{"id":29576,"date":"2023-12-07T16:34:50","date_gmt":"2023-12-07T15:34:50","guid":{"rendered":"https:\/\/tonalibus.org\/?page_id=29576"},"modified":"2025-12-16T16:22:58","modified_gmt":"2025-12-16T15:22:58","slug":"dis-ais-based-heptatonalities","status":"publish","type":"page","link":"https:\/\/tonalibus.org\/it\/shop\/tonalities-selection\/dis-ais-based-heptatonalities\/","title":{"rendered":"Eptatonalit\u00e0 basate su Re#\/La#"},"content":{"rendered":"<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-outline is-style-outline--1\"><a class=\"wp-block-button__link wp-element-button\" href=\"#guidance\">Guida<\/a><\/div>\n\n\n\n<div class=\"wp-block-button is-style-outline is-style-outline--2\"><a class=\"wp-block-button__link wp-element-button\" href=\"#pitch\">Selezione di altezze<\/a><\/div>\n\n\n\n<div class=\"wp-block-button is-style-outline is-style-outline--3\"><a class=\"wp-block-button__link wp-element-button\" href=\"#results\">Eptatonalit\u00e0 risultanti<\/a><\/div>\n\n\n\n<div class=\"wp-block-button is-style-outline is-style-outline--4\"><a class=\"wp-block-button__link wp-element-button\" href=\"#references\">Riferimenti<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-color has-link-color wp-elements-237b009184bbeab55788e3692a386f34\" id=\"guidance\" style=\"color:#f7b320\">Guida generale<\/h2>\n\n\n\n<p class=\"has-text-color\" style=\"color:#f7b320\">In questa pagina puoi formare eptatonalit\u00e0 individuali partendo dalla tua base armonica, cio\u00e8 Re#\/La#. Considera le seguenti indicazioni generali e i punti indicati con le opzioni di altezze specifiche. Per ricordare le tue scelte di intonazione, puoi scriverle. Sono in numeri di mezzi passi.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#f7b320\">Per selezionare delle altezze per formare tonalit\u00e0 individuali, inizia attivando il drone della tua base armonica come loop. Prendere un momento per sintonizzarti e rilassarti. Puoi aggiungere delicatamente delle altezze individuali della base armonica.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#f7b320\">Poi, con il drone della tua base armonica in funzione, una alla volta e con un momento di ascolto soltanto del drone di base armonica con altezze individuali di base ed eventualmente altre gi\u00e0 selezionate in mezzo, sperimentare separatamente le altezze aggiuntive proposte. In base alle indicazioni fornite per uno specifico gruppo di altezze proposte, stabilire quale o quali sono le pi\u00f9 adatte a te nel contesto della tua base armonica ed eventualmente altre altezze gi\u00e0 selezionate. <\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#f7b320\">Intervallare alcune altezze individuali di base armonica ed altre gi\u00e0 selezionate pu\u00f2 aiutarti a vedere e sentire pi\u00f9 chiaramente. Prendere il tempo necessario. Procedere lentamente, una altezza alla volta. Ascolta. Assaporare il suono. Fidarsi della propria percezione.<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-text-color has-link-color wp-elements-a40afd6d98e320391e3873fe24d3df8b\" id=\"pitch\" style=\"color:#f7b320\">Selezione di altezze di eptatonalit\u00e0 basate su Re#\/La#<\/h2>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-1e1a5746a52ef67d9487069dd952246d\" style=\"color:#f7b320\"><br>Tenere conto delle <a href=\"#guidance\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">istruzioni generali<\/mark><\/a> di cui sopra, nonch\u00e9 i punti specifici riportati di seguito. <\/p>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-dd7b4233e57bb52d4ebac31ddb34d5fb\" style=\"color:#f7b320\">Come semplice primo passaggio, si potrebbe formare un'eptatonalit\u00e0 diatonica o aggregata \/ melodica, ignorando le opzioni di altezze tra parentesi, che sono per le eptonazionalit\u00e0 Reach \/ armoniche e di tritono \/ blues. <\/p>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-f6aee0e7ecc7b260f4ae3e5cdec8b64f\" style=\"color:#f7b320\">Oppure, se hai una <a href=\"https:\/\/tonalibus.org\/it\/shop\/tonalities-selection\/#penta\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">pentatonalit\u00e0 individuale<\/mark><\/a>, potresti espandere quella, che semplifica molto.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#f7b320\"><strong>La base armonica data e le sue altezze individuali 1+8<\/strong><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/tonalibus.org\/wp-content\/uploads\/2023\/09\/2023-09-04-DIS-SAPA.mp3\" loop><\/audio><figcaption class=\"wp-element-caption\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">Re#\/La# drone di base harmonica come loop \u2013 continuamente<\/mark><\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/tonalibus.org\/wp-content\/uploads\/2023\/09\/2023-09-09-Dis-LO-PITCH.mp3\"><\/audio><figcaption class=\"wp-element-caption\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\"><strong>1<\/strong>) Re#<\/mark> <mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">basso \u2013 27 sec. \u2013 intercalare<\/mark><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/tonalibus.org\/wp-content\/uploads\/2023\/09\/2023-09-04-AIS-PITCH.mp3\"><\/audio><figcaption class=\"wp-element-caption\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\"><strong>8<\/strong>) La#<\/mark> <mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">\u2013 19 sec. \u2013 intercalare<\/mark><\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/tonalibus.org\/wp-content\/uploads\/2023\/09\/2023-09-04-DIS-PITCH.mp3\"><\/audio><figcaption class=\"wp-element-caption\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\"><strong>1<\/strong>) Re#<\/mark> <mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">alto \u2013 19 sec. \u2013 intercalare<\/mark><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-text-color\" style=\"color:#f7b320\"><strong>Opzioni per altezze superiori <\/strong>per le eptatonalit\u00e0 basate su Re#\/La# <strong>\u2013 selezionarne due altezze<\/strong> <strong>-\u00a6- <\/strong>per una eptatonalit\u00e0 diatonica o aggregata \/ melodica: <strong>9+11, 10+11, 10+12<\/strong> o<em> <\/em><strong>-\u00a6- <\/strong>per una eptatonalit\u00e0 Reach \/ armonica: (<strong>9+12<\/strong>) <strong>-\u00a6- <\/strong>data una pentatonalit\u00e0 con 10 sola, selezionare una: 11\/12 \u2013 con 11 sola: 9\/10 \u2013 o con due qualsiasi, non scegliere di pi\u00f9  <\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/tonalibus.org\/wp-content\/uploads\/2023\/09\/2023-09-04-B-PITCH.mp3\"><\/audio><figcaption class=\"wp-element-caption\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\"><strong>9<\/strong>) \u2013 20 sec. \u2013 pu\u00f2 essere con 11 (o 12)<\/mark><\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/tonalibus.org\/wp-content\/uploads\/2023\/09\/2023-09-04-C-PITCH.mp3\"><\/audio><figcaption class=\"wp-element-caption\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\"><strong>10<\/strong>) \u2013 23 sec. \u2013 pu\u00f2 essere con 11 o 12<\/mark><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/tonalibus.org\/wp-content\/uploads\/2023\/09\/2023-09-04-CIS-PITCH.mp3\"><\/audio><figcaption class=\"wp-element-caption\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\"><strong>11<\/strong>) \u2013 15 sec. \u2013 pu\u00f2 essere con 9 o 12<\/mark><\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/tonalibus.org\/wp-content\/uploads\/2023\/09\/2023-09-04-D-PITCH.mp3\"><\/audio><figcaption class=\"wp-element-caption\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\"><strong>12<\/strong>) \u2013 20 sec. \u2013 pu\u00f2 essere con 10 (o 9)<\/mark><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-text-color\" style=\"color:#f7b320\"><strong>Opzioni per altezze inferiori \u2013 selezionare tre altezze<\/strong> (iniziare con 4 e\/o 5, poi 2 o 3, e infine 6 e\/o 7) <strong>-\u00a6- <\/strong>per una eptatonalit\u00e0 diatonica o aggregata \/ melodica: <strong>2+4+6, 3+4+6, 3+5+6 o 3+5+7<\/strong> o <strong>-\u00a6- <\/strong>per una eptatonalit\u00e0 Reach o di tritono \/ blues: (<strong>2+4+7, 2+5+6, 2+5+7, 3+4+7, 4+5+6, 4+5+7, 4+6+7<\/strong>) <strong>-\u00a6- <\/strong>data una pentatonalit\u00e0 con 4 sola, selezionare due: 2\/3\/5 + 6\/7, o 6+7 \u2013 con 5 sola, due: 2\/3\/4 + 6\/7 \u2013 o con 3+5, una: 6\/7 \u2013 con 3+6: 4\/5 \u2013 con 4+5: 6\/7 \u2013 con 4+6: 2\/3\/5\/7 \u2013 con 4+7: 2\/3\/5\/6 \u2013 con 5+7: 2\/3\/4<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/tonalibus.org\/wp-content\/uploads\/2023\/09\/2023-09-04-FIS-PITCH.mp3\"><\/audio><figcaption class=\"wp-element-caption\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\"><strong>4<\/strong>) \u2013 20 sec. \u2013 con 2+6, 3+6 (2+7, 3+7, 5+6, 5+7, 6+7)<\/mark><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/tonalibus.org\/wp-content\/uploads\/2023\/09\/2023-09-09-E-LO-PITCH.mp3\"><\/audio><figcaption class=\"wp-element-caption\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\"><strong>2<\/strong>) \u2013 26 sec. \u2013 pu\u00f2 essere con 4+6 (4+7, 5+6, 5+7)<\/mark><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/tonalibus.org\/wp-content\/uploads\/2023\/09\/2023-09-04-GIS-PITCH.mp3\"><\/audio><figcaption class=\"wp-element-caption\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">6) \u2013 21 sec. \u2013 pu\u00f2 essere con 2+4, 3+4, 3+5 (2+5, 4+5, 4+7)<\/mark><\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/tonalibus.org\/wp-content\/uploads\/2023\/09\/2023-09-04-G-PITCH.mp3\"><\/audio><figcaption class=\"wp-element-caption\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\"><strong>5<\/strong>) \u2013 20 sec. \u2013 pu\u00f2 essere con 3+6, 3+7 (2+6, 2+7, 4+6, 4+7)<\/mark><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/tonalibus.org\/wp-content\/uploads\/2023\/09\/2023-09-04-F-PITCH.mp3\"><\/audio><figcaption class=\"wp-element-caption\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\"><strong>3<\/strong>) \u2013 20 sec. \u2013 pu\u00f2 essere con 4+6, 5+6, 5+7 (4+7)  <\/mark><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/tonalibus.org\/wp-content\/uploads\/2023\/09\/2023-09-04-A-PITCH.mp3\"><\/audio><figcaption class=\"wp-element-caption\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\"><strong>7<\/strong>) \u2013 19 sec. \u2013 pu\u00f2 essere con 3+5 (2+4, 2+5, 3+4, 4+5, 4+6)<\/mark><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-left has-text-color\" id=\"results\" style=\"color:#f7b320\">Risultati della selezione di altezze di eptatonalit\u00e0<\/h2>\n\n\n\n<h3 class=\"wp-block-heading has-text-color has-link-color wp-elements-6942f03f57daaac1c6ace93633e71a70\" style=\"color:#f7b320\">A) Eptatonalit\u00e0 diatoniche<\/h3>\n\n\n\n<p class=\"has-text-align-left has-text-color\" style=\"color:#f7b320\">1) Base armonica con 2+4+6 e 9+11 \u2013 <strong>1-2-4-6-8-9-11<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/diatonic-heptatonalities\/phrygian\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">Frigio<\/mark><\/a><br>2) Base armonica con 3+4+6 e 9+11 \u2013 <strong>1-3-4-6-8-9-11<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/diatonic-heptatonalities\/aeolian-natural-minor\/aeolian-natural-minor-loops\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">Eolio<\/mark><\/a> (minore naturale)<br>3) Base armonica con 3+4+6 e 10+11 \u2013 <strong>1-3-4-6-8-10-11<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/diatonic-heptatonalities\/dorian\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">Dorico<\/mark><\/a><br>4) Base armonica con 3+5+6 e 10+11 \u2013 <strong>1-3-5-6-8-10-11<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/diatonic-heptatonalities\/mixolydian\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">Misolidio<\/mark><\/a><br>5) Base armonica con 3+5+6 e 10+12 \u2013 <strong>1-3-5-6-8-10-12<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/diatonic-heptatonalities\/ionian-diatonic-major\/ionian-diatonic-major-loops\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">Ionio<\/mark><\/a> (maggiore diatonico)<br>6) Base armonica con 3+5+7 e 10+12 \u2013 <strong>1-3-5-7-8-10-12<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/diatonic-heptatonalities\/lydian\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">Lidio<\/mark><\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading has-text-color has-link-color wp-elements-34573ea19975c0eba924cbd1479625f3\" style=\"color:#f7b320\">B) Eptatonalit\u00e0 aggregate o melodiche<\/h3>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-e7d3481c973fa3bd65eea6b25d35d203\" style=\"color:#f7b320\">1) Base armonica con 2+4+6 e 10+11 \u2013 <strong>1-2-4-6-8-10-11<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/clustered-or-melodic-heptatonalities\/phrygdorian\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">FrigDorico<\/mark><\/a><br>2) Base armonica con 2+4+6 e 10+12 \u2013 <strong>1-2-4-6-8-10-12<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/clustered-or-melodic-heptatonalities\/phrygionian-or-nabal-neapolitan-major\/phrygionian-or-nabal-neapolitan-major-loops\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">FrigIonio \/ NaBal<\/mark><\/a> (maggiore napoletano)<br>3) Base armonica con 3+4+6 e 10+12 \u2013 <strong>1-3-4-6-8-10-12<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/clustered-or-melodic-heptatonalities\/dorionian-melodic-minor-ascending\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">DorIonio<\/mark><\/a> (minore melodico ascendente)<br>4) Base armonica con 3+5+6 e 9+11 \u2013 <strong>1-3-5-6-8-9-11<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/clustered-or-melodic-heptatonalities\/ionaeolian-or-clusterbal-melodic-major\/ionaeolian-or-clusterbal-melodic-major-loops\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">IonEolio \/ ClusterBal<\/mark><\/a> (maggiore melodico)<br>5) Base armonica con 3+5+7 e 9+11 \u2013 <strong>1-3-5-7-8-9-11<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/clustered-or-melodic-heptatonalities\/lydaeolian-or-heptana\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">LidEolio \/ EptaNa<\/mark><\/a> (Lidio dominante)<br>6) Base armonica con 3+5+7 e 10+11 \u2013 <strong>1-3-5-7-8-10-11<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/clustered-or-melodic-heptatonalities\/lyddorian-or-clusterpro-acoustic-scale\/lyddorian-or-clusterpro-acoustic-scale-loops\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">LidDorico \/ ClusterPro<\/mark><\/a> (scala acustica)<\/p>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-left has-text-color\" style=\"color:#f7b320\">C) Eptatonalit\u00e0 Reach o armoniche primarie \u2013 con 9-12 o 2-5-6<\/h3>\n\n\n\n<p class=\"has-text-align-left has-text-color\" style=\"color:#f7b320\">1) Base armonica con 2+4+6 e 9+12 \u2013 <strong>1-2-4-6-8-9-12<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/reach-or-harmonic-heptatonalities\/phrygreach-neap-minor\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">FrigReach<\/mark><\/a> (minore napoletano)<br>2) Base armonica con 3+4+6 e 9+12 \u2013 <strong>1-3-4-6-8-9-12<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/reach-or-harmonic-heptatonalities\/minreach-harmonic-minor\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">MinReach<\/mark><\/a> (minore armonico)<br>3) Base armonica con 3+5+6 e 9+12 \u2013 <strong>1-3-5-6-8-9-12<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/reach-or-harmonic-heptatonalities\/majreach-harmonic-major\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">MajReach<\/mark><\/a> (maggiore armonico)<br>4) Base armonica con 3+5+7 e 9+12 \u2013 <strong>1-3-5-7-8-9-12<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/reach-or-harmonic-heptatonalities\/lydreach-or-nareach\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">LidReach \/ NaReach<\/mark><\/a><\/p>\n\n\n\n<p class=\"has-text-align-left has-text-color\" style=\"color:#f7b320\">5) Base armonica con 2+5+6 e 9+11 \u2013 <strong>1-2-5-6-8-9-11<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/reach-or-harmonic-heptatonalities\/reachmin\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">ReachMin<\/mark><\/a> (Frigio dominante)<br>6) Base armonica con 2+5+6 e 9+12 \u2013 <strong>1-2-5-6-8-9-12<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/reach-or-harmonic-heptatonalities\/reachbal\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">ReachBal<\/mark><\/a> (magg. doppio armonico\/Gypsy)<br>7) Base armonica con 2+5+6 e 10+11 \u2013 <strong>1-2-5-6-8-10-11<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/reach-or-harmonic-heptatonalities\/reachmix\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">ReachMix<\/mark><\/a><br>8) Base armonica con 2+5+6 e 10+12 \u2013 <strong>1-2-5-6-8-10-12<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/reach-or-harmonic-heptatonalities\/reachmaj\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">ReachMaj<\/mark><\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading has-text-color has-link-color wp-elements-d1d815039970a0f04f9268d4cc776a0f\" style=\"color:#f7b320\">D) Eptatonalit\u00e0 LoReachUp \u2013 con 2-4-7<\/h3>\n\n\n\n<p class=\"has-text-align-left has-text-color\" style=\"color:#f7b320\">1) Base armonica con 2+4+7 e 9+11 \u2013 <strong>1-2-4-7-8-9-11<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/reach-or-harmonic-heptatonalities\/loreachupmin\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">LoReachUpMin<\/mark><\/a><br>2) Base armonica con 2+4+7 e 9+12 \u2013 <strong>1-2-4-7-8-9-12<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/reach-or-harmonic-heptatonalities\/loreachup\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">LoReachUp<\/mark><\/a><br>3) Base armonica con 2+4+7 e 10+11 \u2013 <strong>1-2-4-7-8-10-11<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/reach-or-harmonic-heptatonalities\/loreachupmix\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">LoReachUpMix \/ LoCorMix<\/mark><\/a><br>4) Base armonica con 2+4+7 e 10+12 \u2013 <strong>1-2-4-7-8-10-12<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/reach-or-harmonic-heptatonalities\/loreachupmaj\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">LoReachUpMaj \/ LoCorMaj<\/mark><\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading has-text-color has-link-color wp-elements-c73c7692b0a8ea910385c34fc577729e\" style=\"color:#f7b320\">E) Eptatonalit\u00e0 ReachNa \u2013 con 2-5-7<\/h3>\n\n\n\n<p class=\"has-text-align-left has-text-color\" style=\"color:#f7b320\">1) Base armonica con 2+5+7 e 9+11 \u2013 <strong>1-2-5-7-8-9-11<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/reach-or-harmonic-heptatonalities\/reachnamin\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">ReachNaMin<\/mark><\/a><br>2) Base armonica con 2+5+7 e 9+12 \u2013 <strong>1-2-5-7-8-9-12<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/reach-or-harmonic-heptatonalities\/reachnabal\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">ReachNaBal<\/mark><\/a><br>3) Base armonica con 2+5+7 e 10+11 \u2013 <strong>1-2-5-7-8-10-11<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/reach-or-harmonic-heptatonalities\/reachnamix\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">ReachNaMix<\/mark><\/a><br>4) Base armonica con 2+5+7 e 10+12 \u2013 <strong>1-2-5-7-8-10-12<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/reach-or-harmonic-heptatonalities\/reachnamaj\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">RachNaMaj<\/mark><\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading has-text-color has-link-color wp-elements-a8e825c9c10b3f5ff8367be654f451d9\" style=\"color:#f7b320\">F) Eptatonalit\u00e0 ReachUp \u2013 con 3-4-7<\/h3>\n\n\n\n<p class=\"has-text-align-left has-text-color\" style=\"color:#f7b320\">1) Base armonica con 3+4+7 e 9+11 \u2013 <strong>1-3-4-7-8-9-11<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/reach-or-harmonic-heptatonalities\/reachupmin-hung-gypsy\/reachupmin-hungarian-gypsy-loops\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">ReachUpMin<\/mark><\/a> (Gypsy ungherese)<br>2) Base armonica con 3+4+7 e 9+12 \u2013 <strong>1-3-4-7-8-9-12<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/reach-or-harmonic-heptatonalities\/reachup-dbl-h-gypsy-min\/reachup-double-harmonic-gypsy-minor-loops\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">ReachUp<\/mark><\/a> (minore doppio armonico \/ Gypsy)<br>3) Base armonica con 3+4+7 e 10+11 \u2013 <strong>1-3-4-7-8-10-11<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/reach-or-harmonic-heptatonalities\/reachupmix\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">ReachUpMix<\/mark><\/a><br>4) Base armonica con 3+4+7 e 10+12 \u2013 <strong>1-3-4-7-8-10-12<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/reach-or-harmonic-heptatonalities\/reachupmaj\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">ReachUpMaj<\/mark><\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading has-text-color has-link-color wp-elements-2070fcc1d57651544763eda4caace9b8\" style=\"color:#f7b320\">G) Eptatonalit\u00e0 LoloReach \u2013 con 4-5-6<\/h3>\n\n\n\n<p class=\"has-text-align-left has-text-color\" style=\"color:#f7b320\">1) Base armonica con 4+5+6 e 9+11 \u2013 <strong>1-4-5-6-8-9-11<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/reach-or-harmonic-heptatonalities\/loloreachmin\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">LoloReachMin<\/mark><\/a><br>2) Base armonica con 4+5+6 e 9+12 \u2013 <strong>1-4-5-6-8-9-12<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/reach-or-harmonic-heptatonalities\/loloreach\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">LoloReach<\/mark><\/a><br>3) Base armonica con 4+5+6 e 10+11 \u2013 <strong>1-4-5-6-8-10-11<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/reach-or-harmonic-heptatonalities\/loloreachmix\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">LoloReachMix<\/mark><\/a><br>4) Base armonica con 4+5+6 e 10+12 \u2013 <strong>1-4-5-6-8-10-12<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/reach-or-harmonic-heptatonalities\/loloreachmaj\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">LoloReachMaj<\/mark><\/a> (Ionio #2)<\/p>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-left has-text-color\" style=\"color:#f7b320\">H) Eptatonalit\u00e0 Reach Locor o Cor \u2013 con 4-5-7<\/h3>\n\n\n\n<p class=\"has-text-align-left has-text-color\" style=\"color:#f7b320\">1) Base armonica con 4+5+7 e 9+11 \u2013 <strong>1-4-5-7-8-9-11<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/reach-or-harmonic-heptatonalities\/locorna-or-locormin\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">LocorNa \/ LocorMin<\/mark><\/a><br>2) Base armonica con 4+5+7 e 9+12 \u2013 <strong>1-4-5-7-8-9-12<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/reach-or-harmonic-heptatonalities\/locorreach\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">LocorReach<\/mark><\/a><br>3) Base armonica con 4+5+7 e 10+11 \u2013 <strong>1-4-5-7-8-10-11<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/reach-or-harmonic-heptatonalities\/cormix\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">CorMix<\/mark><\/a><br>4) Base armonica con 4+5+7 e 10+12 \u2013 <strong>1-4-5-7-8-10-12<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/reach-or-harmonic-heptatonalities\/cormaj-or-loloreachlyd\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">CorMaj \/ LoloReachLid<\/mark><\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading has-text-color has-link-color wp-elements-e8b00889c3114dcba76f020b60253ec3\" style=\"color:#f7b320\">I) Eptatonalit\u00e0 di tritono o blues \u2013 con 4-6-7<\/h3>\n\n\n\n<p class=\"has-text-align-left has-text-color\" style=\"color:#f7b320\">O) Base armonica con 4+6+7 e 9+11 \u2013 <strong>1-4-6-7-8-9-11<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/tritone-or-blues-tonalities\/bluemin\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">BlueMin<\/mark><\/a><br>P) Base armonica con 4+6+7 e 9+12 \u2013 <strong>1-4-6-7-8-9-12<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/tritone-or-blues-tonalities\/bluereach\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">BlueReach<\/mark><\/a><br>D) Base armonica con 4+6+7 e 10+11 \u2013 <strong>1-4-6-7-8-10-11<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/tritone-or-blues-tonalities\/bluemix\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">BlueMix<\/mark><\/a><br>R) Base armonica con 4+6+7 e 10+12 \u2013 <strong>1-4-6-7-8-10-12<\/strong> \u2014 <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/tritone-or-blues-tonalities\/bluemaj\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">BlueMaj<\/mark><\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading has-text-color has-link-color wp-elements-5b9462fe324ee5908a8b2499ac91a218\" id=\"references\" style=\"color:#f7b320\">Spiegazione e riferimenti \u2013 eptatonalit\u00e0<\/h2>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-0c3e8236d71d1b8b7f70072b86466096\" style=\"color:#f7b320\">Le eptatonalit\u00e0 hanno sette altezze per ottava. La base armonica \u00e8 composta da due altezze. Quindi, per formare un'eptatonalit\u00e0 individuale, sono necessarie altre cinque altezze. Cio\u00e8 due nella parte superiore e tre in quella inferiore dell'ottava. Le eptatonalit\u00e0 diatoniche e aggregate o melodiche sono composte da mezzi passi e passi interi, mentre le eptatonalit\u00e0 Reach o armoniche e di tritono o blues comprendono anche uno o due passi Reach o secondi aumentati.<\/p>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-5a146e21f1a87005f4c96f737d95cf25\" style=\"color:#f7b320\">Poche eptatonalit\u00e0 eccezionali presentate nel <a href=\"https:\/\/tonalibus.org\/it\/tonalities\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f7b320\" class=\"has-inline-color\">catalogo Tonalibus<\/mark><\/a>, ad esempio PhrygBlue, MinBlue, NaUploReach, e i regressive, non sono incluse nelle opzioni sopra proposte.<\/p>\n\n\n\n<h3 class=\"wp-block-heading has-text-color has-link-color wp-elements-3be363f85fa02b91d757cc2a24cf0fc4\" style=\"color:#f7b320\">Correlazioni tra altezze alte e basse e tra penta- ed eptatonailit\u00e0 <\/h3>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/tonalibus.org\/wp-content\/uploads\/2024\/06\/2024-06-tetrachord-correlations-06-1024x576.jpg\" alt=\"\" class=\"wp-image-32937\" style=\"object-fit:cover\" srcset=\"https:\/\/tonalibus.org\/wp-content\/uploads\/2024\/06\/2024-06-tetrachord-correlations-06-1024x576.jpg 1024w, https:\/\/tonalibus.org\/wp-content\/uploads\/2024\/06\/2024-06-tetrachord-correlations-06-300x169.jpg 300w, https:\/\/tonalibus.org\/wp-content\/uploads\/2024\/06\/2024-06-tetrachord-correlations-06-768x432.jpg 768w, https:\/\/tonalibus.org\/wp-content\/uploads\/2024\/06\/2024-06-tetrachord-correlations-06-18x10.jpg 18w, https:\/\/tonalibus.org\/wp-content\/uploads\/2024\/06\/2024-06-tetrachord-correlations-06.jpg 1280w\" sizes=\"auto, (max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"n2-section-smartslider fitvidsignore\" data-ssid=\"144\" tabindex=\"0\" role=\"region\" aria-label=\"Cursore\" data-alias=\"penta-to-hepta\"><div id=\"n2-ss-144-align\" class=\"n2-ss-align\"><div class=\"n2-padding\"><div id=\"n2-ss-144\" data-creator=\"Smart Slider 3\" data-responsive=\"auto\" class=\"n2-ss-slider n2-ow n2-has-hover n2notransition penta-to-hepta\">\n\n\n\n\n\n<div class=\"n2-ss-slider-wrapper-outside\" style=\"grid-template-rows:1fr auto\"><div class=\"n2-ss-slider-wrapper-inside\">\n        <div class=\"n2-ss-slider-1 n2_ss__touch_element n2-ow\">\n            <div class=\"n2-ss-slider-2 n2-ow\">\n                                                <div class=\"n2-ss-slider-3 n2-ow\">\n\n                    <div class=\"n2-ss-slide-backgrounds n2-ow-all\"><div class=\"n2-ss-slide-background\" data-public-id=\"1\" data-mode=\"fit\"><div class=\"n2-ss-slide-background-image\" data-blur=\"0\" data-opacity=\"100\" data-x=\"50\" data-y=\"50\" data-alt=\"\" data-title=\"\"><picture class=\"skip-lazy\" data-skip-lazy=\"1\"><img decoding=\"async\" src=\"\/\/tonalibus.org\/wp-content\/uploads\/2023\/11\/2023-11-tetrachord-correlations-07.jpg\" alt=\"\" title=\"\" loading=\"lazy\" class=\"skip-lazy\" data-skip-lazy=\"1\"><\/picture><\/div><div data-color=\"RGBA(255,255,255,0)\" style=\"background-color: RGBA(255,255,255,0);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><div class=\"n2-ss-slide-background\" data-public-id=\"2\" data-mode=\"fit\" aria-hidden=\"true\"><div class=\"n2-ss-slide-background-image\" data-blur=\"0\" data-opacity=\"100\" data-x=\"50\" data-y=\"50\" data-alt=\"\" data-title=\"\"><picture class=\"skip-lazy\" data-skip-lazy=\"1\"><img decoding=\"async\" src=\"\/\/tonalibus.org\/wp-content\/uploads\/2023\/11\/2023-11-tetrachord-correlations-08.jpg\" alt=\"\" title=\"\" loading=\"lazy\" class=\"skip-lazy\" data-skip-lazy=\"1\"><\/picture><\/div><div data-color=\"RGBA(255,255,255,0)\" style=\"background-color: RGBA(255,255,255,0);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><div class=\"n2-ss-slide-background\" data-public-id=\"3\" data-mode=\"fit\" aria-hidden=\"true\"><div class=\"n2-ss-slide-background-image\" data-blur=\"0\" data-opacity=\"100\" data-x=\"50\" data-y=\"50\" data-alt=\"\" data-title=\"\"><picture class=\"skip-lazy\" data-skip-lazy=\"1\"><img decoding=\"async\" src=\"\/\/tonalibus.org\/wp-content\/uploads\/2023\/11\/2023-11-tetrachord-correlations-09.jpg\" alt=\"\" title=\"\" loading=\"lazy\" class=\"skip-lazy\" data-skip-lazy=\"1\"><\/picture><\/div><div data-color=\"RGBA(255,255,255,0)\" style=\"background-color: RGBA(255,255,255,0);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><div class=\"n2-ss-slide-background\" data-public-id=\"4\" data-mode=\"fit\" aria-hidden=\"true\"><div class=\"n2-ss-slide-background-image\" data-blur=\"0\" data-opacity=\"100\" data-x=\"50\" data-y=\"50\" data-alt=\"\" data-title=\"\"><picture class=\"skip-lazy\" data-skip-lazy=\"1\"><img decoding=\"async\" src=\"\/\/tonalibus.org\/wp-content\/uploads\/2023\/11\/2023-11-tetrachord-correlations-10.jpg\" alt=\"\" title=\"\" loading=\"lazy\" class=\"skip-lazy\" data-skip-lazy=\"1\"><\/picture><\/div><div data-color=\"RGBA(255,255,255,0)\" style=\"background-color: RGBA(255,255,255,0);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><div class=\"n2-ss-slide-background\" data-public-id=\"5\" data-mode=\"fit\" aria-hidden=\"true\"><div class=\"n2-ss-slide-background-image\" data-blur=\"0\" data-opacity=\"100\" data-x=\"50\" data-y=\"50\" data-alt=\"\" data-title=\"\"><picture class=\"skip-lazy\" data-skip-lazy=\"1\"><img decoding=\"async\" src=\"\/\/tonalibus.org\/wp-content\/uploads\/2023\/11\/2023-11-tetrachord-correlations-11.jpg\" alt=\"\" title=\"\" loading=\"lazy\" class=\"skip-lazy\" data-skip-lazy=\"1\"><\/picture><\/div><div data-color=\"RGBA(255,255,255,0)\" style=\"background-color: RGBA(255,255,255,0);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><\/div>                    <div class=\"n2-ss-slider-4 n2-ow\">\n                        <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewbox=\"0 0 1920 1050\" data-related-device=\"desktopPortrait\" class=\"n2-ow n2-ss-preserve-size n2-ss-preserve-size--slider n2-ss-slide-limiter\"><\/svg><div data-first=\"1\" data-slide-duration=\"0\" data-id=\"3357\" data-slide-public-id=\"1\" data-title=\"2023-11 tetrachord correlations - 07\" class=\"n2-ss-slide n2-ow  n2-ss-slide-3357\"><div role=\"note\" class=\"n2-ss-slide--focus\" tabindex=\"-1\">2023-11 correlazioni tetracordi - 07<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-UYc36u4xoYmc\" data-sstype=\"slide\" data-pm=\"default\"><\/div><\/div><\/div><div data-slide-duration=\"0\" data-id=\"3358\" 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class=\"n2_clear\"><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>General guidance On this page you can form individual heptatonalities based on your harmonic base, i.e. D#\/A#. Consider the following general guidance and then also the points given with specific pitch options. To remember your pitch selections, you may write them down. They are in half step numbers. To select pitches to form individual tonalities, &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/tonalibus.org\/it\/shop\/tonalities-selection\/dis-ais-based-heptatonalities\/\" class=\"more-link\">Leggi tutto<span class=\"screen-reader-text\"> &#8220;D#\/A# based heptatonalities&#8221;<\/span><\/a><\/p>","protected":false},"author":1,"featured_media":0,"parent":27291,"menu_order":63,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-29576","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>D#\/A# based heptatonalities &#8211; TONALIBUS Harmony and Tonalities<\/title>\n<meta name=\"description\" content=\"On this page you can form individual heptatonalities based on your harmonic base, i.e. D#\/A#. Have fun with it!\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/tonalibus.org\/it\/shop\/tonalities-selection\/dis-ais-based-heptatonalities\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"D#\/A# based heptatonalities &#8211; TONALIBUS Harmony and Tonalities\" \/>\n<meta property=\"og:description\" content=\"On this page you can form individual heptatonalities based on your harmonic base, i.e. D#\/A#. 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Divertitevi!","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/tonalibus.org\/it\/shop\/tonalities-selection\/dis-ais-based-heptatonalities\/","og_locale":"it_IT","og_type":"article","og_title":"D#\/A# based heptatonalities &#8211; TONALIBUS Harmony and Tonalities","og_description":"On this page you can form individual heptatonalities based on your harmonic base, i.e. D#\/A#. Have fun with it!","og_url":"https:\/\/tonalibus.org\/it\/shop\/tonalities-selection\/dis-ais-based-heptatonalities\/","og_site_name":"TONALIBUS","article_modified_time":"2025-12-16T15:22:58+00:00","og_image":[{"width":1280,"height":720,"url":"https:\/\/tonalibus.org\/wp-content\/uploads\/2024\/06\/2024-06-tetrachord-correlations-06.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Tempo di lettura stimato":"6 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/tonalibus.org\/shop\/tonalities-selection\/dis-ais-based-heptatonalities\/","url":"https:\/\/tonalibus.org\/shop\/tonalities-selection\/dis-ais-based-heptatonalities\/","name":"Eptatonalit\u00e0 basate su D#\/A# - Armonia e tonalit\u00e0 TONALIBUS","isPartOf":{"@id":"https:\/\/tonalibus.org\/de\/#website"},"primaryImageOfPage":{"@id":"https:\/\/tonalibus.org\/shop\/tonalities-selection\/dis-ais-based-heptatonalities\/#primaryimage"},"image":{"@id":"https:\/\/tonalibus.org\/shop\/tonalities-selection\/dis-ais-based-heptatonalities\/#primaryimage"},"thumbnailUrl":"https:\/\/tonalibus.org\/wp-content\/uploads\/2024\/06\/2024-06-tetrachord-correlations-06-1024x576.jpg","datePublished":"2023-12-07T15:34:50+00:00","dateModified":"2025-12-16T15:22:58+00:00","description":"In questa pagina potete formare singole eptatonalit\u00e0 in base alla vostra base armonica, cio\u00e8 D#\/A#. 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