{"id":7606,"date":"2020-12-31T10:06:28","date_gmt":"2020-12-31T09:06:28","guid":{"rendered":"https:\/\/tonalibus.org\/?p=7606"},"modified":"2024-01-31T09:26:24","modified_gmt":"2024-01-31T08:26:24","slug":"generational-interplay-of-harmony","status":"publish","type":"post","link":"https:\/\/tonalibus.org\/en\/2020\/12\/31\/generational-interplay-of-harmony\/","title":{"rendered":"Generational interplay of harmony"},"content":{"rendered":"\n<p><span style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">What is the generational interplay of harmony? &#8212;<\/span><\/p>\n\n\n\n<p><span style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">When the quart (or fourth) was the tonic or fundamental, the present tonic was its quint (fifth), its most harmonic ally. Then, when it became the quart, it turned more contrasting and less harmonic. But, after all, it was still fundamental for what it was. It had to let go of its previous prime position. The quint to the present fundamental now took the place of most harmonic. <\/span><\/p>\n\n\n\n<p><span style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">That is the progression or flow of harmony and how harmonic anchors form through a fundamental with its quint and quart. Progressive and regressive qualities balance in the present looking ahead, as well as back to where one came from. Then, a touch of the quint&#8217;s quint (the fifth of the fifth) can be hauntingly stirring. <\/span><\/p>\n\n\n\n<p><span style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">We can see this as the generational interplay of harmony and tonalities. <\/span><\/p>\n\n\n\n<p><span style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">To its full extent, we know this in music as the <\/span><a href=\"https:\/\/en.wikipedia.org\/wiki\/Circle_of_fifths\" target=\"_blank\" rel=\"noreferrer noopener\"><span style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">circle of fifths<\/span><\/a><span style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\"><\/span><span style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\"> or quint cycle. It takes the form of a regular <\/span><a href=\"https:\/\/en.wikipedia.org\/wiki\/Dodecagram\" target=\"_blank\" rel=\"noreferrer noopener\"><span style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">dodecagram<\/span><\/a><span style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">, which is recognized as an expression of <\/span><a href=\"https:\/\/en.wikipedia.org\/wiki\/Sacred_geometry\" target=\"_blank\" rel=\"noreferrer noopener\"><span style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">sacred geometry<\/span><\/a><span style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\"> by some. Tonalibus presents this in the <\/span><a href=\"https:\/\/tonalibus.org\/fundamentals\/five-course-series\/\"><span style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">five-course series<\/span><\/a><span style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\"> <em>Harmonic and Tonality Fundamentals<\/em> in its fourth module <\/span><a href=\"https:\/\/tonalibus.org\/fundamentals\/five-course-series\/basics-d\/\"><em><span style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">Quad Harmonic Anchors and the Quint Cycle<\/span><\/em><\/a><span style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">.<\/span><\/p>\n\n\n\n<div style=\"height:12px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-video\"><video height=\"1080\" style=\"aspect-ratio: 1920 \/ 1080;\" width=\"1920\" controls loop src=\"https:\/\/tonalibus.org\/wp-content\/uploads\/2020\/08\/QuintCycle-2020-08.mp4\"><\/video><figcaption class=\"wp-element-caption\"><span style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">Brief silent video loop: the quint cycle as presented by Tonalibus under <\/span><a href=\"https:\/\/tonalibus.org\/concepts\/concepts-highlights\/\"><span style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">Concepts Highlights<\/span><\/a><span style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\"> \u2014 Started or stopped, you can manually move back and forth through these images at your own pace by sliding the video progress dot horizontally.<\/span><\/figcaption><\/figure>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>What is the generational interplay of harmony? &#8212; When the quart (or fourth) was the tonic or fundamental, the present tonic was its quint (fifth), its most harmonic ally. Then, when it became the quart, it turned more contrasting and less harmonic. But, after all, it was still fundamental for what it was. It had &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/tonalibus.org\/en\/2020\/12\/31\/generational-interplay-of-harmony\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Generational interplay of harmony&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17,22,10,11],"tags":[],"class_list":["post-7606","post","type-post","status-publish","format-standard","hentry","category-2020-spiritual","category-2020-tonal","category-spiritualibus","category-tonalibus"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Generational interplay of harmony &#8211; TONALIBUS, Harmony<\/title>\n<meta name=\"description\" content=\"Generational interplay of harmony: When the quart was the tonic or fundamental, the present tonic was its quint, its most harmonic ally...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/tonalibus.org\/en\/2020\/12\/31\/generational-interplay-of-harmony\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Generational interplay of harmony &#8211; 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