{"id":11178,"date":"2021-04-16T06:51:14","date_gmt":"2021-04-16T04:51:14","guid":{"rendered":"https:\/\/tonalibus.org\/?page_id=11178"},"modified":"2023-01-16T06:38:33","modified_gmt":"2023-01-16T05:38:33","slug":"pro-reg-tonalities","status":"publish","type":"page","link":"https:\/\/tonalibus.org\/it\/tonalities\/pro-reg-tonalities\/","title":{"rendered":"Tonalit\u00e0 Pro & Reg"},"content":{"rendered":"

Tonalit\u00e0 ancorate Pro(gressive) e Reg(ressive)<\/mark><\/h2>\n\n\n\n
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Pro(gressivo)<\/a><\/div>\n\n\n\n
Reg(ressivo)<\/a><\/div>\n\n\n\n
Immagini panoramiche<\/a><\/div>\n\n\n\n
Caratteristiche<\/a><\/div>\n<\/div>\n\n\n\n
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Progressivamente ancorato<\/mark><\/h2>\n\n\n\n
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LidEolio o EptaNa<\/a><\/div>\n\n\n\n
LidReach o NaReach<\/a><\/div>\n\n\n\n
LidDorico o ClusterPro<\/a><\/div>\n\n\n\n
Lidio<\/a><\/div>\n\n\n\n
EsaNa<\/a><\/div>\n\n\n\n
NaUploReach<\/a><\/div>\n\n\n\n
EsaProMin<\/a><\/div>\n\n\n\n
EsaProReach<\/a><\/div>\n\n\n\n
PentaProLa o PentaIon<\/a><\/div>\n\n\n\n
EsaProMix<\/a><\/div>\n\n\n\n
EsaProMaj<\/a><\/div>\n\n\n\n
PentaPro o PentaNa<\/a><\/div>\n<\/div>\n\n\n\n

Regressivamente ancorato<\/mark><\/h2>\n\n\n\n
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Locrio<\/a><\/div>\n\n\n\n
BlueUp<\/a><\/div>\n\n\n\n
PentaReg o PentaFrig<\/a><\/div>\n<\/div>\n\n\n\n
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Immagini panoramiche<\/mark><\/h2>\n\n\n
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Tonalibus 1e-3 tonalities – 2023-01 – 75<\/div>
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Tonalibus 1e-3 tonalities – 2023-02 – 79x<\/div>
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Nella pagina <\/mark>Tonalit\u00e0<\/mark><\/a>, trovi un elenco di tutte le tonalit\u00e0 ancorate incluse nel catalogo, insieme a una giustapposizione dei loro schemi di scala, oltre a una panoramica generale degli schemi di distribuzione fondamentale dei passi.<\/mark><\/p>\n\n\n\n

Caratteristiche delle tonalit\u00e0 Pro e Reg<\/mark><\/h2>\n\n\n\n

Le tonalit\u00e0 Pro omettono la quarta regressiva e sono quindi ancorate solo progressivamente. D'altra parte, le tonalit\u00e0 Reg omettono la quinta progressiva e sono quindi ancorate solo regressivamente. Pertanto, le tonalit\u00e0 di entrambi questi tipi sono ancorate parzialmente, non completamente. <\/mark><\/p>\n\n\n\n

Le altezze nel tetracordo inferiore di una tonalit\u00e0 Pro si ancorano in sovratoni principalmente distinguibili (che non sono ottave). Queste sono la quinta, la terza maggiore e la seconda maggiore. Il tetracordo superiore rimane flessibile e fornisce tonalit\u00e0 affascinanti, pi\u00f9 o meno sottilmente distinte. <\/mark><\/p>\n\n\n\n

In una tonalit\u00e0 Reg questo costrutto si manifesta in modo inverso. Il terzacordo inferiore \u00e8 flessibile, mentre il fondamento di sovratoni delle altezze del tetracordo superiore pu\u00f2 derivare dall'ultima generazione passata o precedente nella progressione del suono. Le tonalit\u00e0 Reg sono meno importanti per Tonalibus, perch\u00e9 il loro ancoraggio ai sovratoni \u00e8 meno evidente o presente.<\/mark><\/p>","protected":false},"excerpt":{"rendered":"

Tonalit\u00e0 ancorate Pro(gressive) e Reg(ressive) Ancorate progressivamente Ancorate regressivamente Visuali d'insieme Nella pagina Tonalit\u00e0, si trova un elenco di tutte le tonalit\u00e0 ancorate incluse nel catalogo, insieme a una giustapposizione fianco a fianco dei loro modelli di scala, nonch\u00e9 una panoramica generale dei modelli di distribuzione delle altezze fondamentali. Caratteristiche delle tonalit\u00e0 Pro e Reg Tonalit\u00e0 Pro ... <\/p>\n

Leggi tutto \"Tonalit\u00e0 Pro e Reg\"<\/span><\/a><\/p>","protected":false},"author":1,"featured_media":0,"parent":290,"menu_order":7,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-11178","page","type-page","status-publish","hentry"],"yoast_head":"\nPro & Reg Tonalities – TONALIBUS Harmony and Tonalities<\/title>\n<meta name=\"description\" content=\"Pro tonalities are progressively anchored, and Reg tonalities regressively. 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