{"id":10952,"date":"2021-04-15T18:00:40","date_gmt":"2021-04-15T16:00:40","guid":{"rendered":"https:\/\/tonalibus.org\/?p=10952"},"modified":"2022-05-29T17:00:04","modified_gmt":"2022-05-29T15:00:04","slug":"april-2021-tonalibus-update","status":"publish","type":"post","link":"https:\/\/tonalibus.org\/fr\/2021\/04\/15\/april-2021-tonalibus-update\/","title":{"rendered":"Mise \u00e0 jour Tonalibus d'avril 2021"},"content":{"rendered":"
\n
\u00c9chantillons sonores<\/a><\/div>\n\n\n\n
Tonalit\u00e9s et classifications<\/a><\/div>\n\n\n\n
Am\u00e9liorations<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

Cette mise \u00e0 jour Tonalibus d'avril 2021 pr\u00e9sente tout d'abord de nouveaux \u00e9chantillons sonores personnels. Elle aborde \u00e9galement la d\u00e9nomination des tonalit\u00e9s ainsi que les am\u00e9liorations du site web. Mais avant cela, elle annonce l'int\u00e9gration de nouvelles tonalit\u00e9s dans le <\/span>catalogue Tonalibus<\/span><\/a>. C'est ainsi que sont apparues les classifications de trois groupes de tonalit\u00e9 : Pro (abr\u00e9viation de progressif), Reg (pour r\u00e9gressif) et Core. Comme l'indiqu\u00e9 le <\/span>glossaire Tonalibus<\/span><\/a> , une tonalit\u00e9 Core contient les quatre coins du temple sonore ; et les tonalit\u00e9s Pro omettent la quarte r\u00e9gressive, tandis que les tonalit\u00e9s Reg omettent la quinte progressive. <\/span><\/p>\n\n\n\n

Nouveaux \u00e9chantillons sonores personnels<\/h2>\n\n\n\n

La <\/span>collection d'\u00e9chantillons sonores personnels du printemps 2021<\/span><\/a> continue de s'enrichir. En outre, plusieurs \u00e9chantillons sonores ont \u00e9t\u00e9 cr\u00e9\u00e9s pour chacune des tonalit\u00e9s Core et Pro nouvellement int\u00e9gr\u00e9es (mentionn\u00e9es ci-dessous). Cela inclut quatre nouvelles \u00e9chantillons d'\u00e9chelle et sonores pour chacune des tonalit\u00e9s nouvellement ajout\u00e9es. <\/span><\/p>\n\n\n\n

\u201cSpontaneous Schong Jen P\u016bj\u0101\u201d \u2013 un \u00e9chantillon de tonalit\u00e9 Core \u2013 calmant<\/span><\/h3>\n\n\n\n
HexaCorMix<\/span><\/a> \u2013 double guitare \u00e0 8 cordes, quatre gongs, cortales \u2013 3:42 \u2013 contient des sons bas \u2013 <\/span>en loop<\/span><\/a> sur un onglet s\u00e9par\u00e9<\/span><\/figcaption><\/figure>\n\n\n\n

\u201cProgress, No Regress\u201d \u2013 une voie de modulation en tonalit\u00e9s Pro \u2013 apaisant<\/span> <\/h3>\n\n\n\n
<\/span>Chemin de modulation : <\/span>PentaProMin<\/span><\/a>, <\/span>HexaProMin<\/span><\/a>, <\/span>HexaProReach<\/span><\/a>, <\/span>HexaProMaj<\/span><\/a>, <\/span>PentaProLa\/PentaIon<\/span><\/a>, et des touches de <\/span>HexaProMix<\/span><\/a> <\/a>\u2013 guitare \u00e0 8 cordes et gong \u2013 11:54 \u2013 contient des sons bas \u2013 <\/span>en loop<\/span><\/a> sur un onglet s\u00e9par\u00e9<\/span><\/figcaption><\/figure>\n\n\n\n

\u201cHappy Sadness or Sad Happiness?\u201d \u2013 une pri\u00e8re contemplative<\/span><\/h3>\n\n\n\n
\u00c9olien<\/span><\/a> \u2013 guitare \u00e0 8 cordes et double voix \u2013 3:04 \u2013 contient des sons bas \u2013 <\/span>en loop<\/span><\/a> sur un onglet s\u00e9par\u00e9<\/span><\/figcaption><\/figure>\n\n\n\n
<\/div>\n\n\n\n

Il existe \u00e9galement un <\/span>nouvel \u00e9chantillon sonore de la coop\u00e9ration du printemps 2021<\/span><\/a><\/span><\/a>. Intitul\u00e9 \"Roots Reaching for Heaven\" il dure 5:54 et met en vedette l'\u00e9tonnante voix de Christina Braun, accompagn\u00e9e par la guitare \u00e0 8 cordes d'Ulrico. La tonalit\u00e9 sous-jacente de cette improvisation spontan\u00e9e est <\/span>HexaProMix<\/span><\/a>.<\/span><\/p>\n\n\n\n

Tonalit\u00e9s Pro, Reg, et Core<\/h2>\n\n\n\n

Tonalibus a introduit les classifications de tonalit\u00e9s Pro, Reg, et Core. Elles d\u00e9signent et regroupent des tonalit\u00e9s sp\u00e9cifiques et ancr\u00e9es partiellement. Les tonalit\u00e9s Pro ne sont ancr\u00e9es que progressivement et les tonalit\u00e9s Reg que r\u00e9gressivement. Les tonalit\u00e9s Core sont ancr\u00e9es progressivement mais pas r\u00e9gressivement, \u00e0 l'exception de BlueMix qui est enti\u00e8rement ancr\u00e9, c'est-\u00e0-dire progressivement et r\u00e9gressivement. <\/span><\/p>\n\n\n\n

Les tonalit\u00e9s Pro<\/span><\/a> incluent : <\/span>PentaProMin<\/span><\/a>, <\/span>HexaProMin<\/span><\/a>, <\/span>HexaProMix<\/span><\/a>, <\/span>HexaProMaj<\/span><\/a>, <\/span>HexaProReach<\/span><\/a>, <\/span>PentaProLa\/PentaIon<\/span><\/a> (majeur pentatonique), et <\/span>Lydien<\/span><\/a> (une heptatonalit\u00e9 diatonique r\u00e9guli\u00e8re). Ces tonalit\u00e9s, \u00e0 l'exception des deux derni\u00e8res qui \u00e9taient d\u00e9j\u00e0 pr\u00e9sentes, viennent de faire leur entr\u00e9e dans le catalogue Tonalibus.<\/span><\/p>\n\n\n\n

Les tonalit\u00e9s Reg<\/span><\/a> sont moins importantes pour Tonalibus, car leur ancrage harmonique est moins \u00e9vident. Il y a actuellement trois tonalit\u00e9s Reg dans le catalogue : <\/span>PentaR\u00e9g \/ PentaPhryg<\/span><\/a> (blues mineur), <\/span>BlueUp<\/span><\/a>, et <\/span>Locrien<\/span><\/a> (une heptatonalit\u00e9 diatonique r\u00e9guli\u00e8re). <\/span><\/p>\n\n\n\n

tonalit\u00e9s Core<\/span><\/a> sont fondamentales pour Tonalibus, car elles incluent tous les quatre coins du temple du son. Par cons\u00e9quent, elles tendent \u00e0 dissoudre des tonalit\u00e9es et peuvent ainsi ouvrir une plus grande libert\u00e9 dans l'exp\u00e9rience du son. Les tonalit\u00e9s Core nouvellement int\u00e9gr\u00e9es sont <\/span>PentaCor<\/span><\/a>, <\/span>HexaCorMix<\/span><\/a>, et <\/span>HexaCorMaj<\/span><\/a>. Alors que celles d\u00e9j\u00e0 pr\u00e9sentes auparavant sont <\/span>ReachUpMix<\/span><\/a>, <\/span>ReachUpMaj<\/span><\/a>, <\/span>LoReachUpMix<\/span><\/a>, et <\/span>BlueMix<\/span><\/a>.<\/span><\/p>\n\n\n\n

Les hauteurs du t\u00e9tracorde inf\u00e9rieur d'une tonalit\u00e9 Pro s'ancrent dans des harmoniques principalement perceptibles (qui ne sont pas des octaves). Il s'agit de la quinte, de la tierce majeure et de la seconde majeure. Le t\u00e9tracorde sup\u00e9rieur reste flexible et fournit des tonalit\u00e9s fascinantes, plus ou moins subtilement distinctes. Dans une tonalit\u00e9 Reg, cela se manifeste de mani\u00e8re inverse. Le t\u00e9tracorde inf\u00e9rieur est flexible, tandis que la base harmonique des hauteurs du t\u00e9tracorde sup\u00e9rieur provient de la derni\u00e8re g\u00e9n\u00e9ration pass\u00e9e ou pr\u00e9c\u00e9dente dans la progression du son.<\/span><\/p>\n\n\n\n

Am\u00e9lioration du site web et de la d\u00e9nomination des tonalit\u00e9s<\/h2>\n\n\n\n

Des aides \u00e0 la navigation coh\u00e9rentes sont d\u00e9sormais disponibles sur toutes les pages de tonalit\u00e9s, y compris les pages individuelles et de cat\u00e9gories ou groupes. Il est donc beaucoup moins n\u00e9cessaire de faire d\u00e9filer les pages. Des parties sp\u00e9cifiques d'une page sont maintenant accessibles directement \u00e0 partir de boutons correspondants au d\u00e9but de ces pages (similaires aux trois boutons propos\u00e9s en premi\u00e8re chose de cette mise \u00e0 jour). De tels boutons sont \u00e9galement disponibles maintenant sur les pages d'\u00e9chantillons sonores personnels. De plus, toutes les boucles ou loop, des \u00e9chantillons sonores qui red\u00e9marrent automatiquement \u00e0 leur d\u00e9but lorsqu'ils atteignent leur fin, sont maintenant sur des pages de boucles\/loop d\u00e9di\u00e9es, et non plus intercal\u00e9es. <\/span><\/p>\n\n\n\n

L'orthographe des noms de tonalit\u00e9s a \u00e9t\u00e9 ajust\u00e9e en mettant en majuscule la lettre initiale de chaque composant dans un nom. En cons\u00e9quence, il est devenu plus \u00e9vident de savoir quels sont les \u00e9l\u00e9ments sp\u00e9cifiques d'une tonalit\u00e9 exprim\u00e9s dans son nom. Par exemple, PentaIon indique qu'il s'agit d'une pentatonalit\u00e9 avec une orientation Ionien ou majeure. Ou LoReachUpMix indique qu'il s'agit d'une tonalit\u00e9 Reach avec le t\u00e9tracorde sup\u00e9rieur du type Mixolydien mineur, et que le pas Reach d\u00e9cal\u00e9 vers le haut se trouve dans le t\u00e9tracorde inf\u00e9rieur avec le demi-pas d'encadrement en dessous abaiss\u00e9 sous le pas entier pr\u00e9c\u00e9dent. Ainsi, un nom peut exprimer la complexit\u00e9 d'une tonalit\u00e9 dans une certaine mesure. <\/span><\/p>\n\n\n\n

Conclusion <\/h2>\n\n\n\n

\"Ne souhaitez pas l'\u00e9clat brillant du bijou mais la rugosit\u00e9 grossi\u00e8re de la pierre.\"
\u2013 du verset 39 du <\/span>Dao de jing<\/span><\/em><\/a> \u9053\u5fb7\u7ecf de Lao Tseu (\u00e9dition Diederichs de 1972, p. 82)<\/span><\/p>\n\n\n\n

Une note encourageante vient d'arriver du nord-est de la Suisse. Elle se lit comme suit : \"Tonalibus est en effet une collection riche, une ressource instructive et exp\u00e9rientielle pour l'esprit, l'\u00e2me et l'oreille. Je l'\u00e9couterai davantage.\"<\/span><\/p>\n\n\n\n

Enfin, la photo ci-dessous conclut cette Mise \u00e0 jour Tonalibus d'avril 2021<\/em>. Elle montre un reste de la derni\u00e8re neige sur des boutons de fleurs de poirier pr\u00eats \u00e0 s'ouvrir et \u00e0 fleurir.<\/span><\/p>\n\n\n\n

Portez-vous bien et prosp\u00e9rez !<\/span><\/p>\n\n\n\n

<\/div>\n\n\n\n
\"April
Bourgeons floraux du poirier avec la neige fondante, pr\u00eats \u00e0 s'ouvrir \u2013 avril 2021 \u2013 Gr\u00e4chwil<\/figcaption><\/figure><\/div>\n\n\n\n

<\/p>","protected":false},"excerpt":{"rendered":"

Cette mise \u00e0 jour de Tonalibus d'avril 2021 pr\u00e9sente tout d'abord de nouveaux \u00e9chantillons sonores personnels. Elle aborde ensuite la d\u00e9nomination des tonalit\u00e9s ainsi que les am\u00e9liorations du site web. Mais avant cela, elle annonce l'int\u00e9gration de nouvelles tonalit\u00e9s dans le catalogue Tonalibus. C'est ainsi que sont apparues les trois classifications de groupes de tonalit\u00e9s Pro (abr\u00e9viation de progressif), Reg (pour r\u00e9gressif) et Core. Comme Tonalibus ... <\/p>\n

Continuer la lecture de \" Avril 2021 Mise \u00e0 jour du Tonalibus \"<\/span><\/a><\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21,11,16],"tags":[],"class_list":["post-10952","post","type-post","status-publish","format-standard","hentry","category-2021-tonal","category-tonalibus","category-update"],"yoast_head":"\nApril 2021 Tonalibus Update – TONALIBUS Harmony and Tonalities<\/title>\n<meta name=\"description\" content=\"This April 2021 Tonalibus, Spiritualibus, and Fidibus update presents new sound samples, some improvements, and further tonalities.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/tonalibus.org\/fr\/2021\/04\/15\/april-2021-tonalibus-update\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta 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