{"id":31663,"date":"2024-03-07T23:29:34","date_gmt":"2024-03-07T22:29:34","guid":{"rendered":"https:\/\/tonalibus.org\/?p=31663"},"modified":"2025-12-17T11:36:28","modified_gmt":"2025-12-17T10:36:28","slug":"march-2024-tonalibus-update","status":"publish","type":"post","link":"https:\/\/tonalibus.org\/en\/2024\/03\/07\/march-2024-tonalibus-update\/","title":{"rendered":"March 2024 Tonalibus update"},"content":{"rendered":"\n
\n
Whistle breath and ragas<\/a><\/div>\n\n\n\n
Concerts recap<\/a><\/div>\n\n\n\n
Playlists & sounds<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

This March 2024 Tonalibus update announces two new Tonalibus developments, whistle breath and the beginning correlation of tonalities in the catalogue with Indian ragas. Further it touches on two recent concerts and provides an update on sounds and playlists. <\/p>\n\n\n\n

Whistle breath and starting raga correlation<\/h2>\n\n\n\n
\"March<\/figure>
\n

During extremely soft mantra chanting, so soft it is more breathing than chanting, in a flowing transition from the syllable HU to OM, a faint, largely involuntary whistle sound can become apparent, whistle breath! This is very subtle but powerful and can aide in finding one’s fundamental pitch<\/mark><\/a>. The piece “Breath of life chant” is based on whistle breath.<\/p>\n\n\n\n

Tonalibus started correlating Indian ragas with its catalogue of tonalities. A first fruit of that is the correspondence of the Bairagi Bhairav raag with ReachMin \/ Phrygian dominant.<\/p>\n<\/div><\/div>\n\n\n\n

“Breath of life chant” — the answer within <\/em>— <\/mark>PentaMin \/ PentaEol<\/mark><\/a><\/span> on G# (207 Hz) — whistle breath, fretted <\/em>vichitra veena,<\/em> tanpura — 8:03<\/mark><\/figcaption><\/figure>\n\n\n\n
“Bairagi Bhairav raag” — a first raga interpretation <\/em>— <\/mark>Bairagi Bhairav<\/mark><\/a> pakad, a derivative of <\/mark>ReachMin \/ Phrygian dominant<\/mark><\/a> on C# (138 Hz) — 8-string guitar, tanpura — 11:32<\/mark><\/figcaption><\/figure>\n\n\n\n

Two recent concerts with Tonalibus Ulrico <\/h2>\n\n\n\n
\"\"<\/figure>
\n

\u201cKulturzimmer Heimlich\u201d in Bern on 2\/17 attrached some thirty folks and resulted in two live concert recordings:
— “Fearless floating” — in the flow of life and love
— “Open door and heart” — an opportunity to step out<\/p>\n\n\n\n

“Open door and heart” — an opportunity to step out <\/em>— <\/mark>Ionian<\/mark><\/a> (diatonic major) on C# (138 Hz) — 8-string guitar, tanpura — 5:55 recorded live<\/mark><\/figcaption><\/figure>\n\n\n\n
<\/div>\n\n\n\n

\u201cHallo Stille<\/mark><\/a>\u201d on 3\/1 at the festival Stilles Z\u00fcrich<\/em> assembled some twenty individuals. All gradually opened up to the experience of silence led by Nicole Keller of Visionshaus<\/mark><\/em><\/a>. This was supported by gentle 8-string guitar sounds.<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n
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\"\"<\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n
\"\"
(photos by Karin Gs\u00f6llpointner)<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

March 2024 Tonalibus playlists & sounds update<\/h2>\n\n\n\n
\"March<\/figure>
\n

Jan-Feb 2024 sounds<\/mark><\/a> and playlist N<\/mark><\/a> “Opening of white light” are now complete with among other new recordings:
— “Embraced in silence” — so close, and yet so far
— “Know what you know” — very and nothing special
— “Gently rotating fifth wheel” — a plea for peace<\/p>\n\n\n\n

March 2024 sounds<\/mark><\/a> and playlist O<\/mark><\/a> “Balance of life and love” (part of the new set “O, P & Q”) are now starting with:
— “Inner and outer connecting point” — culture fusion<\/p>\n<\/div><\/div>\n\n\n\n

“Inner and outer connecting point” — culture fusion <\/em>— <\/mark>ReachMin \/ Phrygian dominant<\/mark><\/a> with a touch of <\/mark>Bairagi Bhairav<\/mark><\/a>, on C# (138 Hz) — 8-string guitar, tanpura — 10:32 <\/mark><\/figcaption><\/figure>\n\n\n\n

Best wishes, with love from the heart!<\/h3>\n","protected":false},"excerpt":{"rendered":"

This March 2024 Tonalibus update announces two new Tonalibus developments, whistle breath and the beginning correlation of tonalities in the catalogue with Indian ragas. 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