{"id":21271,"date":"2022-11-12T17:34:58","date_gmt":"2022-11-12T16:34:58","guid":{"rendered":"https:\/\/tonalibus.org\/?p=21271"},"modified":"2022-11-12T20:16:32","modified_gmt":"2022-11-12T19:16:32","slug":"into-the-depth-of-soul","status":"publish","type":"post","link":"https:\/\/tonalibus.org\/en\/2022\/11\/12\/into-the-depth-of-soul\/","title":{"rendered":"Into the depth of soul"},"content":{"rendered":"\n<p class=\"has-text-align-center has-text-color\" style=\"color:#f7b320\">Looking into the depth of soul &#8212;<br>Breaking through the superficial<br>Black and white to all the colors<br>Duality tends to argue and fight<br>Why not just simply all together<br>Such a great force of evolution<br>Not the fittest or the strongest<br>But the one cooperating most<br>An ever new consciousness<br>Like a phoenix from ashes<br>Does the old have to burn<br>Or can it just step aside<br>Make room for the new<br>Generation merry go round<br>Heaping not just much trash<br>But the unfoldment of all<br>Consciousness and love<br>Appreciation and care<br>For oneself, others, all<br>A world that is home<br>Such beauty of nature<br>God has made the earth<br>We can plant a few flowers<br>Or trample them\u2014too often<br>For black and white views<br>Too prevalent in humanity<br>Until able to perceive colors<br>Appreciate them all together<br>The spirit of life and of love<br>All free beyond the surface<br>Big round eyes open so wide<br>Looking into the depth of soul.<\/p>\n\n\n\n<h2 class=\"has-text-color wp-block-heading\" style=\"color:#f7b320\">\u201cHexaNa Gita\u201d \u2014 harmonic six-pack<\/h2>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/tonalibus.org\/wp-content\/uploads\/2022\/11\/2022-11-07-HEXANA-GITA.mp3\"><\/audio><figcaption class=\"wp-element-caption\"><a href=\"https:\/\/tonalibus.org\/tonalities\/hexatonalities\/hexana\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">HexaNa<\/mark><\/a><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\"> w\/a touch <\/mark><a href=\"https:\/\/tonalibus.org\/tonalities\/clustered-or-melodic-heptatonalities\/lyddorian-or-clusterpro-acoustic-scale\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">ClusterPro \/ LydDorian<\/mark><\/a><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\"> (a.k.a. acoustic scale or Lydian dominant) \u2014 8-string guitar and tanpura \u2014 3:19 \u2014 <\/mark><a href=\"https:\/\/tonalibus.org\/tonalities\/hexatonalities\/hexana\/hexana-loops\/\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">as loop<\/mark><\/a><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\"> on a separate tab (or via right-click, if available)<\/mark><\/figcaption><\/figure>\n\n\n\n<p class=\"has-text-color\" style=\"color:#f7b320\">The tonality HexaNa is remarkable in that its pitches are the first six <a href=\"https:\/\/en.wikipedia.org\/wiki\/Overtone\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">overtones<\/mark><\/a> or <a href=\"https:\/\/en.wikipedia.org\/wiki\/Harmonic\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">harmonics<\/mark><\/a> of its fundamental. Though our hearing may only perceive the first few harmonics of a fundamental with relative clarity, further overtones or harmonics contribute much to the feel and timbre of a sound, of an instrument or a composition. <\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#f7b320\">The initial six harmonics or overtones in their distinct sequence are: 1) fundamental, 2) quint or fifth, 3) major third, 4) minor seventh, 5) major second, and 6) tritone. Their actual order of appearance in the series of harmonics shows their prevalence and relative importance: 1) fundamental, 2) octave, 3) quint, 4) octave, 5) major third, 6) quint, 7) minor seventh, 8) octave, 9) major second, 10) major third, 11) tritone, 12) quint, etc. Thus, within the first twelve harmonics, the fundamental or octave occurs four times, the quint three times, the major third twice; and the minor seventh, major second, and tritone each appear but once and in this order of decreasing prevalence.<\/p>\n\n\n\n<h2 class=\"has-text-color wp-block-heading\" style=\"color:#f7b320\">The tritone &#8212; the sixth distinct harmonic <\/h2>\n\n\n\n<p class=\"has-text-color\" style=\"color:#f7b320\">Generally in Western music, the tritone, which is the sixth overtone in their distinct sequence or the eleventh in appearance, tends to be suppressed. In exact tuning it does not fit well into the grid of tempered twelve-pitch tuning. As such, the hammers of a piano apparently strike their strings exactly and purposely in the place where this harmonic originates, in order to suppress it. <\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#f7b320\">Finally, from <a href=\"https:\/\/en.wikipedia.org\/wiki\/Tritone\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">Wikipedia<\/mark><\/a> a historical glimpse on the tritone<a href=\"https:\/\/en.wikipedia.org\/wiki\/Tritone\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\"><\/mark><\/a>: <br>&#8220;The tritone is a restless interval, classed as a dissonance in Western music from the early Middle Ages through to the end of the common practice period [the era of the tonal system, roughly to 1900]. This interval was frequently avoided&#8230; because of its dissonant quality&#8230; Until the end of the Renaissance the tritone was regarded as an unstable interval and rejected&#8230; The name diabolus in musica (Latin for &#8216;the devil in music&#8217;) has been applied to the interval&#8230; designated as a &#8216;dangerous&#8217; interval&#8230; That original symbolic association with the devil and its avoidance led to Western cultural convention seeing the tritone as suggesting &#8216;evil&#8217; in music.&#8221; <br>\u2014 This is an example of how humans kept and keep falling into entanglement with duality, separating and excluding instead of unifying and embracing what is in front of us.<\/p>\n\n\n\n<h2 class=\"has-text-color wp-block-heading\" style=\"color:#f7b320\">Because. Therefore. Further. Still. The depth of soul&#8230;<\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/tonalibus.org\/wp-content\/uploads\/2022\/11\/2eadde1d-08a4-441a-abcd-b1eb03b23f43-x-1024x768.jpg\" alt=\"Into the depth of soul\" class=\"wp-image-21332\" width=\"656\" height=\"491\" srcset=\"https:\/\/tonalibus.org\/wp-content\/uploads\/2022\/11\/2eadde1d-08a4-441a-abcd-b1eb03b23f43-x-1024x768.jpg 1024w, https:\/\/tonalibus.org\/wp-content\/uploads\/2022\/11\/2eadde1d-08a4-441a-abcd-b1eb03b23f43-x-300x225.jpg 300w, https:\/\/tonalibus.org\/wp-content\/uploads\/2022\/11\/2eadde1d-08a4-441a-abcd-b1eb03b23f43-x-768x576.jpg 768w, https:\/\/tonalibus.org\/wp-content\/uploads\/2022\/11\/2eadde1d-08a4-441a-abcd-b1eb03b23f43-x-1536x1152.jpg 1536w, https:\/\/tonalibus.org\/wp-content\/uploads\/2022\/11\/2eadde1d-08a4-441a-abcd-b1eb03b23f43-x-16x12.jpg 16w, https:\/\/tonalibus.org\/wp-content\/uploads\/2022\/11\/2eadde1d-08a4-441a-abcd-b1eb03b23f43-x-1320x990.jpg 1320w, https:\/\/tonalibus.org\/wp-content\/uploads\/2022\/11\/2eadde1d-08a4-441a-abcd-b1eb03b23f43-x.jpg 2048w\" sizes=\"auto, (max-width: 656px) 100vw, 656px\" \/><figcaption class=\"wp-element-caption\">Cooling feet in glacial melt water &#8212; Oct. 2022 &#8212; Lake \u00d6schinen, Switzerland &#8212; photo by Karin Gs\u00f6llpointner <\/figcaption><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Looking into the depth of soul &#8212;<br \/>\nBreaking through the superficial<br \/>\nBlack and white to all the colors<br \/>\nDuality tends to argue and fight<br \/>\nWhy not just simply all together<br \/>\n&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19,10],"tags":[],"class_list":["post-21271","post","type-post","status-publish","format-standard","hentry","category-2022-spiritual","category-spiritualibus"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Into the depth of soul &#8211; TONALIBUS Harmony and Tonalities<\/title>\n<meta name=\"description\" content=\"Looking into the depth of soul -- Breaking through the superficial black and white to all the colors. 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