{"id":7606,"date":"2020-12-31T10:06:28","date_gmt":"2020-12-31T09:06:28","guid":{"rendered":"https:\/\/tonalibus.org\/?p=7606"},"modified":"2024-01-31T09:26:24","modified_gmt":"2024-01-31T08:26:24","slug":"generational-interplay-of-harmony","status":"publish","type":"post","link":"https:\/\/tonalibus.org\/fr\/2020\/12\/31\/generational-interplay-of-harmony\/","title":{"rendered":"Les interactions g\u00e9n\u00e9rationnelles de l'harmonie"},"content":{"rendered":"<p><span style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">Que sont les interactions g\u00e9n\u00e9rationnelles de l'harmonie ? \u2013<\/span><\/p>\n\n\n\n<p><span style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">Lorsque la quarte \u00e9tait la tonique ou la fondamentale, la tonique actuelle \u00e9tait sa quinte, son alli\u00e9e la plus harmonieuse. Puis, lorsqu'elle est devenue la quarte, elle tournait plus contrast\u00e9e et moins harmonieuse. Mais, apr\u00e8s tout, elle \u00e9tait toujours fondamentale pour ce qu'elle \u00e9tait. Elle a d\u00fb renoncer \u00e0 sa position premi\u00e8re ant\u00e9rieure. La quinte de la fondamentale actuelle prenait d\u00e9sormais la place de la plus harmonieuse. <\/span><\/p>\n\n\n\n<p><span style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">C'est la progression ou le flux de l'harmonie et comment les ancres harmoniques se forment par une fondamentale avec sa quinte et sa quarte. Les qualit\u00e9s progressives et r\u00e9gressives s'\u00e9quilibrent dans le pr\u00e9sent en regardant en avant, ainsi qu'en arri\u00e8re vers d'o\u00f9 l'on vient. Ensuite, une touche de la quinte de la quinte (la quinte de la quinte) peut \u00eatre \u00e9mouvante. <\/span><\/p>\n\n\n\n<p><span style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">On peut voir cela comme interaction g\u00e9n\u00e9rationnelle de l'harmonie et des tonalit\u00e9s. <\/span><\/p>\n\n\n\n<p><span style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">Dans toute son ampleur, on conna\u00eet ceci en musique comme le <\/span><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Cycle_des_quintes\" target=\"_blank\" rel=\"noreferrer noopener\"><span style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">cycle des quintes<\/span><\/a><span style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\"><\/span><span style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\"> ou cycle des quintes. Cela prend la forme d'un <\/span><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Dod\u00e9cagramme\" target=\"_blank\" rel=\"noreferrer noopener\"><span style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">dod\u00e9cagramme r\u00e9gulier<\/span><\/a><span style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">, qui est reconnu comme une expression de la <\/span><a href=\"https:\/\/fr.wikipedia.org\/wiki\/G\u00e9om\u00e9trie_sacr\u00e9e\" target=\"_blank\" rel=\"noreferrer noopener\"><span style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">g\u00e9om\u00e9trie sacr\u00e9e<\/span><\/a><span style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\"> par certains. Tonalibus le pr\u00e9sente dans la <\/span><a href=\"https:\/\/tonalibus.org\/fr\/fundamentals\/five-course-series\/\"><span style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">s\u00e9rie de cinq cours<\/span><\/a><span style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\"> <em>Fondements de l'harmonie et des tonalit\u00e9s<\/em> dans son quatri\u00e8me module <\/span><a href=\"https:\/\/tonalibus.org\/fr\/fundamentals\/five-course-series\/basics-d\/\"><em><span style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">Quatre ancres harmoniques et le cycle des quintes<\/span><\/em><\/a><span style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">.<\/span><\/p>\n\n\n\n<div style=\"height:12px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-video\"><video height=\"1080\" style=\"aspect-ratio: 1920 \/ 1080;\" width=\"1920\" controls loop src=\"https:\/\/tonalibus.org\/wp-content\/uploads\/2020\/08\/QuintCycle-2020-08.mp4\"><\/video><figcaption class=\"wp-element-caption\"><span style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">Br\u00e8ve vid\u00e9o muette en loop : le cycle des quintes tel que pr\u00e9sent\u00e9 par Tonalibus sous <\/span><a href=\"https:\/\/tonalibus.org\/fr\/concepts\/concepts-highlights\/\"><span style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">Concepts en vedette<\/span><\/a><span style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\"> \u2013 D\u00e9marr\u00e9 ou arr\u00eat\u00e9, vous pouvez vous d\u00e9placer manuellement dans ces images \u00e0 votre propre rythme en faisant glisser le point de progression de la vid\u00e9o horizontalement.<\/span><\/figcaption><\/figure>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Que sont les interactions g\u00e9n\u00e9rationnelles de l'harmonie ? \u2013 Lorsque la quarte \u00e9tait la tonique ou la fondamentale, la tonique actuelle \u00e9tait sa quinte, son alli\u00e9e la plus harmonieuse. Puis, lorsqu'elle est devenue la quarte, elle tournait plus contrast\u00e9e et moins harmonieuse. Mais, apr\u00e8s tout, elle \u00e9tait toujours fondamentale pour ce qu'elle \u00e9tait. Elle a d\u00fb ... <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/tonalibus.org\/fr\/2020\/12\/31\/generational-interplay-of-harmony\/\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de \" Jeu d'harmonie entre les g\u00e9n\u00e9rations \"<\/span><\/a><\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17,22,10,11],"tags":[],"class_list":["post-7606","post","type-post","status-publish","format-standard","hentry","category-2020-spiritual","category-2020-tonal","category-spiritualibus","category-tonalibus"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Generational interplay of harmony &#8211; TONALIBUS, Harmony<\/title>\n<meta name=\"description\" content=\"Generational interplay of harmony: When the quart was the tonic or fundamental, the present tonic was its quint, its most harmonic ally...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/tonalibus.org\/fr\/2020\/12\/31\/generational-interplay-of-harmony\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Generational interplay of harmony &#8211; TONALIBUS, Harmony\" \/>\n<meta property=\"og:description\" content=\"Generational interplay of harmony: When the quart was the tonic or fundamental, the present tonic was its quint, its most harmonic ally...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/tonalibus.org\/fr\/2020\/12\/31\/generational-interplay-of-harmony\/\" \/>\n<meta property=\"og:site_name\" content=\"TONALIBUS\" \/>\n<meta property=\"article:published_time\" content=\"2020-12-31T09:06:28+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-01-31T08:26:24+00:00\" \/>\n<meta name=\"author\" content=\"Ulrico\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Ulrico\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/tonalibus.org\\\/en\\\/2020\\\/12\\\/31\\\/generational-interplay-of-harmony\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/tonalibus.org\\\/en\\\/2020\\\/12\\\/31\\\/generational-interplay-of-harmony\\\/\"},\"author\":{\"name\":\"Ulrico\",\"@id\":\"https:\\\/\\\/tonalibus.org\\\/de\\\/#\\\/schema\\\/person\\\/749261d7bc96d1f00127273f83ab96a4\"},\"headline\":\"Generational interplay of harmony\",\"datePublished\":\"2020-12-31T09:06:28+00:00\",\"dateModified\":\"2024-01-31T08:26:24+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/tonalibus.org\\\/en\\\/2020\\\/12\\\/31\\\/generational-interplay-of-harmony\\\/\"},\"wordCount\":245,\"publisher\":{\"@id\":\"https:\\\/\\\/tonalibus.org\\\/de\\\/#\\\/schema\\\/person\\\/749261d7bc96d1f00127273f83ab96a4\"},\"articleSection\":[\"2020 spiritual\",\"2020 tonal\",\"Spiritualibus\",\"Tonalibus\"],\"inLanguage\":\"fr-FR\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/tonalibus.org\\\/en\\\/2020\\\/12\\\/31\\\/generational-interplay-of-harmony\\\/\",\"url\":\"https:\\\/\\\/tonalibus.org\\\/en\\\/2020\\\/12\\\/31\\\/generational-interplay-of-harmony\\\/\",\"name\":\"Generational interplay of harmony &#8211; TONALIBUS, Harmony\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/tonalibus.org\\\/de\\\/#website\"},\"datePublished\":\"2020-12-31T09:06:28+00:00\",\"dateModified\":\"2024-01-31T08:26:24+00:00\",\"description\":\"Generational interplay of harmony: When the quart was the tonic or fundamental, the present tonic was its quint, its most harmonic ally...\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/tonalibus.org\\\/en\\\/2020\\\/12\\\/31\\\/generational-interplay-of-harmony\\\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/tonalibus.org\\\/en\\\/2020\\\/12\\\/31\\\/generational-interplay-of-harmony\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/tonalibus.org\\\/en\\\/2020\\\/12\\\/31\\\/generational-interplay-of-harmony\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/tonalibus.org\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Generational interplay of harmony\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/tonalibus.org\\\/de\\\/#website\",\"url\":\"https:\\\/\\\/tonalibus.org\\\/de\\\/\",\"name\":\"TONALIBUS\",\"description\":\"Anchored Harmony and Tonalities\",\"publisher\":{\"@id\":\"https:\\\/\\\/tonalibus.org\\\/de\\\/#\\\/schema\\\/person\\\/749261d7bc96d1f00127273f83ab96a4\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/tonalibus.org\\\/de\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-FR\"},{\"@type\":[\"Person\",\"Organization\"],\"@id\":\"https:\\\/\\\/tonalibus.org\\\/de\\\/#\\\/schema\\\/person\\\/749261d7bc96d1f00127273f83ab96a4\",\"name\":\"Ulrico\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/tonalibus.org\\\/wp-content\\\/uploads\\\/2020\\\/06\\\/uli-pix.jpg\",\"url\":\"https:\\\/\\\/tonalibus.org\\\/wp-content\\\/uploads\\\/2020\\\/06\\\/uli-pix.jpg\",\"contentUrl\":\"https:\\\/\\\/tonalibus.org\\\/wp-content\\\/uploads\\\/2020\\\/06\\\/uli-pix.jpg\",\"width\":960,\"height\":720,\"caption\":\"Ulrico\"},\"logo\":{\"@id\":\"https:\\\/\\\/tonalibus.org\\\/wp-content\\\/uploads\\\/2020\\\/06\\\/uli-pix.jpg\"},\"sameAs\":[\"https:\\\/\\\/tonalibus.cyon.site\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Jeu d'harmonie entre les g\u00e9n\u00e9rations - TONALIBUS, Harmonie","description":"L'harmonie entre les g\u00e9n\u00e9rations : Quand le quart \u00e9tait la tonique ou la fondamentale, la tonique actuelle en \u00e9tait la quint, son alli\u00e9e la plus harmonieuse...","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/tonalibus.org\/fr\/2020\/12\/31\/generational-interplay-of-harmony\/","og_locale":"fr_FR","og_type":"article","og_title":"Generational interplay of harmony &#8211; TONALIBUS, Harmony","og_description":"Generational interplay of harmony: When the quart was the tonic or fundamental, the present tonic was its quint, its most harmonic ally...","og_url":"https:\/\/tonalibus.org\/fr\/2020\/12\/31\/generational-interplay-of-harmony\/","og_site_name":"TONALIBUS","article_published_time":"2020-12-31T09:06:28+00:00","article_modified_time":"2024-01-31T08:26:24+00:00","author":"Ulrico","twitter_card":"summary_large_image","twitter_misc":{"\u00c9crit par":"Ulrico","Dur\u00e9e de lecture estim\u00e9e":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/tonalibus.org\/en\/2020\/12\/31\/generational-interplay-of-harmony\/#article","isPartOf":{"@id":"https:\/\/tonalibus.org\/en\/2020\/12\/31\/generational-interplay-of-harmony\/"},"author":{"name":"Ulrico","@id":"https:\/\/tonalibus.org\/de\/#\/schema\/person\/749261d7bc96d1f00127273f83ab96a4"},"headline":"Generational interplay of harmony","datePublished":"2020-12-31T09:06:28+00:00","dateModified":"2024-01-31T08:26:24+00:00","mainEntityOfPage":{"@id":"https:\/\/tonalibus.org\/en\/2020\/12\/31\/generational-interplay-of-harmony\/"},"wordCount":245,"publisher":{"@id":"https:\/\/tonalibus.org\/de\/#\/schema\/person\/749261d7bc96d1f00127273f83ab96a4"},"articleSection":["2020 spiritual","2020 tonal","Spiritualibus","Tonalibus"],"inLanguage":"fr-FR"},{"@type":"WebPage","@id":"https:\/\/tonalibus.org\/en\/2020\/12\/31\/generational-interplay-of-harmony\/","url":"https:\/\/tonalibus.org\/en\/2020\/12\/31\/generational-interplay-of-harmony\/","name":"Jeu d'harmonie entre les g\u00e9n\u00e9rations - TONALIBUS, Harmonie","isPartOf":{"@id":"https:\/\/tonalibus.org\/de\/#website"},"datePublished":"2020-12-31T09:06:28+00:00","dateModified":"2024-01-31T08:26:24+00:00","description":"L'harmonie entre les g\u00e9n\u00e9rations : Quand le quart \u00e9tait la tonique ou la fondamentale, la tonique actuelle en \u00e9tait la quint, son alli\u00e9e la plus harmonieuse...","breadcrumb":{"@id":"https:\/\/tonalibus.org\/en\/2020\/12\/31\/generational-interplay-of-harmony\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/tonalibus.org\/en\/2020\/12\/31\/generational-interplay-of-harmony\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/tonalibus.org\/en\/2020\/12\/31\/generational-interplay-of-harmony\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/tonalibus.org\/"},{"@type":"ListItem","position":2,"name":"Generational interplay of harmony"}]},{"@type":"WebSite","@id":"https:\/\/tonalibus.org\/de\/#website","url":"https:\/\/tonalibus.org\/de\/","name":"TONALIBUS","description":"Harmonie et tonalit\u00e9s ancr\u00e9es","publisher":{"@id":"https:\/\/tonalibus.org\/de\/#\/schema\/person\/749261d7bc96d1f00127273f83ab96a4"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/tonalibus.org\/de\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-FR"},{"@type":["Person","Organization"],"@id":"https:\/\/tonalibus.org\/de\/#\/schema\/person\/749261d7bc96d1f00127273f83ab96a4","name":"Ulrico","image":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/tonalibus.org\/wp-content\/uploads\/2020\/06\/uli-pix.jpg","url":"https:\/\/tonalibus.org\/wp-content\/uploads\/2020\/06\/uli-pix.jpg","contentUrl":"https:\/\/tonalibus.org\/wp-content\/uploads\/2020\/06\/uli-pix.jpg","width":960,"height":720,"caption":"Ulrico"},"logo":{"@id":"https:\/\/tonalibus.org\/wp-content\/uploads\/2020\/06\/uli-pix.jpg"},"sameAs":["https:\/\/tonalibus.cyon.site"]}]}},"_links":{"self":[{"href":"https:\/\/tonalibus.org\/fr\/wp-json\/wp\/v2\/posts\/7606","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tonalibus.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tonalibus.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tonalibus.org\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tonalibus.org\/fr\/wp-json\/wp\/v2\/comments?post=7606"}],"version-history":[{"count":0,"href":"https:\/\/tonalibus.org\/fr\/wp-json\/wp\/v2\/posts\/7606\/revisions"}],"wp:attachment":[{"href":"https:\/\/tonalibus.org\/fr\/wp-json\/wp\/v2\/media?parent=7606"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tonalibus.org\/fr\/wp-json\/wp\/v2\/categories?post=7606"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tonalibus.org\/fr\/wp-json\/wp\/v2\/tags?post=7606"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}