{"id":23243,"date":"2023-02-11T04:04:50","date_gmt":"2023-02-11T03:04:50","guid":{"rendered":"https:\/\/tonalibus.org\/?page_id=23243"},"modified":"2026-05-13T10:46:44","modified_gmt":"2026-05-13T08:46:44","slug":"sounds-index","status":"publish","type":"page","link":"https:\/\/tonalibus.org\/fr\/sounds\/sounds-index\/","title":{"rendered":"Indice de sons"},"content":{"rendered":"\n

Index of personal and cooperation sounds by or with Ulrico<\/h2>\n\n\n\n
\n
Index of sounds by title<\/a><\/div>\n\n\n\n
Sounds by instrument<\/a><\/div>\n\n\n\n
Sounds by date<\/a><\/div>\n\n\n\n
Cooperation sounds<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

To search for a specific word, you may use the page search capability of your browser.<\/p>\n\n\n\n

Personal and cooperation sounds — index by title<\/h2>\n\n\n\n
\n
‘A’<\/a><\/div>\n\n\n\n
‘B’<\/a><\/div>\n\n\n\n
‘C’<\/a><\/div>\n\n\n\n
‘D’<\/a><\/div>\n\n\n\n
‘E’<\/a><\/div>\n\n\n\n
‘F’<\/a><\/div>\n\n\n\n
‘G’<\/a><\/div>\n\n\n\n
‘H’<\/a><\/div>\n\n\n\n
‘I’<\/a><\/div>\n\n\n\n
‘J’<\/a><\/div>\n\n\n\n
‘K’<\/a><\/div>\n\n\n\n
‘L’<\/a><\/div>\n\n\n\n
‘M’<\/a><\/div>\n\n\n\n
‘N’<\/a><\/div>\n\n\n\n
‘O’<\/a><\/div>\n\n\n\n
‘P’<\/a><\/div>\n\n\n\n
‘Q’<\/a><\/div>\n\n\n\n
‘R’<\/a><\/div>\n\n\n\n
‘S’<\/a><\/div>\n\n\n\n
‘T’ <\/a><\/div>\n\n\n\n
‘U’<\/a><\/div>\n\n\n\n
‘V’<\/a><\/div>\n\n\n\n
‘W’<\/a><\/div>\n\n\n\n
‘X’<\/a><\/div>\n\n\n\n
‘Y’<\/a><\/div>\n\n\n\n
‘Z’<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

‘A’<\/p>\n\n\n\n

“A blessing of <\/strong>\u014c\u1e43 \/ Aum <\/strong>\u0950” — with love for all sentient beings <\/strong>— <\/strong>approaching, tuning, and settling on C# (69 Hz) — chanting bass voices — 5:22 <\/strong>— November 2024 sound<\/mark><\/a> or playlist Q<\/em> — blog \u201cHave you ever met<\/mark><\/a>” — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

“A dimension of equilibrium” — major minor or minor major <\/strong>— HexaBluNaReach<\/em> on C# (rel. A 438.2 Hz) — 8-string guitar — 4:54 <\/strong>— September 2025 sound<\/mark><\/a> or playlist S<\/em><\/p>\n\n\n\n

“A pilgrim’s path” — here now <\/strong>— PentaMin \/ PentaEol<\/em> or pentatonic minor on B 123 Hz (rel. A 438.2 Hz) — 7-string guitar, singing saw, tenor recorder, tanpura — 7:30 <\/strong>— July 2025 sound<\/mark><\/a> or playlist S<\/em> — blog “A pilgrimage<\/mark><\/a>“<\/p>\n\n\n\n

\u201cAcoustic Scale Acceptance\u201d \u2014 a previously rejected tonality <\/strong>— LydDorian \/ ClusterPro<\/em> — 8-string guitar — 3:36 — <\/strong>May 2021 sound<\/mark><\/a> or playlist C <\/em>— blog \u201cMay\/June 2021 Tonalibus Update<\/mark><\/a>\u201d — album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

“Again, all new” — wooden floor creaks — Fideris #4 <\/strong>— PentaMin\/PentaEol<\/em><\/mark> (pentatonic minor) on E — 7-string guitar by Ulrico — handpan by Ursula Huggenberger — 5:10 live <\/strong>— July 2023 sound<\/mark><\/a><\/p>\n\n\n\n

“A glimpse of heaven” — simple and straight forward <\/strong>— Mixolydian <\/em>on C# — Ulrico: 8-string guitar — 3:24 <\/strong>live <\/strong>— year-end 2023 sound<\/mark><\/a> <\/mark>or playlist M <\/em>and coop PW<\/em><\/p>\n\n\n\n

“Amazing” — soundscape — native american flute, hang, and zither by Kathia Haug — gongs and crotales by Ulrico — didgeridoo and overtone singing by Egon Kunkel — alphorn by Hans Kurzen — 16:53 — summer 2014 — playlist<\/mark> 2014 CD<\/em> — CD A Symphony of Life and Love<\/mark><\/a><\/em><\/p>\n\n\n\n

“Among suns, moons, and stars” — a hopeful blues <\/strong>— MinBlue<\/em> on G — 5-string guitar, lap slide guitar, gong, tanpura — 8:40 <\/strong>— September 2022 sound<\/mark><\/a> or playlist L<\/em> — blog “Some who talk<\/mark><\/a>” — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“An embrace of divine love” — no hypocrisy <\/strong>— Ionian<\/em> — 7-string guitar — 9:51 — <\/strong>August 2022 sound<\/mark><\/a> or playlist G<\/em> — blog “Hypocrisy<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em><\/p>\n\n\n\n

“Another day breaks” — from dark to light <\/strong>— PentaVibhas<\/em> (a Reach derivative) on C# (69 Hz) — Raag Vibhas \/ Bibhas — 8-string guitar, gong, tanpura — 5:51 <\/strong>— April 2025 sound<\/mark><\/a> or playlist R<\/em> — blog “From the other side<\/mark><\/a>“<\/p>\n\n\n\n

\u201cAs God Realizes the Moment\u201d \u2014 in memory of Billy <\/strong>— 8-string guitar, multiplefujara,<\/em> tenor recorder, and voice — 2:26 or 2:33 loop — May 2020 sound<\/mark><\/a>, loop<\/mark><\/a>, or playlist A<\/em> — blog “What can we do<\/mark><\/a>” and “What is your focus?<\/mark><\/a>” and “A lion\u2019s roar<\/mark><\/a>” — album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

“\u0950 \u092e\u0923\u093f\u092a\u0926\u094d\u092e\u0947 \u0939\u0942\u0901 Au\u1e43 ma\u1e47i padme h\u016b\u1e43 — blues” <\/strong>— PentaMix \/ PentaDor (Egyptian scale)<\/em> — triple 7-string guitar and voice — 8:28 — <\/strong>July 2021 sound<\/mark><\/a> or playlist C <\/em>— blog \u201cDualism<\/mark><\/a>” and “The experiment<\/mark><\/a>\u201d — album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

“A Touch of Grace” <\/strong>— fretted <\/strong>vichitra veena <\/strong>— 3:52 — March 2021 sound<\/mark><\/a><\/p>\n\n\n\n

“Audibly paced advance” — a coordination challenge <\/strong>— PhrygBlue<\/em> on C# (rel. 432 Hz) — double Celtic harp — 3:28 <\/strong>— December 2023 sound<\/mark><\/a> or playlist L<\/em><\/p>\n\n\n\n

“Autumn leaf floating past cliffs” — smooth passage <\/strong>— Aeolian <\/em>on G# (207 Hz) — Christina Braun: voice — Ulrico: crotales — 4:01 <\/strong>— December 2024 sound<\/mark><\/a> or playlist coop B<\/em><\/p>\n\n\n\n

“Awakening pixie Nirak” — sparkling pixie dust <\/strong>— TetraNa<\/em> based — voice by Karin Gs\u00f6llpointner — 8-string guitar by Ulrico — 8:21 <\/strong>— February 2023 sound<\/mark><\/a> or <\/mark><\/mark><\/mark>playlist I<\/em> <\/strong>— album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

‘B’<\/p>\n\n\n\n

\u201cBack in open time and space\u201d — at long last <\/em>— MixoBal or HexaNaMix, a hexatonality derivative<\/em> — lap slide guitar and tanpura — 6:28 <\/em>— May 2023 sound<\/mark><\/a> or playlist J<\/em> — blog “I hold my promise<\/mark><\/a>” — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Back on a blue track” — treasuring healthy roots <\/em>— PentaMin \/ PentaEol or pentatonic minor<\/em> on F — double 8-string guitar, bass, djembe — 7:41 — <\/em>June 2021 sound<\/mark><\/a> or playlist C <\/em>— album Tonalibus A, B, & C<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Bagisacro blues” — let’s dance! <\/em>— PentaMin \/ PentaEol<\/em> — bass, singing saw, 8-string guitar and crotales — 6:23 — <\/em>March 2022 sound<\/mark><\/a> or playlist E <\/em>— blog “Yes, I am that I am<\/mark><\/a>” — album Tonalibus D & E<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Bairagi Bhairav raag” — a first raga interpretation <\/em>— <\/em>Bairagi Bhairav pakad, a derivative of ReachMin \/ Phrygian dominant<\/em> on C# (138 Hz) — 8-string guitar, tanpura — 11:32 <\/em>— February 2024 sound<\/mark><\/a> or playlist N<\/em> — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“Balancing up and down” — extensive calm <\/strong>— LoloReachMin<\/em> on D — 8-string guitar & tanpura — 3:58 <\/strong>— August 2023 sound<\/mark><\/a> or playlist K <\/em>— blog “Tonality of the month: LoloReachMin<\/mark><\/a>” and “Awake here now<\/mark><\/a>“ <\/strong>— album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Bears and butterflies” — sifting through colorful sand <\/em>— diffuse D#, G#\/C# Phrygian, C# Aeolian, a touch of G# ReachMin<\/em> — voice, double 8-string guitar, bells — 8:00 — <\/em>March 2023 sound<\/mark><\/a> or playlist I <\/em>— blog “Colorful sand<\/mark><\/a>” — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Beatenberg Buddha bounce” — returning to & from silence <\/em>— PentaProLa \/ PentaIon <\/em>(pentatonic major) on flat A (432 Hz) — tenor ukulele, fead\u00f3g (Irish tin whistle) — 3:54 <\/em>— August 2024 sound<\/mark><\/a> or playlist P <\/em>— blog “Retreat and renew<\/mark><\/a>” — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

“Be here now – \u0f00\u0f0b\u0f68\u0f71\u0f7f\u0f0b\u0f67\u0f71\u0f74\u0f83 – \u014c\u1e43 \u0101\u1e25 h\u016b\u1e43” — meditation anchor <\/em>— <\/em>chanting bass voice, whistle breath, big gong — 6:48 <\/em>— February 2025 sound<\/mark><\/a> or playlist R <\/em>— blog “The good of religions<\/mark><\/a>“<\/p>\n\n\n\n

“Between light and sound” — Hungarian Gypsy equanimity <\/em>— ReachUpMin \/ Hungarian Gypsy minor<\/em> on sharp E (rel. A 448 Hz) — 7-string guitar, 3\/4 violin, small sound bowl — 8:48 <\/em>— June 2024 sound<\/mark><\/a> or playlist P <\/em>— blog “Radical letting go<\/mark><\/a>” — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

“Beyond endings and beginnings” — essentially being <\/em>— HexaBluNaReach <\/em>on D# — 7-string guitar, Hungarian bird whistle, tanpura — 8:00 <\/em>— December 2023 sound<\/mark><\/a> or playlist M <\/em>— blog “Why make it hard<\/mark><\/a>” — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“Blessings may be, live” — QuBa concert recording <\/em>— Ionian (diatonic major)<\/em>, TetraNa<\/em> inversion Norcor<\/em> on quint’s quint — fretted vichitra veena, plus tanpura — 4:30 — <\/em>February 2022 sound<\/mark><\/a> or playlist D <\/em>— album Tonalibus D & E<\/mark><\/a><\/em> <\/p>\n\n\n\n

\u201cBlue courage\u201d \u2014 a Dorian mode blues medley <\/em>— Dorian <\/em>— 8-string guitar, singing saw, tingsha cymbals, crotales, gongs, and voice — 5:08 — <\/em>January 2022 sound<\/mark><\/a> or playlist D <\/em>— blog \u201cCourage it takes<\/mark><\/a>\u201d — album Tonalibus D & E<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Blue glacial melt water” — soundscape — <\/em>Phrygian on E, Mixolydian on G, PentaProLa \/ PentaIon on D <\/em>— double 7-string guitar, fujara, tenor recorder, gongs — 12:57 <\/mark>— April 2023 sound<\/mark><\/a> or playlist J<\/em> — blog “Schtilli zum Gniesse<\/mark><\/a>” — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Blue HU” — a freedom adventure <\/em>— PentaNaMix<\/em> — 7-string guitar, voice, bass bowl, crotales — 7:19 — <\/em>May 2022 sound<\/mark><\/a> or playlist E <\/em>— blog “May 2022 Tonalibus update<\/mark><\/a>” — album Tonalibus D & E<\/mark><\/a><\/em> <\/p>\n\n\n\n

“BlueMix Syntropy” — blues mix in BlueMix tonality <\/em>— BlueMix <\/em>— multiple 8-string guitar — 5:54 — <\/em>January 2021 sound<\/mark><\/a> or playlist B<\/em> — blog “For good and soul<\/mark><\/a>\u201d — album Tonalibus A, B, & C<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Blue sound step ahead” — all the same and different <\/em>— PentaMin \/ PentaEol<\/em> (pentatonic minor) — bass, 8-string guitar, lap slide guitar, tanpura — 5:47 — <\/em>June 2023 sound<\/mark><\/a> or playlist K<\/em> — blog “Words and values<\/mark><\/a>\u201d — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Blue Wrap Rap” <\/em>— PentaMin \/ PentaEol<\/em> — voice by Christina Braun — bass by Ulrico — 2:50 — February 2021 sound<\/mark><\/a> or playlist coop A<\/em> — album Cooperation A<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Bodhi Paloma” — home sweet home <\/em>— PentaCor<\/em> on A (438 HZ) — 7-string guitar, tenor ukulele, tanpura — 5:14 <\/em>— November 2025 sound<\/mark><\/a> or playlist T<\/em> — blog “Reality is what one believes<\/mark><\/a>“<\/p>\n\n\n\n

“Bodhicitta <\/em>contemplation” — \u0f00\u0f0b\u0f68\u0f71\u0f7f\u0f0b\u0f67\u0f71\u0f74\u0f83 – \u014c\u1e43 \u0101\u1e25 h\u016b\u1e43 – ever again <\/em>— <\/em>circling around and anchoring on C# (69 Hz) — chanting bass voices & big gong — 7:59 <\/em>— November 2024 sound<\/mark><\/a> or playlist Q<\/em> — blog “Ambrosia<\/mark><\/a>“<\/p>\n\n\n\n

“Breath of life chant” — the answer within <\/em>— PentaMin \/ PentaEol<\/em> on G# (207 Hz) — whistle breath, fretted <\/em>vichitra veena,<\/em> tanpura — 8:03 <\/em>— February 2024 sound<\/mark><\/a> or playlist N<\/em> — blog “What asks<\/mark><\/a>” — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“Breath of life chant” — whistle breath plain <\/em>— PentaMin \/ PentaEol<\/em> on G# (207 Hz) — whistle breath, fretted <\/em>vichitra veena <\/em><\/mark>(reduced),<\/em> tanpura — 8:03 <\/em>— March 2024 sound<\/mark><\/a> or playlist N<\/em> — blog “<\/mark><\/mark><\/a>Tukdam \u0f50\u0f74\u0f42\u0f66\u0f0b\u0f51\u0f58<\/mark><\/a>” — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

‘C’<\/p>\n\n\n\n

“Call to Peace” <\/em>— triple fujara and tenor recorder — 3:03 loop — September 2020 sound<\/mark><\/a> or playlist A<\/em> — blog “So much stuff<\/mark><\/a>” — album Tonalibus A, B, & C<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Calling the divine” — hearts connect directly <\/em>— TetraNa<\/em>, LoloReachMin<\/em> on D — 5-string guitar, selje flute, voice — 6:42 <\/em>— July 2023 sound<\/mark><\/a> or playlist K<\/em> — blog “Why an intermediary<\/mark><\/a>” — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Calling the gods” — reaching out rather far — Fideris #5 <\/em>— monochord & gong by Ursula Huggenberger — singing saw & bird whistle by Ulrico — 5:13 live <\/em>— July 2023 sound<\/mark><\/a> or playlist K<\/em><\/p>\n\n\n\n

“Calmly breathe in, out, and in again” — Kumbhaka base <\/em>— ReachBal<\/em> (<\/em>double harmonic\/Gypsy major)<\/em> on G# — fretted <\/em>vichitra veena <\/em>and tanpura — 5:22 <\/em>— August 2023 sound<\/mark><\/a> or playlist K<\/em> — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Calm Mudita joy” — are you here? <\/em>— PentaNa \/ PentaPro<\/em> on C# (276 Hz) — with one touch of Ma — 8-string guitar, lap slide guitar, tanpura — 7:06 <\/em>— January 2025 sound<\/mark><\/a> or playlist R<\/em> — blog “Are you here<\/mark><\/a>“<\/p>\n\n\n\n

“— Carried by the Wind, Reach and Mix” <\/em>— ReachMix <\/em>— voice by Christina Braun — 8-string guitar by Ulrico — 6:30 — February 2021 sound<\/mark><\/a> or playlist coop A<\/em> — blog “It works and not<\/mark><\/a>” — album Cooperation A<\/mark><\/a><\/em><\/p>\n\n\n\n

“Celebration joy” — a new start — for Metta (and Moon) <\/em>— TetraNa<\/em> Mixolydian<\/em> blend — 8-string guitar — 12:05 — <\/em>October 2022 sound<\/mark><\/a> or playlist G<\/em> — blog “September-October 2022 Tonalibus update<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em> <\/p>\n\n\n\n

“\u091a\u0948\u0924\u0928\u094d\u092f Chaitanya — blues” <\/em>— <\/em>G# Mixolydian<\/em> with D# TetraNa<\/em> \/ A# Norcor inversion<\/em> \u2014 <\/em>vichitra veena <\/em>and double 3\/4 violin — 9:47 — <\/em>January 2022 sound<\/mark><\/a> or playlist D <\/em>— blog \u201c\u091a\u0948\u0924\u0928\u094d\u092f Chaitanya<\/mark><\/a>\u201d — album Tonalibus D & E<\/mark><\/a><\/em> <\/p>\n\n\n\n

\u201cChange of Season\u201d \u2014 a percussive birthday blues — for Michi <\/em>— double and single Hang Bal — 2:16 loop — August 2020 sound<\/mark><\/a><\/p>\n\n\n\n

“Cheerful Hey, Hey!” — a happy dance <\/em>— Mixolydian<\/em> — voice by Christina Braun — 8-string guitar by Ulrico — 5:18 — <\/em>December 2021 sound<\/mark><\/a> or playlist coop A<\/em> — blog “February-March 2022 Tonalibus update<\/mark><\/a>” — album Cooperation A<\/mark><\/a><\/em><\/p>\n\n\n\n

“Cherry blossom dragon” — spring awakening <\/em>— <\/em>based on E, G, and C# — Christina Braun: voice — Ulrico: crotales, bowls, gongs — 4:17 <\/em>— April 2024 sound<\/mark><\/a> or playlist O <\/em>or playlist coop B<\/em> — blog “Initial breakthroughs<\/mark><\/a>“<\/p>\n\n\n\n

“Christina’s Theme” <\/em>— Aeolian <\/em>— melodic theme (in C# minor) and voice by Christina Braun — 6-string guitar by Ulrico — 5:57 — <\/em>December 2021 sound<\/mark><\/a> or playlist coop A<\/em> — blog “Mighty old oak<\/mark><\/a>” — album Cooperation A<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Christina’s Theme” — a work in progress <\/em>— Aeolian <\/em>— melodic theme in D minor and voice by Christina Braun — 6 and 8-string guitar by Ulrico — 8:49 — August 2021 sound<\/mark><\/a> or playlist coop A<\/em> — album Cooperation A<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Clearing mist at dawn” — a meditative sound sample <\/em>— LydReach \/ NaReach<\/em> — 8-string guitar and tanpura — 3:58 — <\/em>February 2022 sound<\/mark><\/a> or playlist E <\/em>— album Tonalibus D & E<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Conscious derivative” — an island memory <\/em>— HexaBlueUp<\/em> (BlueUp<\/em> derivative w\/o 7+) — 8-string guitar, tanpura — 5:23 — <\/em>October 2022 sound<\/mark><\/a> or playlist H<\/em> — blog “Terminology let go<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Consciousness” — the one state worth considering <\/em>— ReachMix <\/em>on F# (184 Hz) — 8-string guitar — 5:15 <\/em>— March 2024 sound<\/mark><\/a> or playlist O<\/em> — blog “Measure by consciousness<\/mark><\/a>” — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

“Courage it takes” — a linguistic audio medley <\/em>— quadruple canonic quadri-lingual voice, English, German, French, Italian — 2:53 — <\/em>February 2022 sound<\/mark><\/a> or playlist D <\/em>— blog \u201cCourage it takes<\/mark><\/a>\u201d and “Imperfect perfection<\/mark><\/a>“ <\/em>— album Tonalibus D & E<\/mark><\/a><\/em> <\/p>\n\n\n\n

\u201cCourtesy of Grace\u201d <\/em>— Hang — 2:29 loop — August 2020 sound<\/mark><\/a> or playlist A<\/em> — album Tonalibus A, B, & C<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Covid Sing’in Tongue” <\/em>— 8-string guitar and triple voice — 1:32 loop — November 2020 sound<\/mark><\/a><\/p>\n\n\n\n

‘D’<\/p>\n\n\n\n

\u201cDancing above the Clouds\u201d <\/em>— double 8-string guitar — 0:40 loop — <\/em>April 2020 sound<\/mark><\/a> or playlist A<\/em> — album Tonalibus A, B, & C<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Das M\u00fclirad isch broche, Simelib\u00e4rg!” — go in peace — for KHT <\/em>— MinReach<\/em> \/ Phrygian dominant on C# — 8-string guitar, lap slide guitar, bass, voice, gong — 9:00 <\/em>— October 2023 sound<\/mark><\/a> or playlist L<\/em> — blog “An experience of stepping out<\/mark><\/a>” — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“Dear doula” — room for silence <\/em>— TetraNa<\/em> with a touch of PentaBluNa<\/em> — 8-string guitar and large gong — 6:51<\/mark> <\/em>— January 2023 sound<\/mark><\/a> or playlist I<\/em><\/mark> — blog “Harmony in life and music<\/mark><\/a>” — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Dear God (mono-lingual)” <\/em>— quadruple canonic mono-lingual voice, English — 2:09 — December 2020 sound<\/mark><\/a> or playlist A<\/em> — blog “Dear God<\/mark><\/a>” — album Tonalibus A, B, & C<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Dear God (quadri-lingual)” <\/em>— quadruple canonic quadri-lingual voice, English, German, French, Italian — 2:09 — December 2020 sound<\/mark><\/a> or playlist A<\/em> — blog “Dear God<\/mark><\/a>” — album Tonalibus A, B, & C<\/mark><\/a><\/em> <\/p>\n\n\n\n

“\u0926\u0947\u0935\u0926\u0942\u0924 Devad\u016btas, angels here and now” — where are you? <\/strong>— PentaMin \/ PentaEol<\/em> or pentatonic minor on C# — shamisen, harmonium, and spoken word (Swiss, English, French, Italian, German) — August 2025 — 6:50 — text (Swiss & English) and word only version in blog post “Wo bischt” of May 2023– August 2025 sound<\/mark><\/a> or playlist S<\/em> — blog “Devad\u016btas like angels<\/mark><\/a>“<\/p>\n\n\n\n

“Doula’s song and silence” — for a new generation <\/strong>— ReachMin<\/em> (Phrygian dominant) — voice by Philine Harte — double 8-string guitar by Ulrico — 4:06<\/mark> <\/strong>— January 2023 sound<\/mark><\/a> or <\/mark>playlist I<\/em> — blog “<\/mark>Can you do it?<\/mark><\/a>“<\/mark> — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Dragonfly wings” — with Christina Braun <\/strong>— PentaMin \/ PentaEol <\/em>on G# (rel. A 438 Hz) — Christina Braun: voice — Ulrico: tenor ukulele — 3:19 <\/strong>— February 2026 sound<\/mark><\/a> <\/mark>or <\/mark>playlist T <\/em>or playlist coop C<\/em> <\/mark><\/p>\n\n\n\n

“Dream projections” — let them fly high <\/strong>— Phrygian <\/em>on D (rel. A 438 Hz) — 4-string guitar, crotales, tanpura — 7:43 <\/strong>— December 2025 sound<\/mark><\/a> or playlist T<\/em><\/mark>— blog “A dream of life<\/mark><\/a>“<\/p>\n\n\n\n

“Dune Dawn” <\/em>— multiple voice by Christina Braun — 8-string guitar and bass by Ulrico — 1:39 loop — September 2020 sound<\/mark><\/a> <\/p>\n\n\n\n

‘E’<\/p>\n\n\n\n

“Earth to God, come in please” — two dozen times <\/strong>— <\/strong>G#, C#, F# based — chanting bass voice, gong, tingsha cymbals, conch — 11:39 <\/strong>— June 2025 sound<\/mark><\/a> or playlist S<\/em><\/mark> — blog “Aware of the sound of silence<\/mark><\/a>“<\/p>\n\n\n\n

\u201cEchoes of growing silence\u201d — celebrating a new birth <\/em>— IonAeolian or ClusterBal<\/em> (melodic major) — 8-string guitar w\/sustained echo, bass — 6:14 — <\/em>March 2023 sound<\/mark><\/a> or playlist J <\/em><\/mark> — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Embraced in silence” — so close, and yet so far — in memory of Elaine <\/em>— ReachMin \/ Phrygian dominant<\/em> on C# (138 Hz) w\/a touch of Bairagi Bhairav<\/em> pakad — 8-string guitar, crotales — 11:30 <\/em>— February 2024 sound<\/mark><\/a> or playlist N<\/em> — blog “Why am I still here<\/mark><\/a>” — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“Embracing Ma” — Pro-Reg-Pro meditation <\/em>— HexaBluMin, PentaReg \/ PentaPhryg (blues minor)<\/em> — 8-string guitar, tanpura — 8:46 — <\/em>December 2022 sound<\/mark><\/a> or playlist H<\/em><\/mark> — blog “Do you hear<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em> <\/p>\n\n\n\n

\u201cEternal Moment\u201d <\/em>— fretted <\/em>vichitra veena <\/em>— 3:17 — summer 2014 sound<\/mark><\/a> or playlist CD<\/em> — A Symphony of Life and Love<\/mark><\/a><\/em><\/p>\n\n\n\n

\u201cEver again, keep going!\u201d — life moves on <\/em>— TertaNa<\/em> based — voice by Christina Braun — 8-string guitar by Ulrico — 3:48 — <\/em>March 2023 sound<\/mark><\/a> or playlist coop B<\/em><\/mark> — blog “Things do come together<\/mark><\/a>“<\/p>\n\n\n\n

“Ever forward into the open” — blue destination <\/em>— PentaMin\/PentaEol<\/em> based on D# — Christina Braun: voice — Ulrico: singing saw, bass, 6-string guitar — 4:15 <\/em>— April 2024 sound<\/mark><\/a> or playlist <\/em>O or playlist coop B<\/em> — blog “Ganesha caught fire<\/mark><\/a>” — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

‘F’<\/p>\n\n\n\n

\u201cFarewell welcome blues\u201d \u2014 from one Moon to the next <\/strong>— PentaMin \/ PentaEol<\/em> — twofold bass, 8-string guitar, and voice — 6:27 — <\/strong>May 2022 sound<\/mark><\/a> or playlist F <\/em>— blog “It is clear<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em><\/p>\n\n\n\n

“Fearless floating” — in the flow of life and love — concert recording <\/strong>— PentaMin \/ PentaEol<\/em> (pentatonic minor), Bairagi Bhairav (a Hindustani raga), ReachBal<\/em> (double harmonic \/ Gypsy major), with a touch of ReachMin<\/em> (Phrygian dominant) on C# (138 Hz) — 8-string guitar, sopranino recorder, tanpura — 7:57 recorded live <\/strong>— February 2024 sound<\/mark><\/a> or playlist N<\/em><\/p>\n\n\n\n

“First Baby Angel Steps”– double-strung harp — 1:40 — <\/strong>March 2021 sound<\/mark><\/a> or playlist B <\/em>— blog \u201cTao \u9053<\/mark><\/a>\u201d — album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

“First encounter of old all new” — with Punnu Singh Wasu <\/em>— ReachBal<\/em> — harmonium and voice by Punnu Singh Wasu — 8-string guitar by Ulrico — 8:57 live — <\/strong>October 2022 sound<\/mark><\/a> or playlist G<\/em> — blog “Sound healing<\/mark><\/a>“<\/p>\n\n\n\n

“Flashes of radiant cognizance” — in empty space <\/strong>— PentaCor<\/em> on F (171 Hz; rel. A 432 Hz) — 8-string guitar — 10:42 <\/strong>— September 2025 sound<\/mark><\/a> or playlist T<\/em> — blog “Tath\u0101gata or Buddha<\/mark><\/a>“<\/p>\n\n\n\n

“Flowing Upward” — calm, uplifting modulation path <\/strong>— PentaMin\/PentaEol<\/em>, Phrygian<\/em>, ReachMin<\/em> (alternate possibility: PhrygReach<\/em>), ReachBal<\/em>, MajReach<\/em> (alternate possibility: ReachMaj<\/em>), Ionian<\/em>, and a touch of PentaProLa\/PentaIon<\/em> — 8-string guitar — 13:24 — <\/strong>March 2021 sound<\/mark><\/a> or playlist C <\/em>— album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

\u201cFour by four\u201d \u2014 corners of the sound temple <\/strong>— four gongs — 14:09 — <\/strong>June 2022 sound<\/mark><\/a> or playlist F <\/em>— blog “Our lights are on<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em><\/p>\n\n\n\n

“Four Corners of the Sound Temple, ReachUpMix with the” <\/strong>— ReachUpMix <\/em>— 8-string guitar and four gongs — 8:23 — <\/strong>February 2021 sound<\/mark><\/a> or playlis<\/em>t B <\/em>— <\/mark>album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

“From here to now” — on a flying carpet <\/strong>— Phrygian<\/em> on E — 6-string guitar, voice, tenor recorder, bass bowl — 7:39 — <\/strong>June 2023 sound<\/mark><\/a> or playlist K <\/em>— blog “Total honesty<\/mark><\/a>” — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“From red line to white plane” — a serene transition <\/strong>— HexaLocorReach <\/em>on sharp A (448 Hz) — inspired by raaga Multani — 7-string guitar, tenor ukulele, tanpura — 8:29 <\/strong>— July 2024 sound<\/mark><\/a> or playlist P <\/em>— blog “Humanity overall<\/mark><\/a>” — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

\u201cFrom the future to the present and back\u201d– <\/strong>from G# TetraNa<\/em> with touches of its F# Upcor inversion<\/em> progressing to C# Ionian (diatonic major)<\/em> and back, connecting the far ends and melting contrasts into a unified whole — 8-string guitar — 9:45 — <\/strong>December 2021 sound<\/mark><\/a> or playlist D <\/em>— blog \u201cSome things fit<\/mark><\/a>“– album Tonalibus D & E<\/mark><\/a><\/em><\/p>\n\n\n\n

“Full Steam Ahead!” <\/em>— double 8-string guitar, bass, and voice — 2:40 loop — December 2020 sound<\/mark><\/a><\/p>\n\n\n\n

“Fused oriental occident and occidental orient” <\/strong>— ReachMin<\/em> (Phrygian dominant) on G# — fretted <\/strong>vichitra veena,<\/em> lap slide guitar, crotales, tanpura — 8:01 <\/strong>— June 2023 sound<\/mark><\/a> or playlist K<\/em> — blog “Conspiracies<\/mark><\/a>” — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Future memory past now” — neither minor nor major <\/strong>— HexaReMix<\/em>, a derivative w\/o third, on D# (rel. A 432 Hz) — 8-string guitar, nepali cymbal — 5:37 <\/strong>— September 2025 sound<\/mark><\/a> or playlist S <\/em>— blog \u201cLess is more<\/mark><\/a>“<\/p>\n\n\n\n

“Future past lives” — a heartfelt blues memory revived <\/strong>— Phrygian<\/em> on E — double 6-string guitar — 5:15 <\/strong>— April 2023 sound<\/mark><\/a> or playlist J<\/em> — blog “Concepts can set the tone<\/mark><\/a>” — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

‘G’<\/p>\n\n\n\n

\u201c\u0917\u0930\u0941\u0921\u093c Garu\u1e0da\u201d — puja for the celestial hawk <\/em>— Mixolydian <\/em>on G 390 Hz (rel. A 438 Hz) — harmonium, gong, fujara, lap slide guitar — 10:01 <\/em>— September 2024 sound<\/mark><\/a> or playlist Q<\/em> — blog “A larvae<\/mark><\/a>” — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

“Gateway to Heaven and Hell” <\/em>— 1) “Ornate” — Nepali and Tibetan cymbal pairs, gongs, 8-string guitar, <\/em>vichitra veena,<\/em> voice — 6:44 — 2) “Plain” — Nepali and Tibetan cymbal pairs, gongs — 6:39 — December 2020 sound<\/mark><\/a> or playlist A<\/em> — blog “It\u2019s a miracle<\/mark><\/a>” — album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

“Gentle blue light” — with Punnu Singh Wasu <\/em>— MinReach<\/em>, Aeolian<\/em>\/HexaMin<\/em> — mandolin by Punnu Singh Wasu — 8-string guitar by Ulrico — 8:49 live — <\/em>October 2022 sound<\/mark><\/a> or playlist G<\/em> — blog “Sound healing<\/mark><\/a>“<\/p>\n\n\n\n

“Gentle Echoes of a Wild Thing” <\/em>— voice by Christina Braun — 8-string guitar by Ulrico — 6:59 — December 2021 sound<\/mark><\/a> or playlist coop A<\/em> — album Cooperation A<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Gently rotating fifth wheel” — a plea for peace <\/em>— PentaBluNa <\/em>on C# (138 Hz) — double 8-string guitar – 5:30 <\/em>— February 2024 sound<\/mark><\/a> or playlist N<\/em> — blog “Labels enable talk<\/mark><\/a>” — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“Gihahatigo Bhairav” — ReachBal contemplation <\/em>— ReachBal<\/em> — 8-string guitar, harmonium, tingsha cymbal pair, gong — 8:15 — <\/em>October 2022 sound<\/mark><\/a> or playlist H<\/em> — blog “Tonality of the month: ReachBal<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Gitabats blues” — an ornate blue flight <\/em>— PentaBluNa<\/em> — 8-string guitar, tingsha cymbal pair, bass, tanpura — 7:28 — <\/em>March 2022 sound<\/mark><\/a> or playlist E <\/em>— blog “One more time<\/mark><\/a>” — album Tonalibus D & E<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Gitasa” — a family present for a present family <\/em>— PentaMin \/ PentaEol (pentatonic minor)<\/em> w\/a touch of HexaBluMin<\/em> — 8-string guitar, singing saw, tanpura — 6:58 — <\/em><\/em>December 2022 sound<\/mark><\/a> or playlist H<\/em> — album Tonalibus F, G, & H<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Gitigota” — a first inversion pair experiment — for K <\/em>— PentaReg \/ PentaPhryg (blues minor)<\/em>, PentaMin \/ PentaEol (pentatonic minor)<\/em>, Phrygian<\/em>, HexaBluMin<\/em> — 8-string guitar, Tibetan tingsha cymbal pair, large gong, tanpura — 16:03 — <\/em>December 2022 sound<\/mark><\/a> or playlist H<\/em> — album Tonalibus F, G, & H<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Go Be” <\/em>— voice by Christina Braun — large gong and crotales by Ulrico — 6:34 — <\/em>December 2021 sound<\/mark><\/a> or playlist coop A<\/em> — album Cooperation A<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Go in peace, Simelib\u00e4rg!” see <\/em>“Das M\u00fclirad isch broche, Simelib\u00e4rg!” — go in peace<\/mark><\/a><\/p>\n\n\n\n

“Go with God” — a final blessing — in memory of Stivensky <\/em>— LoloReachMin<\/em> derivative w\/7+ on D, octatonality — 5-string guitar, selje flute, tingsha cymbals, tanpura — 7:23 <\/em>— August 2023 sound<\/mark><\/a> or playlist K<\/em> — blog “Dear, oh dear<\/mark><\/a>” — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

\u201cGratitude in advance\u201d \u2014 a true gift <\/em>— HexaBluNa or HexaLolo<\/em> — 7-string guitar, 8-string guitar, crotales, gong, and tanpura — 6:10 — <\/em>August 2022 sound<\/mark><\/a> or playlist G<\/em> — blog “The highest<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Guggisb\u00e4rg-Melodie, live” — QuBa concert recording <\/em>— MinReach (harmonic minor)<\/em> — 8-string guitar — 3:23 — <\/em>February 2022 sound<\/mark><\/a> or playlist D <\/em>— album Tonalibus D & E<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Guggisberg” — soundscape — zither and native american flute by Kathia Haug — <\/em>vichitra veena <\/em>and bass by Ulrico — b\u00fcchel and mini cornet by Hans Kurzen — tanpura and didgeridoo by Egon Kunkel — ocean drum by Hans Maurer — 13:08 — summer 2014 — playlist<\/mark> 2014 CD<\/em> — blog “Reality theater<\/mark><\/a>” — CD A Symphony of Life and Love<\/mark><\/a><\/em><\/p>\n\n\n\n

“Guggisberg Melody, MinReach with” — a harmonic minor example <\/em>— MinReach <\/em>— double 8-string guitar, bass, and crotales — 9:24 — <\/em>January 2021 sound<\/mark><\/a> or playlist B <\/em>— blog \u201cTonality of the month: MinReach<\/mark><\/a>\u201d — album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

‘H’<\/p>\n\n\n\n

“Hallo Stille [Hello Silence]” <\/strong>— text by Nicole Keller — voice by Karin Gs\u00f6llpointner — 8-string guitar in C# Mixolydian <\/em>by Ulrico — 5:09 — <\/strong>August 2021 sound<\/mark><\/a><\/p>\n\n\n\n

“Happy about impermanence” — it can be! <\/strong>— ReachUpMix<\/em> \/ ReachUpMaj<\/em> on E (without 7th, but with one brief transitory major 3rd), leading to and dissolving in BlueMix<\/em> on C# (rel. A 438 Hz) — nepali cymbal pair, four dome gongs (four corners of the sound temple), lap slide guitar — 7:18 <\/strong>— April 2026 sound<\/mark><\/a> or playlist U <\/em>— blog “Happy about impermanence<\/mark><\/a>“<\/p>\n\n\n\n

“Happy birthday, Robin Hood!” — for K. <\/strong>— Ionian \/ diatonic major<\/em> (with a touch Mixolydian<\/em>) — 8-string guitar — 4:53 — <\/strong>March 2022 sound<\/mark><\/a> or playlist E <\/em>— blog “Decide for yourself<\/mark><\/a>” — album Tonalibus D & E<\/mark><\/a><\/em><\/p>\n\n\n\n

\u201cHappy cat\u2019s meow\u201d — head and heart <\/strong>— PentaMin \/ PentaEol<\/em> (pentatonic minor) on C# — bass, lap slide guitar, double 8-string guitar — 4:26 <\/strong>— November 2023 sound<\/mark><\/a> or playlist L <\/em>— blog “What if you love people<\/mark><\/a>” — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“Happy gnomes and elves” — a fairy tail dance <\/strong>— PentaProLa \/ PentaIon<\/em> (w\/a touch HexaMixLa<\/em>) on E (rel. A 432 Hz) — 8-string guitar, bass bowl — 6:23 <\/strong>— August 2025 sound<\/mark><\/a> or playlist S <\/em>— blog “What or who owns?<\/mark><\/a>“<\/p>\n\n\n\n

“Happy Sadness or Sad Happiness?” — a contemplative prayer <\/strong>— Aeolian<\/em> — 8-string guitar and double voice — 3:04 — <\/strong>April 2021 sound<\/mark><\/a> or playlist C <\/em>— blog \u201cSpiritual Freedom<\/mark><\/a>\u201d — album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

“Harmonic two-way challenge” — CorMaj \/ LoloReachLyd contemplation <\/strong>— CorMaj \/ LoloReachLyd<\/em>— 8-string guitar — 11:48 — <\/strong>January 2023 <\/mark>sound<\/mark><\/a>or <\/mark>playlist I<\/em> — blog “One more step<\/mark><\/a>” — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Harmonics of the heart” — can you hear the overtones? <\/strong>—<\/em> \u0950 <\/em>Om\/Aum <\/strong>chant on C# (69 Hz) — single note chanting bass voices — 9:13 <\/strong>— March 2025 sound<\/mark><\/a> or playlist R<\/em> — blog “Wrapping and contents<\/mark><\/a>“<\/p>\n\n\n\n

“Harmony in the present moment” — blending cultures <\/strong>— Mixolydian <\/em>\/ Ionian <\/em>on C# — Punnu Wasu: mandolin — Ulrico: 8-string guitar — 8:35 <\/strong>live <\/strong>— year-end 2023 sound<\/mark><\/a> or playlist M <\/em>and coop PW<\/em> — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“Heartfelt tears of joy” — can you feel them? <\/strong>— Mixolydian <\/em>on F# 184 Hz (rel. A 438 Hz) — 7-string guitar, lap slide guitar, tingsha cymbals, tanpura — 10:48 <\/strong>— February 2026 sound<\/a><\/mark> or playlist U<\/em> — blog “Once upon a time<\/mark><\/a>“<\/p>\n\n\n\n

“Heart in Misty Forest” <\/strong>— voice by Christina Braun — fujara, gong, and crotales by Ulrico — 3:30 — <\/strong>February 2022 sound<\/mark><\/a> or playlist coop A<\/em> — album Cooperation A<\/mark><\/a><\/em><\/p>\n\n\n\n

\u201cHeart of Love\u201d <\/strong>— 7-string guitar — 3:03 — summer 2014 sound<\/mark><\/a> or playlist CD<\/em> — A Symphony of Life and Love<\/mark><\/a><\/em><\/p>\n\n\n\n

“Hearts dance and remember” — all in one in all <\/strong>— ReachMin<\/em> or Phrygian dominant on C# (138 Hz; rel. A 438 Hz) — 8-string guitar — 12:41 <\/strong>— October 2025 sound<\/mark><\/a> or playlist T<\/em> — blog “I remember you<\/mark><\/a>“<\/p>\n\n\n\n

“HeptaNa Gita” — harmonics medley <\/strong>— HeptaNa \/ LydAeolian<\/em> — 8-string guitar, big gong, tanpura — 3:46 — <\/strong>November 2022 sound<\/mark><\/a> or playlist H<\/em> — blog “Not someone else<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em><\/p>\n\n\n\n

“HexaNa Gita” — harmonic six-pack <\/strong>— HexaNa<\/em> w\/a touch ClusterPro \/ LydDorian<\/em> — 8-string guitar and tanpura — 3:19 — <\/strong>November 2022 sound<\/mark><\/a> or playlist H<\/em> — blog “Into the depth of soul<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em><\/p>\n\n\n\n

“Holy sham” — a short sound excursion far out — for M&M <\/strong>— Mixolydian<\/em> on G, spiced — multiple fujara and 8-string guitar — 4:25 — <\/strong>August 2022 sound<\/mark><\/a> or playlist G<\/em> — blog “Beyond duality\u2026<\/mark><\/a>” and “How to be real<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em><\/p>\n\n\n\n

“Home turf roots” — swingin’ on a star <\/strong>— Aeolian <\/em>on F# (rel. 438.2 Hz) — multiple 7-string guitar, tingsha cymbal pair, large gong, tanpura — 7:59 <\/strong>— January 2024 sound<\/mark><\/a> or playlist N<\/em> — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“HU cares” — a sound cycle p\u016bj\u0101 <\/strong>— Aeolian <\/em>— double 8-string guitar and multiple voice — 5:09 — <\/strong>June 2022 sound<\/mark><\/a> or playlist F <\/em>— blog “Who cares<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em><\/p>\n\n\n\n

“Humble bumble dumble” — homecoming blues <\/strong>— PentaBluMix<\/em> on C (rel. A 438 Hz) — 7-string guitar, lap slide guitar, two gongs, trombone — 9:13 <\/strong>— October 2024 sound<\/mark><\/a> or playlist Q <\/em>— blog “No arrogance<\/mark><\/a>” — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

“Humpbacks breach the surface” — a dreamscape <\/strong>— TetraNa<\/em> w\/ Norcor inversion<\/em>, Dorian<\/em>, PentaMin \/ PentaEol<\/em> — 8-string guitar and bass — 9:30 — <\/strong>April 2022 sound<\/mark><\/a> or playlist E <\/em>— blog “April 2022 Tonalibus update<\/mark><\/a>” — album Tonalibus D & E<\/mark><\/a><\/em><\/p>\n\n\n\n

‘I’<\/p>\n\n\n\n

“Iech k\u00f6renes Gl\u00f6ggli” — I hear a little bell <\/strong>— PentaIon \/ PentaProLa<\/em> (pentatonic major) on F and HexaMixLa<\/em> on G# (rel. A 438.2 Hz) — sopranino recorder, crotales, voice — 7:26 <\/strong>— August 2025 sound<\/mark><\/a> or playlist S <\/em>— blog “A small child<\/mark><\/a>“<\/p>\n\n\n\n

“\u056b\u0574\u0561\u057d\u057f\u0578\u0582\u0576 Imastun <\/em>survivors” — calling for silence — <\/em>PentaMinMix \/ PentaEolDor (derivative) on F# (184 Hz) — 8-string guitar, conch, voice, tanpura — 6:28 <\/em>— May 2024 sound<\/mark><\/a> or playlist P <\/em>— blog “Main emotion joy<\/mark><\/a>” — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

“Incredible journey blues” — with Christina Braun <\/strong>— PentaMin<\/em> on G# (rel. 438.2 Hz) — Christina Braun: voice — Ulrico: bass & tenor ukulele — 6:25 <\/strong>— May 2025 sound<\/mark><\/a> or playlist coop C<\/em><\/p>\n\n\n\n

“Individual bhajan” — a progression experiment <\/strong>— Phrygian<\/em>, ReachMin<\/em>, ReachMix<\/em>, Mixolydian<\/em> — 8-string guitar, tingsha cymbals, gong, and double voice — 13:08 — <\/strong>July 2022 sound<\/mark><\/a> or playlist F <\/em>— blog “May the blessings be<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em><\/p>\n\n\n\n

“Inner and outer connecting point” — culture fusion <\/strong>— ReachMin \/ Phrygian dominant<\/em> with a touch of Bairagi Bhairav<\/em>, on C# (138 Hz) — 8-string guitar, tanpura — 10:32 <\/strong>— March 2024 sound<\/mark><\/a> or playlist O<\/em> — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

“Inversion progression, from here to there and back” <\/strong>— TetraNa inversion Norcor<\/em>, progression to Dorian<\/em> via PentaMinLa \/ PentaBal<\/em> and back — 8-string guitar, bass, Tibetan (tingsha) cymbal pair — 7:26 — <\/strong>December 2021 sound<\/mark><\/a> or playlist D<\/em> — album Tonalibus D & E<\/mark><\/a><\/em><\/p>\n\n\n\n

“Ionian Prayer in Gratitude for the Golden Heart” <\/em>— Ionian <\/em>— 8-string guitar — 4:44 — <\/em>February 2021 sound<\/mark><\/a> or playlist B <\/em>— blog \u201cNo cutting corners<\/mark><\/a>\u201d — album Tonalibus A, B, & C<\/mark><\/a><\/em> <\/p>\n\n\n\n

\u201cIt, God\u201d \u2014 trinity in common language <\/em>— Mixolydian <\/em>— double 8-string guitar, double voice, tingsha cymbals, tanpura — 5:40 — <\/em>April 2022 sound<\/mark><\/a> or playlist E <\/em>— blog “It, God<\/mark><\/a>” — album Tonalibus D & E<\/mark><\/a><\/em> <\/p>\n\n\n\n

“It is that it is” — and that’s good news! <\/strong>— TetraMin<\/em>, a Tetra derivative on sharp G# (418 Hz, rel. A 444 Hz) — shamisen, conch, 8-string guitar — 5:15 <\/strong>— August 2024 sound<\/mark><\/a> or playlist P <\/em>— blog “No fake news please<\/mark><\/a>” — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

“It is what it is” — with Christina Braun <\/strong>— HexaBluNaMix <\/em>on C# (rel. A 438 Hz) — Chistina Braun: voice — Ulrico: 8-string guitar — 4:48 <\/strong>— February 2026 sound<\/mark><\/a> or playlist T <\/em>or playlist coop C<\/em><\/p>\n\n\n\n

‘J’<\/p>\n\n\n\n

\u091c\u092f \u091c\u092f \u092e\u093e\u0901 — “Jai Jai Ma” — praise the mother <\/em>— Aeolian <\/em>on C# — Punnu Wasu: voice & harmonium — Ulrico: 8-string guitar — 12:29 <\/em>live <\/em>— year-end 2023 sound<\/mark><\/a> or playlist coop PW<\/em><\/p>\n\n\n\n

“Journey Around the Sun” — a circular Core modulation <\/em>— PentaCor<\/em>, ReachUpMix<\/em>, Dorian<\/em>, ReachUpMix<\/em>, PentaCor<\/em> — 8-string guitar — 7:08 — <\/em>April 2021 sound<\/mark><\/a> or playlist C <\/em>— blog \u201cOne\u2019s own way<\/mark><\/a>\u201d — album Tonalibus A, B, & C<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Joy, peace, & harmony” — friends always meet again <\/em>— ReachMin<\/em> (Phrygian dominant) on G# — Punnu Wasu<\/em>: double mandolin — Ulrico: <\/em>vichitra veena <\/em>& 8-string guitar — 8:14 <\/em>— January 2024 sound<\/mark><\/a> or playlist M <\/em>and coop PW<\/em><\/p>\n\n\n\n

“July 2023 Fideris sound journey” — live concert recording <\/em>— entire concert, homogenized — #1-7 in one — Ursula Huggenberger, Karin Gs\u00f6llpointner, & Ulrico — 38:22 live — <\/em>July 2023 sound<\/mark><\/a><\/p>\n\n\n\n

“Just Be, No More” — an unintended short PentaCor p\u016bj\u0101 <\/em>— PentaCor<\/em> — 8-string guitar, <\/em>fujara, <\/em>crotales, and gongs — 1:20 — <\/em>April 2021 sound<\/mark><\/a> or playlist C <\/em>— blog \u201cNo More Nor Less<\/mark><\/a>\u201d — album Tonalibus A, B, & C<\/mark><\/a><\/em> <\/p>\n\n\n\n

‘K’<\/p>\n\n\n\n

\u201cKlanggeschichte\u201d — the development of the umbilical cord <\/em>— <\/em>story and sound about connection, growth, and detachment — 10 chapters — voice and story (in German) by Philine Harte, 8-string guitar (and cymbals) by Ulrico — 63 minutes — <\/em>March 2023 sound<\/mark><\/a> or playlist \/ album<\/mark><\/a><\/em><\/p>\n\n\n\n

“Know what you know” — very and nothing special <\/em>— PentaBluNa<\/em>, HexaBluNa \/ HexaLolo<\/em> on C# (138 Hz) — triple 8-string guitar — 9:35 <\/em>— February 2024 sound<\/mark><\/a> or playlist N<\/em> — blog \u201cKnow what you know<\/mark><\/a>\u201d — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“\u0915\u0941\u092e\u094d\u092d\u0915 Kumbhaka” — between in and out, out and in — for M-A <\/em>— ReachBal<\/em> (<\/em>double harmonic\/Gypsy major)<\/em> on G# — fretted <\/em>vichitra veena,<\/em> lap slide guitar, conch, tanpura — 8:54 <\/em>— August 2023 sound<\/mark><\/a> or playlist K<\/em> — blog \u201cDepersonification<\/mark><\/a>\u201d — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

‘L’<\/p>\n\n\n\n

“Layers” — modular world building blocks <\/em>— PentaProLa \/ PentaIon<\/em> (pentatonic major) based on C# (rel. 438 Hz) — Christina Braun: voice — Ulrico: 5-string guitar, singing saw, crotales — 4:46 <\/em>— November 2023 sound<\/mark><\/a> or playlist coop B<\/em> <\/p>\n\n\n\n

“Let’s listen” — a personal meditation <\/em>— <\/em>based on the four corners of the sound temple, from PentaCor<\/em> via HexaCorMix<\/em> to LoReachUpMix<\/em> and back — double 8-string guitar and gongs — 13:21 — <\/em>June 2022 sound<\/mark><\/a> or playlist F<\/em> <\/p>\n\n\n\n

“Let\u2019s talk” — a personal manifesto <\/em>— <\/em>based on the four corners of the sound temple, from PentaCor<\/em> via HexaCorMix<\/em> to LoReachUpMix<\/em> and back — double 8-string guitar, voice, and gongs — 13:21 — <\/em>June 2022 sound<\/mark><\/a> or playlist F <\/em>— blog “Let\u2019s talk<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Life is great!” — a celebratory meditation — for M\u00e4tti <\/em>— PentaCor<\/em> — 8-string guitar, crotales, large gong, tanpura — 6:27 — <\/em>October 2022 sound<\/mark><\/a> or playlist H<\/em> — blog “And here is soul<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Little Balloon” <\/em>— multiple 8-string guitar and bass — 3:29 — January 2021 sound<\/mark><\/a> or playlist A<\/em> — blog “Little balloon<\/mark><\/a>” — album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

“Little Earworm Pupating” <\/em>— 8-string guitar, singing saw, crotales, and voice — 2:08 loop — December 2020 sound<\/mark><\/a><\/p>\n\n\n\n

\u201cLiving drops of glacial melt water\u201d — live concert recording <\/em>— Mixolydian <\/em>— fujara and a touch of medium gong — 3:09 <\/em>— April 2023 sound<\/mark><\/a> or playlist J<\/em><\/p>\n\n\n\n

“Living echoes in relative silence\u201d — live concert recording <\/em>— IonAeolian \/ ClusterBal<\/em> (melodic minor \/ Aelian dominant) — 8-string guitar, singing saw, voice, large gong — 10:33 <\/em>— April 2023 sound<\/mark><\/a> or playlist J<\/em><\/p>\n\n\n\n

“Living sound travel far out” — live concert recording <\/em>— Core tonal <\/em>[C#-D-E-F\/[F#]-G-G#]-[A#-C-C#] — Nepali cymbals, sound bowls, crotales, gongs — 6:48 <\/em>— April 2023 sound<\/mark><\/a> or playlist J<\/em><\/p>\n\n\n\n

\u201cLouder Call for Peace\u201d <\/em>— triple and quadruple fujara — 2:40 — January 2021 sound<\/mark><\/a> or playlist B <\/em>— blog “Why hostile<\/mark><\/a>” — album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

“Lyoba” — soundscape — zither and native american flute by Kathia Haug — bass and 7-string guitar by Ulrico — alphorn by Hans Kurzen — overtone singing by Egon Kunkel — 7:27 — summer 2014 — playlist<\/mark> 2014 CD<\/em> — CD A Symphony of Life and Love<\/mark><\/a><\/em><\/p>\n\n\n\n

‘M’<\/p>\n\n\n\n

“\u092e\u0948\u0924\u094d\u0930\u0940 Maitr\u012b base” — the privilege of breath <\/strong>— TetraMin<\/em>, PentaMinMix\/PentaEolDor (derivatives) on C# (276 Hz) — 8-string guitar, tanpura — 6:55 <\/strong>— May 2024 sound<\/mark><\/a> or playlist P <\/em>— blog \u201cAny original thought?<\/mark><\/a>\u201d — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

“Ma Sa Papa” — hearts long for peace <\/strong>— MinReach (harmonic minor) <\/em>on F# — 5-string guitar and crotales — 7:22 <\/strong>— September 2023 sound<\/mark><\/a> or playlist L <\/em>— blog \u201cCongruence<\/mark><\/a>\u201d — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“May the blessings be” — ignorance abandoned <\/strong>— Dorian <\/em>on C# 138 Hz (rel. A 438) — 8-string guitar — 8:32 <\/strong>— December 2025 sound<\/mark><\/a> or playlist T <\/em>— blog \u201cSpiritual openness<\/mark><\/a>\u201d<\/p>\n\n\n\n

“Mett\u0101 cetovimutti” — liberation of the heart through love <\/strong>— HexaMixLa<\/em> with a touch of Mixolydian <\/em>on C# 138 Hz (rel. A 438 Hz) — 8-string guitar — 7:18 <\/strong>— April 2026 sound<\/mark><\/a> or playlist U<\/em> — blog “Directly knowing<\/mark><\/a>“<\/p>\n\n\n\n

“MinReach with Guggisberg Melody” — a harmonic minor example <\/strong>— MinReach <\/em>— double 8-string guitar, bass, and crotales — 9:24 — <\/strong>January 2021 sound<\/mark><\/a> or playlist B <\/em>— blog \u201cTonality of the month: MinReach<\/mark><\/a>\u201d — album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

“Mischief or miss a chief” — PentaBluNaLa with chant <\/strong>— PentaBluNaLa<\/em> on C# — 8-string guitar, double voice, tanpura — 5:01 <\/strong>— November 2023 sound<\/mark><\/a> or playlist L <\/em>— blog \u201cWhat else matters?<\/mark><\/a>\u201d — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“Mysterious calm contemplation” — with Christina Braun–Christina Braun: voice — Ulrico: gongs — 8:24– May 2025 sound<\/mark><\/a> or playlist coop C<\/em><\/p>\n\n\n\n

‘N’<\/p>\n\n\n\n

“Na track” — Na(tural harmonics) in action — for M. <\/strong>— TetraNa<\/em> with a touch of Mixolydian<\/em> \u2014 double 8-string guitar, gong, singing saw — 10:31 — <\/strong>August 2021 sound<\/mark><\/a> or playlist D <\/em>— album Tonalibus D & E<\/mark><\/a><\/em><\/p>\n\n\n\n

\u201c\u0928\u091f \u0938\u0930\u0938 Nat Saras\u201d — moon dance by a pond <\/strong>— MajReach \/ harmonic major<\/em> on C# (276 Hz) — 8-string guitar, lap slide guitar, gong, tanpura — 7:32 <\/strong>— June 2024 sound<\/mark><\/a> or playlist P <\/em>— blog “We come and we go<\/mark><\/a>” — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

“Natural harmonics gateway” — first step in a Na tonality <\/strong>— PentaPro \/ PentaNa<\/em> — triple 8-string guitar — 4:36 — <\/strong>July 2021 sound<\/mark><\/a> or playlist D <\/em>— blog “August 2021 Tonalibus update<\/mark><\/a>” — album Tonalibus D & E<\/mark><\/a><\/em><\/p>\n\n\n\n

“Nature’s echo in blue calm” — where a contrast meets <\/strong>— PentaBluNa <\/em>— 8-string guitar — 2:47 — <\/strong>March 2022 sound<\/mark><\/a> or playlist E <\/em>— blog “Tathagata<\/mark><\/a>” — album Tonalibus D & E<\/mark><\/a><\/em><\/p>\n\n\n\n

“Neither nor it is” — neither minor nor major <\/strong>— HexaReMix<\/em> (a derivative tonality) on C# (rel. A 438 Hz) — 8-string guitar — 4:46 <\/strong>— May 2026 sound<\/mark><\/a> or playlist U<\/em> — blog “Confident, steady, and resolute<\/mark><\/a>“<\/p>\n\n\n\n

“Never give up, let go completely” — a miracle of nature <\/strong>— ReachMin<\/em> — 8-string guitar — 5:05 — <\/strong>December 2022 sound<\/mark><\/a> or playlist H<\/em> — blog “A miracle of nature<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em><\/p>\n\n\n\n

\u201cNew moon rising\u201d \u2014 a sensitive welcome <\/strong>— ReachNaBal<\/em> — 8-string guitar — 4:52 — <\/strong>July 2022 sound<\/mark><\/a> or playlist F <\/em>— blog “Sensitive \u2014 more or less<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em><\/p>\n\n\n\n

“Nirodha blues” — dance of the trees <\/strong>— HexaBluNaMix<\/em> <\/mark>on F# (184 Hz) — 7-string guitar, fead\u00f3g (Irish tin whistle), crotales, bass — 6:56 <\/strong>— April 2025 sound<\/mark><\/a> or playlist R<\/em> — blog “Please forgive<\/mark><\/a>“<\/p>\n\n\n\n

“No mistake” — big sky, beach, rock, pine, broken branch <\/strong>— Phrygian <\/em>on A framing HexaBlueUp<\/em> (BlueUp<\/em> without 7+) on E — 8-string guitar and tenor recorder — 6:40 — <\/strong>September 2022 sound<\/mark><\/a> or playlist G<\/em> — blog “It was no mistake<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em><\/p>\n\n\n\n

“No more, no less” — let go completely <\/strong>— PentaMin\/PentaEol<\/em> (pentatonic minor) on G# \u00b151 Hz (rel. A 438 Hz) — bass ukulele, singing saw, tanpura — 4:04 <\/strong>— March 2026 sound<\/a><\/mark> or playlist U<\/em><\/p>\n\n\n\n

“Non-return” — from a non-I retreat <\/strong>— HexaBluNaMix<\/em> (w\/a touch CorMix<\/em>) on G# 207 Hz (rel. A 438 Hz) — 7-string guitar, tanpura — 6:27 <\/strong>— January 2026 sound<\/mark><\/a> or playlist T<\/em> — blog “Refuge<\/mark><\/a>“<\/p>\n\n\n\n

“North woods gnome procession” — warming hearts <\/strong>— Aeolian <\/em>(natural minor) & MinReach <\/em>on A (438 Hz) — Christina Braun: violin & voice — Ulrico: harmonium — 4:36 <\/strong>— December 2024 sound<\/mark><\/a> or playlist Q<\/em> or playlist coop B<\/em><\/p>\n\n\n\n

“North woods gnome gathering” — a sweet start <\/strong>— Aeolian <\/em>& MinReach <\/em>on A (438 Hz) — Christina Braun: violin & voice — Ulrico: harmonium — 5:16 <\/strong>— December 2024 sound<\/mark><\/a> or playlist coop B<\/em><\/p>\n\n\n\n

‘O’<\/p>\n\n\n\n

“Octahedron moment” — even before and also after <\/em>— <\/em>octatonal ReachNaBal<\/em> derivative w\/minor (and major) third on E+ 333 Hz (rel. A 444 Hz) — 7-string guitar, lap slide guitar, soprano recorder, tanpura — 6:14 <\/em>— August 2025 sound<\/mark><\/a> or playlist S<\/em> — blog “Before and after<\/mark><\/a>“<\/p>\n\n\n\n

“Old box jumping Jack” — mother of the West <\/em>— PentaMin \/ PentaEol<\/em> — 7-string guitar — 3:14 — <\/em>April 2022 sound<\/mark><\/a> or playlist E <\/em>— album Tonalibus D & E<\/mark><\/a><\/em> <\/p>\n\n\n\n

“\u0f00\u0f0b\u0f68\u0f71\u0f7f\u0f0b\u0f67\u0f71\u0f74\u0f83 – \u014c\u1e43 \u0101\u1e25 h\u016b\u1e43” — dissolving search and soft landing <\/strong>— PentaCor<\/em> on C# (rel. A 438 Hz) — gongs (4 corners of sound temple), shamisen, 8-string guitar, voice, conch — 10:30 <\/strong>— September 2024 sound<\/mark><\/a> or playlist Q<\/em> — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

\u0950 \u0917\u0902 \u0917\u0923\u092a\u0924\u092f\u0947 \u0928\u092e\u0903 — “\u014c\u1e43 Gam Ganapataye Namaha” — Ganesha mantra <\/em>— Aeolian <\/em>on C# — Punnu Wasu: voice & harmonium — Ulrico: 7-string guitar — 11:29 <\/em>live <\/em>— year-end 2023 <\/mark>sound<\/mark><\/a> or playlist coop PW<\/em><\/p>\n\n\n\n

“\u0950 \u0917\u0923\u0947\u0936 \u0950 — \u014c\u1e43 Ga\u1e47e\u015ba \u014c\u1e43” — a picture story <\/em>— BlueReach<\/em> on B (rel. 438.2 Hz) — 8-string guitar, bass, lap slide guitar, voice, tingsha cymbals, faint tanpura — 9:37 <\/em>— December 2023 sound<\/mark><\/a> or playlist M<\/em> — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 — “\u014c\u1e43 \u015a\u0101nti\u1e25” — sound healing <\/em>— ReachMin <\/em>on D# — Punnu Wasu: voice & mandolin — Ulrico: 7-string guitar — 11:30 <\/em>live <\/em>— year-end 2023 sound<\/mark><\/a> or playlist M <\/em>and coop PW<\/em> — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 \u092d\u0915\u094d\u0924\u093f \u0950 — \u014c\u1e43 \u015a\u0101nti\u1e25 Bhakti \u014c\u1e43” — contemplation <\/em>— ReachMin<\/em> — multiple 8-string guitar and voice — 5:15 — <\/em><\/mark>December 2022 sound<\/mark><\/a> or playlist H<\/em> — blog “A miracle of nature<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em> <\/p>\n\n\n\n

“\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 Om Shanti HU” — just chant and pluck <\/em>— PentaProLa or PentaIon<\/em> (pentatonic major) on A# — 8-string guitar, low chanting voices in unison generating overtones — 4:43 — <\/em>September 2022 sound<\/mark><\/a> or playlist G<\/em> — blog “Do you dare<\/mark><\/a>“<\/p>\n\n\n\n

“\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 Om Shanti HU” — plain chant only <\/em>— <\/em>A# — low chanting voices in unison generating overtones — 4:43 — <\/em>September 2022 sound<\/mark><\/a> <\/p>\n\n\n\n

“\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 Om Shanti HU” — with Elijah’s bells and cicadas <\/em>— PentaProLa or PentaIon<\/em> <\/mark>(pentatonic major) on A# — tenor recorder, orthodox church bells, natural cicadas, 8-string guitar, low chanting voices in unison generating overtones — 4:43 — <\/em><\/mark>September 2022 sound<\/mark><\/a> or playlist G<\/em> — blog “\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 Om Shanti<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em> <\/p>\n\n\n\n

\u201cOnce upon a time\u201d — again and still on the way <\/em>— Phrygian<\/em> on E — 6-string guitar, 7-string guitar, small gong — 5:09 <\/em>— April 2023 sound<\/mark><\/a> or playlist J<\/em> — blog “What comes out<\/mark><\/a>” — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

\u201cOn Eagels\u2019 Wings\u201d <\/em>— triple fujara — 1:45 or 1:58 loop — July 2020 sound<\/mark><\/a>, loop<\/mark><\/a>, or playlist A<\/em> — album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

“One more step, and yet another” — happy trails! <\/em>— BlueReach <\/em>on F# (rel 438.2) — 8-string guitar — 4:32 <\/em>— December 2023 sound<\/mark><\/a> or playlist L<\/em> — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“Open door and heart” — an opportunity to step out — concert recording <\/em>— Ionian <\/em>(diatonic major) on C# (138 Hz) — 8-string guitar, tanpura — 5:55 recorded live <\/em>— February 2024 sound<\/mark><\/a> or playlist N<\/em><\/p>\n\n\n\n

“Ophiuchus” — the serpent bearer <\/em>— ReachMix — <\/em>fretted <\/em>vichitra veena,<\/em> tanpura, large gong — 10:00 <\/em>— April 2023 sound<\/mark><\/a> or playlist J<\/em> — blog “Time in such abundance<\/mark><\/a>” — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Ophiuchus alive” — living serpent bearer — live concert recording <\/em>— ReachMix<\/em> — fretted <\/em>vichitra veena, <\/em>tanpura, large gong — 5:18 <\/em>— April 2023 sound<\/mark><\/a> or playlist J<\/em><\/p>\n\n\n\n

“Ornate Gateway to Heaven and Hell” <\/strong>— Nepali and Tibetan cymbal pairs, gongs, 8-string guitar,vichitra veena,<\/em> voice — 6:44 — December 2020 sound<\/mark><\/a> or playlist A<\/em> — blog “It\u2019s a miracle<\/mark><\/a>” — album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

“Over- and Under-Tone Presents” <\/strong>— triple fujara and tenor recorder — 2:31 — <\/strong>March 2021 sound<\/mark><\/a> or playlist B <\/em>— blog \u201cWu wei \u7121\u70ba<\/mark><\/a>\u201d — album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

‘P’<\/p>\n\n\n\n

“Peaceful heart” — slowly but surely <\/em>— PhrygReach <\/em>or Neapolitan minor — 8-string guitar, tingsha cymbal pair, tanpura — 5:10 — <\/em>June 2023 sound<\/mark><\/a> or playlist K <\/em>— blog “Tonality of the month: PhrygReach<\/mark><\/a>” — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Peace over war” — with Christina Braun <\/strong>— <\/strong>Christina Braun: voice, Tingsha cymbals — Ulrico: large gong, Zildjian cymbal, sound bowls — 4:44 <\/strong>— February 2026 sound<\/mark><\/a> or playlist coop C<\/em><\/p>\n\n\n\n

“Pebbles in the pond” — a touch of a raga <\/em>— <\/em>Bairagi Bhairav raag based on C# — Christina Braun: voice — Ulrico: 8-string guitar — 5:38 <\/em>— April 2024 sound<\/mark><\/a> or playlist O<\/em> or playlist coop B <\/em>— blog “True freedom<\/mark><\/a><\/p>\n\n\n\n

“Perfect imperfection” — one step closer <\/em>— IonAeolian \/ ClusterBal<\/em> (melodic major) with a touch of Ionian <\/em>on E (164.3 Hz) — 8-string guitar, small gong, tanpura — 12:01 <\/em>— March 2024 sound<\/mark><\/a> or playlist O <\/em>— blog “Be excited and inspired<\/mark><\/a>” — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

“Permanent impermanence” — heart remediation blues <\/em>— PentaBlue<\/em> on D (rel. A 438.2 Hz) — 8-string guitar, crotales, nepali cymbals, tanpura — 7:43 <\/em>— February 2025 sound<\/mark><\/a> or playlist R <\/em>— blog “Sound of silence<\/mark><\/a>“<\/p>\n\n\n\n

“Phrygian HU” — a meditative blues <\/em>— Phrygian <\/em>— multiple 8-string guitar, voice, crotales, tampura — 10:20 — <\/em>May 2022 sound<\/mark><\/a> or playlist F <\/em>— blog “November-December 2022 Tonalibus update<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Plain Gateway to Heaven and Hell” <\/em>— Nepali and Tibetan cymbal pairs, gongs — 6:39 — December 2020 sound<\/mark><\/a> or playlist A<\/em> — blog “It\u2019s a miracle<\/mark><\/a>” — album Tonalibus A, B, & C<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Plain Guggis Chirping” <\/em>— 7-string guitar — 3:02 — <\/em>March 2021 sound<\/mark><\/a><\/p>\n\n\n\n

“Pragmatic freedom in expression” — a prayer song <\/em>— PhrygBlue<\/em> on C# (rel. 432 Hz) — Celtic harp, lap slide guitar, voice — 8:44 <\/em>— December 2023 sound<\/mark><\/a> or playlist L <\/em>— blog \u201cNo price is too high<\/mark><\/a>\u201d — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“Prayer in Gratitude for the Golden Heart, Ionian” <\/em>— Ionian <\/em>— 8-string guitar — 4:44 — <\/em>February 2021 sound<\/mark><\/a> or playlist B <\/em>— blog \u201cNo cutting corners<\/mark><\/a>\u201d — album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

“Prince on a pea” — can you find it? <\/em>— LoReachUp<\/em> on sharp E (rel. A 448 Hz — plus a single D) — 7-string guitar, bass, violin — 8:05 <\/em>— July 2024 sound<\/mark><\/a> or playlist P<\/em><\/p>\n\n\n\n

“Progress, No Regress” — a Pro tonalities modulation path <\/em>— PentaPro\/PentaNa<\/em>, HexaProMin<\/em>, HexaProReach<\/em>, HexaProMaj<\/em>, PentaProLa\/PentaIon<\/em>, plus touches of HexaProMix<\/em> — 8-string guitar and gong — 11:54 — <\/em>April 2021 sound<\/mark><\/a> or playlist C <\/em>— blog \u201cApril 2021 Tonalibus Update<\/mark><\/a>\u201d — album Tonalibus A, B, & C<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Pulsating through life” — lead on! <\/em>— HexaMin<\/em> <\/mark>on G# w\/a touch Aeolian — 5-string guitar, lap slide guitar, bass, conch — 4:00 <\/em><\/mark><\/mark><\/mark>— August 2023 sound<\/mark><\/a> or playlist K<\/em> — blog “August 2023 Tonalibus update<\/mark><\/a>” — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Pulse of an emerging blue heart” — first step into a new year <\/em>— PentaMin \/ PentaEol<\/em> (pentatonic minor) — multiple 8-string guitar — 6:13 <\/em><\/mark><\/mark><\/mark>— January 2023 sound<\/mark><\/a> or <\/mark><\/mark><\/mark>playlist I<\/em> — blog “<\/mark><\/mark>January 2023 Tonalibus update<\/mark><\/a>” — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Purya p\u016bj\u0101” — another call for peace <\/em>— ReachNaMaj<\/em> — 8-string guitar, gong, crotales, tanpura — 8:35 — <\/em>April 2022 sound<\/mark><\/a> or playlist E <\/em>— album Tonalibus D & E<\/mark><\/a><\/em> <\/mark><\/p>\n\n\n\n

‘Q’<\/p>\n\n\n\n

“Quad Pro square anchored octa Core” — an exploratory journey <\/em>— OctaCor<\/em>, Core tonality<\/em> derivative — 8-string guitar, gongs, harmonium — 9:08 — <\/em>October 2022 sound<\/mark><\/a> or playlist H<\/em> — blog “November-December 2022 Tonalibus update<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em><\/p>\n\n\n\n

“Querencia” — the place where one’s strength is drawn from <\/em>— Lydian <\/em>on C# (276 Hz) — 8-string guitar, big gong, tanpura — 7:05 <\/em>— April 2024 sound<\/mark><\/a> or playlist P <\/em>— blog \u201cLife, love, and the divine<\/mark><\/a>” — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

‘R’<\/p>\n\n\n\n

“Reach and Mix — Carried by the Wind” <\/em>— ReachMix <\/em>— voice by Christina Braun — 8-string guitar by Ulrico — 6:30 — February 2021 sound<\/mark><\/a> or playlist coop A<\/em> — blog “It works and not<\/mark><\/a>” — album Cooperation A<\/mark><\/a><\/em><\/p>\n\n\n\n

“Reaching up to heaven” — in ReachUp tonality <\/em>— ReachUp<\/em> — triple 8-string guitar and bass — 7:11 — <\/em>June 2021 sound<\/mark><\/a> or playlist C <\/em>— blog \u201cJuly 2021 Tonalibus update<\/mark><\/a>\u201d — album Tonalibus A, B, & C<\/mark><\/a><\/em> <\/p>\n\n\n\n

“ReachMin OM HU” — happy heart, new start <\/em>— ReachMin<\/em> (Phrygian dominant) — voice, lap slide guitar, tanpura — 7:33 <\/em>— May-June 2023 sound<\/mark><\/a> or playlist J <\/em>— blog \u201cWhy hostile<\/mark><\/a>\u201d — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“ReachUpMix with the Four Corners of the Sound Temple” <\/em>— ReachUpMix <\/em>— 8-string guitar and four gongs — 8:23 — <\/em>February 2021 sound<\/mark><\/a> or playlist B <\/em>— album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

“Reawakening” — pick up where you left off <\/em>— HexaNaTriMin<\/em> — 8-string guitar, gong, singing saw — 3:52 — <\/em>November 2021 sound<\/mark><\/a> or playlist D <\/em>— blog “October\/November 2021 Tonalibus update<\/mark><\/a>” — album Tonalibus D & E<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Remembering Boudhanath” <\/em>— double tenor recorder, singing saw, genuine Tibetan tingsha cymbals — 3:42 — January 2021 sound<\/mark><\/a> or playlist B<\/em> — blog “Home, sweet home<\/mark><\/a>” — album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

“Rinpoche d\u00e9j\u00e0-vu chant” — for recognition and deliverance <\/em>— ReachUp<\/em> or double harmonic\/Gypsy\/Hungarian minor on C# (138 Hz) — voices, 8-string guitar, gong, tanpura — 5:52 <\/em>— September 2024 sound<\/mark><\/a> or playlist Q<\/em> — blog “Rinpoche<\/mark><\/a>” — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

“Roots and crowns” — heaven to earth to heaven <\/em>— ReachMix <\/em>— 136 Hz 8-string guitar, big gong, tingsha cymbals, tanpura — 4:19 <\/em>— February 2023 sound<\/mark><\/a> or playlist I<\/em> — blog “Tonality of the month: ReachMix<\/mark><\/a>” — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Roots Reaching for Heaven” <\/em>— HexaProMix<\/em> — voice by Christina Braun — 8-string guitar by Ulrico — 5:54 — <\/em>April 2021 sound<\/mark><\/a> or playlist coop A<\/em> — album Cooperation A<\/mark><\/a><\/em><\/p>\n\n\n\n

‘S’<\/p>\n\n\n\n

“Sa\u1e43bhogak\u0101ya \u0938\u0902\u092d\u094b\u0917\u0915\u093e\u092f \/ \u5831\u8eab” — body of enjoyment <\/strong>— Dorian<\/em> on G# 102 Hz & Mixolydian<\/em> on C# 136 Hz (rel. A 432 Hz) — 7-string guitar, Zildjian cymbal, tanpura — 8:34 <\/strong>— February 2026 sound<\/mark><\/a> or playlist U<\/em> — blog “A burning platform<\/mark><\/a>“<\/p>\n\n\n\n

“\u0938\u0902\u092a\u094d\u0930\u092f\u093e\u0923 Sa\u1e43pray\u0101\u1e47a” — departure from past to future, let’s go! — for M <\/strong>— TetraNa<\/em> with Mixolydian<\/em> — double 7-string guitar, 8-string guitar, crotales — 15:10 — <\/strong>August 2022 sound<\/mark><\/a> or playlist G<\/em> — blog “God to go!<\/mark><\/a>” — album Tonalibus F, G, & H<\/mark><\/a><\/em><\/p>\n\n\n\n

“Saranam gacchami” — triple gem refuge <\/strong>— Mixolyd<\/em>–Ionian<\/em> (reduced) on F 172 Hz (rel. A 432 Hz) — chanting voices, tenor recorder, tanpura — 7:11 <\/strong>— January 2026 sound<\/mark><\/a> or playlist T<\/em> — blog “Looking beyond duality<\/mark><\/a>“<\/p>\n\n\n\n

“Sardic spiral stairwell” — for spiritually inclined beings <\/strong>— TetraNaLa, PentaProLa \/ PentaIon (pentatonic major), HexaBluNa \/ HexaLolo, TetraNa<\/em>, & derivatives — voice duet with Karin Gs\u00f6llpointner, 7-string guitar, bass bowl, tanpura — 8:17 <\/strong>— November 2023 sound<\/mark><\/a> or playlist L <\/em>— blog “A spiritual being<\/mark><\/a>” — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“Satipa\u1e6d\u1e6dh\u0101na concordance” — a meditative object <\/strong>— LocorReach<\/em> derivative w\/2- on C# 138 Hz (rel. 438.2 Hz), octatonality 1-2-4-5-7-8-9-12-1 with a hint of progression (single up 3 & lo 6) — double 7-string guitar & tanpura — 6:01 <\/strong>— June 2025 sound<\/mark><\/a> or playlist S<\/em> — blog “Anatt\u0101 — not self<\/mark><\/a>“<\/p>\n\n\n\n

“Shamana energy glow” — with Christina Braun <\/strong>— <\/strong>Christina Braun: voice — Ulrico: djembe — 4:22 <\/strong>— May 2025 sound<\/mark><\/a> or playlist R <\/em>or playlist coop C<\/em><\/p>\n\n\n\n

“Shamisen blues” — farewell to another round gone by <\/strong>— PentaEol \/ PentaMin<\/em> (pentatonic minor) on C# 275 Hz — shamisen, 7-string guitar, large gong, tanpura — 3:10 <\/strong>— January 2026 sound<\/mark><\/a> or playlist T<\/em> — blog “Together in the harmony of life<\/mark><\/a>“<\/p>\n\n\n\n

\u201cShepherd\u2019s Call\u201d <\/em>— sopranino recorder — 1:10 — summer 2014 sound<\/mark><\/a> or playlist CD<\/em> — A Symphony of Life and Love<\/mark><\/a><\/em><\/p>\n\n\n\n

“Skies close by” — traveling blue as soul <\/strong>— PentaMin \/ PentaEol<\/em> (pentatonic minor) based on A (rel. 442 Hz) — Christina Braun: violin — Ulrico: bass, tanpura — 3:45 <\/strong>— November 2023 sound<\/mark><\/a> or playlist coop B<\/em> — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“Slackline dance” — straight ahead <\/strong>— ReachMin<\/em> — 8-string guitar, tanpura, bass — 5:37 — <\/strong>March 2022 sound<\/mark><\/a> or playlist E <\/em>— blog “April 2022 Tonalibus update<\/mark><\/a>” — album Tonalibus D & E<\/mark><\/a><\/em><\/p>\n\n\n\n

“Soaring free” — wind in the wings <\/strong>— TetraMin <\/em>(with a touch of PentaMinMix\/PentaEolDor<\/em>) on G# (207 Hz) — Christina Braun: voice — Ulrico: fretted <\/strong>vichitra veena <\/strong>& bass — 5:52 <\/strong>— December 2024 sound<\/mark><\/a> or playlist Q<\/em> or playlist coop B<\/em> — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

\u201cSooner Rather than Later\u201d \u2014 an introspective sound sample <\/strong>— double tenor recorder, Nepali and Tibetan (tingsha) cymbal pairs, and voice — 6:13 — <\/strong>January 2021 sound<\/mark><\/a> or playlist B<\/em> — blog “Sooner or later<\/mark><\/a>” — album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

“Sound healing dedication” — a mutual exchange <\/strong>— Aeolian <\/em>on G — Punnu Wasu: voice & harmonium — Catherine G\u00f6ldlin: frame drum — Ulrico: bird whistle — 7:17 <\/strong>live <\/strong>— year-end 2023 sound<\/mark><\/a> or playlist coop PW<\/em><\/p>\n\n\n\n

“Sound journey” — in the moment — Fideris #6 <\/strong>— ReachMin<\/em> (Phrygian dominant)on G# — <\/strong>vichitra veena <\/strong>by Ulrico — tanpuras by Ursula Huggenberger & Karin Gs\u00f6llpointner — 5:50 live <\/strong>–July 2023 sound<\/mark><\/a> or playlist K<\/em><\/p>\n\n\n\n

Soundscape “Amazing” — native american flute, hang, and zither by Kathia Haug — gongs and crotales by Ulrico — didgeridoo and overtone singing by Egon Kunkel — alphorn by Hans Kurzen — 16:53 — summer 2014 — playlist<\/mark> 2014 CD<\/em> — CD A Symphony of Life and Love<\/mark><\/a><\/em><\/p>\n\n\n\n

Soundscape “Guggisberg” — zither and native american flute by Kathia Haug — <\/strong>vichitra veena <\/strong>and bass by Ulrico — b\u00fcchel and mini cornet by Hans Kurzen — tanpura and didgeridoo by Egon Kunkel — ocean drum by Hans Maurer — 13:08 — summer 2014 — playlist<\/mark> 2014 CD<\/em> — blog “Reality theater<\/mark><\/a>” — CD A Symphony of Life and Love<\/mark><\/a><\/em><\/p>\n\n\n\n

Soundscape “Lyoba” — zither and native american flute by Kathia Haug — bass and 7-string guitar by Ulrico — alphorn by Hans Kurzen — overtone singing by Egon Kunkel — 7:27 — summer 2014 — playlist<\/mark> 2014 CD<\/em> — CD A Symphony of Life and Love<\/mark><\/a><\/em><\/p>\n\n\n\n

“Spirit of the water” — healing medicine of forest flowers <\/strong>— HexaMin <\/em>on F# — Punnu Wasu: voice & frame drum — Ulrico: djembe — 5:57 <\/strong>live <\/strong>— year-end 2023 sound<\/mark><\/a> or playlist coop PW<\/em><\/p>\n\n\n\n

“Spontaneous first encounter” — a gentle first — Fideris #3 <\/strong>— <\/em>handpan duo by Ursula Huggenberger & Ulrico — 4:17 live <\/strong>— July 2023 sound<\/mark><\/a> or playlist K<\/em><\/p>\n\n\n\n

“Spontaneous Schong Jen P\u016bj\u0101”– HexaCorMix<\/em> — double 8-string guitar, four gongs, cortales — 3:42 — <\/strong>March 2021 sound<\/mark><\/a> or playlist C <\/em>— blog \u201cApril 2021 Tonalibus Update<\/mark><\/a>\u201d — album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

“Spontaneous Surprise” — for M\u00e4tti <\/strong>— 8-string guitar and voice — 4:47 loop — October 2020 sound<\/mark><\/a> or playlist A<\/em> — blog “Spontaneous surprise<\/mark><\/a>” — album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

“Spring sunbeam chirping”— <\/em>TetraNa<\/em>+ (natural harmonics) — selje flute, medium gong — 3:50<\/mark> <\/strong>— April 2023 sound<\/mark><\/a> or playlist J<\/em> — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Starlight before dawn” — gentle blue heart mix — for M-D <\/strong>— CorMix<\/em> on F# — 8-string guitar, tingsha cymbal pair, faint tanpura — 3:44 <\/strong>— October 2023 sound<\/mark><\/a> or playlist L<\/em> — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“Starry Sky” — a meditative improvisation <\/strong>— voice by Christina Braun — Nepali and Tibetan (tingsha) cymbals, crotales by Ulrico — 3:49 — <\/strong>February 2022 sound<\/mark><\/a> or playlist coop A<\/em> — album Cooperation A<\/mark><\/a><\/em><\/p>\n\n\n\n

“Step in over the sill” — starting in Fideris church — Fideris #1 <\/strong>— <\/em>sound bowls by Ursula Huggenberger, Karin Gs\u00f6llpointner, & Ulrico — 6:47 live <\/strong>— July 2023 sound<\/mark><\/a><\/p>\n\n\n\n

“Step out over the sill” — concluding in Fideris church — Fideris #7 <\/strong>— <\/em>gong, sound bowls, & tingsha cymbal pair by Ursula Huggenberger, Karin Gs\u00f6llpointner, & Ulrico — 8:33 live <\/strong>— July 2023 sound<\/mark><\/a><\/p>\n\n\n\n

“Straight forward” — dare jump in head-on <\/strong>— PentaMin\/PentaEol<\/em> w\/a touch Aeolian <\/em>on C# — Christina Braun: voice — Ulrico: 8-string guitar — 6:45 <\/strong>— April 2024 sound<\/mark><\/a> or playlist coop B<\/em><\/p>\n\n\n\n

“Stroll along Soul’s River Bank” <\/em>— voice by Christina Braun — cymbals, bowls, crotales, and gongs by Ulrico — 8:53 — February 2021 sound<\/mark><\/a> or playlist coop A<\/em> — album Cooperation A<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Sun glitters on a snow-covered field” — with Christina Braun <\/strong>— Mixolydian<\/em> on C# (rel. A 438 Hz), spiced — Christina Braun: voice — Ulrico: 8-string guitar — 5:18 <\/strong>— February 2026 sound<\/mark><\/a> or playlist T<\/em> or playlist coop C<\/em><\/p>\n\n\n\n

“Sunlight enters the dark” — light’s on– MinReach <\/em>(harmonic minor) on G# (207 Hz) — Christina Braun: voice — Ulrico: ukulele & tanpura — 4:11 <\/strong>— December 2024 sound<\/mark><\/a> or playlist Q<\/em> or playlist coop B<\/em><\/p>\n\n\n\n

“Sun rays’ dance in a dojo” — welcome to a new cycle <\/strong>— PentaEol \/ PentaMin<\/em> (pentatonic minor) on D 144 Hz (rel. A 432 Hz) — 8-string guitar — 3:54 <\/strong>— January 2026 sound<\/mark><\/a> or playlist T<\/em> — blog “Together in the harmony of life<\/mark><\/a>“<\/p>\n\n\n\n

“Sunrise miracle” — with Christina Braun <\/strong>— LoMidReach <\/em>on C# (rel. 438.2 Hz) — Christina Braun: voice — Ulrico: 8-string guitar — 5:35 <\/strong>— May 2025 sound<\/mark><\/a> or playlist R<\/em> or playlist coop C<\/em> — blog “<\/mark>Fabulous fabulating<\/mark><\/a>“<\/p>\n\n\n\n

“Surprises welcome” — glimpse around the corner <\/strong>— LocorNa \/ LocorMin<\/em><\/mark> — 8-string guitar — 4:20 <\/strong>— January 2023 sound<\/mark><\/a>or playlist I<\/em><\/mark> — blog “<\/mark>Tonality of the month: LocorNa \/ LocorMin<\/mark><\/a>“<\/mark> — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Swami Uodalric puja” — spontaneous celebration <\/strong>— LoMidReach<\/em>, a Reach tonality derivative, 1-2-4-5-8-9-12-1, on G# (rel. 438.2 Hz) — akin to Raag Puriya Dhanashree –vichitra veena,<\/em> lap slide guitar, conch, tanpura — 8:30 <\/strong>— May 2025 sound<\/mark><\/a> or playlist S<\/em> — blog “Elephants, cattle, and horses<\/mark><\/a>“<\/p>\n\n\n\n

‘T’<\/p>\n\n\n\n

“Tagicrosago” — W. A. Mathieu’s dark horse <\/em>— PhrygDorian<\/em> — tanpura, 8-string guitar, crotales, singing saw, gong — 5:45 — <\/em>March 2022 sound<\/mark><\/a> or playlist E <\/em>— blog “Tonality of the month: PhrygDorian<\/mark><\/a>” — album Tonalibus D & E<\/mark><\/a><\/em> <\/p>\n\n\n\n

\u201cTale of Words and Sounds\u201d — voice by Christina Braun — 8-string guitar by Ulrico — 2:32 — July 2020 sound<\/mark><\/a> or playlist coop A<\/em> — album Cooperation A<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Tears of joy” — mantra of soul <\/em>— <\/em>multi-octave G# chant (aim relative to 207 Hz) — with a fusion of spiritually charged mantra syllables like \u014c\u1e43 \/ Aum<\/em> \u0950, and HU<\/em>, unifying much of the spiritual foundation of Tonalibus — 13:22 <\/em>— March 2024 sound<\/mark><\/a> or playlist O <\/em>— blog \u201cSuicide taboo<\/mark><\/a>“<\/p>\n\n\n\n

“Tears of joy” — mantra of soul with a waking toddler\u2019s song <\/em>— <\/em>multi-octave G# chant and wake up sounds of a 1.5-year old — 13:22 <\/em>— March 2024 sound<\/mark><\/a> or playlist O <\/em>— blog \u201cFinish your own puzzle<\/mark><\/a>\u201d — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

“The far side where opposites unite” — and the circles close <\/em>— TetraNa<\/em>\/Pro & Reg — double 8-string guitar, bass, voice — 6:39 — <\/em>November 2021 sound<\/mark><\/a> or playlist D <\/em>— blog “From being somebody<\/mark><\/a>” — album Tonalibus D & E<\/mark><\/a><\/em> <\/p>\n\n\n\n

“The joy of freedom within” — a healing calm <\/em>— Mixolydian <\/em>w\/a touch of Ionian<\/em>, ReachBal<\/em> on D# — Punnu Wasu: voice & mandolin — Ulrico: 7-string guitar — 12:02 <\/em>live <\/em>— year-end 2023 sound<\/mark><\/a> or playlist M <\/em>or coop PW<\/em><\/p>\n\n\n\n

“The Little Blue Loop that Could — at Rest” <\/em>— triple 8-string guitar — 0:57 loop — September 2020 sound<\/mark><\/a><\/p>\n\n\n\n

“The Little Blue Loop that Could — in Space” <\/em>— double 8-string guitar and bass — 0:47 loop — September 2020 sound<\/mark><\/a><\/p>\n\n\n\n

“The Little Blue Loop that Could — on Track” <\/em>— double 8-string guitar, bass, and voice — 3:38 loop — September 2020 sound<\/mark><\/a><\/p>\n\n\n\n

“The river’s current” — free flow spontaneity <\/em>— Phrygian <\/em>based on E (rel. 435 Hz) — Christina Braun: voice — Ulrico: 7-string guitar, bass bowl — 6:40 <\/em>— November 2023 sound<\/mark><\/a> or playlist coop B<\/em> — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“This side of the other side” — illusion and reality <\/em>— HexaBluNaReach <\/em>on C# (rel. 438.2 Hz) — 8-string guitar, bass, double voice, large gong — 6:58 <\/em>— January 2024 sound<\/mark><\/a> or playlist N <\/em>— blog “Take down illusions<\/mark><\/a>” — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“Th\u00f6-g\u00e4l” — instantaneous arrival <\/em>— PentaPro \/ PentaNa<\/em> on flat C (257 Hz, rel. A 432 Hz) — 7-string guitar, lap slide guitar, tenor recorder, tanpura — 11:56 <\/em>— September 2024 sound<\/mark><\/a> or playlist <\/em>Q <\/em>— blog “Abu Ullo<\/mark><\/a>” — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

“Thundering liberty and freedom” <\/em>— TetraNa <\/em>— 8-string guitar and large gong — 9:16 — <\/em>March 2022 sound<\/mark><\/a> or playlist E <\/em>— blog “Is it really freedom?<\/mark><\/a>” — album Tonalibus D & E<\/mark><\/a><\/em> <\/p>\n\n\n\n

\u201cTo a new horizon\u201d — let go of the horizon to find a new one <\/strong>— violin by Christina Braun — bowl and cymbals by Ulrico — 5:55 — March 2023 sound<\/mark><\/a> or playlist coop B <\/em>— blog “Actually a parasite<\/mark><\/a>” — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“Tongue in Guitars’ Cheek” <\/em>— triple 8-string guitar and voice — 2:53 loop — November 2020 sound<\/mark><\/a> or playlist A<\/em> — album Tonalibus A, B, & C<\/mark><\/a><\/em><\/p>\n\n\n\n

“Trust the boat” — on the high seas <\/em>— Mixolydian <\/em>on C# (69 Hz) — 8-string guitar — 7:00 <\/em>— February 2025 sound<\/mark><\/a> or playlist R <\/em>— blog “Trust the boat<\/mark><\/a>“<\/p>\n\n\n\n

‘U’<\/p>\n\n\n\n

“Ubuntu” — I am because we are <\/em>— HexaBlue <\/em>on C# — 8-string guitar, sopranino recorder — 7:25 <\/em>— December 2023 sound<\/mark><\/a> or playlist L <\/em>— blog “Knots open themselves<\/mark><\/a>” and “First it rains a lot<\/mark><\/a>” — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“Umbilical” — sounds in silence <\/strong>— ReachMin<\/em> or Phrygian dominant<\/em> on 136 Hz — multiple 8-string guitar — 10:05 <\/strong>— derived from the sound recordings for “Klanggeschichte”, the <\/mark>story: Nabelschnur<\/mark><\/em> about the development of the umbilical cord<\/mark> <\/strong>— March 2023 sound<\/mark><\/a> or playlist I<\/em> — blog “The divine<\/mark><\/a>” — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Universes” — corners of the sound temple constellation <\/em>— Core tonality<\/em> based on C#, G, A#, E (rel. 438 Hz) — Christina Braun: voice — Ulrico: gongs — 5:20 <\/em>— November 2023 sound<\/mark><\/a> or playlist coop B<\/em><\/p>\n\n\n\n

‘V’<\/p>\n\n\n\n

“Vajra bridge buzz” — rainbow light body karma <\/em>— ReachBal<\/em> or double harmonic\/Gypsy major on flat A# (225 Hz) — 7-string guitar, ukulele (w\/echo), gong — 6:31 <\/em>— September 2024 sound<\/mark><\/a> or playlist P<\/em> — blog “Karma<\/mark><\/a>” — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

“Vanishing appearance” — frettless floating kiln <\/em>— Aeolian<\/em> \/ natural minor, ReachUpMin<\/em> \/ Hungarian Gypsy minor on E — harmonium, shamisen, small gong — 6:16 <\/em>— June 2024 sound<\/mark><\/a> or playlist P<\/em> — blog “Nothing to say<\/mark><\/a>” — album Tonalibus O, P & Q<\/mark><\/a><\/em><\/p>\n\n\n\n

“Vibhas dawn” — daybreak raag <\/em>— PentaVibhas<\/em> (a Reach derivative) on C# (69 Hz) — Raag Vibhas \/ Bibhas — 8-string guitar, singing saw, tanpura — 5:33 <\/em>— April 2025 sound<\/mark><\/a> or playlist R<\/em> — blog “Emptiness<\/mark><\/a>“<\/p>\n\n\n\n

\u0935\u093f\u091a\u093f\u0924\u094d\u0930 — “Vichitra, a surprise” — odd, fanciful, and curious <\/strong>— ReachMin <\/em>on G# — Punnu Wasu: mandolin — Ulrico: fretted <\/strong>vichitra veena <\/strong>— 4:24 live <\/strong>— year-end 2023 sound<\/mark><\/a> or playlist M <\/em>and coop PW<\/em><\/p>\n\n\n\n

‘W’<\/p>\n\n\n\n

“Wake and ready for a new day” — for M. & M. <\/em>— Aeolian <\/em>with a touch of MinReach <\/em>or harmonic minor — piano — 5:35 — <\/em>March 2022 sound<\/mark><\/a> or playlist E <\/em>— blog “How much is imagined<\/mark><\/a>” and “Let go<\/mark><\/a>” — album Tonalibus D & E<\/mark><\/a><\/em><\/p>\n\n\n\n

“Wake to a new dream” — LocorReach meditation <\/em>— <\/mark>LocorReach<\/mark> <\/em>— 8-string guitar and tanpura — 15:44 — February 2023 <\/mark>sound<\/mark><\/a> or <\/mark><\/mark><\/mark>playlist I <\/em>— blog “A new together now<\/mark><\/a>” — album Tonalibus I, J & K<\/mark><\/a><\/em><\/p>\n\n\n\n

“Waves Concluding a Sound Temple Visit” — breathing voice waves by Christina Braun — 8-string guitar, crotales, and a touch of large gong by Ulrico — 1:52 or 1:48 loop — March 2021 sound<\/mark><\/a><\/p>\n\n\n\n

“Welcome, open the door” — greeting from the heart — Fideris #2 <\/strong>— <\/strong>selje flute by Ulrico — 2:17 live <\/strong>— <\/strong>July 2023 sound<\/mark><\/a> or playlist K<\/em><\/p>\n\n\n\n

“Welcome to the moment” — remembering the future <\/em>— Mixolydian <\/em>on G — multiple fujara, single crotale, medium gong — 8:12 <\/em>— December 2023 sound<\/mark><\/a> or playlist M <\/em>— blog “Eye to eye<\/mark><\/a>” and “Way and virtue<\/mark><\/a>” — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“What goes up, and what comes down” — watch out! <\/em>— BlueMaj <\/em>on F# (rel 438.2) — 8-string guitar, faint tanpura — 3:17 <\/em>— December 2023 sound<\/mark><\/a> or playlist L<\/em> — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“Whiff of Wings” <\/em>— voice by Christina Braun — fujara by Ulrico — 3:13 — <\/em>September 2020 sound<\/mark><\/a> or playlist coop A<\/em> — album Cooperation A<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Wild Thing” <\/em>— ReachUp<\/em> (double harmonic\/Gypsy minor) — voice by Christina Braun — 8-string guitar by Ulrico — 3:48 — <\/em>July 2021 sound<\/mark><\/a> or playlist coop A<\/em> — album Cooperation A<\/mark><\/a><\/em><\/p>\n\n\n\n

“Winter blue sky sunshine” — a prayer of gratitude <\/strong>— LoMidReachMin <\/em>(a BluNa \/ MidReach derivative) on C# — 8-string guitar, large gong, tanpura — 5:10 <\/strong>— December 2023 sound<\/mark><\/a> or playlist M<\/em> — blog “Gradual letting go<\/mark><\/a>” — album Tonalibus L, M, & N<\/mark><\/a><\/em><\/p>\n\n\n\n

“With the pulse of life” — a lively dance <\/em>— LydReach \/ NaReach<\/em> — 8-string guitar and big gong — 2:31 — <\/em>February 2022 sound<\/mark><\/a> or playlist E <\/em>— album Tonalibus D & E<\/mark><\/a><\/em> <\/p>\n\n\n\n

“Wo bischt? — O\u00f9 es-tu ? — Dove sei? — Where are you? — Wo bist du?” —<\/em> Swiss, English, French, Italian, German — spoken word — 4:50 <\/em>— April 2023 sound<\/mark><\/a> or playlist J<\/em> — blog “Wo bischt?<\/mark><\/a>” — album Tonalibus I, J & K<\/mark><\/a><\/em> (except Spotify)<\/p>\n\n\n\n

\u201c\u7121\u70ba Wu wei \u2014 contemplation\u201d <\/em>— meditative sound sample — multiple fujara (bass) — 3:35 — <\/em>February 2022 sound<\/mark><\/a> or playlist D <\/em>— blog “Things come together<\/mark><\/a>” — album Tonalibus D & E<\/mark><\/a><\/em> <\/p>\n\n\n\n

Personal and cooperation sounds — title list by instrument<\/h2>\n\n\n\n
\n
String instruments<\/a><\/div>\n\n\n\n
Wind instruments<\/a><\/div>\n\n\n\n
Percussive instruments<\/a><\/div>\n\n\n\n
Voice<\/a><\/div>\n<\/div>\n\n\n\n

Personal and cooperation sounds — title list by string instruments<\/h3>\n\n\n\n
\n
8-string guitar<\/a><\/div>\n\n\n\n
7-string guitar<\/a><\/div>\n\n\n\n
6-string guitar<\/a><\/div>\n\n\n\n
5- & 4-string guitar<\/a><\/div>\n\n\n\n
lap slide guitar<\/a><\/div>\n\n\n\n
bass<\/a><\/div>\n\n\n\n
vichitra veena<\/a><\/div>\n\n\n\n
violin<\/a><\/div>\n\n\n\n
shamisen<\/a><\/div>\n\n\n\n
ukulele<\/a><\/div>\n\n\n\n
harp<\/a><\/div>\n\n\n\n
zither<\/a><\/div>\n\n\n\n
mandolin<\/a><\/div>\n\n\n\n
monochord<\/a><\/div>\n\n\n\n
piano<\/a><\/div>\n<\/div>\n\n\n\n

Personal and cooperation sounds — title list by 8-string guitar (combos)<\/h3>\n\n\n\n
\n
8-string guitar<\/a><\/div>\n\n\n\n
with tanpura<\/a><\/div>\n\n\n\n
with bass<\/a><\/div>\n\n\n\n
with bass & voice<\/a><\/div>\n\n\n\n
with male voice<\/a><\/div>\n\n\n\n
with female voice<\/a><\/div>\n\n\n\n
with voice & percussives<\/a><\/div>\n\n\n\n
with percussives<\/a><\/div>\n\n\n\n
with singing saw<\/a><\/div>\n\n\n\n
with harmonium<\/a><\/div>\n\n\n\n
with winds<\/a><\/div>\n\n\n\n
with 7-string guitar<\/a><\/div>\n\n\n\n
with lap slide guitar<\/a><\/div>\n\n\n\n
with mandolin<\/a><\/div>\n\n\n\n
with others<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

8-string guitar (plain)<\/p>\n\n\n\n

“Neither nor it is” — neither minor nor major <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Mett\u0101 cetovimutti” — liberation of the heart through love <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Sun rays’ dance in a dojo” — welcome to a new cycle <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“May the blessings be” — ignorance abandoned <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Hearts dance and remember” — all in one in all <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Flashes of radiant cognizance” — in empty space <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“A dimension of equilibrium” — major minor or minor major <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Trust the boat” — on the high seas <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Consciousness” — the one state worth considering <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Know what you know” — very and nothing special <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Gently rotating fifth wheel” — a plea for peace <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“A glimpse of heaven” — simple and straight forward <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“One more step, and yet another” — happy trails! <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Umbilical” — sounds in silence <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Harmonic two-way challenge” — CorMaj \/ LoloReachLyd contemplation <\/strong>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a><\/mark>
“Surprises welcome” — glimpse around the corner <\/strong>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a><\/mark><\/mark>
“Pulse of an emerging blue heart” — first step into a new year <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a><\/mark><\/mark><\/mark>
“Never give up, let go completely” — a miracle of nature <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Celebration joy” — a new start — for Metta (and Moon) <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
\u201cNew moon rising\u201d \u2014 a sensitive welcome <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Nature’s echo in blue calm” — where a contrast meets <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Happy birthday, Robin Hood!” — for K. <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Guggisb\u00e4rg-Melodie, live” — QuBa concert recording <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cFrom the future to the present and back\u201d <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Natural harmonics gateway” — first step in a Na tonality <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cAcoustic Scale Acceptance\u201d \u2014 a previously rejected tonality <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Journey Around the Sun” — a circular Core modulation <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Flowing Upward” — calm, uplifting modulation path <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“(Ionian) Prayer in Gratitude for the Golden Heart” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“BlueMix Syntropy” — blues mix in BlueMix tonality <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“The Little Blue Loop that Could — at Rest” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cDancing above the Clouds\u201d <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

8-string guitar with tanpura (plain)<\/p>\n\n\n\n

“\u092e\u0948\u0924\u094d\u0930\u0940 Maitr\u012b base” — the privilege of breath <\/em>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Inner and outer connecting point” — culture fusion <\/em>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Bairagi Bhairav raag” — a first raga interpretation <\/em>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Open door and heart” — an opportunity to step out — concert recording <\/em>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“What goes up, and what comes down” — watch out! <\/em>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Balancing up and down” — extensive calm <\/em>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Wake to a new dream” — LocorReach meditation <\/em>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a> <\/mark><\/mark><\/mark>
“Embracing Ma” — Pro-Reg-Pro meditation <\/em>— index<\/mark><\/a> — sound<\/mark><\/a>
“HexaNa Gita” — harmonic six-pack <\/em>— index<\/mark><\/a> — sound<\/mark><\/a>
“Conscious derivative” — an island memory <\/em>— index<\/mark><\/a> — sound<\/mark><\/a>
“Clearing mist at dawn” — a meditative sound sample — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

8-string guitar with bass (& tanpura \/ tingsha cymbals \/ djembe \/ crotales)<\/p>\n\n\n\n

\u201cHappy cat\u2019s meow\u201d — head and heart — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Blue sound step ahead” — all the same and different — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cEchoes of growing silence\u201d — celebrating a new birth — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Humpbacks breach the surface” — a dreamscape — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Slackline dance” — straight ahead — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Gitabats blues” — an ornate blue flight — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Inversion progression, from here to there and back” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Reaching up to heaven” — in ReachUp tonality — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Back on a blue track” — treasuring healthy roots — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“(MinReach with) Guggisberg Melody” — a harmonic minor example — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Little Balloon” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“The Little Blue Loop that Could — in Space” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

8-string guitar with bass & voice (& more)<\/p>\n\n\n\n

“This side of the other side” — illusion and reality — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0950 \u0917\u0923\u0947\u0936 \u0950 — \u014c\u1e43 Ga\u1e47e\u015ba \u014c\u1e43” — a picture story — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Das M\u00fclirad isch broche, Simelib\u00e4rg!” — go in peace — for KHT — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cFarewell welcome blues\u201d \u2014 from one Moon to the next — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“The far side where opposites unite” — and the circles close — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Full Steam Ahead!” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“The Little Blue Loop that Could — on Track” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Dune Dawn” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a> <\/p>\n\n\n\n

8-string guitar with male voice (plain)<\/p>\n\n\n\n

“Mischief or miss a chief” — PentaBluNaLa with chant <\/em>— index<\/mark><\/a> — sound<\/mark><\/a>
“\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 \u092d\u0915\u094d\u0924\u093f \u0950 — \u014c\u1e43 \u015a\u0101nti\u1e25 Bhakti \u014c\u1e43” — contemplation <\/em>— index<\/mark><\/a> — sound<\/mark><\/a>
“\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 Om Shanti HU” — just chant and pluck — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“HU cares” — a sound cycle p\u016bj\u0101 — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Happy Sadness or Sad Happiness?” — a contemplative prayer — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Tongue in Guitars’ Cheek” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Covid Sing’in Tongue” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Spontaneous Surprise” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

8-string guitar with female voice (plain)<\/p>\n\n\n\n

“It is what it is” — with Christina Braun <\/strong>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
“Sun glitters on a snow-covered field” — with Christina Braun <\/strong>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
“Sunrise miracle” — with Christina Braun <\/strong>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
“Pebbles in the pond” — a touch of a raga <\/strong>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
“Straight forward” — dare jump in head-on <\/strong>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
\u201cKlanggeschichte\u201d — the development of the umbilical cord <\/strong>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
\u201cEver again, keep going!\u201d — life moves on <\/strong>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
“Awakening pixie Nirak” — sparkling pixie dust <\/strong>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a><\/mark><\/mark><\/mark>
“Doula’s song and silence” — for a new generation <\/strong>— <\/mark>coop<\/mark><\/a>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a><\/mark>
“Cheerful Hey, Hey!” — a happy dance <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Gentle Echoes of a Wild Thing” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Hallo Stille [Hello Silence]” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Wild Thing”– coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Roots Reaching for Heaven” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Reach and Mix — Carried by the Wind” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cTale of Words and Sounds\u201d <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

8-string guitar with voice & percussives (gong \/ tingsha cymbals \/ crotales \/ bells)<\/p>\n\n\n\n

“\u0f00\u0f0b\u0f68\u0f71\u0f7f\u0f0b\u0f67\u0f71\u0f74\u0f83 – \u014c\u1e43 \u0101\u1e25 h\u016b\u1e43” — dissolving search and soft landing — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Rinpoche d\u00e9j\u00e0-vu chant” — for recognition and deliverance — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Bears and butterflies” — sifting through colorful sand — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Individual bhajan” — a progression experiment — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Let\u2019s talk” — a personal manifesto — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Phrygian HU” — a meditative blues — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cIt, God\u201d \u2014 trinity in common language — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Waves Concluding a Sound Temple Visit” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

8-string guitar with percussives (gong \/ crotales \/ cymbals \/ bowl)<\/p>\n\n\n\n

“Future memory past now” — neither minor nor major — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Happy gnomes and elves” — a fairy tail dance — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Another day breaks” — from dark to light — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Permanent impermanence” — heart remediation blues — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201c\u0928\u091f \u0938\u0930\u0938 Nat Saras\u201d — moon dance by a pond — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Querencia” — the place where one’s strength is drawn from — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Perfect imperfection” — one step closer — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Embraced in silence” — so close, and yet so far — in memory of Elaine — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Winter blue sky sunshine” — a prayer of gratitude — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Starlight before dawn” — gentle blue heart mix — for M-D — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Peaceful heart” — slowly but surely <\/em>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Roots and crowns” — heaven to earth to heaven <\/em>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Dear doula” — room for silence <\/em>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Gitigota” — a first inversion pair experiment — for K <\/em>— index<\/mark><\/a> — sound<\/mark><\/a>
“HeptaNa Gita” — harmonics medley <\/em>— index<\/mark><\/a> — sound<\/mark><\/a>
“Life is great!” — a celebratory meditation — for M\u00e4tti <\/em>— index<\/mark><\/a> — sound<\/mark><\/a>
“Let’s listen” — a personal meditation <\/em>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Purya p\u016bj\u0101” — another call for peace — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Thundering liberty and freedom” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“With the pulse of life” — a lively dance — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Progress, No Regress” — a Pro tonalities modulation path — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Spontaneous Schong Jen P\u016bj\u0101” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“(ReachUpMix with the) Four Corners of the Sound Temple” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

8-string guitar with singing saw (& gong \/ crotales & voice \/ bass)<\/p>\n\n\n\n

“Vibhas dawn” — daybreak raag <\/em>— index<\/mark><\/a> — sound<\/mark><\/a>
“Living echoes in relative silence\u201d — live concert recording <\/em>— index<\/mark><\/a> — sound<\/mark><\/a>
“Gitasa” — a family present for a present family <\/em>— index<\/mark><\/a> — sound<\/mark><\/a>
“Tagicrosago” — W. A. Mathieu’s dark horse — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Bagisacro blues” — let’s dance! — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cBlue courage\u201d \u2014 a Dorian mode blues medley — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Reawakening” — pick up where you left off — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Na track” — Na(tural harmonics) in action — for M. — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Little Earworm Pupating” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

8-string guitar with harmonium (& gong \/ tingsha cymbals \/ voice)<\/p>\n\n\n\n

\u091c\u092f \u091c\u092f \u092e\u093e\u0901 — “Jai Jai Ma” — praise the mother <\/em>— <\/em>coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
“Quad Pro square anchored octa Core” — an exploratory journey <\/em>— index<\/mark><\/a> — sound<\/mark><\/a>
“Gihahatigo Bhairav” — ReachBal contemplation <\/em>— index<\/mark><\/a> — sound<\/mark><\/a>
“First encounter of old all new” — with Punnu Singh Wasu <\/em>— <\/em>coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a> <\/p>\n\n\n\n

8-string guitar with winds (fujara \/ recorder & more)<\/p>\n\n\n\n

“\u056b\u0574\u0561\u057d\u057f\u0578\u0582\u0576 Imastun <\/em>survivors” — calling for silence — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Fearless floating” — in the flow of life and love — concert recording — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Ubuntu” — I am because we are — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 Om Shanti HU” — with Elijah’s bells and cicadas — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“No mistake” — big sky, beach, rock, pine, broken branch — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Holy sham” — a short sound excursion far out — for M&M — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Just Be, No More” — an unintended short PentaCor p\u016bj\u0101 — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cAs God Realizes the Moment\u201d — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

8-string guitar with 7-string guitar & crotales (& gong)<\/p>\n\n\n\n

“\u0938\u0902\u092a\u094d\u0930\u092f\u093e\u0923 Sa\u1e43pray\u0101\u1e47a” — departure from past to future, let’s go! — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cGratitude in advance\u201d \u2014 a true gift — <\/em>index<\/mark><\/a> — sound<\/mark><\/a> <\/p>\n\n\n\n

8-string guitar with lap slide guitar (& bass, tanpura, etc.)<\/p>\n\n\n\n

“Calm Mudita joy” — are you here? — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201c\u0928\u091f \u0938\u0930\u0938 Nat Saras\u201d — moon dance by a pond — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0950 \u0917\u0923\u0947\u0936 \u0950 — \u014c\u1e43 Ga\u1e47e\u015ba \u014c\u1e43” — a picture story — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cHappy cat\u2019s meow\u201d — head and heart — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Das M\u00fclirad isch broche, Simelib\u00e4rg!” — go in peace — for KHT — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Blue sound step ahead” — all the same and different — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

8-string guitar with mandolin<\/p>\n\n\n\n

“Harmony in the present moment” — blending cultures <\/em>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
“Joy, peace, & harmony” — friends always meet again <\/em>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
“Gentle blue light” — with Punnu Singh Wasu <\/em>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a> <\/p>\n\n\n\n

8-string guitar with other instruments — 6-string guitar \/ <\/em>vichitra veena <\/em>\/ shamisen<\/p>\n\n\n\n

“\u0f00\u0f0b\u0f68\u0f71\u0f7f\u0f0b\u0f67\u0f71\u0f74\u0f83 – \u014c\u1e43 \u0101\u1e25 h\u016b\u1e43” — dissolving search and soft landing — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“It is that it is” — and that’s good news! — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Christina’s Theme” — a work in progress <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Ornate Gateway to Heaven and Hell” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

7-string guitar<\/p>\n\n\n\n

“Sa\u1e43bhogak\u0101ya \u0938\u0902\u092d\u094b\u0917\u0915\u093e\u092f \/ \u5831\u8eab” — body of enjoyment <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Heartfelt tears of joy” — can you feel them? <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Non-return” — from a non-I retreat <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Shamisen blues” — farewell to another round gone by <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Bodhi Paloma” — home sweet home <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Octahedron moment” — even before and also after <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“A pilgrim’s path” — here now <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Satipa\u1e6d\u1e6dh\u0101na concordance” — a meditative object <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Nirodha blues” — dance of the trees <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Humble bumble dumble” — homecoming blues <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Th\u00f6-g\u00e4l” — instantaneous arrival <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Vajra bridge buzz” — rainbow light body karma <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“From red line to white plane” — a serene transition <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Prince on a pea” — can you find it? <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Between light and sound” — Hungarian Gypsy equanimity <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Home turf roots” — swingin’ on a star <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u014c\u1e43 Gam Ganapataye Namaha” — Ganesha mantra <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 — “\u014c\u1e43 \u015a\u0101nti\u1e25” — sound healing <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“The joy of freedom within” — a healing calm <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Beyond endings and beginnings” — essentially being <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“The river’s current” — free flow spontaneity <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Sardic spiral stairwell” — for spiritually inclined beings <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Again, all new” — wooden floor creaks — Fideris #4 <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Blue glacial melt water” — soundscape <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cOnce upon a time\u201d — again and still on the way <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“An embrace of divine love” — no hypocrisy <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0938\u0902\u092a\u094d\u0930\u092f\u093e\u0923 Sa\u1e43pray\u0101\u1e47a” — departure from past to future, let’s go! <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cGratitude in advance\u201d \u2014 a true gift <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Blue HU” — a freedom adventure <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Old box jumping Jack” — mother of the West <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0950 \u092e\u0923\u093f\u092a\u0926\u094d\u092e\u0947 \u0939\u0942\u0901 Au\u1e43 ma\u1e47i padme h\u016b\u1e43 — blues” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Plain Guggis Chirping” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cHeart of Love\u201d <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
Soundscape “Lyoba” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD<\/p>\n\n\n\n

6-string guitar<\/p>\n\n\n\n

“Ever forward into the open” — blue destination <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“From here to now” — on a flying carpet — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cOnce upon a time\u201d — again and still on the way — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Future past lives” — a heartfelt blues memory revived — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Christina’s Theme” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Christina’s Theme” — a work in progress <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

5- & 4-string guitar<\/p>\n\n\n\n

“Dream projections” — let them fly high — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/mark>
“Layers” — modular world building blocks <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Among suns, moons, and stars” — a hopeful blues — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Ma Sa Papa” — hearts long for peace — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Pulsating through life” — lead on! — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Go with God” — a final blessing — in memory of Stivensky —<\/em><\/em> index<\/mark><\/a> — sound<\/mark><\/a>
“Calling the divine” — hearts connect directly — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

lap slide guitar<\/p>\n\n\n\n

“Happy about impermanence” — it can be! <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Heartfelt tears of joy” — can you feel them? <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Octahedron moment” — even before and also after <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Swami Uodalric puja” — spontaneous celebration <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Calm Mudita joy” — are you here? <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Humble bumble dumble” — homecoming blues <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Th\u00f6-g\u00e4l” — instantaneous arrival <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201c\u0917\u0930\u0941\u0921\u093c Garu\u1e0da\u201d — puja for the celestial hawk <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201c\u0928\u091f \u0938\u0930\u0938 Nat Saras\u201d — moon dance by a pond <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0950 \u0917\u0923\u0947\u0936 \u0950 — \u014c\u1e43 Ga\u1e47e\u015ba \u014c\u1e43” — a picture story <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Pragmatic freedom in expression” — a prayer song <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cHappy cat\u2019s meow\u201d — head and heart <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Das M\u00fclirad isch broche, Simelib\u00e4rg!” — go in peace — for KHT <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Among suns, moons, and stars” — a hopeful blues <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0915\u0941\u092e\u094d\u092d\u0915 Kumbhaka” — between in and out, out and in — for M-A <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Pulsating through life” — lead on! <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Fused oriental occident and occidental orient” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Blue sound step ahead” — all the same and different <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cBack in open time and space\u201d — at long last <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“ReachMin OM HU” — happy heart, new start <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

bass (bass-guitar)<\/p>\n\n\n\n

“Incredible journey blues” — with Christina Braun <\/em>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Nirodha blues” — dance of the trees — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Soaring free” — wind in the wings <\/em>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Prince on a pea” — can you find it? — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Ever forward into the open” — blue destination <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“This side of the other side” — illusion and reality — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0950 \u0917\u0923\u0947\u0936 \u0950 — \u014c\u1e43 Ga\u1e47e\u015ba \u014c\u1e43” — a picture story — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Skies close by” — traveling blue as soul <\/em>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cHappy cat\u2019s meow\u201d — head and heart — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Das M\u00fclirad isch broche, Simelib\u00e4rg!” — go in peace — for KHT — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Pulsating through life” — lead on! — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Blue sound step ahead” — all the same and different — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cEchoes of growing silence\u201d — celebrating a new birth — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cFarewell welcome blues\u201d \u2014 from one Moon to the next — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Humpbacks breach the surface” — a dreamscape — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Slackline dance” — straight ahead — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Gitabats blues” — an ornate blue flight — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Bagisacro blues” — let’s dance! — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Inversion progression, from here to there and back” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“The far side where opposites unite” — and the circles close — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Reaching up to heaven” — in ReachUp tonality — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Back on a blue track” — treasuring healthy roots — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“(MinReach with) Guggisberg Melody” — a harmonic minor example — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Little Balloon” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Blue Wrap Rap” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Full Steam Ahead!” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“The Little Blue Loop that Could — in Space” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“The Little Blue Loop that Could — on Track” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Dune Dawn” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
Soundscape “Guggisberg” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD
Soundscape “Lyoba” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD<\/p>\n\n\n\n

vichitra veena<\/p>\n\n\n\n

“Swami Uodalric puja” — spontaneous celebration — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Soaring free” — wind in the wings <\/em>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Breath of life chant” — whistle breath plain — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Breath of life chant” — the answer within — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u0935\u093f\u091a\u093f\u0924\u094d\u0930 — “Vichitra, a surprise” — odd, fanciful, and curious <\/em>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
“Joy, peace, & harmony” — friends always meet again <\/em>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
“\u0915\u0941\u092e\u094d\u092d\u0915 Kumbhaka” — between in and out, out and in — for M-A — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Calmly breathe in, out, and in again” — Kumbhaka base — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Sound journey” — in the moment — Fideris #6 — <\/em>coop<\/mark><\/a>\/coop<\/mark><\/a> — <\/em><\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Fused oriental occident and occidental orient” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Ophiuchus alive” — living serpent bearer — live concert recording — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Ophiuchus” — the serpent bearer — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Blessings may be, live” — QuBa concert recording — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u091a\u0948\u0924\u0928\u094d\u092f Chaitanya — blues” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“A Touch of Grace” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Ornate Gateway to Heaven and Hell” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cEternal Moment\u201d — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
Soundscape “Guggisberg” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD<\/p>\n\n\n\n

violin<\/p>\n\n\n\n

“North woods gnome procession” — warming hearts <\/em>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“North woods gnome gathering” — a sweet start <\/em>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Prince on a pea” — can you find it? — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Between light and sound” — Hungarian Gypsy equanimity — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Skies close by” — traveling blue as soul <\/em>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cTo a new horizon\u201d — let go of the horizon to find a new one <\/em>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“\u091a\u0948\u0924\u0928\u094d\u092f Chaitanya — blues” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

shamisen<\/p>\n\n\n\n

“Shamisen blues” — farewell to another round gone by <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0926\u0947\u0935\u0926\u0942\u0924 Devad\u016btas, angels here and now” — where are you? <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0f00\u0f0b\u0f68\u0f71\u0f7f\u0f0b\u0f67\u0f71\u0f74\u0f83 – \u014c\u1e43 \u0101\u1e25 h\u016b\u1e43” — dissolving search and soft landing <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“It is that it is” — and that’s good news! — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Vanishing appearance” — frettless floating kiln <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

ukulele<\/p>\n\n\n\n

“No more, no less” — let go completely <\/strong>— <\/em>index<\/mark><\/a> — sound<\/a><\/mark>
“Dragonfly wings” — with Christina Braun <\/strong>— <\/mark><\/em>coop<\/mark><\/a><\/mark> <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Bodhi Paloma” — home sweet home <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Incredible journey blues” — with Christina Braun <\/strong>— <\/mark>coop<\/mark><\/a> <\/strong>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Sunlight enters the dark” — light’s on <\/strong>— <\/mark>coop<\/mark><\/a> <\/strong>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Vajra bridge buzz” — rainbow light body karma <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Beatenberg Buddha bounce” — returning to & from silence <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“From red line to white plane” — a serene transition <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

harp<\/p>\n\n\n\n

“Pragmatic freedom in expression” — a prayer song — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Audibly paced advance” — a coordination challenge — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“First Baby Angel Steps” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a> <\/p>\n\n\n\n

zither<\/p>\n\n\n\n

Soundscape “Amazing” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD
Soundscape “Guggisberg” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD
Soundscape “Lyoba” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD<\/p>\n\n\n\n

mandolin<\/p>\n\n\n\n

“Harmony in the present moment” — blending cultures <\/em>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
\u0935\u093f\u091a\u093f\u0924\u094d\u0930 — “Vichitra, a surprise” — odd, fanciful, and curious <\/em>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 — “\u014c\u1e43 \u015a\u0101nti\u1e25” — sound healing <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“The joy of freedom within” — a healing calm <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Joy, peace, & harmony” — friends always meet again <\/em>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
“Gentle blue light” — with Punnu Singh Wasu <\/em>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a> <\/p>\n\n\n\n

monochord<\/p>\n\n\n\n

“Calling the gods” — reaching out rather far — Fideris #5 <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

piano<\/p>\n\n\n\n

“Wake and ready for a new day” — for M. & M. — <\/em>index<\/mark><\/a> — sound<\/mark><\/a> <\/p>\n\n\n\n

Personal and cooperation sounds — title list by wind instruments<\/h3>\n\n\n\n
\n
fujara<\/a><\/div>\n\n\n\n
tenor recorder<\/a><\/div>\n\n\n\n
sopranino recorder<\/a><\/div>\n\n\n\n
selje flute<\/a><\/div>\n\n\n\n
fead\u00f3g<\/a><\/div>\n\n\n\n
bird whistle<\/a><\/div>\n\n\n\n
conch<\/a><\/div>\n\n\n\n
trombone<\/a><\/div>\n\n\n\n
harmonium<\/a><\/div>\n\n\n\n
native american flute<\/a><\/div>\n\n\n\n
alphorn \/ b\u00fcchel \/ cornet<\/a><\/div>\n\n\n\n
didgeridoo<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

fujara<\/p>\n\n\n\n

\u201c\u0917\u0930\u0941\u0921\u093c Garu\u1e0da\u201d — puja for the celestial hawk — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Welcome to the moment” — remembering the future — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cLiving drops of glacial melt water\u201d — live concert recording — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Blue glacial melt water” — soundscape — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Holy sham” — a short sound excursion far out — for M&M — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201c\u7121\u70ba Wu wei \u2014 contemplation\u201d — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Heart in Misty Forest” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Just Be, No More” — an unintended short PentaCor p\u016bj\u0101 — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Over- and Under-Tone Presents” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cLouder Call for Peace\u201d — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Call to Peace” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Whiff of Wings” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cOn Eagels\u2019 Wings\u201d — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cAs God Realizes the Moment\u201d — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

tenor recorder<\/p>\n\n\n\n

“Saranam gacchami” — triple gem refuge <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“A pilgrim’s path” — here now <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Th\u00f6-g\u00e4l” — instantaneous arrival <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“From here to now” — on a flying carpet <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Blue glacial melt water” — soundscape <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 Om Shanti HU” — with Elijah’s bells and cicadas <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“No mistake” — big sky, beach, rock, pine, broken branch <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Over- and Under-Tone Presents” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cSooner Rather than Later\u201d \u2014 an introspective sound sample <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Remembering Boudhanath” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Call to Peace” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cAs God Realizes the Moment\u201d <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

sopranino (or sporano) recorder<\/p>\n\n\n\n

“Iech k\u00f6renes Gl\u00f6ggli” — I hear a little bell — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Octahedron moment” — even before and also after — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Fearless floating” — in the flow of life and love — concert recording — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Ubuntu” — I am because we are — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cShepherd\u2019s Call\u201d — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

selje flute<\/p>\n\n\n\n

“Go with God” — a final blessing — in memory of Stivensky —<\/em><\/em> index<\/mark><\/a> — sound<\/mark><\/a>
“Calling the divine” — hearts connect directly — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Welcome, open the door” — greeting from the heart — Fideris #2 — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Spring sunbeam chirping” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

fead\u00f3g (Irish tin whistle)<\/p>\n\n\n\n

“Nirodha blues” — dance of the trees — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Beatenberg Buddha bounce” — returning to & from silence — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

bird whistle<\/p>\n\n\n\n

“Sound healing dedication” — a mutual exchange <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Beyond endings and beginnings” — essentially being — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Calling the gods” — reaching out rather far — Fideris #5 <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

conch<\/p>\n\n\n\n

“Earth to God, come in please” — two dozen times — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Swami Uodalric puja” — spontaneous celebration — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0f00\u0f0b\u0f68\u0f71\u0f7f\u0f0b\u0f67\u0f71\u0f74\u0f83 – \u014c\u1e43 \u0101\u1e25 h\u016b\u1e43” — dissolving search and soft landing — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“It is that it is” — and that’s good news! — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u056b\u0574\u0561\u057d\u057f\u0578\u0582\u0576 Imastun <\/em>survivors” — calling for silence — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0915\u0941\u092e\u094d\u092d\u0915 Kumbhaka” — between in and out, out and in — for M-A — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Pulsating through life” — lead on! — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

trombone<\/p>\n\n\n\n

“Humble bumble dumble” — homecoming blues — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

harmonium<\/p>\n\n\n\n

“\u0926\u0947\u0935\u0926\u0942\u0924 Devad\u016btas, angels here and now” — where are you? — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“North woods gnome procession” — warming hearts <\/em>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“North woods gnome gathering” — a sweet start <\/em>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
\u201c\u0917\u0930\u0941\u0921\u093c Garu\u1e0da\u201d — puja for the celestial hawk — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Vanishing appearance” — frettless floating kiln — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u014c\u1e43 Gam Ganapataye Namaha” — Ganesha mantra <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u091c\u092f \u091c\u092f \u092e\u093e\u0901 — “Jai Jai Ma” — praise the mother <\/em>— <\/em>coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
“Sound healing dedication” — a mutual exchange <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Quad Pro square anchored octa Core” — an exploratory journey <\/em>— index<\/mark><\/a> — sound<\/mark><\/a>
“Gihahatigo Bhairav” — ReachBal contemplation <\/em>— index<\/mark><\/a> — sound<\/mark><\/a>
“First encounter of old all new” — with Punnu Singh Wasu <\/em>— <\/em>coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

native american flute<\/p>\n\n\n\n

Soundscape “Amazing” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD
Soundscape “Guggisberg” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD
Soundscape “Lyoba” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD<\/p>\n\n\n\n

alphorn \/ b\u00fcchel \/ cornet<\/p>\n\n\n\n

Soundscape “Amazing” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD
Soundscape “Guggisberg” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD
Soundscape “Lyoba” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD<\/p>\n\n\n\n

didgeridoo<\/p>\n\n\n\n

Soundscape “Amazing” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD
Soundscape “Guggisberg” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD<\/p>\n\n\n\n

Personal and cooperation sounds — title list by percussive instruments<\/h3>\n\n\n\n
\n
gong \/ cymbals \/ bowls<\/a><\/div>\n\n\n\n
gong<\/a><\/div>\n\n\n\n
crotales<\/a><\/div>\n\n\n\n
tibetan tingsha cymbals<\/a><\/div>\n\n\n\n
nepali cymbals<\/a><\/div>\n\n\n\n
Zildjian cymbal<\/a><\/div>\n\n\n\n
singing saw<\/a><\/div>\n\n\n\n
hang \/ handpan<\/a><\/div>\n\n\n\n
bowl<\/a><\/div>\n\n\n\n
bell<\/a><\/div>\n\n\n\n
djembe \/ frame drum<\/a><\/div>\n\n\n\n
ocean drum<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

gong \/ cymbals \/ bowls (plain)<\/p>\n\n\n\n

“Step in over the sill” — starting in Fideris church — Fideris #1 — <\/em>coop<\/mark><\/a>\/coop<\/mark><\/a> — <\/em><\/em><\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Step out over the sill” — concluding in Fideris church — <\/em>Fideris #7 — <\/em>coop<\/mark><\/a>\/coop<\/mark><\/a> — <\/em><\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Living sound travel far out” — live concert recording — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cFour by four\u201d \u2014 corners of the sound temple — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Plain Gateway to Heaven and Hell” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a> <\/p>\n\n\n\n

gong<\/p>\n\n\n\n

“Happy about impermanence” — it can be! <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Peace over war” — with Christina Braun <\/strong>— coop<\/mark><\/a> — <\/strong>index<\/mark><\/a> — sound<\/mark><\/a>
“Shamisen blues” — farewell to another round gone by <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Earth to God, come in please” — two dozen times <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Mysterious calm contemplation” — with Christina Braun <\/strong>— <\/mark>coop<\/mark><\/a> <\/strong>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Another day breaks” — from dark to light <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Bodhicittacontemplation” — \u0f00\u0f0b\u0f68\u0f71\u0f7f\u0f0b\u0f67\u0f71\u0f74\u0f83 – \u014c\u1e43 \u0101\u1e25 h\u016b\u1e43 – ever again <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Humble bumble dumble” — homecoming blues <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0f00\u0f0b\u0f68\u0f71\u0f7f\u0f0b\u0f67\u0f71\u0f74\u0f83 – \u014c\u1e43 \u0101\u1e25 h\u016b\u1e43” — dissolving search and soft landing <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Rinpoche d\u00e9j\u00e0-vu chant” — for recognition and deliverance <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201c\u0917\u0930\u0941\u0921\u093c Garu\u1e0da\u201d — puja for the celestial hawk <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Vajra bridge buzz” — rainbow light body karma <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Vanishing appearance” — frettless floating kiln <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201c\u0928\u091f \u0938\u0930\u0938 Nat Saras\u201d — moon dance by a pond <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Querencia” — the place where one’s strength is drawn from <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Cherry blossom dragon” — spring awakening <\/strong>— coop<\/mark><\/a> <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Perfect imperfection” — one step closer <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Home turf roots” — swingin’ on a star <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“This side of the other side” — illusion and reality <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Welcome to the moment” — remembering the future <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Winter blue sky sunshine” — a prayer of gratitude <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Universes” — corners of the sound temple constellation <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Das M\u00fclirad isch broche, Simelib\u00e4rg!” — go in peace — for KHT <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Among suns, moons, and stars” — a hopeful blues <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Calling the gods” — reaching out rather far — Fideris #5 <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Living echoes in relative silence\u201d — live concert recording <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Ophiuchus alive” — living serpent bearer — live concert recording <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Ophiuchus” — the serpent bearer <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Spring sunbeam chirping” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Blue glacial melt water” — soundscape <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cOnce upon a time\u201d — again and still on the way <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Roots and crowns” — heaven to earth to heaven <\/strong>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Dear doula” — room for silence <\/strong>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Gitigota” — a first inversion pair experiment — for K <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“HeptaNa Gita” — harmonics medley <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Quad Pro square anchored octa Core” — an exploratory journey <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Gihahatigo Bhairav” — ReachBal contemplation <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Life is great!” — a celebratory meditation — for M\u00e4tti <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
\u201cGratitude in advance\u201d \u2014 a true gift <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Individual bhajan” — a progression experiment <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Let\u2019s talk” — a personal manifesto <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Let’s listen” — a personal meditation <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Purya p\u016bj\u0101” — another call for peace <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Tagicrosago” — W. A. Mathieu’s dark horse <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Thundering liberty and freedom” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“With the pulse of life” — a lively dance <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cBlue courage\u201d \u2014 a Dorian mode blues medley <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Heart in Misty Forest” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Reawakening” — pick up where you left off— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Go Be” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Na track” — Na(tural harmonics) in action — for M. <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Just Be, No More” — an unintended short PentaCor p\u016bj\u0101 <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Progress, No Regress” — a Pro tonalities modulation path <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Spontaneous Schong Jen P\u016bj\u0101” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“(ReachUpMix with the) Four Corners of the Sound Temple” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Stroll along Soul’s River Bank” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Ornate Gateway to Heaven and Hell” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
Soundscape “Amazing” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD
<\/p>\n\n\n\n

crotales<\/p>\n\n\n\n

“Dream projections” — let them fly high — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/mark>
“Iech k\u00f6renes Gl\u00f6ggli” — I hear a little bell — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Nirodha blues” — dance of the trees — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Permanent impermanence” — heart remediation blues — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Autumn leaf floating past cliffs” — smooth passage <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Cherry blossom dragon” — spring awakening <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Embraced in silence” — so close, and yet so far — in memory of Elaine — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Welcome to the moment” — remembering the future — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Layers” — modular world building blocks <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Ma Sa Papa” — hearts long for peace — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Fused oriental occident and occidental orient” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Living sound travel far out” — live concert recording — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Life is great!” — a celebratory meditation — for M\u00e4tti <\/em>— index<\/mark><\/a> — sound<\/mark><\/a>
“\u0938\u0902\u092a\u094d\u0930\u092f\u093e\u0923 Sa\u1e43pray\u0101\u1e47a” — departure from past to future, let’s go! — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cGratitude in advance\u201d \u2014 a true gift — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Phrygian HU” — a meditative blues — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Blue HU” — a freedom adventure — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Purya p\u016bj\u0101” — another call for peace — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Tagicrosago” — W. A. Mathieu’s dark horse — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Bagisacro blues” — let’s dance! — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cBlue courage\u201d \u2014 a Dorian mode blues medley — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Starry Sky” — a meditative improvisation <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Heart in Misty Forest” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Go Be” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Just Be, No More” — an unintended short PentaCor p\u016bj\u0101 — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Spontaneous Schong Jen P\u016bj\u0101” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Waves Concluding a Sound Temple Visit” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“(MinReach with) Guggisberg Melody” — a harmonic minor example — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Stroll along Soul’s River Bank” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Little Earworm Pupating” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
Soundscape “Amazing” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD<\/p>\n\n\n\n

tibetan tingsha cymbals<\/p>\n\n\n\n

“Heartfelt tears of joy” — can you feel them? <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Peace over war” — with Christina Braun <\/strong>— coop<\/mark><\/a> — <\/strong>index<\/mark><\/a> — sound<\/mark><\/a>
“Earth to God, come in please” — two dozen times <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Home turf roots” — swingin’ on a star <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0950 \u0917\u0923\u0947\u0936 \u0950 — \u014c\u1e43 Ga\u1e47e\u015ba \u014c\u1e43” — a picture story <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Starlight before dawn” — gentle blue heart mix — for M-D <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Go with God” — a final blessing — in memory of Stivensky <\/strong>—<\/em><\/em> index<\/mark><\/a> — sound<\/mark><\/a>
“Step out over the sill” — concluding in Fideris church –Fideris #7 <\/strong>— <\/em>coop<\/mark><\/a>\/coop<\/mark><\/a> — <\/em><\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Peaceful heart” — slowly but surely <\/strong>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cTo a new horizon\u201d — let go of the horizon to find a new one <\/strong>— <\/mark>coop<\/mark><\/a> <\/strong>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Roots and crowns” — heaven to earth to heaven <\/strong>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Gitigota” — a first inversion pair experiment — for K <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Gihahatigo Bhairav” — ReachBal contemplation <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Individual bhajan” — a progression experiment <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cIt, God\u201d \u2014 trinity in common language <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Gitabats blues” — an ornate blue flight <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cBlue courage\u201d \u2014 a Dorian mode blues medley <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Starry Sky” — a meditative improvisation <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Inversion progression, from here to there and back” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cSooner Rather than Later\u201d \u2014 an introspective sound sample <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Remembering Boudhanath”— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Ornate Gateway to Heaven and Hell” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Plain Gateway to Heaven and Hell” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

nepali cymbals<\/p>\n\n\n\n

“Happy about impermanence” — it can be! <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Future memory past now” — neither minor nor major <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Permanent impermanence” — heart remediation blues <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Living sound travel far out” — live concert recording <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cTo a new horizon\u201d — let go of the horizon to find a new one <\/strong>— <\/mark>coop<\/mark><\/a> <\/strong>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Starry Sky” — a meditative improvisation <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cSooner Rather than Later\u201d \u2014 an introspective sound sample <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Stroll along Soul’s River Bank” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Ornate Gateway to Heaven and Hell” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Plain Gateway to Heaven and Hell” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

Zildjian cymbal<\/p>\n\n\n\n

“Sa\u1e43bhogak\u0101ya \u0938\u0902\u092d\u094b\u0917\u0915\u093e\u092f \/ \u5831\u8eab” — body of enjoyment <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Peace over war” — with Christina Braun– coop<\/mark><\/a> — <\/strong>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

singing saw<\/p>\n\n\n\n

“No more, no less” — let go completely <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“A pilgrim’s path” — here now <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Vibhas dawn” — daybreak raag <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Ever forward into the open” — blue destination <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Layers” — modular world building blocks <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Calling the gods” — reaching out rather far — Fideris #5 <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Living echoes in relative silence\u201d — live concert recording <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Gitasa” — a family present for a present family <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Tagicrosago” — W. A. Mathieu’s dark horse <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Bagisacro blues” — let’s dance! <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cBlue courage\u201d \u2014 a Dorian mode blues medley <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Reawakening” — pick up where you left off <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Na track” — Na(tural harmonics) in action — for M. <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Remembering Boudhanath” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Little Earworm Pupating” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

hang \/ handpan<\/p>\n\n\n\n

“Spontaneous first encounter” — a gentle first — Fideris #3 — <\/em>coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
“Again, all new” — wooden floor creaks — Fideris #4 <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cChange of Season\u201d — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cCourtesy of Grace\u201d — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
Soundscape “Amazing” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD<\/p>\n\n\n\n

bowl<\/p>\n\n\n\n

“Peace over war” — with Christina Braun <\/strong>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
“Happy gnomes and elves” — a fairy tail dance <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Between light and sound” — Hungarian Gypsy equanimity <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Cherry blossom dragon” — spring awakening <\/strong>— coop<\/mark><\/a> <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“The river’s current” — free flow spontaneity <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Sardic spiral stairwell” — for spiritually inclined beings <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Step in over the sill” — starting in Fideris church — Fideris #1 <\/strong>— <\/em>coop<\/mark><\/a>\/coop<\/mark><\/a> — <\/em><\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Step out over the sill” — concluding in Fideris church –Fideris #7 <\/strong>— <\/em>coop<\/mark><\/a>\/coop<\/mark><\/a> — <\/em><\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“From here to now” — on a flying carpet <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Living sound travel far out” — live concert recording <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cTo a new horizon\u201d — let go of the horizon to find a new one <\/strong>— <\/mark>coop<\/mark><\/a> <\/strong>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Blue HU” — a freedom adventure <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Stroll along Soul’s River Bank”– coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

bell<\/p>\n\n\n\n

“Bears and butterflies” — sifting through colorful sand — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 Om Shanti HU” — with Elijah’s bells and cicadas — <\/em>index<\/mark><\/a> — sound<\/mark><\/a> <\/p>\n\n\n\n

djembe \/ frame drum<\/p>\n\n\n\n

“Shamana energy glow” — with Christina Braun <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Sound healing dedication” — a mutual exchange <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Spirit of the water” — healing medicine of forest flowers <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Back on a blue track” — treasuring healthy roots — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

ocean drum<\/p>\n\n\n\n

Soundscape “Guggisberg” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD<\/p>\n\n\n\n

Personal and cooperation sounds — title list by voice as instrument<\/h3>\n\n\n\n
\n
male voice<\/a><\/div>\n\n\n\n
female voice<\/a><\/div>\n\n\n\n
lingual spoken<\/a><\/div>\n\n\n\n
overtone singing \/ breathing<\/a><\/div>\n\n\n\n
cicadas<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

male voice<\/p>\n\n\n\n

“Saranam gacchami” — triple gem refuge <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Iech k\u00f6renes Gl\u00f6ggli” — I hear a little bell <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Earth to God, come in please” — two dozen times <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Harmonics of the heart” — can you hear the overtones? <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Be here now – \u0f00\u0f0b\u0f68\u0f71\u0f7f\u0f0b\u0f67\u0f71\u0f74\u0f83 – \u014c\u1e43 \u0101\u1e25 h\u016b\u1e43” — meditation anchor <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“A blessing of\u014c\u1e43 \/ Aum\u0950” — with love for all sentient beings <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Bodhicittacontemplation” — \u0f00\u0f0b\u0f68\u0f71\u0f7f\u0f0b\u0f67\u0f71\u0f74\u0f83 – \u014c\u1e43 \u0101\u1e25 h\u016b\u1e43 – ever again <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0f00\u0f0b\u0f68\u0f71\u0f7f\u0f0b\u0f67\u0f71\u0f74\u0f83 – \u014c\u1e43 \u0101\u1e25 h\u016b\u1e43” — dissolving search and soft landing <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Rinpoche d\u00e9j\u00e0-vu chant” — for recognition and deliverance <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u056b\u0574\u0561\u057d\u057f\u0578\u0582\u0576 Imastunsurvivors” — calling for silence <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Tears of joy” — mantra of soul with a waking toddler\u2019s song <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Tears of joy” — mantra of soul <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“This side of the other side” — illusion and reality <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u014c\u1e43 Gam Ganapataye Namaha” — Ganesha mantra <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u091c\u092f \u091c\u092f \u092e\u093e\u0901 — “Jai Jai Ma” — praise the mother <\/strong>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 — “\u014c\u1e43 \u015a\u0101nti\u1e25” — sound healing <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Sound healing dedication” — a mutual exchange <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“The joy of freedom within” — a healing calm <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Spirit of the water” — healing medicine of forest flowers <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0950 \u0917\u0923\u0947\u0936 \u0950 — \u014c\u1e43 Ga\u1e47e\u015ba \u014c\u1e43” — a picture story <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Pragmatic freedom in expression” — a prayer song <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Sardic spiral stairwell” — for spiritually inclined beings <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Mischief or miss a chief” — PentaBluNaLa with chant <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Das M\u00fclirad isch broche, Simelib\u00e4rg!” — go in peace — for KHT <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Calling the divine” — hearts connect directly <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“From here to now” — on a flying carpet <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“ReachMin OM HU” — happy heart, new start <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Living echoes in relative silence\u201d — live concert recording <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“Bears and butterflies” — sifting through colorful sand <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 \u092d\u0915\u094d\u0924\u093f \u0950 — \u014c\u1e43 \u015a\u0101nti\u1e25 Bhakti \u014c\u1e43” — contemplation <\/strong>— index<\/mark><\/a> — sound<\/mark><\/a>
“First encounter of old all new” — with Punnu Singh Wasu <\/strong>— <\/em>coop<\/mark><\/a> <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 Om Shanti HU” — with Elijah’s bells and cicadas <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 Om Shanti HU” — just chant and pluck <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 Om Shanti HU” — plain chant only <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Individual bhajan” — a progression experiment <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“HU cares” — a sound cycle p\u016bj\u0101 <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Phrygian HU” — a meditative blues <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cFarewell welcome blues\u201d \u2014 from one Moon to the next <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Blue HU” — a freedom adventure <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cBlue courage\u201d \u2014 a Dorian mode blues medley <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“The far side where opposites unite” — and the circles close <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“\u0950 \u092e\u0923\u093f\u092a\u0926\u094d\u092e\u0947 \u0939\u0942\u0901 Au\u1e43 ma\u1e47i padme h\u016b\u1e43 — blues” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Happy Sadness or Sad Happiness?” — a contemplative prayer <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cSooner Rather than Later\u201d \u2014 an introspective sound sample <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Ornate Gateway to Heaven and Hell” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Full Steam Ahead!” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Little Earworm Pupating” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Spontaneous Surprise” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“The Little Blue Loop that Could — on Track” <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cAs God Realizes the Moment\u201d <\/strong>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

female voice<\/p>\n\n\n\n

“Dragonfly wings” — with Christina Braun <\/strong>— <\/mark>coop<\/mark><\/a> <\/mark>— <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“It is what it is” — with Christina Braun <\/strong>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
“Peace over war” — with Christina Braun <\/strong>— coop<\/mark><\/a> — <\/strong>index<\/mark><\/a> — sound<\/mark><\/a>
“Sun glitters on a snow-covered field” — with Christina Braun <\/strong>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
“Shamana energy glow” — with Christina Braun <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Sunrise miracle” — with Christina Braun <\/strong>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
“Mysterious calm contemplation” — with Christina Braun <\/strong>— <\/mark>coop<\/mark><\/a> <\/strong>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Incredible journey blues” — with Christina Braun <\/strong>— <\/mark>coop<\/mark><\/a> <\/strong>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Soaring free” — wind in the wings <\/strong>— <\/mark>coop<\/mark><\/a> <\/strong>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Sunlight enters the dark” — light’s on <\/strong>— <\/mark>coop<\/mark><\/a> <\/strong>— <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“North woods gnome procession” — warming hearts <\/strong>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“North woods gnome gathering” — a sweet start <\/strong>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a> — sound<\/mark><\/a>
“Autumn leaf floating past cliffs” — smooth passage <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Ever forward into the open” — blue destination <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Cherry blossom dragon” — spring awakening <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Pebbles in the pond” — a touch of a raga <\/strong>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
“Straight forward” — dare jump in head-on <\/strong>— coop<\/mark><\/a> — index<\/mark><\/a> — <\/a>sound<\/mark><\/a>
“The river’s current” — free flow spontaneity <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Layers” — modular world building blocks <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Universes” — corners of the sound temple constellation <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Sardic spiral stairwell” — for spiritually inclined beings <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cKlanggeschichte\u201d — the development of the umbilical cord <\/strong>— coop<\/mark><\/a> — index<\/mark><\/a> — <\/a>sound<\/mark><\/a>
\u201cEver again, keep going!\u201d — life moves on <\/strong>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a>
“Awakening pixie Nirak” — sparkling pixie dust <\/strong>— coop<\/mark><\/a> — index<\/mark><\/a> — sound<\/mark><\/a><\/mark><\/mark><\/mark>
“Doula’s song and silence” — for a new generation <\/strong>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a> — sound<\/mark><\/a><\/mark>
“Starry Sky” — a meditative improvisation <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Heart in Misty Forest” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Cheerful Hey, Hey!” — a happy dance <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Christina’s Theme” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Gentle Echoes of a Wild Thing” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Go Be” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Christina’s Theme” — a work in progress <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Wild Thing” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Roots Reaching for Heaven” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Waves Concluding a Sound Temple Visit” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Reach and Mix — Carried by the Wind” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Stroll along Soul’s River Bank” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Blue Wrap Rap” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Whiff of Wings” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Dune Dawn” <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cTale of Words and Sounds\u201d <\/strong>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

lingual spoken<\/p>\n\n\n\n

“\u0926\u0947\u0935\u0926\u0942\u0924 Devad\u016btas, angels here and now” — where are you? — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Wo bischt? — O\u00f9 es-tu ? — Dove sei? — Where are you? — Wo bist du?” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Let\u2019s talk” — a personal manifesto — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
\u201cIt, God\u201d \u2014 trinity in common language — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Courage it takes” — a linguistic audio medley — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Hallo Stille [Hello Silence]” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Dear God (mono-lingual)” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Dear God (quadri-lingual)” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Tongue in Guitars’ Cheek” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Covid Sing’in Tongue” — <\/em>index<\/mark><\/a> — sound<\/mark><\/a><\/p>\n\n\n\n

overtone singing \/ breathing<\/p>\n\n\n\n

“Be here now – \u0f00\u0f0b\u0f68\u0f71\u0f7f\u0f0b\u0f67\u0f71\u0f74\u0f83 – \u014c\u1e43 \u0101\u1e25 h\u016b\u1e43” — meditation anchor — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Breath of life chant” — whistle breath plain — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
“Breath of life chant” — the answer within — <\/em>index<\/mark><\/a> — sound<\/mark><\/a>
Soundscape “Amazing” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD
Soundscape “Lyoba” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a> — playlist<\/mark><\/a> CD<\/p>\n\n\n\n

cicadas<\/p>\n\n\n\n

“\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 Om Shanti HU” — with Elijah’s bells and cicadas — <\/em>index<\/mark><\/a> — sound<\/mark><\/a> <\/p>\n\n\n\n

Personal and cooperation sounds — title list by date<\/h2>\n\n\n\n
\n
2026<\/a><\/div>\n\n\n\n
2025<\/a><\/div>\n\n\n\n
2024<\/a><\/div>\n\n\n\n
2023<\/a><\/div>\n\n\n\n
2022<\/a><\/div>\n\n\n\n
2021<\/a><\/div>\n\n\n\n
2020<\/a><\/div>\n\n\n\n
2014<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

Spring 2026<\/a><\/p>\n\n\n\n

“Neither nor it is” — neither minor nor major <\/strong>— index<\/mark><\/a>
“Happy about impermanence” — it can be! <\/strong>— index<\/mark><\/a>
“Mett\u0101 cetovimutti” — liberation of the heart through love <\/strong>— index<\/mark><\/a>
“No more, no less” — let go completely <\/strong>— <\/em>index<\/mark><\/a><\/p>\n\n\n\n

Winter 2025-2026<\/a><\/p>\n\n\n\n

“Sa\u1e43bhogak\u0101ya \u0938\u0902\u092d\u094b\u0917\u0915\u093e\u092f \/ \u5831\u8eab” — body of enjoyment <\/strong>— index<\/mark><\/a>
“Heartfelt tears of joy” — can you feel them? <\/strong>— index<\/mark><\/a>
“Non-return” — from a non-I retreat <\/strong>— index<\/mark><\/a>
“Saranam gacchami” — triple gem refuge <\/strong>— <\/em>index<\/mark><\/a>
“Sun rays’ dance in a dojo” — welcome to a new cycle <\/strong>— index<\/mark><\/a>
“Shamisen blues” — farewell to another round gone by <\/strong>— <\/em>index<\/mark><\/a>
“Shamisen blues” — farewell to another round gone by <\/strong>— <\/em>index<\/mark><\/a>
“May the blessings be” — ignorance abandoned <\/strong>— index<\/mark><\/a>
“Dream projections” — let them fly high– <\/strong>– <\/em>index<\/mark><\/a>
“Bodhi Paloma” — home sweet home <\/strong>— <\/em>index<\/mark><\/a><\/p>\n\n\n\n

“Dragonfly wings” — with Christina Braun <\/strong>— <\/mark>coop<\/mark><\/a><\/mark> <\/strong>— <\/em>index<\/mark><\/a>
“It is what it is” — with Christina Braun <\/strong>— coop<\/mark><\/a> — index<\/mark><\/a>
“Peace over war” — with Christina Braun <\/strong>— coop<\/mark><\/a> — <\/strong>index<\/mark><\/a>
“Sun glitters on a snow-covered field” — with Christina Braun <\/strong>— coop<\/mark><\/a> — index<\/mark><\/a><\/p>\n\n\n\n

Autumn 2025<\/a><\/p>\n\n\n\n

“Hearts dance and remember” — all in one in all <\/em>— index<\/mark><\/a>
“Flashes of radiant cognizance” — in empty space <\/em>— index<\/mark><\/a>
“Future memory past now” — neither minor nor major — <\/em>index<\/mark><\/a>
“A dimension of equilibrium” — major minor or minor major <\/em>— index<\/mark><\/a>
“Happy gnomes and elves” — a fairy tail dance — <\/em>index<\/mark><\/a>
“Iech k\u00f6renes Gl\u00f6ggli” — I hear a little bell — <\/em>index<\/mark><\/a>
“Octahedron moment” — even before and also after — <\/em>index<\/mark><\/a>
“\u0926\u0947\u0935\u0926\u0942\u0924 Devad\u016btas, angels here and now” — where are you? — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

Spring-Summer 2025<\/a><\/p>\n\n\n\n

“A pilgrim’s path” — here now — <\/em>index<\/mark><\/a>
“Earth to God, come in please” — two dozen times — <\/em>index<\/mark><\/a>
“Satipa\u1e6d\u1e6dh\u0101na concordance” — a meditative object — <\/em>index<\/mark><\/a>
“Swami Uodalric puja” — spontaneous celebration — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

“Shamana energy glow” — with Christina Braun <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“Sunrise miracle” — with Christina Braun <\/em>— <\/em>coop<\/mark><\/a> — index<\/mark><\/a>
“Mysterious calm contemplation” — with Christina Braun <\/em> <\/em>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a>
“Incredible journey blues” — with Christina Braun <\/em>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a><\/p>\n\n\n\n

Winter-Spring 2025<\/a><\/p>\n\n\n\n

“Nirodha blues” — dance of the trees — <\/em>index<\/mark><\/a>
“Another day breaks” — from dark to light — <\/em>index<\/mark><\/a>
“Vibhas dawn” — daybreak raag <\/em>— index<\/mark><\/a>
“Harmonics of the heart” — can you hear the overtones? — <\/em>index<\/mark><\/a>
“Permanent impermanence” — heart remediation blues — <\/em>index<\/mark><\/a>
“Trust the boat” — on the high seas <\/em>— index<\/mark><\/a>
“Be here now – \u0f00\u0f0b\u0f68\u0f71\u0f7f\u0f0b\u0f67\u0f71\u0f74\u0f83 – \u014c\u1e43 \u0101\u1e25 h\u016b\u1e43” — meditation anchor — <\/em>index<\/mark><\/a>
“Calm Mudita joy” — are you here? — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

November-December 2024<\/a><\/p>\n\n\n\n

“A blessing of <\/em>\u014c\u1e43 \/ Aum <\/em>\u0950” — with love for all sentient beings — <\/em>index<\/mark><\/a>
“Bodhicitta <\/em>contemplation” — \u0f00\u0f0b\u0f68\u0f71\u0f7f\u0f0b\u0f67\u0f71\u0f74\u0f83 – \u014c\u1e43 \u0101\u1e25 h\u016b\u1e43 – ever again — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

“Soaring free” — wind in the wings <\/em>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a>
“Sunlight enters the dark” — light’s on <\/em>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a>
“North woods gnome procession” — warming hearts <\/em>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a>
“North woods gnome gathering” — a sweet start <\/em>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a>
“Autumn leaf floating past cliffs” — smooth passage <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

September-October 2024<\/a><\/p>\n\n\n\n

“Humble bumble dumble” — homecoming blues — <\/em>index<\/mark><\/a>
“\u0f00\u0f0b\u0f68\u0f71\u0f7f\u0f0b\u0f67\u0f71\u0f74\u0f83 – \u014c\u1e43 \u0101\u1e25 h\u016b\u1e43” — dissolving search and soft landing — <\/em>index<\/mark><\/a>
“Th\u00f6-g\u00e4l” — instantaneous arrival — <\/em>index<\/mark><\/a>
“Rinpoche d\u00e9j\u00e0-vu chant” — for recognition and deliverance — <\/em>index<\/mark><\/a>
\u201c\u0917\u0930\u0941\u0921\u093c Garu\u1e0da\u201d — puja for the celestial hawk — <\/em>index<\/mark><\/a>
“Vajra bridge buzz” — rainbow light body karma — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

July-August 2024<\/a><\/p>\n\n\n\n

“It is that it is” — and that’s good news! — <\/em>index<\/mark><\/a>
“Beatenberg Buddha bounce” — returning to & from silence — <\/em>index<\/mark><\/a>
“From red line to white plane” — a serene transition — <\/em>index<\/mark><\/a>
“Prince on a pea” — can you find it? — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

May-June 2024<\/a><\/p>\n\n\n\n

“Vanishing appearance” — frettless floating kiln — <\/em>index<\/mark><\/a>
“Between light and sound” — Hungarian Gypsy equanimity — <\/em>index<\/mark><\/a>
\u201c\u0928\u091f \u0938\u0930\u0938 Nat Saras\u201d — moon dance by a pond — <\/em>index<\/mark><\/a>
“\u056b\u0574\u0561\u057d\u057f\u0578\u0582\u0576 Imastun <\/em>survivors” — calling for silence — <\/em>index<\/mark><\/a>
“\u092e\u0948\u0924\u094d\u0930\u0940 Maitr\u012b base” — the privilege of breath <\/em>— <\/mark>index<\/mark><\/a><\/p>\n\n\n\n

April 2024<\/a><\/p>\n\n\n\n

“Querencia” — the place where one’s strength is drawn from — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

“Ever forward into the open” — blue destination <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“Cherry blossom dragon” — spring awakening <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“Pebbles in the pond” — a touch of a raga <\/em>— <\/em>coop<\/mark><\/a> — index<\/mark><\/a>
“Straight forward” — dare jump in head-on <\/em>— <\/em>coop<\/mark><\/a> — index<\/mark><\/a><\/p>\n\n\n\n

March 2024<\/a><\/p>\n\n\n\n

“Tears of joy” — mantra of soul with a waking toddler\u2019s song — <\/em>index<\/mark><\/a>
“Tears of joy” — mantra of soul — <\/em>index<\/mark><\/a>
“Perfect imperfection” — one step closer — <\/em>index<\/mark><\/a>
“Consciousness” — the one state worth considering <\/em>— index<\/mark><\/a>
“Inner and outer connecting point” — culture fusion <\/em>— <\/mark>index<\/mark><\/a>
“Breath of life chant” — whistle breath plain — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

January-February 2024<\/a><\/p>\n\n\n\n

“Embraced in silence” — so close, and yet so far — in memory of Elaine — <\/em>index<\/mark><\/a>
“Bairagi Bhairav raag” — a first raga interpretation <\/em>— <\/mark>index<\/mark><\/a>
“Fearless floating” — in the flow of life and love — concert recording — <\/em>index<\/mark><\/a>
“Open door and heart” — an opportunity to step out — concert recording <\/em>— <\/mark>index<\/mark><\/a>
“Breath of life chant” — the answer within — <\/em>index<\/mark><\/a>
“Know what you know” — very and nothing special <\/em>— index<\/mark><\/a>
“Gently rotating fifth wheel” — a plea for peace <\/em>— index<\/mark><\/a>
“Home turf roots” — swingin’ on a star — <\/em>index<\/mark><\/a>
“This side of the other side” — illusion and reality — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

December 2023<\/a><\/p>\n\n\n\n

“A glimpse of heaven” — simple and straight forward <\/em>— index<\/mark><\/a>
“Welcome to the moment” — remembering the future — <\/em>index<\/mark><\/a>
“Winter blue sky sunshine” — a prayer of gratitude — <\/em>index<\/mark><\/a>
“Beyond endings and beginnings” — essentially being — <\/em>index<\/mark><\/a>
“\u0950 \u0917\u0923\u0947\u0936 \u0950 — \u014c\u1e43 Ga\u1e47e\u015ba \u014c\u1e43” — a picture story — <\/em>index<\/mark><\/a>
“One more step, and yet another” — happy trails! <\/em>— index<\/mark><\/a>
“What goes up, and what comes down” — watch out! <\/em>— <\/mark>index<\/mark><\/a>
“Pragmatic freedom in expression” — a prayer song — <\/em>index<\/mark><\/a>
“Audibly paced advance” — a coordination challenge — <\/em>index<\/mark><\/a>
“Ubuntu” — I am because we are — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

“Harmony in the present moment” — blending cultures <\/em>— coop<\/mark><\/a> — index<\/mark><\/a>
\u0935\u093f\u091a\u093f\u0924\u094d\u0930 — “Vichitra, a surprise” — odd, fanciful, and curious <\/em>— coop<\/mark><\/a> — index<\/mark><\/a>
“\u014c\u1e43 Gam Ganapataye Namaha” — Ganesha mantra <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
\u091c\u092f \u091c\u092f \u092e\u093e\u0901 — “Jai Jai Ma” — praise the mother <\/em>— <\/em>coop<\/mark><\/a> — index<\/mark><\/a>
\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 — “\u014c\u1e43 \u015a\u0101nti\u1e25” — sound healing <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“Sound healing dedication” — a mutual exchange <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“The joy of freedom within” — a healing calm <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“Spirit of the water” — healing medicine of forest flowers <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“Joy, peace, & harmony” — friends always meet again <\/em>— coop<\/mark><\/a> — index<\/mark><\/a><\/p>\n\n\n\n

November 2023<\/a><\/p>\n\n\n\n

“Mischief or miss a chief” — PentaBluNaLa with chant — index<\/mark><\/a>
\u201cHappy cat\u2019s meow\u201d — head and heart — <\/em>index<\/mark><\/a>

“The river’s current” — free flow spontaneity <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“Skies close by” — traveling blue as soul <\/em>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a>
“Layers” — modular world building blocks <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“Universes” — corners of the sound temple constellation <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“Sardic spiral stairwell” — for spiritually inclined beings <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

September-October 2023<\/a><\/p>\n\n\n\n

“Starlight before dawn” — gentle blue heart mix — for M-D — <\/em>index<\/mark><\/a>
“Das M\u00fclirad isch broche, Simelib\u00e4rg!” — go in peace — for KHT — <\/em><\/mark><\/a>index<\/mark><\/a>
“Among suns, moons, and stars” — a hopeful blues — <\/em>index<\/mark><\/a>
“Ma Sa Papa” — hearts long for peace — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

July-August 2023<\/a><\/p>\n\n\n\n

“\u0915\u0941\u092e\u094d\u092d\u0915 Kumbhaka” — between in and out, out and in — for M-A — <\/em>index<\/mark><\/a>
“Calmly breathe in, out, and in again” — Kumbhaka base — <\/em>index<\/mark><\/a>
“Pulsating through life” — lead on! — <\/em>index<\/mark><\/a>
“Go with God” — a final blessing — in memory of Stivensky —<\/em><\/em> index<\/mark><\/a>
“Balancing up and down” — extensive calm <\/em>— <\/mark>index<\/mark><\/a>
“Calling the divine” — hearts connect directly — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

July 2023 live<\/a><\/p>\n\n\n\n

“July 2023 Fideris sound journey” — live concert recording — <\/em>coop<\/mark><\/a>\/coop<\/mark><\/a> — <\/em><\/em>index<\/mark><\/a>
“Step in over the sill” — starting in Fideris church — Fideris #1 — <\/em>coop<\/mark><\/a>\/<\/mark><\/a>coop<\/mark><\/a> — <\/em><\/em>index
“Welcome, open the door” — greeting from the heart — Fideris #2 —<\/em> index<\/mark><\/a>
“Spontaneous first encounter” — a gentle first — Fideris #3 — <\/em>coop<\/mark><\/a> — index<\/mark><\/a>
“Again, all new” — wooden floor creaks — Fideris #4 <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“Calling the gods” — reaching out rather far — Fideris #5 <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“Sound journey” — in the moment — Fideris #6 — <\/em>coop<\/mark><\/a>\/coop<\/mark><\/a> — <\/em><\/em>index<\/mark><\/a>
“Step out over the sill” — concluding in Fideris church — Fideris #7 — <\/em>coop<\/mark><\/a>\/coop<\/mark><\/a> — <\/em><\/em>index<\/mark><\/a><\/p>\n\n\n\n

May-June 2023<\/a><\/p>\n\n\n\n

“From here to now” — on a flying carpet — <\/em>index<\/mark><\/a>
“Peaceful heart” — slowly but surely <\/em>— <\/mark>index<\/mark><\/a>
“Fused oriental occident and occidental orient” — <\/em>index<\/mark><\/a>
“Blue sound step ahead” — all the same and different — <\/em>index<\/mark><\/a>
\u201cBack in open time and space\u201d — at long last — <\/em>index<\/mark><\/a>
“ReachMin OM HU” — happy heart, new start — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

April 2023<\/a><\/p>\n\n\n\n

“Ophiuchus” — the serpent bearer — <\/em>index<\/mark><\/a>
“Wo bischt? — O\u00f9 es-tu ? — Dove sei? — Where are you? — Wo bist du?” — <\/em>index<\/mark><\/a>
“Spring sunbeam chirping” — <\/em>index<\/mark><\/a>
“Blue glacial melt water” — soundscape — <\/em>index<\/mark><\/a>
\u201cOnce upon a time\u201d — again and still on the way — <\/em>index<\/mark><\/a>
“Future past lives” — a heartfelt blues memory revived — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

“Living echoes in relative silence\u201d — live concert recording <\/em>— index<\/mark><\/a>
“Ophiuchus alive” — living serpent bearer — live concert recording — <\/em>index<\/mark><\/a>
“Living sound travel far out” — live concert recording — <\/em>index<\/mark><\/a>
\u201cLiving drops of glacial melt water\u201d — live concert recording — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

March 2023<\/a><\/p>\n\n\n\n

\u201cEchoes of growing silence\u201d — celebrating a new birth — <\/em>index<\/mark><\/a>
“Umbilical” — sounds in silence <\/em>— index<\/mark><\/a>
“Bears and butterflies” — sifting through colorful sand — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

\u201cKlanggeschichte\u201d — the development of the umbilical cord <\/em>— <\/em>coop<\/mark><\/a> — index<\/mark><\/a>
\u201cTo a new horizon\u201d — let go of the horizon to find a new one <\/em>— coop<\/mark><\/a> — index<\/mark><\/a>
\u201cEver again, keep going!\u201d — life moves on <\/em>— <\/em>coop<\/mark><\/a> — index<\/mark><\/a><\/p>\n\n\n\n

February 2023<\/a><\/p>\n\n\n\n

“Roots and crowns” — heaven to earth to heaven — <\/em>index<\/mark><\/a>
“Wake to a new dream” — LocorReach meditation <\/em>— <\/mark>index<\/mark><\/a><\/p>\n\n\n\n

“Awakening pixie Nirak” — sparkling pixie dust <\/em>— coop<\/mark><\/a> — index<\/mark><\/a><\/p>\n\n\n\n

January 2023<\/a><\/p>\n\n\n\n

“Harmonic two-way challenge” — CorMaj \/ LoloReachLyd contemplation <\/em>— <\/mark>index<\/mark><\/a>
“Surprises welcome” — glimpse around the corner <\/em>— <\/mark>index<\/mark><\/a>
“Dear doula” — room for silence <\/em>— <\/mark>index<\/mark><\/a>
“Pulse of an emerging blue heart” — first step into a new year <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Doula’s song and silence” — for a new generation <\/em>— <\/mark>coop<\/mark><\/a> — <\/mark>index<\/mark><\/a><\/p>\n\n\n\n

December 2022<\/a><\/p>\n\n\n\n

“Embracing Ma” — Pro-Reg-Pro meditation <\/em>— index<\/mark><\/a>
“Gitasa” — a family present for a present family <\/em>— index<\/mark><\/a>
“Gitigota” — a first inversion pair experiment — for K <\/em>— index<\/mark><\/a>
“Never give up, let go completely” — a miracle of nature <\/em>— index<\/mark><\/a>
“\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 \u092d\u0915\u094d\u0924\u093f \u0950 — \u014c\u1e43 \u015a\u0101nti\u1e25 Bhakti \u014c\u1e43” — contemplation <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

November 2022<\/a><\/p>\n\n\n\n

“HeptaNa Gita” — harmonics medley <\/em>— index<\/mark><\/a>
“HexaNa Gita” — harmonic six-pack <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

October 2022<\/a><\/p>\n\n\n\n

“Quad Pro square anchored octa Core” — an exploratory journey <\/em>— index<\/mark><\/a>
“Gihahatigo Bhairav” — ReachBal contemplation <\/em>— index<\/mark><\/a>
“Conscious derivative” — an island memory <\/em>— index<\/mark><\/a>
“Life is great!” — a celebratory meditation — for M\u00e4tti <\/em>— index<\/mark><\/a>
“Celebration joy” — a new start — for Metta (and Moon) <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Gentle blue light” — with Punnu Singh Wasu <\/em>— coop<\/mark><\/a> — index<\/mark><\/a>
“First encounter of old all new” — with Punnu Singh Wasu <\/em>— <\/em>coop<\/mark><\/a> — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

September 2022<\/a><\/p>\n\n\n\n

“\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 Om Shanti HU” — with Elijah’s bells and cicadas — <\/em>index<\/mark><\/a>
“\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 Om Shanti HU” — just chant and pluck — <\/em>index<\/mark><\/a>
“\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 Om Shanti HU” — plain chant only — <\/em>index<\/mark><\/a>
“No mistake” — big sky, beach, rock, pine, broken branch — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

August 2022<\/a><\/p>\n\n\n\n

“Holy sham” — a short sound excursion far out — for M&M — <\/em>index<\/mark><\/a>
“An embrace of divine love” — no hypocrisy — <\/em>index<\/mark><\/a>
“\u0938\u0902\u092a\u094d\u0930\u092f\u093e\u0923 Sa\u1e43pray\u0101\u1e47a” — departure from past to future, let’s go! — <\/em>index<\/mark><\/a>
\u201cGratitude in advance\u201d \u2014 a true gift — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

July 2022<\/a><\/p>\n\n\n\n

“Individual bhajan” — a progression experiment — <\/em>index<\/mark><\/a>
\u201cNew moon rising\u201d \u2014 a sensitive welcome — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

June 2022<\/a><\/p>\n\n\n\n

“Let\u2019s talk” — a personal manifesto — <\/em>index<\/mark><\/a>
“Let’s listen” — a personal meditation — <\/em>index<\/mark><\/a>
\u201cFour by four\u201d \u2014 corners of the sound temple — <\/em>index<\/mark><\/a>
“HU cares” — a sound cycle p\u016bj\u0101 — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

May 2022<\/a><\/p>\n\n\n\n

“Phrygian HU” — a meditative blues — <\/em>index<\/mark><\/a>
\u201cFarewell welcome blues\u201d \u2014 from one Moon to the next — <\/em>index<\/mark><\/a>
“Blue HU” — a freedom adventure — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

April 2022<\/a><\/p>\n\n\n\n

\u201cIt, God\u201d \u2014 trinity in common language — <\/em>index<\/mark><\/a>
“Old box jumping Jack” — mother of the West — <\/em>index<\/mark><\/a>
“Purya p\u016bj\u0101” — another call for peace — <\/em>index<\/mark><\/a>
“Humpbacks breach the surface” — a dreamscape — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

March 2022<\/a><\/p>\n\n\n\n

“Slackline dance” — straight ahead — <\/em>index<\/mark><\/a>
“Gitabats blues” — an ornate blue flight — <\/em>index<\/mark><\/a>
“Nature’s echo in blue calm” — where a contrast meets — <\/em>index<\/mark><\/a>
“Wake and ready for a new day” — for M. & M. — <\/em>index<\/mark><\/a>
“Tagicrosago” — W. A. Mathieu’s dark horse — <\/em>index<\/mark><\/a>
“Bagisacro blues” — let’s dance! — <\/em>index<\/mark><\/a>
“Thundering liberty and freedom” — <\/em>index<\/mark><\/a>
“Happy birthday, Robin Hood!” — for K. — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

January-February 2022<\/a><\/p>\n\n\n\n

“Clearing mist at dawn” — a meditative sound sample — <\/em>index<\/mark><\/a>
“With the pulse of life” — a lively dance — <\/em>index<\/mark><\/a>
“Guggisb\u00e4rg-Melodie, live” — QuBa concert recording — <\/em>index<\/mark><\/a>
“Blessings may be, live” — QuBa concert recording — <\/em>index<\/mark><\/a>
\u201c\u7121\u70ba Wu wei \u2014 contemplation\u201d — <\/em>index<\/mark><\/a>
“Courage it takes” — a linguistic audio medley — <\/em>index<\/mark><\/a>
“\u091a\u0948\u0924\u0928\u094d\u092f Chaitanya — blues” — <\/em>index<\/mark><\/a>
\u201cBlue courage\u201d \u2014 a Dorian mode blues medley — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

“Starry Sky” — a meditative improvisation <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“Heart in Misty Forest” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

November-December 2021<\/a><\/p>\n\n\n\n

\u201cFrom the future to the present and back\u201d — <\/em>index<\/mark><\/a>
“Inversion progression, from here to there and back” — <\/em>index<\/mark><\/a>
“The far side where opposites unite” — and the circles close — <\/em>index<\/mark><\/a>
“Reawakening” — pick up where you left off — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

“Cheerful Hey, Hey!” — a happy dance <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“Christina’s Theme” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“Gentle Echoes of a Wild Thing” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“Go Be” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

June-August 2021<\/a><\/p>\n\n\n\n

“Na track” — Na(tural harmonics) in action — for M. — <\/em>index<\/mark><\/a>
“Natural harmonics gateway” — first step in a Na tonality — <\/em>index<\/mark><\/a>
“\u0950 \u092e\u0923\u093f\u092a\u0926\u094d\u092e\u0947 \u0939\u0942\u0901 Au\u1e43 ma\u1e47i padme h\u016b\u1e43 — blues” — <\/em>index<\/mark><\/a>
“Reaching up to heaven” — in ReachUp tonality — <\/em>index<\/mark><\/a>
“Back on a blue track” — treasuring healthy roots — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

“Hallo Stille [Hello Silence]” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“Christina’s Theme” — a work in progress <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“Wild Thing” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

April-May 2021<\/a><\/p>\n\n\n\n

\u201cAcoustic Scale Acceptance\u201d \u2014 a previously rejected tonality — <\/em>index<\/mark><\/a>
“Just Be, No More” — an unintended short PentaCor p\u016bj\u0101 — <\/em>index<\/mark><\/a>
“Journey Around the Sun” — a circular Core modulation — <\/em>index<\/mark><\/a>
“Happy Sadness or Sad Happiness?” — a contemplative prayer — <\/em>index<\/mark><\/a>
“Progress, No Regress” — a Pro tonalities modulation path — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

“Roots Reaching for Heaven” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

March 2021<\/a><\/p>\n\n\n\n

“Spontaneous Schong Jen P\u016bj\u0101” — <\/em>index<\/mark><\/a>
“Flowing Upward” — calm, uplifting modulation path — <\/em>index<\/mark><\/a>
“A Touch of Grace” — <\/em>index<\/mark><\/a>
“Plain Guggis Chirping” — <\/em>index<\/mark><\/a>
“Over- and Under-Tone Presents” — <\/em>index<\/mark><\/a>
“First Baby Angel Steps” — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

“Waves Concluding a Sound Temple Visit” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

January-February 2021<\/a><\/p>\n\n\n\n

“(Ionian) Prayer in Gratitude for the Golden Heart” — <\/em>index<\/mark><\/a>
“(ReachUpMix with the) Four Corners of the Sound Temple” — <\/em>index<\/mark><\/a>
“(MinReach with) Guggisberg Melody” — a harmonic minor example — <\/em>index<\/mark><\/a>
\u201cSooner Rather than Later\u201d \u2014 an introspective sound sample — <\/em>index<\/mark><\/a>
“BlueMix Syntropy” — blues mix in BlueMix tonality — <\/em>index<\/mark><\/a>
\u201cLouder Call for Peace\u201d — <\/em>index<\/mark><\/a>
“Remembering Boudhanath” — <\/em>index<\/mark><\/a>
“Little Balloon” — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

“Reach and Mix — Carried by the Wind” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“Stroll along Soul’s River Bank” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“Blue Wrap Rap” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

November-December 2020<\/a><\/p>\n\n\n\n

“Ornate Gateway to Heaven and Hell” — <\/em>index<\/mark><\/a>
“Plain Gateway to Heaven and Hell” — <\/em>index<\/mark><\/a>
“Dear God (mono-lingual)” — <\/em>index<\/mark><\/a>
“Dear God (quadri-lingual)” — <\/em>index<\/mark><\/a>
“Full Steam Ahead!” — <\/em>index<\/mark><\/a>
“Little Earworm Pupating” — <\/em>index<\/mark><\/a>
“Tongue in Guitars’ Cheek” — <\/em>index<\/mark><\/a>
“Covid Sing’in Tongue” — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

September-October 2020<\/a><\/p>\n\n\n\n

“Spontaneous Surprise” — <\/em>index<\/mark><\/a>
“Call to Peace” — <\/em>index<\/mark><\/a>
“The Little Blue Loop that Could — in Space” — <\/em>index<\/mark><\/a>
“The Little Blue Loop that Could — on Track” — <\/em>index<\/mark><\/a>
“The Little Blue Loop that Could — at Rest” — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

“Whiff of Wings” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
“Dune Dawn” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

April-August 2020<\/a><\/p>\n\n\n\n

\u201cChange of Season\u201d — <\/em>index<\/mark><\/a>
\u201cCourtesy of Grace\u201d — <\/em>index<\/mark><\/a>
\u201cOn Eagels\u2019 Wings\u201d — <\/em>index<\/mark><\/a>
\u201cAs God Realizes the Moment\u201d — <\/em>index<\/mark><\/a>
\u201cDancing above the Clouds\u201d — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

\u201cTale of Words and Sounds\u201d <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

Summer 2014<\/a><\/p>\n\n\n\n

\u201cHeart of Love\u201d — <\/em>index<\/mark><\/a>
\u201cEternal Moment\u201d — <\/em>index<\/mark><\/a>
\u201cShepherd\u2019s Call\u201d — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

Soundscape “Amazing” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
Soundscape “Guggisberg” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a>
Soundscape “Lyoba” <\/em>— coop<\/mark><\/a> — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

Cooperation sounds — with extra artist(s)<\/h2>\n\n\n\n
\n
Christina Braun<\/a><\/div>\n\n\n\n
Philine Harte<\/a><\/div>\n\n\n\n
Punnu Wasu<\/a><\/div>\n\n\n\n
Karin Gs\u00f6llpointner<\/a><\/div>\n\n\n\n
Ursula Huggenberger<\/a><\/div>\n\n\n\n
Kathia, Egon, Hans, & Hans<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

Christina Braun<\/p>\n\n\n\n

“Dragonfly wings” — with Christina Braun <\/strong>— PentaMin \/ PentaEol <\/em>on G# (rel. A 438 Hz) — Christina Braun: voice — Ulrico: tenor ukulele — 3:19 <\/strong>— index<\/mark><\/a><\/p>\n\n\n\n

“It is what it is” — with Christina Braun <\/strong>— HexaBluNaMix <\/em>on C# (rel. A 438 Hz) — Chistina Braun: voice — Ulrico: 8-string guitar — 4:48 <\/strong>— index<\/mark><\/a><\/p>\n\n\n\n

“Peace over war” — with Christina Braun <\/strong>— <\/strong>Christina Braun: voice, Tingsha cymbals — Ulrico: large gong, Zildjian cymbal, sound bowls — 4:44 <\/strong>— index<\/mark><\/a><\/p>\n\n\n\n

“Sun glitters on a snow-covered field” — with Christina Braun <\/strong>— Mixolydian <\/em>on C# (rel. A 438 Hz), spiced — Christina Braun: voice — Ulrico: 8-string guitar — 5:18 <\/strong>— index<\/mark><\/a><\/p>\n\n\n\n

“Shamana energy glow” — with Christina Braun <\/strong>— <\/strong>Christina Braun: voice — Ulrico: djembe — 4:22 <\/strong>— index<\/mark><\/a><\/p>\n\n\n\n

“Sunrise miracle” — with Christina Braun <\/strong>— LoMidReach <\/em>on C# (rel. 438.2 Hz) — Christina Braun: voice — Ulrico: 8-string guitar — 5:35 <\/strong>— index<\/mark><\/a><\/p>\n\n\n\n

“Mysterious calm contemplation” — with Christina Braun <\/em>— <\/em>Christina Braun: voice — Ulrico: gongs — 8:24 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Incredible journey blues” — with Christina Braun <\/em>— PentaMin<\/em> on G# (rel. 438.2 Hz) — Christina Braun: voice — Ulrico: bass & tenor ukulele — 6:25 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Soaring free” — wind in the wings <\/em>— TetraMin <\/em>(with a touch of PentaMinMix\/PentaEolDor<\/em>) on G# (207 Hz) — Christina Braun: voice — Ulrico: fretted <\/em>vichitra veena <\/em>& bass — 5:52 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Sunlight enters the dark” — light’s on <\/em>— MinReach <\/em>(harmonic minor) on G# (207 Hz) — Christina Braun: voice — Ulrico: ukulele & tanpura — 4:11 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“North woods gnome procession” — warming hearts <\/em>— Aeolian <\/em>(natural minor) & MinReach <\/em>on A (438 Hz) — Christina Braun: violin & voice — Ulrico: harmonium — 4:36 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“North woods gnome gathering” — a sweet start <\/em>— Aeolian <\/em>& MinReach <\/em>on A (438 Hz) — Christina Braun: violin & voice — Ulrico: harmonium — 5:16 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Autumn leaf floating past cliffs” — smooth passage <\/em>— Aeolian <\/em>on G# (207 Hz) — Christina Braun: voice — Ulrico: crotales — 4:01 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Ever forward into the open” — blue destination <\/em>— PentaMin\/PentaEol<\/em> based on D# — Christina Braun: voice — Ulrico: singing saw, bass, 6-string guitar — 4:15 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Cherry blossom dragon” — spring awakening <\/em>— <\/em>based on E, G, and C# — Christina Braun: voice — Ulrico: crotales, bowls, gongs — 4:17 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Pebbles in the pond” — a touch of a raga <\/em>— <\/em>Bairagi Bhairav raag based on C# — Christina Braun: voice — Ulrico: 8-string guitar — 5:38 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Straight forward” — dare jump in head-on <\/em>— PentaMin\/PentaEol<\/em> w\/a touch Aeolian <\/em>on C# — Christina Braun: voice — Ulrico: 8-string guitar — 6:45 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“The river’s current” — free flow spontaneity <\/em>— Phrygian <\/em>based on E (rel. 435 Hz) — Christina Braun: voice — Ulrico: 7-string guitar, bass bowl — 6:40 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Skies close by” — traveling blue as soul <\/em>— PentaMin \/ PentaEol<\/em> (pentatonic minor) based on A (rel. 442 Hz) — Christina Braun: violin — Ulrico: bass, tanpura — 3:45 <\/em>— index<\/mark><\/a> <\/p>\n\n\n\n

“Layers” — modular world building blocks <\/em>— PentaProLa \/ PentaIon<\/em> (pentatonic major) based on C# (rel. 438 Hz) — Christina Braun: voice — Ulrico: 5-string guitar, singing saw, crotales — 4:46 <\/em>— index<\/mark><\/a> <\/p>\n\n\n\n

“Universes” — corners of the sound temple constellation <\/em>— Core tonality<\/em> based on C#, G, A#, E (rel. 438 Hz) — Christina Braun: voice — Ulrico: gongs — 5:20 <\/em>— index<\/mark><\/a> <\/p>\n\n\n\n

\u201cTo a new horizon\u201d — let go of the horizon to find a new one <\/em>— violin by Christina Braun — bowl and cymbals by Ulrico \u2014 5:55 <\/em>— index<\/mark><\/a> <\/p>\n\n\n\n

\u201cEver again, keep going!\u201d — life moves on <\/em>— TertaNa<\/em> based — voice by Christina Braun — 8-string guitar by Ulrico — 3:48 <\/em>— index<\/mark><\/a> <\/p>\n\n\n\n

“Blue Wrap Rap” <\/em>— PentaMin \/ PentaEol<\/em> — voice by Christina Braun — bass by Ulrico — 2:50 <\/em>— index<\/mark><\/a> <\/p>\n\n\n\n

“Cheerful Hey, Hey!” — a happy dance <\/em>— Mixolydian<\/em> — voice by Christina Braun — 8-string guitar by Ulrico — 5:18 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Christina’s Theme” <\/em>— Aeolian <\/em>— melodic theme (in C# minor) and voice by Christina Braun — 6-string guitar by Ulrico — 5:57 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Christina’s Theme” — a work in progress <\/em>— Aeolian <\/em>— melodic theme in D minor and voice by Christina Braun — 6 and 8-string guitar by Ulrico — 8:49 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Dune Dawn” <\/em>— multiple voice by Christina Braun — 8-string guitar and bass by Ulrico — 1:39 <\/em>— index<\/mark><\/a> <\/p>\n\n\n\n

“Gentle Echoes of a Wild Thing” <\/em>— voice by Christina Braun — 8-string guitar by Ulrico — 6:59 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Go Be” <\/em>— voice by Christina Braun — large gong and crotales by Ulrico — 6:34 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Heart in Misty Forest” <\/em>— voice by Christina Braun — fujara, gong, and crotales by Ulrico — 3:30 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Reach and Mix — Carried by the Wind” <\/em>— ReachMix <\/em>— voice by Christina Braun — 8-string guitar by Ulrico — 6:30 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Roots Reaching for Heaven” <\/em>— HexaProMix<\/em> — voice by Christina Braun — 8-string guitar by Ulrico — 5:54 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Starry Sky” — a meditative improvisation <\/em>— voice by Christina Braun — Nepali and Tibetan (tingsha) cymbals, crotales by Ulrico — 3:49 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Stroll along Soul’s River Bank” <\/em>— voice by Christina Braun — cymbals, bowls, crotales, and gongs by Ulrico — 8:53 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

\u201cTale of Words and Sounds\u201d — voice by Christina Braun — 8-string guitar by Ulrico — 2:32 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Waves Concluding a Sound Temple Visit” — breathing voice waves by Christina Braun — 8-string guitar, crotales, and a touch of large gong by Ulrico — 1:52 or 1:48 loop <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Whiff of Wings” <\/em>— voice by Christina Braun — fujara by Ulrico — 3:13 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Wild Thing” <\/em>— ReachUp<\/em> (double harmonic\/Gypsy minor) — voice by Christina Braun — 8-string guitar by Ulrico — 3:48 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

Philine Harte<\/p>\n\n\n\n

\u201cKlanggeschichte\u201d — the development of the umbilical cord <\/em>— <\/em>story and sound about connection, growth, and detachment — 10 chapters — voice and story (in German) by Philine Harte, 8-string guitar (and cymbals) by Ulrico — 63 minutes <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Doula’s song and silence” — for a new generation <\/em>— ReachMin<\/em> (Phrygian dominant) — voice by Philine Harte — double 8-string guitar by Ulrico — 4:06 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

Punnu Singh Wasu<\/a><\/p>\n\n\n\n

“Harmony in the present moment” — blending cultures <\/em>— Mixolydian <\/em>\/ Ionian <\/em>on C# — Punnu Wasu: mandolin — Ulrico: 8-string guitar — 8:35 <\/em>live <\/em>— <\/mark><\/mark>index<\/mark><\/a><\/p>\n\n\n\n

\u0935\u093f\u091a\u093f\u0924\u094d\u0930 — “Vichitra, a surprise” — odd, fanciful, and curious <\/em>— ReachMin <\/em>on G# — Punnu Wasu: mandolin — Ulrico: fretted <\/em>vichitra veena <\/em>— 4:24 live <\/em>— <\/mark><\/mark>index<\/mark><\/a><\/p>\n\n\n\n

\u0950 \u0917\u0902 \u0917\u0923\u092a\u0924\u092f\u0947 \u0928\u092e\u0903 — “\u014c\u1e43 Gam Ganapataye Namaha” — Ganesha mantra <\/em>— Aeolian <\/em>on C# — Punnu Wasu: voice & harmonium — Ulrico: 7-string guitar — 11:29 <\/em>live <\/em>— <\/mark><\/mark>index<\/mark><\/a><\/p>\n\n\n\n

\u091c\u092f \u091c\u092f \u092e\u093e\u0901 — “Jai Jai Ma” — praise the mother <\/em>— Aeolian <\/em>on C# — Punnu Wasu: voice & harmonium — Ulrico: 8-string guitar — 12:29 <\/em>live <\/em>— <\/mark><\/mark>index<\/mark><\/a><\/p>\n\n\n\n

\u0950 \u0936\u093e\u0928\u094d\u0924\u093f\u0903 — “\u014c\u1e43 \u015a\u0101nti\u1e25” — sound healing <\/em>— ReachMin <\/em>on D# — Punnu Wasu: voice & mandolin — Ulrico: 7-string guitar — 11:30 <\/em>live <\/em>— <\/mark><\/mark>index<\/mark><\/a><\/p>\n\n\n\n

“Sound healing dedication” — a mutual exchange– Aeolian <\/em>on G — Punnu Wasu: voice & harmonium — Catherine G\u00f6ldlin: frame drum — Ulrico: bird whistle — 7:17live– <\/mark>index<\/mark><\/a><\/p>\n\n\n\n

“The joy of freedom within” — a healing calm <\/em>— Mixolydian <\/em>w\/a touch of Ionian<\/em>, ReachBal <\/em>on D# — Punnu Wasu: voice & mandolin — Ulrico: 7-string guitar — 12:02 <\/em>live <\/em>— <\/mark>index<\/mark><\/a><\/p>\n\n\n\n

“Spirit of the water” — healing medicine of forest flowers <\/em>— HexaMin <\/em>on F# — Punnu Wasu: voice & frame drum — Ulrico: djembe — 5:57 <\/em>live <\/em>— <\/mark>index<\/mark><\/a><\/p>\n\n\n\n

“Joy, peace, & harmony” — friends always meet again <\/em>— ReachMin<\/em> (Phrygian dominant) on G# — Punnu Wasu<\/em>: double mandolin — Ulrico: <\/em>vichitra veena <\/em>& 8-string guitar — 8:14<\/mark> <\/em>— <\/mark>index<\/mark><\/a><\/p>\n\n\n\n

“First encounter of old all new” — with Punnu Singh Wasu <\/em><\/em>— ReachBal<\/em> — harmonium and voice by Punnu Singh Wasu — 8-string guitar by Ulrico — 8:57 live <\/em>— <\/mark>index<\/mark><\/a><\/p>\n\n\n\n

“Gentle blue light” — with Punnu Singh Wasu <\/em>— MinReach<\/em>, Aeolian<\/em>\/HexaMin<\/em> — mandolin by Punnu Singh Wasu — 8-string guitar by Ulrico — 8:49 live <\/em>— <\/mark>index<\/mark><\/a><\/p>\n\n\n\n

Karin Gs\u00f6llpointner<\/p>\n\n\n\n

“Sardic spiral stairwell” — for spiritually inclined beings <\/em>— TetraNaLa, PentaProLa \/ PentaIon (pentatonic major), HexaBluNa \/ HexaLolo, TetraNa<\/em>, & derivatives — voice duet with Karin Gs\u00f6llpointner, 7-string guitar, bass bowl, tanpura — 8:17 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“July 2023 Fideris sound journey” — live concert recording <\/em>— entire concert, homogenized — #1-7 in one — Ursula Huggenberger, Karin Gs\u00f6llpointner, & Ulrico — 38:22 live <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Step in over the sill” — starting in Fideris church — Fideris #1 — <\/em>sound bowls by Ursula Huggenberger, Karin Gs\u00f6llpointner, & Ulrico — 6:47 live <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Sound journey” — in the moment — Fideris #6 <\/em>— ReachMin<\/em> (Phrygian dominant) <\/em>on G# — <\/em>vichitra veena <\/em>by Ulrico — tanpuras by Ursula Huggenberger & Karin Gs\u00f6llpointner — 5:50 live <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Step out over the sill” — concluding in Fideris church — Fideris #7 — <\/em>gong, sound bowls, & tingsha cymbal pair by Ursula Huggenberger, Karin Gs\u00f6llpointner, & Ulrico — 8:33 live — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

“Awakening pixie Nirak” — sparkling pixie dust <\/em>— TetraNa<\/em> based — voice by Karin Gs\u00f6llpointner — 8-string guitar by Ulrico — 8:21 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Hallo Stille [Hello Silence]” <\/em>— text by Nicole Keller — voice by Karin Gs\u00f6llpointner — 8-string guitar in C# Mixolydian <\/em>by Ulrico — 5:09 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

Ursula Huggenberger<\/p>\n\n\n\n

“July 2023 Fideris sound journey” — live concert recording <\/em>— entire concert, homogenized — #1-7 in one — Ursula Huggenberger, Karin Gs\u00f6llpointner, & Ulrico — 38:22 live <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Step in over the sill” — starting in Fideris church — Fideris #1 — <\/em>sound bowls by Ursula Huggenberger, Karin Gs\u00f6llpointner, & Ulrico — 6:47 live <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Spontaneous first encounter” — a gentle first — Fideris #3 — <\/em>handpan duo by Ursula Huggenberger & Ulrico — 4:17 live <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Again, all new” — wooden floor creaks — Fideris #4 <\/em>— PentaMin\/PentaEol<\/em> (pentatonic minor) on E — 7-string guitar by Ulrico — handpan by Ursula Huggenberger — 5:10 live <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Calling the gods” — reaching out rather far — Fideris #5 <\/em>— monochord & gong by Ursula Huggenberger — singing saw & bird whistle by Ulrico — 5:13 live <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Sound journey” — in the moment — Fideris #6 <\/em>— ReachMin<\/em> (Phrygian dominant) <\/em>on G# — <\/em>vichitra veena <\/em>by Ulrico — tanpuras by Ursula Huggenberger & Karin Gs\u00f6llpointner — 5:50 live <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

“Step out over the sill” — concluding in Fideris church — Fideris #7 — <\/em>gong, sound bowls, & tingsha cymbal pair by Ursula Huggenberger, Karin Gs\u00f6llpointner, & Ulrico — 8:33 live — <\/em>index<\/mark><\/a><\/p>\n\n\n\n

Kathia Haug, Egon Kunkel, Hans Kurzen, and Hans Maurer<\/p>\n\n\n\n

Soundscape “Amazing” — native american flute, hang, and zither by Kathia Haug — gongs and crotales by Ulrico — didgeridoo and overtone singing by Egon Kunkel — alphorn by Hans Kurzen — 16:53 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

Soundscape “Guggisberg” — zither and native american flute by Kathia Haug — <\/em>vichitra veena <\/em>and bass by Ulrico — b\u00fcchel and mini cornet by Hans Kurzen — tanpura and didgeridoo by Egon Kunkel — ocean drum by Hans Maurer — 13:08 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

Soundscape “Lyoba” — zither and native american flute by Kathia Haug — bass and 7-string guitar by Ulrico — alphorn by Hans Kurzen — overtone singing by Egon Kunkel — 7:27 <\/em>— index<\/mark><\/a><\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Index des sons personnels et de coop\u00e9ration par ou avec Ulrico Pour rechercher un mot sp\u00e9cifique, vous pouvez utiliser la fonction de recherche de page de votre navigateur. Sons personnels et de coop\u00e9ration - index par titre 'A' \"Une b\u00e9n\u00e9diction de \u014c\u1e43 \/ Aum \u0950\" - avec amour pour tous les \u00eatres sensibles - en s'approchant, en s'accordant et en se posant sur ... <\/p>\n

Continuer la lecture de \" Index des sons \"<\/span><\/a><\/p>","protected":false},"author":1,"featured_media":0,"parent":2718,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-23243","page","type-page","status-publish","hentry"],"yoast_head":"\nSounds index – TONALIBUS, Anchored Harmony and Tonalities<\/title>\n<meta name=\"description\" content=\"Index of personal and cooperation sounds by or with Ulrico; Index of sounds by title; Sounds by date; Cooperation sounds.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/tonalibus.org\/fr\/sounds\/sounds-index\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sounds index – TONALIBUS, Anchored Harmony and Tonalities\" \/>\n<meta property=\"og:description\" content=\"Index of personal and cooperation sounds by or with Ulrico; Index of sounds by title; Sounds by date; Cooperation sounds.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/tonalibus.org\/fr\/sounds\/sounds-index\/\" \/>\n<meta property=\"og:site_name\" content=\"TONALIBUS\" \/>\n<meta property=\"article:modified_time\" content=\"2026-05-13T08:46:44+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data1\" content=\"84 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/tonalibus.org\\\/sounds\\\/sounds-index\\\/\",\"url\":\"https:\\\/\\\/tonalibus.org\\\/sounds\\\/sounds-index\\\/\",\"name\":\"Sounds index – TONALIBUS, Anchored Harmony and Tonalities\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/tonalibus.org\\\/de\\\/#website\"},\"datePublished\":\"2023-02-11T03:04:50+00:00\",\"dateModified\":\"2026-05-13T08:46:44+00:00\",\"description\":\"Index of personal and cooperation sounds by or with Ulrico; Index of sounds by title; Sounds by date; Cooperation sounds.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/tonalibus.org\\\/sounds\\\/sounds-index\\\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/tonalibus.org\\\/sounds\\\/sounds-index\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/tonalibus.org\\\/sounds\\\/sounds-index\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/tonalibus.org\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Sounds\",\"item\":\"https:\\\/\\\/tonalibus.org\\\/sounds\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Sounds index\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/tonalibus.org\\\/de\\\/#website\",\"url\":\"https:\\\/\\\/tonalibus.org\\\/de\\\/\",\"name\":\"TONALIBUS\",\"description\":\"Anchored Harmony and Tonalities\",\"publisher\":{\"@id\":\"https:\\\/\\\/tonalibus.org\\\/de\\\/#\\\/schema\\\/person\\\/749261d7bc96d1f00127273f83ab96a4\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/tonalibus.org\\\/de\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-FR\"},{\"@type\":[\"Person\",\"Organization\"],\"@id\":\"https:\\\/\\\/tonalibus.org\\\/de\\\/#\\\/schema\\\/person\\\/749261d7bc96d1f00127273f83ab96a4\",\"name\":\"Ulrico\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/tonalibus.org\\\/wp-content\\\/uploads\\\/2020\\\/06\\\/uli-pix.jpg\",\"url\":\"https:\\\/\\\/tonalibus.org\\\/wp-content\\\/uploads\\\/2020\\\/06\\\/uli-pix.jpg\",\"contentUrl\":\"https:\\\/\\\/tonalibus.org\\\/wp-content\\\/uploads\\\/2020\\\/06\\\/uli-pix.jpg\",\"width\":960,\"height\":720,\"caption\":\"Ulrico\"},\"logo\":{\"@id\":\"https:\\\/\\\/tonalibus.org\\\/wp-content\\\/uploads\\\/2020\\\/06\\\/uli-pix.jpg\"},\"sameAs\":[\"https:\\\/\\\/tonalibus.cyon.site\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Index des sons - TONALIBUS, Harmonie ancr\u00e9e et tonalit\u00e9s","description":"Index des sons personnels et de coop\u00e9ration par ou avec Ulrico ; Index des sons par titre ; Sons par date ; Sons de coop\u00e9ration.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/tonalibus.org\/fr\/sounds\/sounds-index\/","og_locale":"fr_FR","og_type":"article","og_title":"Sounds index – TONALIBUS, Anchored Harmony and Tonalities","og_description":"Index of personal and cooperation sounds by or with Ulrico; Index of sounds by title; Sounds by date; Cooperation sounds.","og_url":"https:\/\/tonalibus.org\/fr\/sounds\/sounds-index\/","og_site_name":"TONALIBUS","article_modified_time":"2026-05-13T08:46:44+00:00","twitter_card":"summary_large_image","twitter_misc":{"Dur\u00e9e de lecture estim\u00e9e":"84 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/tonalibus.org\/sounds\/sounds-index\/","url":"https:\/\/tonalibus.org\/sounds\/sounds-index\/","name":"Index des sons - TONALIBUS, Harmonie ancr\u00e9e et tonalit\u00e9s","isPartOf":{"@id":"https:\/\/tonalibus.org\/de\/#website"},"datePublished":"2023-02-11T03:04:50+00:00","dateModified":"2026-05-13T08:46:44+00:00","description":"Index des sons personnels et de coop\u00e9ration par ou avec Ulrico ; Index des sons par titre ; Sons par date ; Sons de coop\u00e9ration.","breadcrumb":{"@id":"https:\/\/tonalibus.org\/sounds\/sounds-index\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/tonalibus.org\/sounds\/sounds-index\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/tonalibus.org\/sounds\/sounds-index\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/tonalibus.org\/"},{"@type":"ListItem","position":2,"name":"Sounds","item":"https:\/\/tonalibus.org\/sounds\/"},{"@type":"ListItem","position":3,"name":"Sounds index"}]},{"@type":"WebSite","@id":"https:\/\/tonalibus.org\/de\/#website","url":"https:\/\/tonalibus.org\/de\/","name":"TONALIBUS","description":"Harmonie et tonalit\u00e9s ancr\u00e9es","publisher":{"@id":"https:\/\/tonalibus.org\/de\/#\/schema\/person\/749261d7bc96d1f00127273f83ab96a4"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/tonalibus.org\/de\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-FR"},{"@type":["Person","Organization"],"@id":"https:\/\/tonalibus.org\/de\/#\/schema\/person\/749261d7bc96d1f00127273f83ab96a4","name":"Ulrico","image":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/tonalibus.org\/wp-content\/uploads\/2020\/06\/uli-pix.jpg","url":"https:\/\/tonalibus.org\/wp-content\/uploads\/2020\/06\/uli-pix.jpg","contentUrl":"https:\/\/tonalibus.org\/wp-content\/uploads\/2020\/06\/uli-pix.jpg","width":960,"height":720,"caption":"Ulrico"},"logo":{"@id":"https:\/\/tonalibus.org\/wp-content\/uploads\/2020\/06\/uli-pix.jpg"},"sameAs":["https:\/\/tonalibus.cyon.site"]}]}},"_links":{"self":[{"href":"https:\/\/tonalibus.org\/fr\/wp-json\/wp\/v2\/pages\/23243","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tonalibus.org\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tonalibus.org\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tonalibus.org\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tonalibus.org\/fr\/wp-json\/wp\/v2\/comments?post=23243"}],"version-history":[{"count":75,"href":"https:\/\/tonalibus.org\/fr\/wp-json\/wp\/v2\/pages\/23243\/revisions"}],"predecessor-version":[{"id":38968,"href":"https:\/\/tonalibus.org\/fr\/wp-json\/wp\/v2\/pages\/23243\/revisions\/38968"}],"up":[{"embeddable":true,"href":"https:\/\/tonalibus.org\/fr\/wp-json\/wp\/v2\/pages\/2718"}],"wp:attachment":[{"href":"https:\/\/tonalibus.org\/fr\/wp-json\/wp\/v2\/media?parent=23243"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}