{"id":13674,"date":"2021-09-15T21:27:56","date_gmt":"2021-09-15T19:27:56","guid":{"rendered":"https:\/\/tonalibus.org\/?p=13674"},"modified":"2022-05-29T16:56:43","modified_gmt":"2022-05-29T14:56:43","slug":"september-2021-tonalibus-update","status":"publish","type":"post","link":"https:\/\/tonalibus.org\/fr\/2021\/09\/15\/september-2021-tonalibus-update\/","title":{"rendered":"Mise \u00e0 jour Tonalibus de septembre 2021"},"content":{"rendered":"
\n
Echantillon sonore personnel<\/a><\/div>\n\n\n\n
\u00c9chantillons sonores de tonalit\u00e9s <\/a><\/div>\n\n\n\n
Extension du catalogue <\/a><\/div>\n\n\n\n
Noms de tonalit\u00e9s<\/a><\/div>\n\n\n\n
Un choix possible<\/a><\/div>\n\n\n\n
Citation de confiance<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

Cette mise \u00e0 jour Tonalibus de septembre 2021 pr\u00e9sente un nouvel \u00e9chantillon sonore personnel et quelques courts \u00e9chantillons sonores de tonalit\u00e9s qui sont en train d'appara\u00eetre dans le catalogue Tonalibus. Cette expansion consid\u00e9rable du catalogue de tonalit\u00e9s a \u00e9t\u00e9 expliqu\u00e9e dans la derni\u00e8re mise \u00e0 jour Tonalibus. La mise \u00e0 jour actuelle donne plus de d\u00e9tails, \u00e9galement sur les ajustements des noms de tonalit\u00e9s et leurs composants. Enfin, pour conclure, elle aborde la question du choix et de la confiance.<\/mark><\/p>\n\n\n\n

Un nouvel \u00e9chantillon sonore personnel <\/h2>\n\n\n\n

\u201cNa track\u201d \u2013 (harmoniques) Na(turelles) en action \u2013 pour M.<\/mark><\/h3>\n\n\n\n
T\u00e9traNa<\/span><\/a> avec une touche <\/span>Mixolydien<\/span><\/a> \u2013 double guitare \u00e0 8 cordes, gong, scie musicale \u2013 ao\u00fbt 2021 \u2013 10:31<\/span><\/figcaption><\/figure>\n\n\n\n

Quelques nouveaux \u00e9chantillons sonores de tonalit\u00e9s<\/h2>\n\n\n\n

Ces tonalit\u00e9s font partie de celles qui sont actuellement en cours d'ajout au catalogue.<\/mark><\/p>\n\n\n\n

HexaLocorMin<\/span><\/a> \u2013 \u00e9chantillon sonore court, rythmique \u2013 guitare \u00e0 8 cordes \u2013 ao\u00fbt 2021 \u2013 2:27<\/span><\/figcaption><\/figure>\n\n\n\n
Lyd\u00c9olien \/ HeptaNa<\/span><\/a> \u2013 \u00e9chantillon sonore court, calme \u2013 guitare \u00e0 8 cordes \u2013 ao\u00fbt 2021 \u2013 2:18 <\/span><\/figcaption><\/figure>\n\n\n\n
HexaBluMaj<\/span><\/a> \u2013 \u00e9chantillon sonore court, rythmique \u2013 guitare \u00e0 8 cordes \u2013 ao\u00fbt 2021 \u2013 1:12<\/span> <\/figcaption><\/figure>\n\n\n\n
NaUploReach<\/span><\/a> \u2013 \u00e9chantillon sonore court, calme \u2013 guitare \u00e0 8 cordes \u2013 ao\u00fbt 2021 \u2013 2:55<\/span> <\/figcaption><\/figure>\n\n\n\n

Extension du catalogue des tonalit\u00e9s<\/h2>\n\n\n\n
<\/div>\n\n\n\n
\"\"<\/figure>
\n

Comme expliqu\u00e9 dans la r\u00e9cente mise \u00e0 jour d'ao\u00fbt<\/mark><\/a>, une expansion consid\u00e9rable du catalogue Tonalibus est actuellement en cours. Dix-sept tonalit\u00e9s additionnelles sont en passe d'appara\u00eetre dans le catalogue des tonalit\u00e9s ancr\u00e9es<\/mark><\/a>. Elles sont toutes pr\u00e9sentes et int\u00e9gr\u00e9es dans les tableaux de synth\u00e8se et de d\u00e9tail et dans toutes les structures. Cependant, les informations de d\u00e9tail individuelles attendent encore d'\u00eatre compl\u00e9t\u00e9es. Cela porte \u00e0 soixante-dix le nombre total de tonalit\u00e9s distinctes dans le catalogue. De plus, cette semaine, d\u00e9j\u00e0 deux autres tonalit\u00e9s distinctes ont commenc\u00e9 \u00e0 \u00e9merger ! <\/p>\n<\/div><\/div>\n\n\n\n

Plus pr\u00e9cis\u00e9ment, les tonalit\u00e9s ajout\u00e9es \u00e0 pr\u00e9sent comprennent deux heptatonalit\u00e9s group\u00e9es et sept heptatonalit\u00e9s Reach. Et il y a cinq hexatonalit\u00e9s, deux pentatonalit\u00e9s et une t\u00e9tratonalit\u00e9 exceptionnelle. Il s'agit des tonalit\u00e9s suivantes : PhrygIonien \/ NaBal<\/mark><\/a>, Lyd\u00c9olien \/ HeptaNa<\/mark><\/a>; LoloReachMaj<\/mark><\/a>, ReachNaMin<\/mark><\/a>, ReachNaBal<\/mark><\/a>, ReachNaMix<\/mark><\/a>, ReachNaMaj<\/mark><\/a>, LydReach \/ NaReach<\/mark><\/a>, NaUploReach<\/mark><\/a>; HexaPhrygLa<\/mark><\/a>, HexaBluMaj<\/mark><\/a>, HexaNa<\/mark><\/a>, HexaLocorMin<\/mark><\/a>, HexaLocorReach<\/mark><\/a>; PentaNaMix<\/mark><\/a>, PentaNaMaj<\/mark><\/a>; et T\u00e9traNa<\/mark><\/a>. <\/p>\n\n\n\n

Ajustements et composants des noms de tonalit\u00e9s<\/h2>\n\n\n\n

Pour refl\u00e9ter plus directement leur structure et leur mod\u00e8le, plusieurs hexatonalit\u00e9s ont re\u00e7u un nouveau nom, et certaines pentatonalit\u00e9s un nom additionnel. Ces noms utilisent syst\u00e9matiquement des syllabes cl\u00e9s qui repr\u00e9sentent des relations de hauteurs sp\u00e9cifiques. Ces syllabes peuvent faire r\u00e9f\u00e9rence \u00e0 la totalit\u00e9 d'une tonalit\u00e9 donn\u00e9e. Ou bien elles refl\u00e8tent d'abord le t\u00e9tracorde inf\u00e9rieur et ensuite le t\u00e9tracorde sup\u00e9rieur. Le glossaire Tonalibus<\/mark><\/a> d\u00e9finit d\u00e9j\u00e0 quelques syllabes de ce type, par exemple, Reach <\/em>(seconde augment\u00e9e), Cor<\/em>(e), Pro<\/em>(gressif), Reg<\/em>(ressif), et Na<\/em>(turelle et harmonique). D'autres sont assez explicites, par exemple, Hepta, Hexa, Penta,<\/em> et T\u00e9tra<\/em>. Ou Maj<\/em>(eur), Mix<\/em>(olyd), et Min<\/em>(eur), ainsi que Phryg <\/em>et d'autres abr\u00e9viations de noms de tonalit\u00e9s diatoniques comme \u00c9ol, Dor, Mixolyd, Ion,<\/em> et Lyd<\/em>. D'autres d\u00e9finitions sont \u00e0 venir dans le glossaire pour ces syllabes et d'autres encore, par exemple, Bal, Up<\/em> et Lo <\/em>y compris Locor, Lolo,<\/em> et Uplo<\/em>, ou Blu <\/em>et La<\/em>. <\/p>\n\n\n\n

Dans certains cas, l'absence d'une telle syllabe cl\u00e9 peut \u00e9galement avoir une signification. Par exemple, La <\/em>est utilis\u00e9 pour indiquer la pr\u00e9sence dans le t\u00e9tracorde sup\u00e9rieur de la sixte majeure, appel\u00e9e La<\/em> dans le syst\u00e8me de solf\u00e8ge<\/mark><\/a>. Cette hauteur est \u00e9galement la derni\u00e8re ou La<\/em>(st) du syst\u00e8me dod\u00e9caphonique \u00e0 appara\u00eetre dans la s\u00e9rie des harmoniques<\/mark><\/a>. L'absence de la syllabe La <\/em>dans le nom d'une hexa- ou pentatonalit\u00e9 correspondante indique que la septi\u00e8me mineure est pr\u00e9sente au lieu de la sixte majeure, que La <\/em>comme hauteur est absente. <\/p>\n\n\n\n

Un choix possible<\/h2>\n\n\n\n
\"\"<\/figure>
\n

Oui, \u00e7a marche ! Merci \u00e0 Dieu et \u00e0 l'esprit. L'\u00e9panouissement de la conscience se poursuit d'instant en instant. Chaque syst\u00e8me apporte cependant un \u00e9l\u00e9ment de fermeture en lui-m\u00eame. Ainsi, la d\u00e9finition et l'organisation donnent une structure qui peut \u00eatre plus ou moins flexible et correspondre \u00e0 la r\u00e9alit\u00e9 et au flux de l'esprit. Cela d\u00e9terminera la durabilit\u00e9, la survie ou la disparition. Cela donne un choix. Se fermer ou rester ouvert !<\/p>\n<\/div><\/div>\n\n\n\n

Faire confiance est vraiment, vraiment difficile<\/h2>\n\n\n\n

\" Avoir confiance en soi, ainsi qu'accorder une confiance totale aux autres, est vraiment, vraiment difficile. \"<\/p>\n\n\n\n

\" S'oublier soi-m\u00eame, c'est, en toute connaissance, renoncer \u00e0 sa fa\u00e7on humaine de percevoir les choses, et donner plus de place pour voir ce qui se passe r\u00e9ellement pour son propre moi et pour toute autre existence. Lorsque vous oubliez votre petit moi, l'univers entier appara\u00eet. \"<\/p>\n\n\n\n

\" Dans cette soci\u00e9t\u00e9 agit\u00e9e, press\u00e9e, et rapide, nous nous sentons souvent impuissants dans nos efforts pour faire confiance aux personnes et aux situations. Nous devons nous rappeler que notre confiance ne d\u00e9pend pas des circonstances ext\u00e9rieures. Nous nous encourageons encore et encore \u00e0 faire pleinement confiance aux autres et \u00e0 en \u00eatre satisfaits au lieu de nous inqui\u00e9ter d'un retour quelconque venant de la part de l'autre. Cela a quelque chose \u00e0 voir avec la d\u00e9termination qui fait que, quelle que soit la condition des autres, on d\u00e9cide de continuer \u00e0 faire confiance. En regardant de plus pr\u00e8s, nous comprenons qu'il y a une profonde satisfaction \u00e0 faire confiance aux autres. Il s'agit peut-\u00eatre de l'ignorance, de la ' confiance aveugle ' accord\u00e9e aux autres. Cela ne va que dans un sens. \"<\/p>\n\n\n\n

\u2014 Embracing Mind<\/em>, The Zen talks of Kobun Chino Otogawa, p. 28-30<\/p>\n\n\n\n

Portez-vous bien !<\/h2>\n\n\n\n
<\/div>\n\n\n\n
\"September
Illumination avant le lever du soleil sur un horizon de montagnes alpines \u2013 septembre 2021 \u2013 Gr\u00e4chwil, Suisse<\/figcaption><\/figure>","protected":false},"excerpt":{"rendered":"

Cette mise \u00e0 jour Tonalibus de septembre 2021 pr\u00e9sente un nouvel \u00e9chantillon sonore personnel et quelques courts \u00e9chantillons sonores de tonalit\u00e9s qui sont en train d'appara\u00eetre dans le catalogue Tonalibus. Cette expansion consid\u00e9rable du catalogue de tonalit\u00e9s a \u00e9t\u00e9 expliqu\u00e9e dans la derni\u00e8re mise \u00e0 jour Tonalibus. La mise \u00e0 jour actuelle donne plus de d\u00e9tails, \u00e9galement sur les ajustements des noms de tonalit\u00e9s et leurs composants. Enfin, pour conclure, elle aborde la question du choix et de la confiance. ...<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,21,10,11,16],"tags":[],"class_list":["post-13674","post","type-post","status-publish","format-standard","hentry","category-2021-spiritual","category-2021-tonal","category-spiritualibus","category-tonalibus","category-update"],"yoast_head":"\nSeptember 2021 Tonalibus update – TONALIBUS Harmony<\/title>\n<meta name=\"description\" content=\"This September 2021 Tonalibus update presents new sound samples and touches on the current expansion of the tonalities catalogue.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/tonalibus.org\/fr\/2021\/09\/15\/september-2021-tonalibus-update\/\" \/>\n<meta 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