{"id":27291,"date":"2023-09-04T19:13:56","date_gmt":"2023-09-04T17:13:56","guid":{"rendered":"https:\/\/tonalibus.org\/?page_id=27291"},"modified":"2023-12-24T12:39:18","modified_gmt":"2023-12-24T11:39:18","slug":"tonalities-selection","status":"publish","type":"page","link":"https:\/\/tonalibus.org\/fr\/shop\/tonalities-selection\/","title":{"rendered":"S\u00e9lection de tonalit\u00e9s"},"content":{"rendered":"
\n
Base harmonique<\/a><\/div>\n\n\n\n
S\u00e9lection de pentatonalit\u00e9s<\/a><\/div>\n\n\n\n
S\u00e9lection d'heptatonalit\u00e9s<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

Les diff\u00e9rentes \u00e9tapes de s\u00e9lection de tonalit\u00e9s s'encha\u00eenent les unes aux autres. Sur la base de votre choix de hauteur fondamentale personnelle<\/mark><\/a>, vous pouvez v\u00e9rifier la base harmonique qui en r\u00e9sulte et former ensuite des tonalit\u00e9s individuelles, en ciblant notamment des pentatonalit\u00e9s et des heptatonalit\u00e9s, des tonalit\u00e9s harmoniquement ancr\u00e9es pr\u00e9sentes dans le catalogue Tonalibus<\/mark><\/a> \u2013 de mani\u00e8re libre et ouverte. <\/p>\n\n\n\n

V\u00e9rification de la base harmonique<\/h2>\n\n\n\n

Cliquez sur votre hauteur fondamentale pour la v\u00e9rification de la base harmonique correspondante.<\/p>\n\n\n\n

\n
Do#<\/a><\/div>\n\n\n\n
R\u00e9<\/a><\/div>\n\n\n\n
R\u00e9#<\/a><\/div>\n\n\n\n
Mi<\/a><\/div>\n\n\n\n
Fa<\/a><\/div>\n\n\n\n
Fa#<\/a><\/div>\n\n\n\n
Sol<\/a><\/div>\n\n\n\n
Sol#<\/a><\/div>\n\n\n\n
La<\/a><\/div>\n\n\n\n
La#<\/a><\/div>\n\n\n\n
Si<\/a><\/div>\n\n\n\n
Do<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

La base harmonique d'une tonalit\u00e9 est sa fondamentale et sa quinte, le premier harmonique qui n'est pas une octave de la fondamentale. Votre hauteur fondamentale personnelle peut tr\u00e8s bien \u00eatre la fondamentale de vos tonalit\u00e9s individuelles. Par contre, si, lors de la v\u00e9rification de votre base harmonique, vous avez choisi la quarte plut\u00f4t que la quinte, par le miracle de la nature<\/mark><\/a>, la quarte devient la fondamentale de vos tonalit\u00e9s individuelles, et la hauteur fondamentale personnelle que vous avez choisie devient leur quinte. <\/p>\n\n\n\n

S\u00e9lection individuelle de pentatonalit\u00e9s <\/h2>\n\n\n\n

Cliquez sur votre base harmonique pour la s\u00e9lection individuelle de pentatonalit\u00e9s correspondantes.<\/p>\n\n\n\n

\n
Do# \/ Sol#<\/a><\/div>\n\n\n\n
R\u00e9 \/ La<\/a><\/div>\n\n\n\n
R\u00e9# \/ La#<\/a><\/div>\n\n\n\n
Mi \/ Si<\/a><\/div>\n\n\n\n
Fa \/ Do<\/a><\/div>\n\n\n\n
Fa# \/ Do#<\/a><\/div>\n\n\n\n
Sol \/ R\u00e9<\/a><\/div>\n\n\n\n
Sol# \/ R\u00e9#<\/a><\/div>\n\n\n\n
La \/ Mi<\/a><\/div>\n\n\n\n
La# \/ Fa<\/a><\/div>\n\n\n\n
Si \/ Fa#<\/a><\/div>\n\n\n\n
Do \/ Sol<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

Les pentatonalit\u00e9s comptent cinq hauteurs par octave. La base harmonique<\/mark><\/a> est constitu\u00e9e de deux hauteurs. Ainsi, pour s\u00e9lectionner une pentatonalit\u00e9 individuelle, vous avez besoin de trois hauteurs suppl\u00e9mentaires. Pour les pentatonalit\u00e9s de base, il s'agit d'une hauteur dans la partie sup\u00e9rieure et de deux hauteurs dans la partie inf\u00e9rieure de l'octave. Et pour les pentatonalit\u00e9s \u00e9tendues, c'est une dans la partie inf\u00e9rieure et deux dans la partie sup\u00e9rieure de l'octave, \u00e0 une exception pr\u00e8s. En g\u00e9n\u00e9ral, s'il y a deux pour une partie, il n'y en a qu'une pour l'autre. <\/p>\n\n\n\n

S\u00e9lection individuelle d'heptatonalit\u00e9s<\/h2>\n\n\n\n

S\u00e9lectionner d'abord une pentatonalit\u00e9 individuelle, puis de l'\u00e9tendre pour former une heptatonalit\u00e9 individuelle, peut consid\u00e9rablement simplifier la s\u00e9lection des hauteurs des heptatonalit\u00e9s.<\/p>\n\n\n\n

Cliquez sur votre base harmonique pour la s\u00e9lection individuelle de heptatonalit\u00e9s correspondantes.<\/p>\n\n\n\n

\n
Do# \/ Sol#<\/a><\/div>\n\n\n\n
R\u00e9 \/ La<\/a><\/div>\n\n\n\n
R\u00e9# \/ La#<\/a><\/div>\n\n\n\n
Mi \/ Si<\/a><\/div>\n\n\n\n
Fa \/ Do<\/a><\/div>\n\n\n\n
Fa# \/ Do#<\/a><\/div>\n\n\n\n
Sol \/ R\u00e9<\/a><\/div>\n\n\n\n
Sol# \/ R\u00e9#<\/a><\/div>\n\n\n\n
La \/ Mi<\/a><\/div>\n\n\n\n
La# \/ Fa<\/a><\/div>\n\n\n\n
Si \/ Fa#<\/a><\/div>\n\n\n\n
Do \/ Sol<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

Les heptatonalit\u00e9s ont sept hauteurs par octave. La base harmonique se compose de deux hauteurs. Ainsi, pour former une heptatonalit\u00e9 individuelle, il faut cinq hauteurs suppl\u00e9mentaires. Soit deux dans la partie sup\u00e9rieure et trois dans la partie inf\u00e9rieure de l'octave. Les heptatonalit\u00e9s diatoniques et group\u00e9es ou m\u00e9lodiques sont compos\u00e9es de demi-pas et de pas entiers, tandis que les heptatonalit\u00e9s Reach ou harmoniques et de triton et de blues comprennent en outre un ou deux pas Reach ou secondes augment\u00e9es.<\/p>\n\n\n\n

<\/div>\n\n\n
\n
\"\"
Matrice d'heptatonalit\u00e9s en sept hauteurs<\/figcaption><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"

Les diff\u00e9rentes \u00e9tapes de s\u00e9lection des tonalit\u00e9s s'encha\u00eenent les unes aux autres. Sur la base de votre hauteur fondamentale personnelle, vous pouvez v\u00e9rifier la base harmonique r\u00e9sultante et former ensuite des tonalit\u00e9s individuelles, en ciblant les pentatonalit\u00e9s et les heptatonalit\u00e9s, des tonalit\u00e9s ancr\u00e9es harmoniquement pr\u00e9sentes dans le catalogue Tonalibus - de mani\u00e8re libre et illimit\u00e9e. V\u00e9rification de la base harmonique (avant la s\u00e9lection des tonalit\u00e9s) Cliquez sur ... <\/p>\n

Continuer la lecture de \" S\u00e9lection des tonalit\u00e9s \"<\/span><\/a><\/p>","protected":false},"author":1,"featured_media":0,"parent":490,"menu_order":70,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-27291","page","type-page","status-publish","hentry"],"yoast_head":"\nTonalities selection – TONALIBUS Harmony and Tonalities<\/title>\n<meta name=\"description\" content=\"Based on a personal fundamental pitch, verify the resulting harmonic base and then go on to individual tonalities selection. 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