{"id":468,"date":"2020-06-17T11:51:07","date_gmt":"2020-06-17T09:51:07","guid":{"rendered":"https:\/\/tonalibus.org\/?page_id=468"},"modified":"2024-01-31T10:13:26","modified_gmt":"2024-01-31T09:13:26","slug":"reach-or-harmonic-heptatonalities","status":"publish","type":"page","link":"https:\/\/tonalibus.org\/fr\/tonalities\/reach-or-harmonic-heptatonalities\/","title":{"rendered":"Heptatonalit\u00e9s Reach (ou harmoniques)"},"content":{"rendered":"

Heptatonalit\u00e9s Reach<\/mark><\/h2>\n\n\n\n
\n
Cat\u00e9gories et groupes<\/a><\/div>\n\n\n\n
Visuels d'ensemble<\/a><\/div>\n\n\n\n
Caract\u00e9ristiques<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

Vous trouverez ici ce que Tonalibus appelle des heptatonalit\u00e9s Reach ancr\u00e9es, \u00e9galement connues dans certains cas comme des gammes harmoniques ou dans un cas comme une gamme dominante. Elles comprennent toutes un ou deux pas Reach ou secondes augment\u00e9es<\/mark><\/a> qui s'\u00e9tendent sur trois demi-pas. Leurs noms, choisis par Tonalibus, refl\u00e8tent leur distribution de hauteurs et la position de l'intervalle ou des intervalles Reach. Certains de leurs autres noms en usage apparaissent aussi. <\/p>\n\n\n\n

\n
Enti\u00e8rement ancr\u00e9<\/a><\/div>\n\n\n\n
Enti\u00e8rement ancr\u00e9 LoloReach<\/a><\/div>\n\n\n\n
Partiellement ancr\u00e9<\/a><\/div>\n\n\n\n
Demi ancr\u00e9 LoReachUp<\/a><\/div>\n\n\n\n
Demi ancr\u00e9 ReachNa<\/a><\/div>\n\n\n\n
Demi ancr\u00e9 ReachUp<\/a><\/div>\n\n\n\n
Demi ancr\u00e9 Locor \/ Cor<\/a><\/div>\n\n\n\n
Demi ancr\u00e9 NaReach<\/a><\/div>\n\n\n\n
Demi ancr\u00e9 MidReach<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

Enti\u00e8rement ancr\u00e9 <\/em>\u2014 <\/em>(1-x-x-6-8-9-12-1) <\/em>ou <\/em>(1-2-5-6-8-x-x-1)<\/mark><\/h2>\n\n\n\n
\n
PhrygReach
(mineur napolitain)<\/a><\/div>\n\n\n\n
ReachMin
(Phrygien dominant)<\/a><\/div>\n\n\n\n
ReachBal (majeur
double harmonique\/Gypsy) <\/a><\/div>\n\n\n\n
ReachMix<\/a><\/div>\n\n\n\n
ReachMaj<\/a><\/div>\n\n\n\n
MinReach
(mineur harmonique)<\/a><\/div>\n\n\n\n
MajReach
(majeur harmonique)<\/a><\/div>\n\n\n\n
BlueReach<\/a><\/div>\n<\/div>\n\n\n\n

Sous-groupe enti\u00e8rement ancr\u00e9 LoloReach <\/em>\u2014 <\/em>(1-4-5-6-8-x-x-1)<\/h3>\n\n\n\n
\n
LoloReachMin<\/a><\/div>\n\n\n\n
LoloReach<\/a><\/div>\n\n\n\n
LoloReachMix<\/a><\/div>\n\n\n\n
LoloReachMaj<\/a><\/div>\n<\/div>\n\n\n\n

Partiellement ancr\u00e9<\/mark><\/h2>\n\n\n\n

Sous-groupe partiellement ancr\u00e9 LoReachUp<\/mark> <\/em>\u2014 <\/em>(1-2-4-7-8-x-x-1)<\/h3>\n\n\n\n
\n
LoReachUpMin<\/a><\/div>\n\n\n\n
LoReachUp<\/a><\/div>\n\n\n\n
LoReachUpMix<\/a><\/div>\n\n\n\n
LoReachUpMaj<\/a><\/div>\n<\/div>\n\n\n\n

Sous-groupe partiellement ancr\u00e9 ReachNa<\/mark> <\/em>\u2014 <\/em>(1-2-5-7-8-x-x-1)<\/h3>\n\n\n\n
\n
ReachNaMin<\/a><\/div>\n\n\n\n
ReachNaBal<\/a><\/div>\n\n\n\n
ReachNaMix<\/a><\/div>\n\n\n\n
ReachNaMaj<\/a><\/div>\n<\/div>\n\n\n\n

Sous-groupe partiellement ancr\u00e9 ReachUp<\/mark> <\/em>\u2014 <\/em>(1-3-4-7-8-x-x-1)<\/h3>\n\n\n\n
\n
RechUpMin
(Gypsy hongrois)<\/a><\/div>\n\n\n\n
RechUp (mineur
double harmonique\/Gypsy)<\/a><\/div>\n\n\n\n
ReachUpMix<\/a><\/div>\n\n\n\n
ReachUpMaj<\/a><\/div>\n<\/div>\n\n\n\n

Sous-groupe Reach partiellement ancr\u00e9 Locor \/ Cor <\/em>\u2014 <\/em>(1-4-5-7-8-x-x-1)<\/h3>\n\n\n\n
\n
LocorNa ou LocorMin<\/a><\/div>\n\n\n\n
LocorReach<\/a><\/div>\n\n\n\n
CorMix<\/a><\/div>\n\n\n\n
CorMaj ou LoloReachLyd<\/a><\/div>\n<\/div>\n\n\n\n

Sous-groupe partiellement ancr\u00e9 NaReach <\/em>\u2014 <\/em>(1-3-5-7-8-x-x-1)<\/mark><\/h3>\n\n\n\n
\n
LydReach ou NaReach<\/a><\/div>\n\n\n\n
NaUploReach<\/a><\/div>\n<\/div>\n\n\n\n

Sous-groupe partiellement ancr\u00e9 MidReach <\/em>\u2014 <\/em>(1-x-4-5-8-x-x-1)<\/mark><\/h3>\n\n\n\n

Le groupe BluNa \/ Mid(Reach) comprend quelques hexa- et pentatolalit\u00e9s sp\u00e9ciales, ainsi que les heptatonalit\u00e9s d\u00e9riv\u00e9es suivantes (non d\u00e9taill\u00e9es dans le catalogue) : LoMidReachMin, LoMidReach, LoMidReachMix, LoMidReachMaj, MidReachMin, MidReach, MidReachMix, et MidReachMaj. <\/em>(Voir le tableau correspondant ci-dessous.)<\/p>\n\n\n\n

<\/div>\n\n\n\n

Visuel d'ensemble des heptatonalit\u00e9s Reach<\/mark><\/h2>\n\n\n\n

Dans les tableaux ci-dessous, vous trouverez un aper\u00e7u des tonalit\u00e9s Reach enti\u00e8rement et partiellement ancr\u00e9es qui sont incluses dans le catalogue. De plus, il existe deux progressions cycliques. Le mod\u00e8le \u00e0 Reach unique, ou harmonique unique, comprend un pas Reach entour\u00e9 de demi-pas, un avant et deux successivement apr\u00e8s le pas Reach. Puis trois pas entiers cons\u00e9cutifs ferment le cercle. La matrice \u00e0 double Reach, ou double harmonique, comprend deux pas Reach par octave, encadr\u00e9s par deux demi-pas de chaque c\u00f4t\u00e9, d'un c\u00f4t\u00e9 successivement, de l'autre avec un pas entier intercal\u00e9 entre les deux demi-pas. De chacun de ces deux cycles de sch\u00e9mas, seules quelques tonalit\u00e9s sont entr\u00e9es dans le catalogue. Certaines d'entre elles sont des vari\u00e9t\u00e9s de ce que l'on appelle parfois des gammes Gypsy, et d'autres des gammes mineures napolitaines.<\/mark><\/p>\n\n\n\n

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Tonalibus 1e-3 tonalities – 2023-12 – 62<\/div>
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Tonalibus 1e-3 tonalities – 2023-02 – 62<\/div>
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Tonalibus 1e-3 tonalities – 2021-08 – 58zz<\/div>
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Tonalibus 1e-3 tonalities – 2021-08 – 59y<\/div>
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Tonalibus 1e-3 tonalities – 2024-01 – 68<\/div>
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Tonalibus 1e-3 tonalities – 2024-01 – 58<\/div>
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Tonalibus 1e-3 tonalities – 2024-01 – 59<\/div>
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Sur la page Tonalit\u00e9s<\/mark><\/a>, vous trouvez une liste de toutes les tonalit\u00e9s ancr\u00e9es incluses dans le catalogue, ainsi qu'une juxtaposition de leurs sch\u00e9mas de gamme, de m\u00eame qu'un aper\u00e7u g\u00e9n\u00e9ral des sch\u00e9mas fondamentaux de distribution des hauteurs de tons.<\/p>\n\n\n\n

Caract\u00e9ristiques communes des heptatonalit\u00e9s Reach<\/mark><\/h2>\n\n\n\n

Matrice de tonalit\u00e9 Reach ou harmonique : L'octave comprend un ou exceptionnellement deux pas (double harmonique) Reach (secondes augment\u00e9es) encadr\u00e9s par des demi-pas (ou demi-tons) ou exceptionnellement par un pas entier et un demi-pas. Il y a trois pas entiers, ou exceptionnellement un seul. S'ils sont au nombre de trois, il s'agit dans la plupart des cas soit d'une paire et d'un seul s\u00e9par\u00e9s par le troisi\u00e8me demi-pas, soit d'un trio encadr\u00e9 par des demi-pas. Exceptionnellement, les trois pas entiers sont chacun un seul. Lorsqu'il s'agit d'un trio de pas entiers cons\u00e9cutifs, ils sont pr\u00e9c\u00e9d\u00e9s ou suivis de deux demi-pas cons\u00e9cutifs. Le nombre total de demi-pas est de trois, ou exceptionnellement de quatre avec deux pas (double harmonique) Reach.<\/mark> <\/em>(Une exception est BlueReach, un m\u00e9lange de tonalit\u00e9 de triton ou de blues et Reach).<\/p>","protected":false},"excerpt":{"rendered":"

Heptatonalit\u00e9s Reach Vous trouverez ici ce que Tonalibus appelle des heptatonalit\u00e9s Reach ancr\u00e9es, \u00e9galement connues dans certains cas sous le nom de gamme harmonique ou dans un cas sous le nom de gamme dominante. Elles comprennent toutes un ou deux pas dits Reach ou secondes augment\u00e9es qui s'\u00e9tendent sur trois demi-pas. Leurs noms, tels qu'ils ont \u00e9t\u00e9 choisis par Tonalibus, refl\u00e8tent leur ... <\/p>\n

Continuer la lecture de \" Heptatonalit\u00e9s Reach (ou harmoniques) \"<\/span><\/a><\/p>","protected":false},"author":1,"featured_media":0,"parent":290,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-468","page","type-page","status-publish","hentry"],"yoast_head":"\nReach (or Harmonic) Heptatonalities – TONALIBUS, Harmony<\/title>\n<meta name=\"description\" content=\"Tonalibus, in its catalogue of anchored tonalities, presents Reach (or harmonic) heptatonalities that are harmonically anchored.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/tonalibus.org\/fr\/tonalities\/reach-or-harmonic-heptatonalities\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Reach (or Harmonic) Heptatonalities – TONALIBUS, Harmony\" \/>\n<meta property=\"og:description\" content=\"Tonalibus, in its catalogue of anchored tonalities, presents Reach (or harmonic) heptatonalities that are harmonically anchored.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/tonalibus.org\/fr\/tonalities\/reach-or-harmonic-heptatonalities\/\" \/>\n<meta property=\"og:site_name\" content=\"TONALIBUS\" \/>\n<meta property=\"article:modified_time\" content=\"2024-01-31T09:13:26+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data1\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/tonalibus.org\\\/tonalities\\\/reach-or-harmonic-heptatonalities\\\/\",\"url\":\"https:\\\/\\\/tonalibus.org\\\/tonalities\\\/reach-or-harmonic-heptatonalities\\\/\",\"name\":\"Reach (or Harmonic) Heptatonalities – TONALIBUS, Harmony\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/tonalibus.org\\\/de\\\/#website\"},\"datePublished\":\"2020-06-17T09:51:07+00:00\",\"dateModified\":\"2024-01-31T09:13:26+00:00\",\"description\":\"Tonalibus, in its catalogue of anchored tonalities, presents Reach (or harmonic) heptatonalities that are harmonically anchored.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/tonalibus.org\\\/tonalities\\\/reach-or-harmonic-heptatonalities\\\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/tonalibus.org\\\/tonalities\\\/reach-or-harmonic-heptatonalities\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/tonalibus.org\\\/tonalities\\\/reach-or-harmonic-heptatonalities\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/tonalibus.org\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Tonalities\",\"item\":\"https:\\\/\\\/tonalibus.org\\\/tonalities\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Reach (or Harmonic) Heptatonalities\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/tonalibus.org\\\/de\\\/#website\",\"url\":\"https:\\\/\\\/tonalibus.org\\\/de\\\/\",\"name\":\"TONALIBUS\",\"description\":\"Anchored Harmony and Tonalities\",\"publisher\":{\"@id\":\"https:\\\/\\\/tonalibus.org\\\/de\\\/#\\\/schema\\\/person\\\/749261d7bc96d1f00127273f83ab96a4\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/tonalibus.org\\\/de\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-FR\"},{\"@type\":[\"Person\",\"Organization\"],\"@id\":\"https:\\\/\\\/tonalibus.org\\\/de\\\/#\\\/schema\\\/person\\\/749261d7bc96d1f00127273f83ab96a4\",\"name\":\"Ulrico\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/tonalibus.org\\\/wp-content\\\/uploads\\\/2020\\\/06\\\/uli-pix.jpg\",\"url\":\"https:\\\/\\\/tonalibus.org\\\/wp-content\\\/uploads\\\/2020\\\/06\\\/uli-pix.jpg\",\"contentUrl\":\"https:\\\/\\\/tonalibus.org\\\/wp-content\\\/uploads\\\/2020\\\/06\\\/uli-pix.jpg\",\"width\":960,\"height\":720,\"caption\":\"Ulrico\"},\"logo\":{\"@id\":\"https:\\\/\\\/tonalibus.org\\\/wp-content\\\/uploads\\\/2020\\\/06\\\/uli-pix.jpg\"},\"sameAs\":[\"https:\\\/\\\/tonalibus.cyon.site\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Reach (ou Heptatonalit\u00e9s harmoniques) - 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