How to be real

How to be real
In a fake world
Spoiled rotten
By big wealth
Piling on poor
Exploitation
Out for profit
From disasters
And shortages
Strife and war
Where ever to
Turn around
Breach the top
And also bottom
Level all fences
Around soul
Squeeze out
Into freedom
Better for real
Instead before
Just a carrot
Out of reach
Dangling close
To keep within
Corral’s confine
Under the sky
Infinitely blue
A heart of love.

“Holy sham” — a short sound excursion far out

Mixolydian on G, spiced — multiple fujara and 8-string guitar — 4:25 — as loop on a separate tab

How to be real? — Always here!

“You don’t have to be afraid, … we don’t want to chase you away. We want to help you.”
Momo nodded silently, but still not quite convinced.
“You say your name is Momo, don’t you?”
“Yes.”
“That’s a pretty name, but I’ve never heard it before. Who gave you that name?”
“I did,” Momo said.
“You named yourself that?”
“Yes.”
“When were you born, then?”
Momo thought about it and finally said, “As far as I can remember, I’ve always been around.”

— Momo, the strange story of time thieves and the child who returned the stolen time to the people, Micheal Ende, p. 11

How to fix being real — the old newly repaired

How to be real
Sculptures of past and present lives by Uli Sacchet and his two sons, plus one in ebony from Gabon

Things do come together

Things do come together
As they are sorted out
When it is time always
One step and another
In the flow of life
And always love
One way or other
Replenish energy
Use what we have
Wise and prudent
With consciousness
Of where it comes from
And also where it goes
But — most of all
Where it is now
And what we do
To ease or aggravate
Since it is always both
Though we may want
To consider only one
Or maybe the other
Instead of balance
Opposites in unity
Leveling any bumps
Or else heaping hills
Sharpening blades
Or rounding edges
To meet half way
Anchored firmly
In sound harmony
And sweet silence.

“Ever again, keep going!” — life moves on

TetraNa based — voice by Christina Braun, 8-string guitar by Ulrico — 3:48

“If I ran the zoo” — by Dr. Seuss

“It’s a pretty good zoo,”
Said young Gerald McGrew,
“And the fellow who runs it
Seems proud of it too.”

“But if I ran the zoo,”
Said young Gerald MyGrew,
“I’d make a few changes.
That’s just what I’d do . . .”

“Yes . . .
That’s what I’d do,”
Said young Gerald McGrew.
“I’d make a few changes
If I ran the zoo.”

Things do come together — in many ways

Things do come together
Butterfly and flower come together — Papiliorama, Kerzers, Switzerland — photo by Karin Gsöllpointner

The divine

The divine
Is always
With me
However
No name
Is needed
And certainly
No trademark
Which limits
Everything
Unlimited
And free
Claiming
Freedom
By putting
Some fence
Around it all
For tearing
Down once
And for all
To flow
As life
And love
The divine
Is always
With all
Without
A name
Is best
For me
So free
The end.

“Umbilical” — sounds in silence

ReachMin or Phrygian dominant on 136 Hz — multiple 8-string guitar — 10:05 — derived from the sound recordings for “Klanggeschichte”, the story: Nabelschnur about the development of the umbilical cord

ど 道 — DŌ / MICHI — Way

“Helping everyone is helping yourself
it is the best way!”

“The great way has no gate!”

“What is the way?
The way is not a visible thing
it is also not an invisible thing
it is nothing comprehensible
it is not an incomprehensible thing
do not seek it
do not learn it
do not name it
be wide and open like the sky
and you are on the way”

— 墨跡 Bokuseki / Tuschspuren, Tetsuo Roshi Nagaya Kiichi, p. 102, original in German

The divine is all around us, everywhere and all the time

The divine
Lone birch, a guardian of the age, reaching into the sky — March 2023 — Meikirch, Switzerland

Actually a parasite

Actually a parasite
Could be a blessing
When kept in balance
Or helping to maintain
The crucial equilibrium
As a given component
Of the body of nature
Then — all of a sudden
Appears as contributor
Through the principle
Resistance is needed
To build up strength
And for evolution
To reach immunity
In good tolerance
With all adversity
And decent health
Survival so to speak
As an individual first
Within the construct
Of family and friends
Society and species
The whole of nature
With spirit, the divine
In the creation of God
Ever more conscious
Day by day — in life
Life by life — as soul
Simply here and now.

“To a new horizon” — let go of the horizon to find a new one

Violin by Christina Braun, bowl and cymbals by Ulrico — 5:55

Structures composed by vortexes

“Since vortices cannot exist by themselves, their dynamics must close, e.g. by several feeding each other. Their rotation generates forces on each other: With parallel axes, vortices rotating in opposite directions attract each other, vortices rotating in the same direction repel each other. … If the axes are perpendicular to each other, force and corresponding energy disappear, which results in vortices being perpendicular to each other when they are pushed together by a strong force. … Because this tri-orthogonal arrangement carries the least energy, it lines up by itself.”

Grundzüge der deduktiven Physik, Hans Widmer, pp. 85-86

Actually not a parasite — a birch rooted in heaven

Actually a parasite
Lone birch caressed by the alpine horizon — March 2023 — Meikirch, Switzerland

Colorful sand

Colorful sand
New old sound
Room for silence
Colors to blossom
Times dedicated
To life and love
Space creation
Dreams manifest
Open for sharing
In action mostly
And some words
Images as context
Music for healing
Slow down calm
Tune in essence
The spirit of now
Joy of happiness
The food for soul
To stand up tall
So see the light
Hear the sound
Resonate deep
Inside the heart
Outside embrace
Never ending gifts
Inspiration always
Of what comes
And what goes
The continuum
Of the divine.

“Bears and butterflies” — sifting through colorful sand

Diffuse D#, G#/C# Phrygian, C# Aeolian, a touch of G# ReachMin — voice, double 8-string guitar, bells — 8:00

Sand mandala — creation and dissolution — the ephemeral