Swiss & English) and word only version in blog post “Wo bischt” of May 2023 <\/strong>— August 2025 sound<\/mark><\/a> or playlist S<\/em> — blog “Devad\u016btas like angels<\/mark><\/a>“<\/p>\n\n\n\n 17) <\/strong>“Happy gnomes and elves” — a fairy tail dance <\/strong>— PentaProLa \/ PentaIon<\/em> (w\/a touch HexaMixLa<\/em>) on E (rel. A 432 Hz) — 8-string guitar, bass bowl — 6:23 <\/strong>— August 2025 sound<\/mark><\/a> or playlist S <\/em>— blog “What or who owns?<\/mark><\/a>“<\/p>\n\n\n\n 18) <\/strong>“A dimension of equilibrium” — major minor or minor major <\/strong>— HexaBluNaReach<\/em> on C# (rel. A 438.2 Hz) — 8-string guitar — 4:54 <\/strong>— September 2025 sound<\/mark><\/a> or playlist S<\/em><\/p>\n\n\n\n 19) <\/strong>“Future memory past now” — neither minor nor major <\/strong>— HexaReMix<\/em>, a derivative w\/o third, on D# (rel. A 432 Hz) — 8-string guitar, nepali cymbal — 5:37 <\/strong>— September 2025 sound<\/mark><\/a> or playlist S <\/em>— blog \u201cLess is more<\/mark><\/a>“<\/p>\n\n\n\n 20) <\/strong>“Calm Mudita joy” — are you here? <\/strong>— PentaNa \/ PentaPro<\/em> on C# (276 Hz) — with one touch of Ma — 8-string guitar, lap slide guitar, tanpura — 7:06 <\/strong>— January 2025 Music distribution platforms used<\/h2>\n\n\n\n
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Tonalibus R, S & T — album tracks<\/h2>\n\n\n\n
From playlist Tonalibus T — “Forward in the sound of light<\/em>“<\/h3>\n\n\n\n
From playlist Tonalibus S — “Enjoy the gaps in between<\/em>“<\/h3>\n\n\n\n
From playlist Tonalibus R — “Waves of silent peace<\/em>“<\/h3>\n\n\n\n