{"id":769,"date":"2020-06-24T16:56:26","date_gmt":"2020-06-24T14:56:26","guid":{"rendered":"https:\/\/tonalibus.org\/?page_id=769"},"modified":"2025-12-16T14:18:56","modified_gmt":"2025-12-16T13:18:56","slug":"five-course-series","status":"publish","type":"page","link":"https:\/\/tonalibus.org\/en\/harmony\/five-course-series\/","title":{"rendered":"Course Preso Series"},"content":{"rendered":"\n
\n
1) The harmonic pivot
and anchor tones<\/a><\/div>\n\n\n\n
2) Harmonics base and
the realization shift<\/a><\/div>\n\n\n\n
3) Twelve-step scale and
tonality fundamentals<\/a><\/div>\n\n\n\n
4) Quad harmonic anchors
and the quint cycle<\/a><\/div>\n\n\n\n
5) Select-step tonalities
and secondary anchors<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

The course presentations series Harmonic and Tonality Fundamentals<\/em> lays out the basics and insights of Tonalibus in some detail. This is in mostly images, graphs, and tables \u2014 without much text, if any. A good portion of this course presentations series and also of the catalogue of anchored tonalities comes from the very initial stages of Tonalibus.<\/p>\n\n\n\n

Course presentations series contents<\/h2>\n\n\n\n

Each of these course modules begins with a module-specific introductory overview and ends with a concise review and module conclusion. For all but the last module there is also a preview built in. These previews gradually build up familiarity with the catalogue and its anchored tonalities<\/mark><\/a>. This is intended as opportunity for practical work with tonality applications. It may also trigger discussions, depending on the interests and focus of course participants.<\/p>\n\n\n\n

The harmonic pivot and anchor tones<\/h3>\n\n\n\n

1) The harmonic pivot and anchor tones<\/mark><\/a><\/em>, the first module of the course presentations series or Basics A, demonstrates how two opposite spirals approach each other progressively or regressively, overlap, merge, and cross over through a harmonic pivot. Further, this module presents the so-called Quad Anchor Tone Circle or the four corners of the sound temple.<\/p>\n\n\n\n

Harmonics base and the realization shift<\/h3>\n\n\n\n

2) Harmonics base and the realization shift<\/mark><\/a><\/em>, or Basics B, is the second module of the course presentation series. It explores the patterns of prime, even, and odd harmonics in wave and circular forms. Further, this module features the harmonic realization shift reconciling linear fundamentals with curved actuality. This includes a concise proportional distribution of pitches within the octave.<\/p>\n\n\n\n

Twelve-step scale and tonality fundamentals<\/h3>\n\n\n\n

3) Twelve-step scale and tonality fundamentals<\/mark><\/a><\/em> is the third module of the course presentation series, or Basics C. Using circular, M\u00f6bius strip<\/mark><\/a>, and spiral views, it correlates harmonics and the twelve half-tones scale, arriving at the fundamental harmonic anchor. On that basis this module then explores and displays the basic step distribution pattern options in tonalities.<\/p>\n\n\n\n

Quad harmonic anchors and the quint cycle<\/h3>\n\n\n\n

4) Quad harmonic anchors and the quint cycle<\/mark><\/a><\/em>, the fourth detailed module of the course presentation series or Basics D, explores the harmonic anchor on spirals and then on circles. It presents the concept of the four quadrant harmonic anchors with four anchor tones or the four corners of the sound temple. Further, this module looks at multiple and partial anchors in tonalities, as well as the quint anchor cycle, a view of what is widely known as the circle of fifths.<\/p>\n\n\n\n

Select step tonalities and secondary anchors<\/h3>\n\n\n\n

5) Select step tonalities and secondary anchors<\/mark><\/a><\/em>, or Basics E, is the so far last module of the course presentation series. It explores the circle of primary and secondary harmonic anchors, as well as the single pitch coloring of the individual twelve half-tone steps in the octave. Further, this module presents the tetrachord patterning of tonalities. In conclusion, there are the tonality tables, patterns, and lists that are the foundation of the catalogue of anchored tonalities.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

The course presentations series Harmonic and Tonality Fundamentals lays out the basics and insights of Tonalibus in some detail. This is in mostly images, graphs, and tables \u2014 without much text, if any. A good portion of this course presentations series and also of the catalogue of anchored tonalities comes from the very initial stages … <\/p>\n

Continue reading “Course Preso Series”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":35638,"menu_order":33,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-769","page","type-page","status-publish","hentry"],"yoast_head":"\nCourse Preso Series – TONALIBUS, Harmony and Tonalities<\/title>\n<meta name=\"description\" content=\"The course presentations series Harmonic and Tonality Fundamentals, and the catalogue of anchored tonalities, are the core of Tonalibus.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/tonalibus.org\/en\/harmony\/five-course-series\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Course Preso Series – TONALIBUS, Harmony and Tonalities\" \/>\n<meta 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