HexaProReach

HexaProReach — a Pro tonality and hexatonality

Harmonic visuals

Tonalibus 2e-7 hexa – 2024-01 – 80x
Tonalibus 2e-7 hexa – 2024-01 – 81
Tonalibus 2e-7 hexa – 2024-01 – 82
Tonalibus 2e-7 hexa – 2024-01 – 83
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Tonalibus 2e-7 hexa - 2024-01 - 80x
Tonalibus 2e-7 hexa - 2024-01 - 81
Tonalibus 2e-7 hexa - 2024-01 - 82
Tonalibus 2e-7 hexa - 2024-01 - 83
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Scale and sound samples

1) HexaProReach — plain scale — 13 seconds
2) HexaProReach — embellished scale — 31 seconds
3) HexaProReach — short sound sample, rhythmic — 1:22
4) HexaProReach — short sound sample, calm — 2:15

You may enjoy a sound sample or tonality loop as sound mantra for contemplation or meditation, for upliftment and focusing, or simply as soothing background sound for relaxation and regeneration.

Characteristics

  • Hexatonality matrix: There are two common and two exceptional interval distributions within the octave of hexatonalities in the catalogue. The two common distributions are: 1) one Reach step, four whole steps, and one single half step (or semitone); and 2) two Reach steps, two whole steps, and two half steps. The two exceptional interval distributions include: 1) three Reach steps, no whole step, and three half steps; and 2) one augmented Reach step (spanning four half steps), three whole steps, and two half steps.
  • HexaProReach: The name indicates that this is a hexa- and Pro tonality with the upper tetrachord Reach. As Pro tonality, the lower tetra- or trichord is major without the regressive quart. The identifier Pro stands for progressive.
  • Step pattern: Ascending from the fundamental (tonic or Do), two consecutive whole steps lead to a Reach step. Then follows a half step and a second Reach step. Finally a half steps leads up to the octave.
  • Scale intervals: Major second, major third, quint, minor sixth, and major seventh.
  • Tetra- and trichords: The lower tetra- or trichord is PentaMaj and the upper is Reach.
  • Harmonic axes: There is one axis, EN-WS.
  • Primary harmonic anchors: All four primary anchors are partially present. The fundamental or North anchor is the only one with its head. Plus is has its right leg. The West anchor has both legs. The East and the Contrast or South anchor each have only their left leg.
  • Secondary harmonic anchors: One secondary anchor is present, SW. It emphasizes the fundamental North anchor with the quint as well as to a lesser degree the West anchor.
  • Hexa- to Hepta- and Pentatonality correlation: HexaProReach is equivalent to MajReach without quart.