{"id":17758,"date":"2022-03-15T15:27:13","date_gmt":"2022-03-15T14:27:13","guid":{"rendered":"https:\/\/tonalibus.org\/?p=17758"},"modified":"2023-01-18T18:01:13","modified_gmt":"2023-01-18T17:01:13","slug":"february-march-2022-tonalibus-update","status":"publish","type":"post","link":"https:\/\/tonalibus.org\/en\/2022\/03\/15\/february-march-2022-tonalibus-update\/","title":{"rendered":"February-March 2022 Tonalibus update"},"content":{"rendered":"\n
\n
Playlist updates<\/a><\/div>\n\n\n\n
Cooperation album<\/a><\/div>\n\n\n\n
Concert recap<\/a><\/div>\n\n\n\n
Harmony quotes<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

This February-March 2022 Tonalibus update announces the global release of the album Tonalibus Cooperation A<\/em>. First though, it highlights Tonalibus playlists with new personal sound samples. Thus, the playlist Tonalibus D<\/em> is now complete. In addition, playlist Tonalibus E<\/em> experienced a very decisive beginning. Then there is a recap of the February 10 cooperation concert in Basel. Finally, this update concludes with inspiring quotes on harmony and a corresponding comment.<\/p>\n\n\n\n

A completed and a new playlist in the Fidibus shop<\/h2>\n\n\n\n
<\/div>\n\n\n\n
\"February-March<\/figure>
\n

Completion of playlist Tonalibus D<\/em><\/mark><\/a><\/h3>\n\n\n\n

This playlist High Mountains on fire, light, and sound<\/em> is now complete with 12 pieces covering 72 minutes of original music. “Courage it takes” and “\u7121\u70ba Wu wei \u2013 contemplation” came about from the preparations for the cooperation concert in Basel on February 10, “Blessings may be” and “Guggisb\u00e4rg-Melodie” from live concert recordings. <\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n
\"\"<\/figure>
\n

Beginning of new playlist Tonalibus E<\/em><\/mark><\/a><\/h3>\n\n\n\n

This rapidly growing playlist Freedom of sound and harmony<\/em> so far includes already 6 pieces offering 33 minutes of new music. This includes a rhythmic and a calm LydReach sound sample, “Happy birthday, Robin Hood! (for K.)”, “Thundering liberty and freedom”, “Bagisacro blues — let\u2019s dance!”, and “Tagicrosago — W. A. Mathieu’s dark horse” that is offered as sample below.<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n
“Tagicrosago” — <\/mark>PhrygDorian<\/mark><\/a> — tanpura, 8-string guitar, crotales, singing saw, gong — March 2022 — 5:45<\/mark><\/figcaption><\/figure>\n\n\n\n
<\/div>\n\n\n\n

The here mentioned new titles are available also under Sounds<\/mark>, individually and as loops. The recordings concluding playlist Tonalibus D<\/em> as well as the two new LydReach samples are under Winter 2021-2022<\/mark><\/a>. While further recordings from playlist Tonalibus E<\/em> are under Spring 2022<\/mark><\/a>. And the early 2022 cooperation sound samples mentioned below are under Cooperation 2020-2021<\/mark><\/a>.<\/p>\n\n\n\n

Release of the album Tonalibus Cooperation A<\/em><\/h2>\n\n\n\n
\"\"<\/figure>
\n

Christina Braun<\/mark><\/a>, voice, & Ulrico, instruments<\/h3>\n\n\n\n

As announced in a previous blog post, Cooperation A \u2013 the album<\/em> was released on global music platforms on February 22. Details about it you find under Cooperation A — Album<\/mark><\/a> in the Fidibus shop. It presents spontaneous improvisations as in playlist Cooperation A<\/mark><\/a><\/mark><\/mark><\/em>, including the new \u201cStarry Sky\u201d and \u201cHeart in Misty Forest\u201d. A sound sample is offered below.<\/p>\n<\/div><\/div>\n\n\n\n

\u201cCheerful Hey, Hey! \u2014 a happy dance” — <\/mark>Mixolydian<\/mark><\/a> — voice by Christina Braun — 8-string guitar by Ulrico — 5:18<\/mark><\/figcaption><\/figure>\n\n\n\n

February 10 cooperation concert — recap<\/h2>\n\n\n\n
<\/div>\n\n\n\n
\n
\n
\"\"
Concert car packed up to and on the roof<\/mark><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
\n
\"\"
Cooperation concert venue in action<\/mark><\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Fretted vichitra veena<\/mark><\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
8-string guitar<\/mark><\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n

In the Happy Garden \u2013<\/em>
sound & song<\/em><\/h3>\n\n\n\n

Cooperation concert <\/mark>
with Ulrico and <\/mark>
Marcel Haag<\/mark><\/a>
QuBa, Basel
February 10, 2022<\/p>\n\n\n\n

Concert recap blog post<\/mark><\/a><\/mark><\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

More concerts in various cooperation configurations are currently being planned. A private living room concert with Ulrico is scheduled for April 2 in Liebefeld, a suburb of Bern. <\/p>\n\n\n\n

February-March 2022 Tonalibus update — harmony quotes<\/h2>\n\n\n\n

“By singing a tone in tune, you tune your room and your family and your neighborhood. It is not otherworldly that this is so. You place the energy of your sound into this <\/em>world, and this world’s energy does not die; instead, it transforms. And whatever it transforms into carries with it forever the history of your good intentions.”<\/p>\n\n\n\n

Harmonic territory, “even if it proves impossible to describe, it is nevertheless your <\/em>territory and is eminently possible to explore. A true musician knows the inner ground.
Singing is the royal road to this inner land. Once inside, you become the mapmaker. You name the canyons and ranges, the hidden valleys, the underground rivers, the unnameable. The most amazing thing is that your map seems to be more or less identical to mine. (*) That’s why music connects individuals, communities, cultures, maybe someday a global population: We are more the same than different. And yet, vive la diff\u00e9rence<\/em>. Without it, music, like evolution, would be long gone.”<\/p>\n\n\n\n

“Treat the naming systems … as if they were true. But we must remember that they are not quite true. It is crucial to understand the limitations of the names we use. The half truth of a construct in the mind can actually close our ears to the truth of a sound in the air. Incomplete or false constructs may lead us away from the subtlety we seek. … From now on we will have been forewarned, and prepared for imminent wobbles and collapses. We will understand and adjust.”<\/p>\n\n\n\n

“It is powerful, upon hearing the music of strangers…, to recognize the common threads that connect the harmonic resonances of various peoples. This is not personal authority but the collective power of being human. Whether or not you were musically trained, you would sense the power of the harmonic resonances. But when you yourself can make such sounds, you realize the way in which you are <\/em>this power.”<\/p>\n\n\n\n

“Pure tones can learn to be alive inside your body.” <\/p>\n\n\n\n

— Harmonic Experience<\/em>, W. A. Mathieu, pp. 90, 94, 101, 129, and 131<\/p>\n\n\n\n

February-March 2022 Tonalibus update — conclusion<\/h2>\n\n\n\n

(*) — Indeed, W. A. Mathieu’s harmonic mapping appears largely identical in essence to the one of Tonalibus. Although he gives much more weight to and nests also the fifth harmonic or overtone (the major third) besides the third one (the fifth or quint) as basis for his fundamental harmonic mapping. Tonalibus, on the other hand, sticks more closely to the pure Pythagorean approach, i.e., the quint cycle, and gives more weight to the natural sequence of harmonics or overtones. Still, it is most evident that views of harmony are rooted in commonality. As Mathieu put it above: “We are more the same than different. And yet, vive la diff\u00e9rence<\/em>.” After all, there is always so much, much more to explore and experience in harmony, life, and love. \ud83d\ude42<\/p>\n\n\n\n

<\/div>\n\n\n\n
\"February-March
Shadow profile on snow covered mountain brook boulders — February 2022 — bridge over Kiene, Fulbrunni, Switzerland <\/figcaption><\/figure>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

This February-March 2022 Tonalibus update announces the global release of the album “Tonalibus Cooperation A”. It highlights Tonalibus playlists with new personal sound samples. There is a recap of the February 10 cooperation concert in Basel. Finally, this update concludes with inspiring quotes on harmony and a corresponding comment.
\n…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[29,20,12,11,16],"tags":[],"class_list":["post-17758","post","type-post","status-publish","format-standard","hentry","category-2022-fidal","category-2022-tonal","category-fidibus","category-tonalibus","category-update"],"yoast_head":"\nFebruary-March 2022 Tonalibus update – TONALIBUS Harmony<\/title>\n<meta name=\"description\" content=\"The February-March 2022 Tonalibus update highlights the global release of the album Tonalibus Cooperation A and new Tonalibus playlists.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/tonalibus.org\/en\/2022\/03\/15\/february-march-2022-tonalibus-update\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" 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