{"id":465,"date":"2020-06-17T11:48:54","date_gmt":"2020-06-17T09:48:54","guid":{"rendered":"https:\/\/tonalibus.org\/?page_id=465"},"modified":"2023-08-30T17:58:49","modified_gmt":"2023-08-30T15:58:49","slug":"diatonic-heptatonalities","status":"publish","type":"page","link":"https:\/\/tonalibus.org\/fr\/tonalities\/diatonic-heptatonalities\/","title":{"rendered":"Heptatonalit\u00e9s diatoniques"},"content":{"rendered":"

Heptatonalit\u00e9s diatoniques r\u00e9guli\u00e8res<\/mark><\/h2>\n\n\n\n
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Enti\u00e8rement ancr\u00e9 <\/a><\/div>\n\n\n\n
Partiellement ancr\u00e9<\/a><\/div>\n\n\n\n
Visuels<\/a><\/div>\n\n\n\n
Caract\u00e9ristiques<\/a><\/div>\n<\/div>\n\n\n\n
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Vous trouverez ici la vue Tonalibus des sept heptatonalit\u00e9s diatoniques r\u00e9guli\u00e8res. Ce sont des gammes ancr\u00e9es harmoniquement qui comprennent cinq pas entiers et deux demi-pas (ou demi-tons) dans leur octave. En alternance, deux ou trois pas entiers s\u00e9parent les deux demi-pas l'un de l'autre. On peut d\u00e9duire les sept hauteurs d'une gamme diatonique<\/mark><\/a> en comprimant la cha\u00eene de six quintes successives, commun\u00e9ment appel\u00e9es quintes justes. Vous trouverez ci-dessous quelques graphiques juxtaposant les mod\u00e8les de hauteurs des sept heptatonalit\u00e9s diatoniques r\u00e9guli\u00e8res. L'un d'eux les parcourt continuellement par pas d'un demi-ton. D'autres les montrent dans l'ordre des changements de modulation minimale ou de pas unique d'une tonalit\u00e9 \u00e0 l'autre.<\/p>\n\n\n\n

Enti\u00e8rement ancr\u00e9<\/mark><\/h2>\n\n\n\n
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Phrygien<\/a><\/div>\n\n\n\n
\u00c9olien (mineur naturel)<\/a><\/div>\n\n\n\n
Dorien<\/a><\/div>\n\n\n\n
Mixolydien<\/a><\/div>\n\n\n\n
Ionien (majeur diatonique)<\/a><\/div>\n<\/div>\n\n\n\n

Partiellement ancr\u00e9<\/mark><\/h2>\n\n\n\n
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Locrien<\/a><\/div>\n\n\n\n
Lydien<\/a><\/div>\n<\/div>\n\n\n\n
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Visuels d'ensemble<\/mark><\/h2>\n\n\n\n
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Tonalibus 1e-3 tonalities – 2021-08 – 52y<\/div>
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Tonalibus 1e-3 tonalities – 2021-08 – 50y<\/div>
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Tonalibus 1e-3 tonalities – 2021-08 – 51y<\/div>
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Tonalibus 1e-3 tonalities – 2023-12 – 49x<\/div>
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Sur la page Tonalit\u00e9s<\/mark><\/a>, vous trouvez une liste de toutes les tonalit\u00e9s ancr\u00e9es incluses dans le catalogue, ainsi qu'une juxtaposition de leurs sch\u00e9mas de gamme, de m\u00eame qu'un aper\u00e7u g\u00e9n\u00e9ral des sch\u00e9mas fondamentaux de distribution des hauteurs de tons.<\/p>\n\n\n\n

Caract\u00e9ristiques communes des heptatonalit\u00e9s diatoniques<\/mark><\/h2>\n\n\n\n

Matrice de tonalit\u00e9 diatonique : L'octave comprend cinq pas entiers et deux demi-pas (ou demi-tons). Deux ou trois pas entiers cons\u00e9cutifs, une paire et un trio, alternent pour s\u00e9parer les deux demi-pas individuels l'un de l'autre.<\/mark><\/p>","protected":false},"excerpt":{"rendered":"

Heptatonalit\u00e9s diatoniques r\u00e9guli\u00e8res Vous trouverez ici la vision Tonalibus des sept heptatonalit\u00e9s diatoniques r\u00e9guli\u00e8res. Ce sont des gammes \u00e0 ancrage harmonique qui comprennent cinq pas entiers et deux demi-pas (ou demi-tons) dans leur octave. Une alternance de deux ou trois pas entiers s\u00e9pare les deux demi-pas l'un de l'autre. On peut d\u00e9river les sept hauteurs de ... <\/p>\n

Continuer la lecture de \" Heptatonalities diatoniques \"<\/span><\/a><\/p>","protected":false},"author":1,"featured_media":0,"parent":290,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-465","page","type-page","status-publish","hentry"],"yoast_head":"\nDiatonic Heptatonalities – TONALIBUS, Harmony and Tonalities<\/title>\n<meta name=\"description\" content=\"Tonalibus, in its Catalogue of Anchored Tonalities, presents also the Regular Diatonic Heptatonalities. 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