{"id":2765,"date":"2020-07-19T11:22:43","date_gmt":"2020-07-19T09:22:43","guid":{"rendered":"https:\/\/tonalibus.org\/?page_id=2765"},"modified":"2025-11-30T19:01:28","modified_gmt":"2025-11-30T18:01:28","slug":"chromaticism-and-modulation","status":"publish","type":"page","link":"https:\/\/tonalibus.org\/fr\/harmony\/chromaticism-and-modulation\/","title":{"rendered":"Chromatisme et modulation"},"content":{"rendered":"

Chromatisme et modulation<\/mark><\/h2>\n\n\n\n
\n
Chromatisme<\/a><\/div>\n\n\n\n
Modulation<\/a><\/div>\n\n\n\n
Visuels de modulation<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

\u00c0 un aper\u00e7u des concepts d'harmonie et des tonalit\u00e9s appartient aussi le chromatisme<\/mark><\/a>. Bien que non ancr\u00e9e harmoniquement en tant que tel, il est un ingr\u00e9dient essentiel pour la coloration musicale et pour conduire \u00e0 des modulations entre les tonalit\u00e9s. <\/p>\n\n\n\n

Chromatisme<\/mark><\/h2>\n\n\n\n

La gamme chromatique ou \u00e0 douze tons<\/mark><\/a> se compose de l'ensemble des douze demi-tons d'une octave. Le chromatisme interpose les hauteurs d'une tonalit\u00e9 avec d'autres hauteurs de la gamme chromatique. Celles-ci contrastent et \u00e9largissent une tonalit\u00e9 donn\u00e9e. Ils peuvent indiquer ou entra\u00eener temporairement une modulation d'une tonalit\u00e9 \u00e0 une autre. Au cours de la derni\u00e8re moiti\u00e9 du XIXe si\u00e8cle, le concept de tonalit\u00e9 s'est d\u00e9velopp\u00e9 avec la gamme chromatique et le chromatisme qui s'est r\u00e9pandu, par exemple dans l'\u0153uvre de Richard Wagner \"Tristan und Isolde<\/mark><\/a>\u201c. Cela a permis une plus grande libert\u00e9 tonale et une plus grande d\u00e9tente \u2013 ce que certains ont appel\u00e9 la rupture de tonalit\u00e9. <\/p>\n\n\n\n

Modulation<\/mark><\/h2>\n\n\n\n

Le module \u00c9chantillons de modulation de tonalit\u00e9 ancr\u00e9s<\/em> est un compl\u00e9ment tr\u00e8s pratique au catalogue des tonalit\u00e9s ancr\u00e9es<\/mark><\/a> et la s\u00e9rie de pr\u00e9sentations du cours<\/mark><\/a> Fondements de l'harmonie et des tonalit\u00e9s<\/em>. Vous trouverez ci-dessous ses plus de quarante visuels actuels. Pour faciliter la recherche de chemins de modulation lisses, ce module donne un aper\u00e7u des tonalit\u00e9s figurant dans le catalogue regroup\u00e9es par t\u00e9trachordes, tant par les t\u00e9trachordes inf\u00e9rieurs que par les t\u00e9trachordes sup\u00e9rieurs. En outre, il pr\u00e9sente \u2013 de mani\u00e8re condens\u00e9e et d\u00e9taill\u00e9e \u2013 des exemples de chemins de modulation cyclique, qui passent par un certain nombre de tonalit\u00e9s et reviennent finalement \u00e0 leur point d'origine.<\/p>\n\n\n\n

Visuels de \u00c9chantillons de modulation de tonalit\u00e9 ancr\u00e9s<\/em><\/mark><\/h2>\n\n\n\n
<\/div>\n\n\n
\n\n\n\n\n\n
\n
\n
\n
\n\n
\"3-9-01\"<\/picture><\/div>
<\/div><\/div>
\"3-9-02\"<\/picture><\/div>
<\/div><\/div>
\"3-9-03\"<\/picture><\/div>
<\/div><\/div>
\"3-9-04\"<\/picture><\/div>
<\/div><\/div>
\"3-9-05\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"3-9-12\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"3-9-14\"<\/picture><\/div>
<\/div><\/div>
\"3-9-15\"<\/picture><\/div>
<\/div><\/div>
\"3-9-16\"<\/picture><\/div>
<\/div><\/div>
\"3-9-17\"<\/picture><\/div>
<\/div><\/div>
\"3-9-18\"<\/picture><\/div>
<\/div><\/div>
\"3-9-19\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"3-9-21\"<\/picture><\/div>
<\/div><\/div>
\"3-9-22\"<\/picture><\/div>
<\/div><\/div>
\"3-9-23\"<\/picture><\/div>
<\/div><\/div>
\"3-9-24\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"3-9-26\"<\/picture><\/div>
<\/div><\/div>
\"3-9-27\"<\/picture><\/div>
<\/div><\/div>
\"3-9-28\"<\/picture><\/div>
<\/div><\/div>
\"3-9-29\"<\/picture><\/div>
<\/div><\/div>
\"3-9-30\"<\/picture><\/div>
<\/div><\/div>
\"3-9-31\"<\/picture><\/div>
<\/div><\/div>
\"3-9-32\"<\/picture><\/div>
<\/div><\/div>
\"3-9-33\"<\/picture><\/div>
<\/div><\/div>
\"3-9-34\"<\/picture><\/div>
<\/div><\/div>
\"3-9-35\"<\/picture><\/div>
<\/div><\/div>
\"3-9-36\"<\/picture><\/div>
<\/div><\/div>
\"3-9-37\"<\/picture><\/div>
<\/div><\/div>
\"3-9-38\"<\/picture><\/div>
<\/div><\/div>
\"3-9-39\"<\/picture><\/div>
<\/div><\/div>
\"3-9-40\"<\/picture><\/div>
<\/div><\/div>
\"3-9-41\"<\/picture><\/div>
<\/div><\/div><\/div>
\n <\/svg>
Tonalibus 3-9 modulation – 2020-06 – 01<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 02<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 03<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 04<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 05<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2023-12 – 49x<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2023-12 – 56x<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2024-01 – 58<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2024-01 – 59<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2024-01 – 64<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2024-01 – 65x<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2025-04 – 69x<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2024-01 – 88<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2025-04 – 89<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2024-01 90<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2024-01 – 91<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2024-01 – 92<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2024-01 – 93y<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2025-04 – 94<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2024-01 – 95<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2024-01 – 96y<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2024-01 – 97<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2024-01 – 98x<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2024-05 – 99<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 12<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2021-04 – 70<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 14<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 15<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 16<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 17<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 18<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 19<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 20<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 21<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 22<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 23<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 24<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2021-04 – 71<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 26<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 27<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 28<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 29<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 30<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 31<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 32<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 33<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 34<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 35<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 36<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 37<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 38<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 39<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 40<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 41<\/div>
<\/div><\/div><\/div> <\/div>\n\n <\/div>\n <\/div>\n <\/div>\n
\"previous<\/div><\/div>
\"next<\/div><\/div><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div><\/div><\/div>
\"previous<\/div>
\"next<\/div><\/div><\/div><\/div><\/div><\/ss3-loader><\/div><\/div>
<\/div><\/div>","protected":false},"excerpt":{"rendered":"

Chromatisme et modulation Le chromatisme fait \u00e9galement partie des concepts d'harmonie et de tonalit\u00e9. Bien qu'il ne soit pas ancr\u00e9 harmoniquement en tant que tel, il est un ingr\u00e9dient essentiel pour la coloration musicale et pour conduire \u00e0 des modulations entre les tonalit\u00e9s. Chromatisme La gamme chromatique ou dod\u00e9caphonique se compose des douze demi-tons d'une octave. Le chromatisme intercale les hauteurs de ... <\/p>\n

Continuer la lecture de \" Chromatisme et modulation \"<\/span><\/a><\/p>","protected":false},"author":1,"featured_media":0,"parent":35638,"menu_order":40,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2765","page","type-page","status-publish","hentry"],"yoast_head":"\nChromaticism and Modulation – TONALIBUS, Harmony and Tonalities<\/title>\n<meta name=\"description\" content=\"To an overview of tonalities belongs also chromaticism. It is essential for musical coloring and for leading to tonality modulations.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/tonalibus.org\/fr\/harmony\/chromaticism-and-modulation\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Chromaticism and Modulation – TONALIBUS, Harmony and Tonalities\" \/>\n<meta property=\"og:description\" content=\"To an overview of tonalities belongs also chromaticism. It is essential for musical coloring and for leading to tonality modulations.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/tonalibus.org\/fr\/harmony\/chromaticism-and-modulation\/\" \/>\n<meta property=\"og:site_name\" content=\"TONALIBUS\" \/>\n<meta property=\"article:modified_time\" content=\"2025-11-30T18:01:28+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/tonalibus.org\\\/harmony\\\/chromaticism-and-modulation\\\/\",\"url\":\"https:\\\/\\\/tonalibus.org\\\/harmony\\\/chromaticism-and-modulation\\\/\",\"name\":\"Chromaticism and Modulation – TONALIBUS, Harmony and Tonalities\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/tonalibus.org\\\/de\\\/#website\"},\"datePublished\":\"2020-07-19T09:22:43+00:00\",\"dateModified\":\"2025-11-30T18:01:28+00:00\",\"description\":\"To an overview of tonalities belongs also chromaticism. It is essential for musical coloring and for leading to tonality modulations.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/tonalibus.org\\\/harmony\\\/chromaticism-and-modulation\\\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/tonalibus.org\\\/harmony\\\/chromaticism-and-modulation\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/tonalibus.org\\\/harmony\\\/chromaticism-and-modulation\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/tonalibus.org\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Harmony\",\"item\":\"https:\\\/\\\/tonalibus.org\\\/harmony\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Chromaticism and Modulation\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/tonalibus.org\\\/de\\\/#website\",\"url\":\"https:\\\/\\\/tonalibus.org\\\/de\\\/\",\"name\":\"TONALIBUS\",\"description\":\"Anchored Harmony and Tonalities\",\"publisher\":{\"@id\":\"https:\\\/\\\/tonalibus.org\\\/de\\\/#\\\/schema\\\/person\\\/749261d7bc96d1f00127273f83ab96a4\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/tonalibus.org\\\/de\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-FR\"},{\"@type\":[\"Person\",\"Organization\"],\"@id\":\"https:\\\/\\\/tonalibus.org\\\/de\\\/#\\\/schema\\\/person\\\/749261d7bc96d1f00127273f83ab96a4\",\"name\":\"Ulrico\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/tonalibus.org\\\/wp-content\\\/uploads\\\/2020\\\/06\\\/uli-pix.jpg\",\"url\":\"https:\\\/\\\/tonalibus.org\\\/wp-content\\\/uploads\\\/2020\\\/06\\\/uli-pix.jpg\",\"contentUrl\":\"https:\\\/\\\/tonalibus.org\\\/wp-content\\\/uploads\\\/2020\\\/06\\\/uli-pix.jpg\",\"width\":960,\"height\":720,\"caption\":\"Ulrico\"},\"logo\":{\"@id\":\"https:\\\/\\\/tonalibus.org\\\/wp-content\\\/uploads\\\/2020\\\/06\\\/uli-pix.jpg\"},\"sameAs\":[\"https:\\\/\\\/tonalibus.cyon.site\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Chromatisme et modulation - TONALIBUS, harmonie et tonalit\u00e9s","description":"\u00c0 une vue d'ensemble des tonalit\u00e9s appartient aussi le chromatisme. Il est essentiel pour la coloration musicale et pour conduire \u00e0 des modulations de tonalit\u00e9s.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/tonalibus.org\/fr\/harmony\/chromaticism-and-modulation\/","og_locale":"fr_FR","og_type":"article","og_title":"Chromaticism and Modulation – TONALIBUS, Harmony and Tonalities","og_description":"To an overview of tonalities belongs also chromaticism. It is essential for musical coloring and for leading to tonality modulations.","og_url":"https:\/\/tonalibus.org\/fr\/harmony\/chromaticism-and-modulation\/","og_site_name":"TONALIBUS","article_modified_time":"2025-11-30T18:01:28+00:00","twitter_card":"summary_large_image","twitter_misc":{"Dur\u00e9e de lecture estim\u00e9e":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/tonalibus.org\/harmony\/chromaticism-and-modulation\/","url":"https:\/\/tonalibus.org\/harmony\/chromaticism-and-modulation\/","name":"Chromatisme et modulation - TONALIBUS, harmonie et tonalit\u00e9s","isPartOf":{"@id":"https:\/\/tonalibus.org\/de\/#website"},"datePublished":"2020-07-19T09:22:43+00:00","dateModified":"2025-11-30T18:01:28+00:00","description":"\u00c0 une vue d'ensemble des tonalit\u00e9s appartient aussi le chromatisme. Il est essentiel pour la coloration musicale et pour conduire \u00e0 des modulations de tonalit\u00e9s.","breadcrumb":{"@id":"https:\/\/tonalibus.org\/harmony\/chromaticism-and-modulation\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/tonalibus.org\/harmony\/chromaticism-and-modulation\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/tonalibus.org\/harmony\/chromaticism-and-modulation\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/tonalibus.org\/"},{"@type":"ListItem","position":2,"name":"Harmony","item":"https:\/\/tonalibus.org\/harmony\/"},{"@type":"ListItem","position":3,"name":"Chromaticism and Modulation"}]},{"@type":"WebSite","@id":"https:\/\/tonalibus.org\/de\/#website","url":"https:\/\/tonalibus.org\/de\/","name":"TONALIBUS","description":"Harmonie et tonalit\u00e9s ancr\u00e9es","publisher":{"@id":"https:\/\/tonalibus.org\/de\/#\/schema\/person\/749261d7bc96d1f00127273f83ab96a4"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/tonalibus.org\/de\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-FR"},{"@type":["Person","Organization"],"@id":"https:\/\/tonalibus.org\/de\/#\/schema\/person\/749261d7bc96d1f00127273f83ab96a4","name":"Ulrico","image":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/tonalibus.org\/wp-content\/uploads\/2020\/06\/uli-pix.jpg","url":"https:\/\/tonalibus.org\/wp-content\/uploads\/2020\/06\/uli-pix.jpg","contentUrl":"https:\/\/tonalibus.org\/wp-content\/uploads\/2020\/06\/uli-pix.jpg","width":960,"height":720,"caption":"Ulrico"},"logo":{"@id":"https:\/\/tonalibus.org\/wp-content\/uploads\/2020\/06\/uli-pix.jpg"},"sameAs":["https:\/\/tonalibus.cyon.site"]}]}},"_links":{"self":[{"href":"https:\/\/tonalibus.org\/fr\/wp-json\/wp\/v2\/pages\/2765","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tonalibus.org\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tonalibus.org\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tonalibus.org\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tonalibus.org\/fr\/wp-json\/wp\/v2\/comments?post=2765"}],"version-history":[{"count":1,"href":"https:\/\/tonalibus.org\/fr\/wp-json\/wp\/v2\/pages\/2765\/revisions"}],"predecessor-version":[{"id":37767,"href":"https:\/\/tonalibus.org\/fr\/wp-json\/wp\/v2\/pages\/2765\/revisions\/37767"}],"up":[{"embeddable":true,"href":"https:\/\/tonalibus.org\/fr\/wp-json\/wp\/v2\/pages\/35638"}],"wp:attachment":[{"href":"https:\/\/tonalibus.org\/fr\/wp-json\/wp\/v2\/media?parent=2765"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}