{"id":2765,"date":"2020-07-19T11:22:43","date_gmt":"2020-07-19T09:22:43","guid":{"rendered":"https:\/\/tonalibus.org\/?page_id=2765"},"modified":"2025-11-30T19:01:28","modified_gmt":"2025-11-30T18:01:28","slug":"chromaticism-and-modulation","status":"publish","type":"page","link":"https:\/\/tonalibus.org\/it\/harmony\/chromaticism-and-modulation\/","title":{"rendered":"Cromatismo e modulazione"},"content":{"rendered":"

Cromatismo e modulazione<\/mark><\/h2>\n\n\n\n
\n
Cromatismo<\/a><\/div>\n\n\n\n
Modulazione<\/a><\/div>\n\n\n\n
Immagini di modulazione<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

A una panoramica dei concetti di armonia e delle tonalit\u00e0 appartiene anche il cromatismo<\/mark><\/a>. Pur non essendo ancorato armonicamente in quanto tale, \u00e8 un ingrediente essenziale per la colorazione musicale e per portare a modulazioni tra le tonalit\u00e0. <\/p>\n\n\n\n

Cromatismo<\/mark><\/h2>\n\n\n\n

La scala cromatica o dodecafonica<\/mark><\/a> consiste di tutti e dodici i semitoni in un'ottava. Il cromatismo intercambia le altezze di una tonalit\u00e0 con altre altezze della scala cromatica. Queste contrappongono ed espandono una determinata tonalit\u00e0. Possono temporaneamente indicare o portare a una modulazione da una tonalit\u00e0 all'altra. Durante l'ultima met\u00e0 dell'Ottocento, il concetto di tonalit\u00e0 si \u00e8 espanso con l'aumentare dell'uso della scala cromatica e del cromatismo, ad esempio con Richard Wagner in \"Tristano e Isotta<\/mark><\/a>\u201c. Questo ha aperto pi\u00f9 libert\u00e0 tonale e relax \u2013 quello che alcuni hanno chiamato la rottura della tonalit\u00e0. <\/p>\n\n\n\n

Modulazione<\/mark><\/h2>\n\n\n\n

Il modulo Campioni di modulazione delle tonalit\u00e0 ancorate<\/em> \u00e8 un complemento molto orientato alla pratica al catalogo delle tonalit\u00e0 ancorate<\/mark><\/a> e la serie di presentazioni del corso<\/mark><\/a> Fondamenti di armonia e tonalit\u00e0<\/em>. Di seguito sono riportate le sue oltre quaranta immagini. Per facilitare la ricerca di percorsi di modulazione fluidi, questo modulo fornisce una panoramica delle tonalit\u00e0 incluse nel catalogo raggruppate per tetracordi, sia per quelli inferiori che per quelli superiori. Inoltre, presenta \u2013 sia in forma condensata che dettagliata \u2013 esempi di percorsi ciclici di modulazione, che si muovono attraverso una serie di tonalit\u00e0 e che alla fine ritornano al punto di partenza.<\/p>\n\n\n\n

Immagini di Campioni di modulazione delle tonalit\u00e0 ancorate<\/em><\/mark><\/h2>\n\n\n\n
<\/div>\n\n\n
\n\n\n\n\n\n
\n
\n
\n
\n\n
\"3-9-01\"<\/picture><\/div>
<\/div><\/div>
\"3-9-02\"<\/picture><\/div>
<\/div><\/div>
\"3-9-03\"<\/picture><\/div>
<\/div><\/div>
\"3-9-04\"<\/picture><\/div>
<\/div><\/div>
\"3-9-05\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"3-9-12\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"3-9-14\"<\/picture><\/div>
<\/div><\/div>
\"3-9-15\"<\/picture><\/div>
<\/div><\/div>
\"3-9-16\"<\/picture><\/div>
<\/div><\/div>
\"3-9-17\"<\/picture><\/div>
<\/div><\/div>
\"3-9-18\"<\/picture><\/div>
<\/div><\/div>
\"3-9-19\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"3-9-21\"<\/picture><\/div>
<\/div><\/div>
\"3-9-22\"<\/picture><\/div>
<\/div><\/div>
\"3-9-23\"<\/picture><\/div>
<\/div><\/div>
\"3-9-24\"<\/picture><\/div>
<\/div><\/div>
\"\"<\/picture><\/div>
<\/div><\/div>
\"3-9-26\"<\/picture><\/div>
<\/div><\/div>
\"3-9-27\"<\/picture><\/div>
<\/div><\/div>
\"3-9-28\"<\/picture><\/div>
<\/div><\/div>
\"3-9-29\"<\/picture><\/div>
<\/div><\/div>
\"3-9-30\"<\/picture><\/div>
<\/div><\/div>
\"3-9-31\"<\/picture><\/div>
<\/div><\/div>
\"3-9-32\"<\/picture><\/div>
<\/div><\/div>
\"3-9-33\"<\/picture><\/div>
<\/div><\/div>
\"3-9-34\"<\/picture><\/div>
<\/div><\/div>
\"3-9-35\"<\/picture><\/div>
<\/div><\/div>
\"3-9-36\"<\/picture><\/div>
<\/div><\/div>
\"3-9-37\"<\/picture><\/div>
<\/div><\/div>
\"3-9-38\"<\/picture><\/div>
<\/div><\/div>
\"3-9-39\"<\/picture><\/div>
<\/div><\/div>
\"3-9-40\"<\/picture><\/div>
<\/div><\/div>
\"3-9-41\"<\/picture><\/div>
<\/div><\/div><\/div>
\n <\/svg>
Tonalibus 3-9 modulation – 2020-06 – 01<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 02<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 03<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 04<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 05<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2023-12 – 49x<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2023-12 – 56x<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2024-01 – 58<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2024-01 – 59<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2024-01 – 64<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2024-01 – 65x<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2025-04 – 69x<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2024-01 – 88<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2025-04 – 89<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2024-01 90<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2024-01 – 91<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2024-01 – 92<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2024-01 – 93y<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2025-04 – 94<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2024-01 – 95<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2024-01 – 96y<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2024-01 – 97<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2024-01 – 98x<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2024-05 – 99<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 12<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2021-04 – 70<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 14<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 15<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 16<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 17<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 18<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 19<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 20<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 21<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 22<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 23<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 24<\/div>
<\/div><\/div><\/div>
Tonalibus 1e-3 tonalities – 2021-04 – 71<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 26<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 27<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 28<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 29<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 30<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 31<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 32<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 33<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 34<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 35<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 36<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 37<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 38<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 39<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 40<\/div>
<\/div><\/div><\/div>
Tonalibus 3-9 modulation – 2020-06 – 41<\/div>
<\/div><\/div><\/div> <\/div>\n\n <\/div>\n <\/div>\n <\/div>\n
\"previous<\/div><\/div>
\"next<\/div><\/div><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div>
\"Tonalibus<\/picture><\/div><\/div><\/div>
\"previous<\/div>
\"next<\/div><\/div><\/div><\/div><\/div><\/ss3-loader><\/div><\/div>
<\/div><\/div>","protected":false},"excerpt":{"rendered":"

Cromatismo e modulazione A una panoramica dei concetti di armonia e tonalit\u00e0 appartiene anche il cromatismo. Anche se non \u00e8 ancorato armonicamente in quanto tale, \u00e8 un ingrediente essenziale per la colorazione musicale e per portare a modulazioni tra le tonalit\u00e0. Cromatismo La scala cromatica o dodecafonica \u00e8 composta da tutti e dodici i semitoni di un'ottava. Il cromatismo intervalla le altezze di ... <\/p>\n

Leggi tutto \"Cromatismo e modulazione\"<\/span><\/a><\/p>","protected":false},"author":1,"featured_media":0,"parent":35638,"menu_order":40,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2765","page","type-page","status-publish","hentry"],"yoast_head":"\nChromaticism and Modulation – TONALIBUS, Harmony and Tonalities<\/title>\n<meta name=\"description\" content=\"To an overview of tonalities belongs also chromaticism. It is essential for musical coloring and for leading to tonality modulations.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/tonalibus.org\/it\/harmony\/chromaticism-and-modulation\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Chromaticism and Modulation – TONALIBUS, Harmony and Tonalities\" \/>\n<meta property=\"og:description\" content=\"To an overview of tonalities belongs also chromaticism. It is essential for musical coloring and for leading to tonality modulations.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/tonalibus.org\/it\/harmony\/chromaticism-and-modulation\/\" \/>\n<meta property=\"og:site_name\" content=\"TONALIBUS\" \/>\n<meta property=\"article:modified_time\" content=\"2025-11-30T18:01:28+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/tonalibus.org\\\/harmony\\\/chromaticism-and-modulation\\\/\",\"url\":\"https:\\\/\\\/tonalibus.org\\\/harmony\\\/chromaticism-and-modulation\\\/\",\"name\":\"Chromaticism and Modulation – TONALIBUS, Harmony and Tonalities\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/tonalibus.org\\\/de\\\/#website\"},\"datePublished\":\"2020-07-19T09:22:43+00:00\",\"dateModified\":\"2025-11-30T18:01:28+00:00\",\"description\":\"To an overview of tonalities belongs also chromaticism. It is essential for musical coloring and for leading to tonality modulations.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/tonalibus.org\\\/harmony\\\/chromaticism-and-modulation\\\/#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/tonalibus.org\\\/harmony\\\/chromaticism-and-modulation\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/tonalibus.org\\\/harmony\\\/chromaticism-and-modulation\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/tonalibus.org\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Harmony\",\"item\":\"https:\\\/\\\/tonalibus.org\\\/harmony\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Chromaticism and Modulation\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/tonalibus.org\\\/de\\\/#website\",\"url\":\"https:\\\/\\\/tonalibus.org\\\/de\\\/\",\"name\":\"TONALIBUS\",\"description\":\"Anchored Harmony and Tonalities\",\"publisher\":{\"@id\":\"https:\\\/\\\/tonalibus.org\\\/de\\\/#\\\/schema\\\/person\\\/749261d7bc96d1f00127273f83ab96a4\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/tonalibus.org\\\/de\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":[\"Person\",\"Organization\"],\"@id\":\"https:\\\/\\\/tonalibus.org\\\/de\\\/#\\\/schema\\\/person\\\/749261d7bc96d1f00127273f83ab96a4\",\"name\":\"Ulrico\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/tonalibus.org\\\/wp-content\\\/uploads\\\/2020\\\/06\\\/uli-pix.jpg\",\"url\":\"https:\\\/\\\/tonalibus.org\\\/wp-content\\\/uploads\\\/2020\\\/06\\\/uli-pix.jpg\",\"contentUrl\":\"https:\\\/\\\/tonalibus.org\\\/wp-content\\\/uploads\\\/2020\\\/06\\\/uli-pix.jpg\",\"width\":960,\"height\":720,\"caption\":\"Ulrico\"},\"logo\":{\"@id\":\"https:\\\/\\\/tonalibus.org\\\/wp-content\\\/uploads\\\/2020\\\/06\\\/uli-pix.jpg\"},\"sameAs\":[\"https:\\\/\\\/tonalibus.cyon.site\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Cromatismo e modulazione - TONALIBUS, armonia e tonalit\u00e0","description":"A una panoramica delle tonalit\u00e0 appartiene anche il cromatismo. \u00c8 essenziale per la colorazione musicale e per portare a modulazioni di tonalit\u00e0.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/tonalibus.org\/it\/harmony\/chromaticism-and-modulation\/","og_locale":"it_IT","og_type":"article","og_title":"Chromaticism and Modulation – TONALIBUS, Harmony and Tonalities","og_description":"To an overview of tonalities belongs also chromaticism. It is essential for musical coloring and for leading to tonality modulations.","og_url":"https:\/\/tonalibus.org\/it\/harmony\/chromaticism-and-modulation\/","og_site_name":"TONALIBUS","article_modified_time":"2025-11-30T18:01:28+00:00","twitter_card":"summary_large_image","twitter_misc":{"Tempo di lettura stimato":"2 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/tonalibus.org\/harmony\/chromaticism-and-modulation\/","url":"https:\/\/tonalibus.org\/harmony\/chromaticism-and-modulation\/","name":"Cromatismo e modulazione - TONALIBUS, armonia e tonalit\u00e0","isPartOf":{"@id":"https:\/\/tonalibus.org\/de\/#website"},"datePublished":"2020-07-19T09:22:43+00:00","dateModified":"2025-11-30T18:01:28+00:00","description":"A una panoramica delle tonalit\u00e0 appartiene anche il cromatismo. \u00c8 essenziale per la colorazione musicale e per portare a modulazioni di tonalit\u00e0.","breadcrumb":{"@id":"https:\/\/tonalibus.org\/harmony\/chromaticism-and-modulation\/#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/tonalibus.org\/harmony\/chromaticism-and-modulation\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/tonalibus.org\/harmony\/chromaticism-and-modulation\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/tonalibus.org\/"},{"@type":"ListItem","position":2,"name":"Harmony","item":"https:\/\/tonalibus.org\/harmony\/"},{"@type":"ListItem","position":3,"name":"Chromaticism and Modulation"}]},{"@type":"WebSite","@id":"https:\/\/tonalibus.org\/de\/#website","url":"https:\/\/tonalibus.org\/de\/","name":"TONALIBUS","description":"Armonia e tonalit\u00e0 ancorate","publisher":{"@id":"https:\/\/tonalibus.org\/de\/#\/schema\/person\/749261d7bc96d1f00127273f83ab96a4"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/tonalibus.org\/de\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":["Person","Organization"],"@id":"https:\/\/tonalibus.org\/de\/#\/schema\/person\/749261d7bc96d1f00127273f83ab96a4","name":"Ulrico","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/tonalibus.org\/wp-content\/uploads\/2020\/06\/uli-pix.jpg","url":"https:\/\/tonalibus.org\/wp-content\/uploads\/2020\/06\/uli-pix.jpg","contentUrl":"https:\/\/tonalibus.org\/wp-content\/uploads\/2020\/06\/uli-pix.jpg","width":960,"height":720,"caption":"Ulrico"},"logo":{"@id":"https:\/\/tonalibus.org\/wp-content\/uploads\/2020\/06\/uli-pix.jpg"},"sameAs":["https:\/\/tonalibus.cyon.site"]}]}},"_links":{"self":[{"href":"https:\/\/tonalibus.org\/it\/wp-json\/wp\/v2\/pages\/2765","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tonalibus.org\/it\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tonalibus.org\/it\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tonalibus.org\/it\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tonalibus.org\/it\/wp-json\/wp\/v2\/comments?post=2765"}],"version-history":[{"count":1,"href":"https:\/\/tonalibus.org\/it\/wp-json\/wp\/v2\/pages\/2765\/revisions"}],"predecessor-version":[{"id":37767,"href":"https:\/\/tonalibus.org\/it\/wp-json\/wp\/v2\/pages\/2765\/revisions\/37767"}],"up":[{"embeddable":true,"href":"https:\/\/tonalibus.org\/it\/wp-json\/wp\/v2\/pages\/35638"}],"wp:attachment":[{"href":"https:\/\/tonalibus.org\/it\/wp-json\/wp\/v2\/media?parent=2765"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}