Yes, I am that I am

Yes, I am that I am
What I always wanted
But compromised so
Until left the cocoon
And stepped outside
The confines of home
Out into the wide world
To realities of being now
Not as they wanted to be
But as they are right here
Yes, they are what they are
No matter the point of view
There is that core of real
To be experienced true
Beyond right and wrong
Good or bad, up or down
For it always is that it is
Divine love some call it
Spirit, light and sound
Free flowing through
Claimed all too often
By drives for stature
And therefore limited
Instead of allowed to be
Simply what it is for real
Without interpretation
No coloring nor twists
Just finally at long last
Yes, be! Thus we are.

“Bagisacro blues” — let’s dance!

PentaMin / PentaEol — bass, singing saw, 8-string guitar and crotales — 6:23 — as loop on a separate tab

Rain and time — drops and moments

“There is no substitute for standing in the rain to waken every sense — senses that are muted within four walls, where my attention would be on me instead of all that is more than me. Inside looking out, I could not bear the loneliness of being dry in a wet world.”

“When you have all the time in the world, you can spend it, not on going somewhere, but on being where you are.”

“There is no such thing as random. Everything is steeped in meaning, colored by relationships, one thing with another.”

“Maybe there is no such thing as rain; there are only raindrops, each with its own story.”

“Maybe there is no such thing as time; there are only moments, each with its own story.”

Braiding Sweetgrass, Robin Wall Kimmerer, pp. 295-300

Yes, I am that I am — swan and soul

Yes, I am that I am
The swan who came to greet some receptive souls — March 2022 — Hünibach, Switzerland

Just a few words

Just a few words
Repeat themselves
Over and over again
That’s language
To be shared
Reflect reality
Ideally or else
Submerge illusion
Which way to go
It is your choice
Not taken lightly
But given sound
Touch the heart
And free soul
As war rages
People suffer
Apparently unjust
To come together
Sooner or later
Or part for good
Any way that is
What’s happening
Over and over again
Repeating itself
Just a few words
Of love will help
As actions resolve
Right and wrong
What is that it is.

“Nature’s echo in blue calm” — where a contrast meets

PentaBluNa — 8-string guitar — 2:47 — as loop on a separate tab

Trust and the honorable harvest

Trust is a delicate matter. It takes forever to build up. But it can vanish in one instant. One lie or what’s seen as absolute negative can destroy what took years, decades, even centuries to build up. Trust! Once blemished or broken, it’s very hard to build up again and may at best remain shaky for a long time. That’s where most part ways. But how about remaining together? That’s love!

“If I don’t pick rocks and pull weeds, I’m not fulfilling my end of the bargain. I can do these things with my handy opposable thumb and capacity to use tools, to shovel manure. But I can no more create a tomato or embroider a trellis in beans than I can turn lead into gold. That is the plants’ responsibility and their gift: animating the inanimate.”

“The guidelines for the Honorable Harvest are not written down, or even consistently spoken of as a whole — they are reinforced in small acts of daily life. But if you were to list them, they might look something like this:

Know the ways of the ones who take care of you, so that you may take care of them.
Introduce yourself. Be accountable as the one who comes asking for life.
Ask permission before taking. Abide by the answer.
Never take the first. Never take the last.
Take only what you need.
Take only that which is given.
Never take more than half. Leave some for others.
Harvest in a way that minimizes harm.
Use it respectfully. Never waste what you have taken.
Share.
Give thanks for what you have been given.
Give a gift, in reciprocity for what you have taken.
Sustain the ones who sustain you and the earth will last forever.

The rules of the Honorable Harvest are based on accountability to both the physical and the metaphysical worlds. The taking of another life to support your own is far more significant when you recognize the beings who are harvested as persons, nonhuman persons vested with awareness, intelligence, spirit — and who have families waiting for them at home. Killing a who demands something different than killing an it. When you regard those nonhuman persons as kinfolk, another set of harvesting regulations extends…” — the Honorable Harvest.

Braiding Sweetgrass, Robin Wall Kimmerer, pp. 126-127 and 183

An honorable swan beyond words

Just a few words
Crossing paths with an honorable swan — March 2022 — Champ Pittet, Yverdon-les-Bains

Tonality of the month: ReachMin

The April 2022 tonality of the month is ReachMin / Phrygian dominant, a Reach / harmonic tonality.

1) ReachMin — short sound sample, calm — 8-string guitar — spring 2020 — 0:45
2) ReachMin — calm sound sample — 8-string guitar — March 2022 — 2:49
3) ReachMin — rhythmic sound sample — 8-string guitar — March 2022 — 3:23

The tonality of the month of April 2022 is ReachMin or Phrygian dominant. As fully anchored Reach or harmonic heptatonality, it combines a PhrygAeolian upper with a regular Reach lower tetrachord. That is the interval of an augmented second from its minor second to its major third. Thus, ReachMin juxtaposes strong but well rounded anchored contrasts. Among its notes, the major third is the most contrasting. The enriching, uplifting, and assertive quality of this pitch arises from being one of the first harmonics of the tonic.

You may enjoy a sound sample or tonality loop as sound mantra for contemplation or meditation. This can help with upliftment, purification, and focusing. Or it could simply be used as soothing background sound for relaxation and regeneration. If you care to hum, chant, or sing along, you could do so using a spiritually charged syllable like HU or Ōṁ / Aum ॐ, or another mantra syllable that suits you.

Tonality of the month: ReachMin
Attractive cool waters before dusk — March 2022 — view from Erlach harbor, lake Biel/Bienne

How much is imagined

How much is imagined
Where is the substance
More a reality or illusion
Can we distinguish them
So intricately intertwined
When we look at things
What colors the image
Enhances or distorts
Pointing out reality
Or veiling in illusion
To elude experience
One moment it’s here
The next it will be gone
As if it never happened
But it’s cast in memory
More or less accurately
Possibly quite twisted
To suit circumstances
How it was in reality
Until it was all over
In the flow of life
Move on beyond
That one moment
Always to the next
Not linear like a river
But round concentric
For it is the sea of life
Where history meets
The prophecy of now
May be a blessing
In reality indeed.

“Wake and ready for an new day” — Aeolian with a touch MinReach — piano — March 2022 — 5:35

“Time is not a river running inexorably to the sea, but the sea itself — the tides that appear and disappear, the fog that rises to become rain in a different river…
In circular time… stories are both history and prophecy, stories for a time yet to come. If time is a turning circle, there is a place where history and prophecy converge.”
Braiding Sweetgrass, Robin Wall Kimmerer, pp. 206-207

How much is imagined
Pebbles sparkle in a creek — February 2022 — Valle Maggia, Ticino

February-March 2022 Tonalibus update

This February-March 2022 Tonalibus update announces the global release of the album Tonalibus Cooperation A. First though, it highlights Tonalibus playlists with new personal sound samples. Thus, the playlist Tonalibus D is now complete. In addition, playlist Tonalibus E experienced a very decisive beginning. Then there is a recap of the February 10 cooperation concert in Basel. Finally, this update concludes with inspiring quotes on harmony and a corresponding comment.

A completed and a new playlist in the Fidibus shop

February-March 2022 Tonalibus update

Completion of playlist Tonalibus D

This playlist High Mountains on fire, light, and sound is now complete with 12 pieces covering 72 minutes of original music. “Courage it takes” and “無為 Wu wei – contemplation” came about from the preparations for the cooperation concert in Basel on February 10, “Blessings may be” and “Guggisbärg-Melodie” from live concert recordings.

Beginning of new playlist Tonalibus E

This rapidly growing playlist Freedom of sound and harmony so far includes already 6 pieces offering 33 minutes of new music. This includes a rhythmic and a calm LydReach sound sample, “Happy birthday, Robin Hood! (for K.)”, “Thundering liberty and freedom”, “Bagisacro blues — let’s dance!”, and “Tagicrosago — W. A. Mathieu’s dark horse” that is offered as sample below.

“Tagicrosago” — PhrygDorian — tanpura, 8-string guitar, crotales, singing saw, gong — March 2022 — 5:45

The here mentioned new titles are available also under Sounds, individually and as loops. The recordings concluding playlist Tonalibus D as well as the two new LydReach samples are under Winter 2021-2022. While further recordings from playlist Tonalibus E are under Spring 2022. And the early 2022 cooperation sound samples mentioned below are under Cooperation 2020-2021.

Release of the album Tonalibus Cooperation A

Christina Braun, voice, & Ulrico, instruments

As announced in a previous blog post, Cooperation A – the album was released on global music platforms on February 22. Details about it you find under Cooperation A — Album in the Fidibus shop. It presents spontaneous improvisations as in playlist Cooperation A, including the new “Starry Sky” and “Heart in Misty Forest”. A sound sample is offered below.

“Cheerful Hey, Hey! — a happy dance” — Mixolydian — voice by Christina Braun — 8-string guitar by Ulrico — 5:18

February 10 cooperation concert — recap

Concert car packed up to and on the roof
Cooperation concert venue in action
Fretted vichitra veena
8-string guitar

In the Happy Garden –
sound & song

Cooperation concert
with Ulrico and
Marcel Haag
QuBa, Basel
February 10, 2022

Concert recap blog post

More concerts in various cooperation configurations are currently being planned. A private living room concert with Ulrico is scheduled for April 2 in Liebefeld, a suburb of Bern.

February-March 2022 Tonalibus update — harmony quotes

“By singing a tone in tune, you tune your room and your family and your neighborhood. It is not otherworldly that this is so. You place the energy of your sound into this world, and this world’s energy does not die; instead, it transforms. And whatever it transforms into carries with it forever the history of your good intentions.”

Harmonic territory, “even if it proves impossible to describe, it is nevertheless your territory and is eminently possible to explore. A true musician knows the inner ground.
Singing is the royal road to this inner land. Once inside, you become the mapmaker. You name the canyons and ranges, the hidden valleys, the underground rivers, the unnameable. The most amazing thing is that your map seems to be more or less identical to mine. (*) That’s why music connects individuals, communities, cultures, maybe someday a global population: We are more the same than different. And yet, vive la différence. Without it, music, like evolution, would be long gone.”

“Treat the naming systems … as if they were true. But we must remember that they are not quite true. It is crucial to understand the limitations of the names we use. The half truth of a construct in the mind can actually close our ears to the truth of a sound in the air. Incomplete or false constructs may lead us away from the subtlety we seek. … From now on we will have been forewarned, and prepared for imminent wobbles and collapses. We will understand and adjust.”

“It is powerful, upon hearing the music of strangers…, to recognize the common threads that connect the harmonic resonances of various peoples. This is not personal authority but the collective power of being human. Whether or not you were musically trained, you would sense the power of the harmonic resonances. But when you yourself can make such sounds, you realize the way in which you are this power.”

“Pure tones can learn to be alive inside your body.”

Harmonic Experience, W. A. Mathieu, pp. 90, 94, 101, 129, and 131

February-March 2022 Tonalibus update — conclusion

(*) — Indeed, W. A. Mathieu’s harmonic mapping appears largely identical in essence to the one of Tonalibus. Although he gives much more weight to and nests also the fifth harmonic or overtone (the major third) besides the third one (the fifth or quint) as basis for his fundamental harmonic mapping. Tonalibus, on the other hand, sticks more closely to the pure Pythagorean approach, i.e., the quint cycle, and gives more weight to the natural sequence of harmonics or overtones. Still, it is most evident that views of harmony are rooted in commonality. As Mathieu put it above: “We are more the same than different. And yet, vive la différence.” After all, there is always so much, much more to explore and experience in harmony, life, and love. 🙂

February-March 2022 Tonalibus update
Shadow profile on snow covered mountain brook boulders — February 2022 — bridge over Kiene, Fulbrunni, Switzerland