{"id":379,"date":"2020-06-15T16:32:36","date_gmt":"2020-06-15T14:32:36","guid":{"rendered":"https:\/\/tonalibus.org\/?page_id=379"},"modified":"2025-04-24T10:38:32","modified_gmt":"2025-04-24T08:38:32","slug":"pentatonalities","status":"publish","type":"page","link":"https:\/\/tonalibus.org\/fr\/tonalities\/pentatonalities\/","title":{"rendered":"Pentatonalit\u00e9s et T\u00e9tratonalit\u00e9"},"content":{"rendered":"

Pentatonalit\u00e9s et t\u00e9tratonalit\u00e9<\/mark> <\/h2>\n\n\n\n
\n
Base, enti\u00e8rement ancr\u00e9e<\/a><\/div>\n\n\n\n
Base, partiellement ancr\u00e9e<\/a><\/div>\n\n\n\n
\u00c9tendu, PentaBlu<\/a><\/div>\n\n\n\n
\u00c9tendu, PentaNa<\/a><\/div>\n\n\n\n
\u00c9tendu, d\u00e9riv\u00e9s<\/a><\/div>\n\n\n\n
T\u00e9tratonalit\u00e9<\/a><\/div>\n\n\n\n
Visuels<\/a><\/div>\n\n\n\n
Caract\u00e9ristiques<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

Vous trouverez ici la vue Tonalibus sur les cinq r\u00e9guli\u00e8res, deux group\u00e9es et d'autres pentatonalit\u00e9s<\/mark><\/a>, plus une tetratonalit\u00e9. Harmoniquement, elles sont soit enti\u00e8rement, soit au moins partiellement ancr\u00e9es. Les pentatonalit\u00e9s de base comprennent deux ou trois pas Reach ou secondes augment\u00e9es<\/mark><\/a>, les pentatonalit\u00e9s \u00e9tendues un double pas entier plus un ou deux pas Reach. En outre, il y a une tetratonalit\u00e9 avec les inversions de progression et des d\u00e9riv\u00e9s avec le miracle de la nature.<\/p>\n\n\n\n

Pentatonalit\u00e9s de base enti\u00e8rement ancr\u00e9es <\/em>\u2014 (1-x-6-8-x-1)<\/h3>\n\n\n\n
\n
PentaMixLa ou PentaMixolyd
(blues majeur) \u2013 r\u00e9gulier<\/a><\/div>\n\n\n\n
PentaMix ou PentaDor
(\u00e9chelle \u00e9gyptienne) \u2013 r\u00e9gulier<\/a><\/div>\n\n\n\n
PentaMin ou Penta\u00c9ol
(mineur pentatonique) \u2013 r\u00e9gulier<\/a><\/div>\n\n\n\n
PentaMinLa ou PentaBal
\u2013 group\u00e9<\/a><\/div>\n<\/div>\n\n\n\n

Pentatonalit\u00e9s de base partiellement ancr\u00e9es <\/em>\u2014 (1-x-x-8-x-1 \/ 1-x-6-x-x-1)<\/h3>\n\n\n\n
\n
PentaProLa ou PentaIon
(majeur pentatonique) \u2013 r\u00e9gulier<\/a><\/div>\n\n\n\n
PentaPro ou PentaNa
\u2013 group\u00e9 (Na de base)<\/a><\/div>\n\n\n\n
PentaBluNaLa
(Blu et Na de base)<\/a><\/div>\n<\/div>\n\n\n\n
\n
PentaBluNa (Blu et Na de base)<\/a><\/div>\n\n\n\n
PentaCor (Blu de base)<\/a><\/div>\n\n\n\n
PentaBlue (Blu de base)<\/a><\/div>\n<\/div>\n\n\n\n
\n
PentaR\u00e9g ou PentaPhryg
(blues mineur) \u2013 r\u00e9gulier<\/a><\/div>\n<\/div>\n\n\n\n

Sous-groupe PentaBlu de pentatonalit\u00e9s \u00e9tendues <\/em>\u2014 (1-4-8-x-x-1)<\/h3>\n\n\n\n
\n
PentaBluMin<\/a><\/div>\n\n\n\n
PentaBluReach<\/a><\/div>\n\n\n\n
PentaBluMix<\/a><\/div>\n\n\n\n
PentaBluMaj<\/a><\/div>\n<\/div>\n\n\n\n

Sous-groupe PentaNa de pentatonalit\u00e9s \u00e9tendues <\/em>— (1-5-x<\/sup>-8-x<\/sup>-x-1)<\/h3>\n\n\n\n
\n
PentaNaTri<\/a><\/div>\n\n\n\n
PentaNaMin<\/a><\/div>\n\n\n\n
PentaNaReach<\/a><\/div>\n\n\n\n
PentaNaMix<\/a><\/div>\n\n\n\n
PentaNaMaj<\/a><\/div>\n<\/div>\n\n\n\n

D\u00e9riv\u00e9s de pentatonalit\u00e9s \u00e9tendues (non d\u00e9taill\u00e9s \u2013 1-x-x-8-x-1)<\/h3>\n\n\n\n
\n
PentaLoPhryg \/ Bairagi<\/a><\/div>\n\n\n\n
PentaMinMix \/ Penta\u00c9olDor<\/a><\/div>\n\n\n\n
PentaVibhas<\/a><\/div>\n<\/div>\n\n\n\n

T\u00e9tratonalit\u00e9<\/h2>\n\n\n\n
\n
T\u00e9traNa
(dans le catalogue)<\/a><\/div>\n\n\n\n
Progression T\u00e9traNa
(inversions)<\/a><\/div>\n\n\n\n
T\u00e9tronalit\u00e9s, relations,
et le miracle de la nature<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

Visuels d'ensemble<\/mark><\/h2>\n\n\n\n

Vous trouverez ci-dessous plusieurs graphiques juxtaposant les mod\u00e8les de pas des pentatonalit\u00e9s du catalogue Tonalibus. Deux graphiques montrent les cinq pentatonalit\u00e9s r\u00e9guli\u00e8res, l'un dans l'ordre des changements de modulation minimaux ou \u00e0 pas unique d'une pentatonalit\u00e9 \u00e0 l'autre, l'autre vue en montant ou descendant par demi-pas. Ces deux vues, ainsi que les noms secondaires donn\u00e9s aux pentatonalit\u00e9s r\u00e9guli\u00e8res par Tonalibus, sont analogues aux tonalit\u00e9s diatoniques.<\/mark><\/p>\n\n\n\n

De plus, il y a un graphique qui monte le sch\u00e9ma des pentatonalit\u00e9s group\u00e9es. Elles consistent en deux pas Reach ou secondes augment\u00e9es cons\u00e9cutives, s\u00e9par\u00e9s par trois pas entiers cons\u00e9cutifs. Seules deux d'entre ces tonalit\u00e9s ont \u00e9t\u00e9 retenues dans le catalogue. Au-del\u00e0 de cela, il existe plusieurs autres pentatonalit\u00e9s de base, y compris des versions de base des tonalit\u00e9s PentaNa et PentaBlu hors de leurs sous-groupes respectifs de pentatonalit\u00e9s \u00e9tendues.<\/p>\n\n\n\n

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Tonalibus 1e-3 tonalities – 2025-04 – 74<\/div>
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Tonalibus 1e-3 tonalities – 2023-01 – 71y<\/div>
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Tonalibus 1e-3 tonalities – 2025-04 – 69x<\/div>
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Sur la page Tonalit\u00e9s<\/mark><\/a>, vous trouvez une liste de toutes les tonalit\u00e9s ancr\u00e9es incluses dans le catalogue, ainsi qu'une juxtaposition de leurs sch\u00e9mas de gamme, de m\u00eame qu'un aper\u00e7u g\u00e9n\u00e9ral des sch\u00e9mas fondamentaux de distribution des hauteurs de tons.<\/p>\n\n\n\n

Caract\u00e9ristiques communes des pentatonalit\u00e9s<\/mark><\/h2>\n\n\n\n

Matrice de pentatonalit\u00e9 : L'octave d'une pentatonalit\u00e9 r\u00e9guli\u00e8re comprend deux pas Reach, trois pas entiers, et aucun demi-pas (ou demi-ton). Un ou deux pas entiers cons\u00e9cutifs encadrent et s\u00e9parent les deux pas Reach. Une pentatonalit\u00e9 group\u00e9e comporte deux pas Reach cons\u00e9cutifs et trois pas entiers cons\u00e9cutifs. D'autres pentatonalit\u00e9s de base contiennent trois pas Reach, dont au moins deux cons\u00e9cutifs. Et les pentatonalit\u00e9s \u00e9tendues comprennent un double pas entier plus un ou deux pas Reach.<\/mark><\/p>","protected":false},"excerpt":{"rendered":"

Pentatonalit\u00e9s et t\u00e9tratonalit\u00e9 Voici la vision de Tonalibus des cinq pentatonalit\u00e9s r\u00e9guli\u00e8res, de deux pentatonalit\u00e9s group\u00e9es et d'autres pentatonalit\u00e9s, ainsi que d'une t\u00e9tratonalit\u00e9 unique. D'un point de vue harmonique, elles sont soit totalement, soit au moins partiellement ancr\u00e9es. Les pentatonalit\u00e9s de base comprennent deux ou trois pas de Reach ou secondes augment\u00e9es, les pentatonalit\u00e9s \u00e9tendues un double pas entier plus un ou deux pas de Reach ... <\/p>\n

Continuer la lecture de \" Pentatonalit\u00e9s et t\u00e9tratonalit\u00e9 \"<\/span><\/a><\/p>","protected":false},"author":1,"featured_media":0,"parent":290,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-379","page","type-page","status-publish","hentry"],"yoast_head":"\nPentatonalities and Tetratonality – TONALIBUS Harmony<\/title>\n<meta name=\"description\" content=\"Tonalibus, in its Catalogue of Anchored Tonalities, presents among many others also regular and extra Pentatonalities and a Tetratonality.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/tonalibus.org\/fr\/tonalities\/pentatonalities\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pentatonalities and Tetratonality – TONALIBUS Harmony\" \/>\n<meta property=\"og:description\" content=\"Tonalibus, in its Catalogue of Anchored Tonalities, presents among many others also regular and extra Pentatonalities and a Tetratonality.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/tonalibus.org\/fr\/tonalities\/pentatonalities\/\" \/>\n<meta property=\"og:site_name\" content=\"TONALIBUS\" \/>\n<meta property=\"article:modified_time\" content=\"2025-04-24T08:38:32+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/tonalibus.org\\\/tonalities\\\/pentatonalities\\\/\",\"url\":\"https:\\\/\\\/tonalibus.org\\\/tonalities\\\/pentatonalities\\\/\",\"name\":\"Pentatonalities and Tetratonality – TONALIBUS Harmony\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/tonalibus.org\\\/de\\\/#website\"},\"datePublished\":\"2020-06-15T14:32:36+00:00\",\"dateModified\":\"2025-04-24T08:38:32+00:00\",\"description\":\"Tonalibus, in its Catalogue of Anchored Tonalities, presents among many others also regular and extra Pentatonalities and a Tetratonality.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/tonalibus.org\\\/tonalities\\\/pentatonalities\\\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/tonalibus.org\\\/tonalities\\\/pentatonalities\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/tonalibus.org\\\/tonalities\\\/pentatonalities\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/tonalibus.org\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Tonalities\",\"item\":\"https:\\\/\\\/tonalibus.org\\\/tonalities\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Pentatonalities and Tetratonality\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/tonalibus.org\\\/de\\\/#website\",\"url\":\"https:\\\/\\\/tonalibus.org\\\/de\\\/\",\"name\":\"TONALIBUS\",\"description\":\"Anchored Harmony and Tonalities\",\"publisher\":{\"@id\":\"https:\\\/\\\/tonalibus.org\\\/de\\\/#\\\/schema\\\/person\\\/749261d7bc96d1f00127273f83ab96a4\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/tonalibus.org\\\/de\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-FR\"},{\"@type\":[\"Person\",\"Organization\"],\"@id\":\"https:\\\/\\\/tonalibus.org\\\/de\\\/#\\\/schema\\\/person\\\/749261d7bc96d1f00127273f83ab96a4\",\"name\":\"Ulrico\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/tonalibus.org\\\/wp-content\\\/uploads\\\/2020\\\/06\\\/uli-pix.jpg\",\"url\":\"https:\\\/\\\/tonalibus.org\\\/wp-content\\\/uploads\\\/2020\\\/06\\\/uli-pix.jpg\",\"contentUrl\":\"https:\\\/\\\/tonalibus.org\\\/wp-content\\\/uploads\\\/2020\\\/06\\\/uli-pix.jpg\",\"width\":960,\"height\":720,\"caption\":\"Ulrico\"},\"logo\":{\"@id\":\"https:\\\/\\\/tonalibus.org\\\/wp-content\\\/uploads\\\/2020\\\/06\\\/uli-pix.jpg\"},\"sameAs\":[\"https:\\\/\\\/tonalibus.cyon.site\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Pentatonalit\u00e9s et T\u00e9tratonalit\u00e9s - 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