चैतन्य Chaitanya

चैतन्य Chaitanya manifests in so many ways
Sounds, courage, persistence, harmony
So can I see you – and can you see me?
At times so distant, and then so close
Waves come and go, always present
Looking, listening, and mostly being
It might seem an eternal embrace
When the moon and sun so dance
In this world the winds of change
All has its beginning and ending
Some wait for one or the other
There are many but a few if any
Will aim for and realize their way
Pure conscious self, enthusiasm
It carries all far on eagle’s wings
Personalities and ego left behind
No more higher or lower, but now
Here in this very moment present
Hearts embrace the sun and moon.

“चैतन्य Chaitanya — Blues”

G# Mixolydian with D# TetraNa / A# Norcor inversionvichitra veena and double 3/4 violin — January 2022 — 9:47 — as loop on a separate tab

Chaitanya — meaning

Chaitanya (Sanskrit: चैतन्य) refers to awareness, consciousness, conscious self, intelligence, or pure consciousness, as well as energy and enthusiasm.

चैतन्य Chaitanya
Listening to the call of soul — December 2021 — St. Lucia — photo by Michael Sacchet

Courage it takes

Courage it takes
To be oneself
Fulfilled and free
To be all true
Standing up tall
Surfing the winds
That rip and rattle
To shake it lose
And liberate all
To be detached
Let go entirely
In the present
Moment upon
Moment again
Until here now
I am that I am
And that is all
As well as nothing
Ever and never.

“Blue Courage” — a Dorian mode blues medley

Dorian — 8-string guitar, singing saw, tingsha cymbals, crotales, gongs, and voice — 5:08 — as loop on a separate tab

Grammar of animacy

“I come here to listen, to nestle in the curve of the roots in a soft hollow of pine needles, to lean my bones against the column of white pine, to turn off the voice in my head until I can hear the voices outside it: the shhh of wind in needles, water trickling over rock, nuthatch tapping, chipmunks digging, beechnut falling, mosquito in my ear, and something more — something that is not me, for which we have no language, the wordless being of others in which we are never alone.”
Braiding Sweetgrass, Robin Wall Kimmerer, p. 48

Courage it takes to step out

Courage it takes
Looking out from the safety of woods into the cool winter world — January 2022 — Grächwil/Meikirch, Switzerland

Some things fit

Some things fit
And others don’t;
Only you can tell
For your very self.

What did fit once
May not fit now;
And what did not
May now maybe.

Beyond possibilities
The very realities
Of a one and only
Soul and self.

A seeking stranger
A strange seeker
Finding the good
The good finder.

Good, not better!
Better is worse.
What is best?

“From the Future to the Present and Back”

From G# TetraNA with touches of its F# Upcor inversion progressing to C# Ionian (diatonic major) and back, connecting the far ends and melting contrasts into a unified whole — 8-string guitar — December 2021 — 9:45 — as loop on a separate tab

The Cyrus Charter

The fragments of the Cyrus Cylinder from the 6th century BC honor the Persian king Cyrus the Great, founder of the Achaemenid empire. Many historians regard this cylinder as early or first declaration of human rights. Here is a translation or interpretation of a portion of it:

“Everyone shall live according to his religion, respect women, and help the poor. Everyone may speak the language of his tribe. Only with human values can you be human. … To break the chains…, the freedom of the slaves, and honoring the elders is my wish.”

Snapdragon survivor chilled

Some things fit
Surviving snapdragon bud reaching above the snow cover — December 2021 — Grächwil, Switzerland

Mighty old oak

Mighty old oak, so beautiful and strong,
Beyond this very age you reach and stretch
Branches to the sky and roots in olden depths.

Majestic you stand  your ground so tall
On the very top of this sweet, rolling hill.
Forests and fields grew all around
Like a roaring ocean’s ebb and tide.

Many a deer became your friend
And yes, some people loved you too,
But now at last you may get cut
In spite along with your very hill and all.

Thus I came by with a heavy heart
My hand reached out to touch your bark
And you opened up your heart and spoke
Swept me off my feet and flew
Through a vortex of a gate we spun
And the world fell far away.

“It’s all right the way it is!”
Thundered your might voice
With profound acceptance of it all
Boundless appreciation and deepest love
For all life and everything and all.

“Maybe it’s my time to go, it matters not
I’ve been here for quite a while
I won’t mind somewhere else to go —
And when we’re ready it will be
Definitely a good step after all.
So, why worry? — Let it be!”

“At times you may feel squeezed,
Sometimes crowded, then alone —
Go with the flow, ride the ebb and tide
And all is right, the very best
In everything and all there is
This moment, sweet and sound
We call eternity and love!”

So the tree spoke with silence
Like thunder shaking up my Earth
Then gently put me back again
Down on my little human feet.

“Christina’s Theme” — cooperation of sound and light

Theme and voice by Christina Braun — 6-string guitar by Ulrico — December 2021 — 5:57 — more cooperation sounds

About stories and truth

And I asked him if it was true.
“True?” he snapped. “What do you mean by by ‘true’? You want to know if it happened, word for word, exactly as I told it? Makes no difference. You may as well ask me if it’s a good story, because a good story is true, whether it happened or not. And a bad story — even if it happened — is a lie.”
“The question,” he added with a grin, “is not whether the story is true, but whether it has truth inside it… And that is a mystery only time can solve.” — p. 9

As Mark Twain said: “Truth is stranger than fiction… Fiction is obliged to stick to possibilities; Truth isn’t.” — p. 10

“But telling stories is not about the words you say. When you have a story inside you, and an open heart, you become a conduit — the story flows through you. As for the words — ” he waved a hand dismissively, “they’re merely commentary.” — pp. 93-94

From The Beggar King and the Secret of Happiness by Joel ben Izzy

Happy 2022! — Mighty old oak, Luna, and Moon

Mighty old oak
Mighty old oak

Tonality of the month: Aeolian (natural minor)

The January 2022 tonality of the month is Aeolian (natural minor), a diatonic heptatonality.

1) Aeolian — very calm sound sample — Dec. 2021 — 3:30 loop — plays until stopped or you go to another page on this tab
2) Aeolian — calm sound sample — December 2021 — 2:28 loop
3) Aeolian — rhythmic sound sample — December 2021 — 2:44 loop
4) Aeolian — short rhythmic sound sample — June 2020 — 0:40 loop

The tonality of the month of January 2022 is Aeolian (natural minor), a regular diatonic heptatonality that is fully anchored. The octave of the diatonic tonality matrix includes five whole steps and two half steps (or semitones). And either two or three consecutive whole steps, a pair and a trio, alternate in separating the two individual half steps from each other.

You may enjoy a sound sample loop, such as the one of the tonality of the month, as sound mantra for contemplation or meditation, for upliftment, focusing, or simply for relaxation and regeneration as soothing background sound. Further, you could hum or chant along, for example using Ōṁ / Aum ॐ, HU, or another mantra syllable that suits you, and tune yourself to the fundamental.

Tonality of the month: Aeolian (natural minor)
The miracle of the present moment — December 2021 — near Grächwil / Meikirch, Switzerland