{"id":11178,"date":"2021-04-16T06:51:14","date_gmt":"2021-04-16T04:51:14","guid":{"rendered":"https:\/\/tonalibus.org\/?page_id=11178"},"modified":"2023-01-16T06:38:33","modified_gmt":"2023-01-16T05:38:33","slug":"pro-reg-tonalities","status":"publish","type":"page","link":"https:\/\/tonalibus.org\/fr\/tonalities\/pro-reg-tonalities\/","title":{"rendered":"Tonalit\u00e9s Pro & Reg"},"content":{"rendered":"

Tonalit\u00e9s ancr\u00e9es Pro(gressives) et R\u00e9g(ressives)<\/mark><\/h2>\n\n\n\n
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Pro(gressif)<\/a><\/div>\n\n\n\n
Reg(ressif)<\/a><\/div>\n\n\n\n
Visuels d'ensemble<\/a><\/div>\n\n\n\n
Caract\u00e9ristiques<\/a><\/div>\n<\/div>\n\n\n\n
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Progressivement ancr\u00e9<\/mark><\/h2>\n\n\n\n
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Lyd\u00c9olien ou HeptaNa<\/a><\/div>\n\n\n\n
LydReach ou NaReach<\/a><\/div>\n\n\n\n
LydDorien ou ClusterPro<\/a><\/div>\n\n\n\n
Lydien<\/a><\/div>\n\n\n\n
HexaNa<\/a><\/div>\n\n\n\n
NaUploReach<\/a><\/div>\n\n\n\n
HexaProMin<\/a><\/div>\n\n\n\n
HexaProReach<\/a><\/div>\n\n\n\n
PentaProLa ou PentaIon<\/a><\/div>\n\n\n\n
HexaProMix<\/a><\/div>\n\n\n\n
HexaProMaj<\/a><\/div>\n\n\n\n
PentaPro ou PentaNa<\/a><\/div>\n<\/div>\n\n\n\n

R\u00e9gressivement ancr\u00e9<\/mark><\/h2>\n\n\n\n
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Locrien<\/a><\/div>\n\n\n\n
BlueUp<\/a><\/div>\n\n\n\n
PentaR\u00e9g ou PentaPhryg<\/a><\/div>\n<\/div>\n\n\n\n
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Visuels d'ensemble<\/mark><\/h2>\n\n\n
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Tonalibus 1e-3 tonalities – 2023-01 – 75<\/div>
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Tonalibus 1e-3 tonalities – 2023-02 – 79x<\/div>
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Sur la page <\/mark>Tonalit\u00e9s<\/mark><\/a>, vous trouvez une liste de toutes les tonalit\u00e9s ancr\u00e9es incluses dans le catalogue, ainsi qu'une juxtaposition de leurs sch\u00e9mas de gamme, de m\u00eame qu'un aper\u00e7u g\u00e9n\u00e9ral des sch\u00e9mas fondamentaux de distribution des hauteurs de tons.<\/mark><\/p>\n\n\n\n

Caract\u00e9ristiques des tonalit\u00e9s Pro et Reg<\/mark><\/h2>\n\n\n\n

Les tonalit\u00e9s Pro omettent la quarte r\u00e9gressive et ne sont donc ancr\u00e9es que progressivement. D'autre part, les tonalit\u00e9s Reg omettent la quinte progressive et ne sont donc ancr\u00e9es que de mani\u00e8re r\u00e9gressive. Par cons\u00e9quent, les tonalit\u00e9s de ces deux types sont partiellement et non enti\u00e8rement ancr\u00e9es. <\/mark><\/p>\n\n\n\n

Les hauteurs du t\u00e9tracorde inf\u00e9rieur d'une tonalit\u00e9 Pro s'ancrent dans des harmoniques principalement perceptibles (qui ne sont pas des octaves). Il s'agit de la quinte, la tierce majeure et la seconde majeure. Le t\u00e9tracorde sup\u00e9rieur reste flexible et fournit des tonalit\u00e9s fascinantes, plus ou moins subtilement distinctes. <\/mark><\/p>\n\n\n\n

Dans une tonalit\u00e9 Reg, cette construction se manifeste de mani\u00e8re inverse. Le t\u00e9tracorde inf\u00e9rieur est flexible, tandis que la fondation harmonique des hauteurs du t\u00e9tracorde sup\u00e9rieur peut provenir de la derni\u00e8re g\u00e9n\u00e9ration pass\u00e9e ou pr\u00e9c\u00e9dente dans la progression du son. Les tonalit\u00e9s Reg sont moins importantes pour Tonalibus, car leur ancrage harmonique est moins \u00e9vident ou pr\u00e9sent.<\/mark><\/p>","protected":false},"excerpt":{"rendered":"

Tonalit\u00e9s ancr\u00e9es Pro(gressives) et Reg(ressives) Ancr\u00e9es Progressivement ancr\u00e9es R\u00e9gressivement ancr\u00e9es Visuels d'ensemble Sur la page Tonalit\u00e9s, vous trouverez une liste de toutes les tonalit\u00e9s ancr\u00e9es incluses dans le catalogue, ainsi qu'une juxtaposition c\u00f4te \u00e0 c\u00f4te de leurs sch\u00e9mas d'\u00e9chelle, de m\u00eame qu'un aper\u00e7u g\u00e9n\u00e9ral des sch\u00e9mas de distribution des hauteurs fondamentales. Caract\u00e9ristiques des tonalit\u00e9s Pro et Reg Tonalit\u00e9s Pro ... <\/p>\n

Continuer la lecture de \" Pro & Reg Tonalities \"<\/span><\/a><\/p>","protected":false},"author":1,"featured_media":0,"parent":290,"menu_order":7,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-11178","page","type-page","status-publish","hentry"],"yoast_head":"\nPro & Reg Tonalities – TONALIBUS Harmony and Tonalities<\/title>\n<meta name=\"description\" content=\"Pro tonalities are progressively anchored, and Reg tonalities regressively. 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